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Philosophy,<br />

Literature,<br />

& Theory<br />

New and<br />

Forthcoming from<br />

<strong>Stanford</strong> <strong>University</strong> <strong>Press</strong><br />

20% discount<br />

on all titles<br />

2013<br />

<strong>Stanford</strong><br />

<strong>University</strong> <strong>Press</strong>


AVAILABLE IN APRIL 2013<br />

The Highest Poverty<br />

Monastic Rules and<br />

Form-of-Life<br />

Giorgio Agamben<br />

Translated by Adam Kotsko<br />

What is a rule, if it appears to become<br />

confused with life? And what is a human<br />

life, if, in every one of its gestures,<br />

of its words, and of its silences, it<br />

cannot be distinguished from <strong>the</strong> rule?<br />

It is to <strong>the</strong>se questions that Agamben’s<br />

new book turns by means of an impassioned<br />

reading of <strong>the</strong> fascinating and<br />

massive phenomenon of Western monasticism<br />

from Pachomius to St. Francis.<br />

The book reconstructs in detail <strong>the</strong><br />

life of <strong>the</strong> monks with <strong>the</strong>ir obsessive<br />

attention to temporal articulation and<br />

to <strong>the</strong> Rule, to ascetic techniques and<br />

to liturgy. But Agamben’s <strong>the</strong>sis is that<br />

<strong>the</strong> true novelty of monasticism lies<br />

not in <strong>the</strong> confusion between life and<br />

norm, but in <strong>the</strong> discovery of a new<br />

dimension, in which “life” as such,<br />

perhaps for <strong>the</strong> first time, is affirmed<br />

in its autonomy, and in which <strong>the</strong><br />

claim of <strong>the</strong> “highest poverty” and<br />

“use” challenges <strong>the</strong> law in ways that<br />

we must still grapple with today.<br />

Meridian: Crossing Aes<strong>the</strong>tics<br />

144 pp., 2013<br />

9780804784061 Paper $17.95 $14.36 sale<br />

9780804784054 Cloth $50.00 $40.00 sale<br />

The Sparks of<br />

Randomness,<br />

Volume 2<br />

The A<strong>the</strong>ism of Scripture<br />

Henri Atlan<br />

Translated by Lenn J.Schramm<br />

In this second volume Henri Atlan<br />

pursues his investigation of human<br />

life, which he grounds in a distinctive<br />

intermingling of <strong>the</strong> biological and<br />

cognitive sciences and traditions of<br />

Jewish thought. The A<strong>the</strong>ism of Scripture<br />

offers up a paradox: its audacious<br />

<strong>the</strong>sis is that <strong>the</strong> Word or revealed<br />

scripture can be better understood<br />

without God. It must be decrypted or<br />

analyzed a<strong>the</strong>istically, that is, not as<br />

divine revelation, but in and of itself.<br />

“Henri Atlan has undoubtedly become<br />

a great scholar and important international<br />

figure in <strong>the</strong> academic community.<br />

His approach to texts is original and<br />

stimulating, his ideas both lucid and<br />

insightful. He has written many volumes<br />

on a variety of subjects, but this one has<br />

special meaning due to <strong>the</strong> convulsions<br />

society has been undergoing in recent<br />

years. The book is steeped in psychology<br />

and religion, biology and sociology, mysticism<br />

and ethos. Drawing from Talmudic<br />

sources but also from secular ones, it is<br />

sure to find appeal in many circles.”<br />

—Elie Wiesel<br />

Cultural Memory in <strong>the</strong> Present<br />

408 pp., 3 tables, 7 figures, 2013<br />

9780804761352 Paper $29.95 $23.96 sale<br />

9780804761345 Cloth $90.00 $72.00 sale<br />

Most SUP titles are<br />

available as e-books via our<br />

website or your favorite<br />

e-reading platform. Visit<br />

www.sup.org/ebooks<br />

for a complete list of<br />

offerings, as well as e-book<br />

rental and bundle options.<br />

20% discount on all<br />

titles. Use <strong>the</strong> code<br />

S13LIT to redeem this<br />

offer on print books.<br />

Table of Contents<br />

Philosophy.....................................2- 9<br />

Literature and Theory..........10-15<br />

Exam Copy Policy..................................9<br />

Ordering......................................................9<br />

2 Philosophy


Dreaming of<br />

Michelangelo<br />

Jewish Variations on a<br />

Modern Theme<br />

Asher D. Biemann<br />

Dreaming of Michelangelo is <strong>the</strong> first<br />

book-length study to explore <strong>the</strong><br />

intellectual and cultural affinities<br />

between modern Judaism and <strong>the</strong> life<br />

and work of Michelangelo Buonarroti.<br />

It argues that Jewish intellectuals<br />

found <strong>the</strong>mselves in <strong>the</strong> image of<br />

Michelangelo as an “unrequited lover”<br />

whose work expressed loneliness and<br />

a longing for humanity’s response.<br />

The modern Jewish imagination<br />

thus became consciously idolatrous.<br />

Writers brought to life—literally—Michelangelo’s<br />

sculptures, seeing in <strong>the</strong>m<br />

<strong>the</strong>ir own worldly and emotional<br />

struggles. According to Biemann, <strong>the</strong><br />

phenomenon of Jewish self-recognition<br />

in Michelangelo’s work offered an<br />

alternative to <strong>the</strong> failed promises of<br />

<strong>the</strong> German enlightenment. Through<br />

this unexpected discovery, he rethinks<br />

German Jewish history and its connections<br />

to Italy, <strong>the</strong> Mediterranean,<br />

and <strong>the</strong> art of <strong>the</strong> Renaissance.<br />

“A very creative and productive lens for<br />

re-examining <strong>the</strong> entry into modernity<br />

by Western European Jews.”<br />

—Richard Block, <strong>University</strong> of Washington<br />

200 pp., 3 illustrations, 2012<br />

9780804768818 Cloth $50.00 $40.00 sale<br />

Living Thought<br />

The Origins and Actuality<br />

of Italian Philosophy<br />

Roberto Esposito<br />

Translated by Zakiya Hanafi<br />

The work of contemporary Italian<br />

thinkers, what Roberto Esposito<br />

refers to as Italian Theory, is attracting<br />

increasing attention around <strong>the</strong> world.<br />

This book explores <strong>the</strong> reasons for its<br />

growing popularity, its distinguishing<br />

traits, and why people are turning to<br />

<strong>the</strong>se authors for answers to real-world<br />

issues and problems. The approach he<br />

takes, in line with <strong>the</strong> keen historical<br />

consciousness of Italian thinkers<br />

<strong>the</strong>mselves, is a historical one. He<br />

offers insights into <strong>the</strong> great “unphilosophical”<br />

philosophers of life—poets,<br />

painters, politicians and revolutionaries,<br />

film-makers and literary critics—<br />

who have made Italian thought, from<br />

its beginnings, an “impure” thought.<br />

“In this expansive, provocative, and beautifully<br />

written work, Roberto Esposito,<br />

who is one of <strong>the</strong> most original voices<br />

in <strong>the</strong> Continental panorama today, sets<br />

out to articulate <strong>the</strong> ‘Italian difference,’ a<br />

question all <strong>the</strong> more enticing in light<br />

of <strong>the</strong> waning of <strong>the</strong> French generation<br />

that shaped <strong>the</strong> profile of European philosophy<br />

from <strong>the</strong> 1970s onward.”<br />

—Giovanna Borradori, Vassar College<br />

Cultural Memory in <strong>the</strong> Present<br />

296 pp., 6 illustrations, 2012<br />

9780804781565 Paper $23.95 $19.16 sale<br />

9780804781558 Cloth $75.00 $60.00 sale<br />

AVAILABLE IN JUNE 2013<br />

Philosophy and<br />

Melancholy<br />

Benjamin’s Early Reflections<br />

on Theater and Language<br />

Ilit Ferber<br />

This book traces <strong>the</strong> concept of<br />

melancholy in Walter Benjamin’s early<br />

writings. Ra<strong>the</strong>r than focusing on <strong>the</strong><br />

overtly melancholic subject matter<br />

of Benjamin’s work or <strong>the</strong> unhappy<br />

circumstances of his own fate, Ferber<br />

considers <strong>the</strong> concept’s implications<br />

for his philosophy. Informed by Heidegger’s<br />

discussion of moods and <strong>the</strong>ir<br />

importance for philosophical thought,<br />

she contends that a melancholic mood<br />

is <strong>the</strong> organizing principle or structure<br />

of Benjamin’s early metaphysics<br />

and ontology. Her novel analysis of<br />

Benjamin's arguments about <strong>the</strong>ater<br />

and language features a discussion of<br />

<strong>the</strong> Trauerspiel book that is amongst<br />

<strong>the</strong> first in English to scrutinize<br />

<strong>the</strong> baroque plays <strong>the</strong>mselves.<br />

“This is a remarkable study of Walter<br />

Benjamin’s early writings. No longer<br />

an obscure hermetic work from some<br />

distant historical moment, Benjamin’s<br />

Trauerspiel becomes central to contemporary<br />

philosophical concerns.”<br />

—Andrew Benjamin, Monash <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

264 pp., 2013<br />

9780804785204 Paper $24.95 $19.96 sale<br />

9780804785198 Cloth $85.00 $68.00 sale<br />

Philosophy<br />

3


<strong>Stanford</strong> BRIEFS<br />

Why Internet<br />

Porn Matters<br />

Margret Grebowicz<br />

Now that pornography is on<br />

<strong>the</strong> Internet, its political and<br />

social functions have changed.<br />

So contends Margret Grebowicz<br />

in this imperative philosophical<br />

analysis of Internet<br />

porn. The production and<br />

consumption of Internet porn,<br />

in her account, are a symptom<br />

of <strong>the</strong> obsession with self-exposure<br />

in today’s social networking<br />

media, which is, in turn, a<br />

symptom of <strong>the</strong> modern democratic<br />

construction of <strong>the</strong> governable<br />

subject as both transparent<br />

and communicative. In<br />

this first feminist critique to<br />

privilege <strong>the</strong> effects of pornography’s<br />

Internet distribution<br />

ra<strong>the</strong>r than what it depicts,<br />

Grebowicz examines pornsharing<br />

communities (such as<br />

<strong>the</strong> bestiality niche market) and<br />

<strong>the</strong> politics of putting women’s<br />

sexual pleasure on display (<strong>the</strong><br />

“squirting” market) as part of<br />

<strong>the</strong> larger democratic project.<br />

<strong>Stanford</strong> Briefs deliver fresh<br />

content in a bite-sized form.<br />

Shorter than <strong>the</strong> average<br />

book, <strong>the</strong>se offerings ei<strong>the</strong>r<br />

provide <strong>the</strong> essence of a<br />

topic, or present incisive<br />

analyses of current affairs<br />

and contemporary issues<br />

that are too long for a<br />

journalistic outlet, but too<br />

short for a book. <strong>Stanford</strong><br />

Briefs promote mindful<br />

action and intelligent<br />

debate, bringing novel<br />

perspectives and <strong>the</strong>oretical<br />

approaches to <strong>the</strong> fore.<br />

Arguing against this project,<br />

she shows that sexual pleasure<br />

is not a human right. Unlikely<br />

convergences between thinkers<br />

like Ca<strong>the</strong>rine MacKinnon,<br />

Jean Baudrillard, Judith Butler,<br />

and Jean-François Lyotard allow<br />

her to formulate a <strong>the</strong>ory of<br />

<strong>the</strong> relationships between sex,<br />

speech, and power that stands<br />

as an alternative to such cyberlibertarian<br />

mottos as “freedom<br />

of speech” and “sexual freedom.”<br />

“A bracing, vital book that should be<br />

required reading for any scholar interested<br />

in <strong>the</strong> politics and <strong>the</strong>ory<br />

of sexuality.”<br />

—Ann Cahill, Elon <strong>University</strong><br />

136 pp., 2013<br />

9780804786621 Paper $12.99 $10.39 sale<br />

9780804785778 ebook $9.99<br />

AVAILABLE IN APRIL 2013<br />

About Europe<br />

Philosophical Hypo<strong>the</strong>ses<br />

Denis Guénoun<br />

Translated by Christine Irizarry<br />

The concept of <strong>the</strong> universal was<br />

born in <strong>the</strong> lands we now call Europe,<br />

yet it is precisely <strong>the</strong> universal that<br />

is Europe’s undoing. All European<br />

politics is caught in a tension: to assert<br />

a European identity is to be open to<br />

multiplicity, but this very openness<br />

could dissolve Europe as such. This<br />

book reflects on Europe and its changing<br />

boundaries over <strong>the</strong> span of twenty<br />

centuries. A work of philosophy, it<br />

consistently draws on concrete events.<br />

From ancient Greece and Rome, to<br />

Christianity, to <strong>the</strong> Reformation, to <strong>the</strong><br />

national revolutions of <strong>the</strong> twentieth<br />

century, what we today call “Europe”<br />

has been a succession of projects in<br />

<strong>the</strong> name of ecclesia or community.<br />

“This remarkable book is a highly insightful<br />

exploration of how European identities<br />

are shaped in our time.”<br />

—Ernesto Laclau, <strong>University</strong> of Essex<br />

Cultural Memory in <strong>the</strong> Present<br />

352 pp., 13 figures, 2013<br />

9780804773867 Paper $29.95 $23.96 sale<br />

9780804773850 Cloth $90.00 $72.00 sale<br />

4 Philosophy


Ronald Dworkin<br />

Third Edition<br />

Stephen Guest<br />

Ronald Dworkin is widely accepted<br />

as <strong>the</strong> most important and most<br />

controversial Anglo-American jurist<br />

of <strong>the</strong> past forty years. And this<br />

same-named volume on his work has<br />

become a minor classic in <strong>the</strong> field,<br />

offering <strong>the</strong> most complete analysis<br />

and integration of Dworkin’s work<br />

to date. This third edition offers a<br />

substantial revision of earlier texts<br />

and, most importantly, incorporates<br />

discussion of Dworkin’s recent<br />

masterwork Justice for Hedgehogs.<br />

Praise for earlier editions:<br />

“Guest sets out to present a comprehensive,<br />

concise and accessible account<br />

of his work, which he has done<br />

with clarity, honesty and even <strong>the</strong><br />

occasional hint of a smile.”<br />

—Paul Roberts, <strong>University</strong> of Nottingham<br />

“The leading work in <strong>the</strong> field . . . I<br />

know of no comparable work of<br />

this scope and depth in <strong>the</strong> study of<br />

Dworkin's work.”<br />

—David A. Richards, New York <strong>University</strong><br />

Jurists: Profiles in Legal Theory<br />

336 pp., 2012<br />

9780804772334 Paper $27.95 $22.36 sale<br />

9780804772327 Cloth $90.00 $72.00 sale<br />

What We Mean by<br />

Experience<br />

Marianne Janack<br />

This book takes on <strong>the</strong> critique of<br />

empiricism and <strong>the</strong> skepticism with<br />

regard to experience that has issued<br />

from two seemingly disparate intellectual<br />

strains of thought: anti-foundationalist<br />

and holistic philosophy<br />

of science and epistemology (Kuhn<br />

and Rorty, in particular) and feminist<br />

critiques of identity politics. Both<br />

strains render experience an intractable<br />

problem by opening up a gap<br />

between a naturalistic understanding<br />

of human beings and an understanding<br />

of humans as cultural entities,<br />

as non-natural makers of meaning.<br />

Marianne Janack aims to close this<br />

gap, to allow us to be naturalistic and<br />

hermeneutic at once. Drawing on<br />

cognitive neuroscience, <strong>the</strong> pragmatist<br />

tradition, and ecological psychology,<br />

her book rescues experience<br />

as natural contact with <strong>the</strong> world.<br />

“In this engaging and highly readable<br />

book, Marianne Janack asks us to think<br />

about experience in a new and original<br />

way. She forges new connections<br />

across diverse philosophical and o<strong>the</strong>r<br />

scholarly positions, each time bringing<br />

<strong>the</strong> reader back to different ways of<br />

considering experience.”<br />

—Lorraine Code, York <strong>University</strong><br />

216 pp., 2 figures, 2012<br />

9780804776158 Paper $21.95 $17.56 sale<br />

9780804776141 Cloth $65.00 $52.00 sale<br />

AVAILABLE IN JUNE 2013<br />

Human Rights as<br />

a Way of Life<br />

On Bergson’s Political<br />

Philosophy<br />

Alexandre Lefebvre<br />

The work of Henri Bergson, <strong>the</strong><br />

foremost French philosopher of<br />

<strong>the</strong> early twentieth century, is not<br />

usually explored for its political<br />

dimensions. Indeed, Bergson is<br />

best known for his writings on time,<br />

evolution, and creativity. This book<br />

concentrates instead on his political<br />

philosophy—and especially on his<br />

late masterpiece, The Two Sources of<br />

Morality and Religion—from which<br />

Alexandre Lefebvre develops an<br />

original approach to human rights.<br />

“Lefebvre’s elaboration of Bergson’s<br />

concept of love is brilliant. His insistence<br />

on Bergson’s use of biology to<br />

understand morality ties into contemporary<br />

debates on neo-vitalism, and<br />

his discussion of De Waal engages<br />

with debates around naturalism and<br />

morality. This important book makes<br />

a real contribution to political <strong>the</strong>ory<br />

and, more locally, to studies in recent<br />

French thought.”<br />

—Leonard Lawlor, Penn State <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

208 pp., 2013<br />

9780804785792 Paper $24.95 $19.96 sale<br />

9780804785785 Cloth $80.00 $64.00 sale<br />

Philosophy<br />

5


A Systems Theory<br />

of Religion<br />

Niklas Luhmann<br />

Edited by André Kieserling<br />

Translated by David A. Brenner<br />

with Adrian Hermann<br />

Syn<strong>the</strong>sizing approaches as disparate<br />

as <strong>the</strong> philosophy of language, historical<br />

linguistics, deconstruction, and<br />

formal systems <strong>the</strong>ory/cybernetics,<br />

A Systems Theory of Religion takes<br />

on important topics that range from<br />

religion’s meaning and evolution to<br />

secularization, turning decades of sociological<br />

assumptions on <strong>the</strong>ir head.<br />

It provides us with a fresh vocabulary<br />

and a fresh philosophical and sociological<br />

approach to one of society’s<br />

most fundamental phenomena.<br />

“This posthumously published book<br />

by Niklas Luhmann is arguably one<br />

of <strong>the</strong> most important works in <strong>the</strong><br />

sociology and philosophy of religion of<br />

<strong>the</strong> last hundred years. It can only be<br />

compared in significance and scope to<br />

<strong>the</strong> works of Rudolf Otto, Mary Douglas,<br />

René Girard, Émile Durkheim, Max<br />

Weber, and Claude Lévi-Strauss. It is not<br />

just original, but also generative and<br />

indispensable: future discussions will<br />

have to refer to it, and it will become de<br />

rigueur and uncircumventable.”<br />

—Eduardo Mendieta, Stony Brook <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

320 pp., 2013<br />

9780804743297 Paper $24.95 $19.96 sale<br />

9780804743280 Cloth $80.00 $64.00 sale<br />

6 Philosophy<br />

Theory of Society,<br />

Volume 1<br />

Niklas Luhmann<br />

Translated by Rhodes Barrett<br />

This first volume of Luhmann’s twopart<br />

final work was initially published<br />

in German in 1997. The culmination<br />

of his thirty-year <strong>the</strong>oretical project to<br />

reconceptualize sociology, it offers a<br />

comprehensive description of modern<br />

society on a scale not attempted since<br />

Talcott Parsons. Beginning with an<br />

account of <strong>the</strong> fluidity of meaning and<br />

<strong>the</strong> accordingly high improbability of<br />

successful communication, Luhmann<br />

analyzes a range of communicative<br />

media, including language, writing,<br />

<strong>the</strong> printing press, and electronic<br />

media as well as “success media,” such<br />

as money, power, truth, and love, all<br />

of which structure this fluidity and<br />

make communication possible.<br />

“Niklas Luhmann’s membership in<br />

<strong>the</strong> canon of genuinely original and<br />

comprehensive social <strong>the</strong>orists is<br />

radiantly evident. Toge<strong>the</strong>r with that<br />

of Simmel, Durkheim, Weber, Mead,<br />

and Parsons, his work stands as one<br />

of <strong>the</strong> monumental achievements of<br />

twentieth-century sociology. With <strong>the</strong><br />

English publication of Theory of Society,<br />

Luhmann’s magnum opus is finally<br />

available to a global readership.”<br />

—David Wellbery, <strong>University</strong> of Chicago<br />

Cultural Memory in <strong>the</strong> Present<br />

488 pp., 2012<br />

9780804739504 Paper $27.95 $22.36 sale<br />

9780804739498 Cloth $85.00 $68.00 sale<br />

Pragmatism Ascendent<br />

A Yard of Narrative, a<br />

Touch of Prophecy<br />

Joseph Margolis<br />

Pragmatism Ascendent is <strong>the</strong> last of<br />

four volumes on <strong>the</strong> contribution of<br />

pragmatism to American philosophy<br />

and Western philosophy as a whole.<br />

It covers <strong>the</strong> period of American<br />

philosophy’s greatest influence<br />

worldwide, from <strong>the</strong> second half of <strong>the</strong><br />

20th century through <strong>the</strong> beginning of<br />

<strong>the</strong> 21st. The book provides an account<br />

of <strong>the</strong> way pragmatism reinterprets<br />

<strong>the</strong> revolutionary contributions of<br />

Kant and Hegel, <strong>the</strong> significance of<br />

pragmatism’s original vision, and<br />

<strong>the</strong> expansion of classic pragmatism<br />

to incorporate <strong>the</strong> strongest <strong>the</strong>mes<br />

of Hegelian and Darwinian sources.<br />

In <strong>the</strong> process, it addresses many<br />

topics ei<strong>the</strong>r scanted or not addressed<br />

at all in most overviews of<br />

<strong>the</strong> pragmatism’s relevance today.<br />

“Margolis’s pragmatism is one that<br />

stands alongside Rorty, Bernstein, and<br />

Putnam for <strong>the</strong> next generation of pragmatic<br />

naturalists to study and follow.<br />

This book will long be an essential piece<br />

of that body of master work.”<br />

—John Shook,<br />

State <strong>University</strong> of New York at Buffalo<br />

200 pp., 2012<br />

9780804782289 Paper $24.95 $19.96 sale<br />

9780804782272 Cloth $80.00 $64.00 sale


In <strong>the</strong> Self’s Place<br />

The Approach of<br />

Saint Augustine<br />

Jean-Luc Marion<br />

Translated by Jeffrey L. Kosky<br />

An original phenomenological reading<br />

of Augustine that considers his engagement<br />

with notions of identity in Confessions.<br />

Using <strong>the</strong> Augustinian experience<br />

of confessio, Jean-Luc Marion develops<br />

a model of selfhood that examines<br />

this experience in light of <strong>the</strong> whole of<br />

<strong>the</strong> Augustinian corpus. Towards this<br />

end, Marion engages with noteworthy<br />

modern and postmodern analyses of<br />

Augustine’s most “experiential” work,<br />

including <strong>the</strong> critical commentaries of<br />

Jacques Derrida, Martin Heidegger, and<br />

Ludwig Wittgenstein. Marion ultimately<br />

concludes that Augustine has preceded<br />

postmodernity in exploring an excess<br />

of <strong>the</strong> self over and beyond itself, and<br />

in using this alterity of <strong>the</strong> self to itself,<br />

as a driving force for creative relations<br />

with God, <strong>the</strong> world, and o<strong>the</strong>rs.<br />

“In <strong>the</strong> Self’s Place engages with Augustine’s<br />

Confessions, one of <strong>the</strong> incomparable<br />

texts that open <strong>the</strong> intellectual and<br />

religious space we call ‘<strong>the</strong> West.’ Here<br />

Marion continues his critiques of <strong>the</strong> self<br />

and metaphysics, his analysis of praise,<br />

and his bold case for <strong>the</strong> univocity of love.<br />

A major achievement!”<br />

—Kevin Hart, <strong>University</strong> of Virginia<br />

Cultural Memory in <strong>the</strong> Present<br />

448 pp., 2012<br />

9780804762915 Paper $25.95 $20.76 sale<br />

9780804762908 Cloth $90.00 $72.00 sale<br />

ANNOUNCING ITS RE-RELEASE<br />

WITH A NEW PREFACE BY THE<br />

AUTHOR<br />

Being Given<br />

Toward a Phenomenology<br />

of Givenness<br />

Jean-Luc Marion<br />

Translated by Jeffrey L. Kosky<br />

Along with Husserl’s Ideas and<br />

Heidegger’s Being and Time, Being<br />

Given is one of <strong>the</strong> classic works of<br />

phenomenology in <strong>the</strong> twentieth<br />

century. Through readings of Kant,<br />

Husserl, Heidegger, Derrida, and<br />

twentieth-century French phenomenology<br />

(e.g., Merleau-Ponty, Levinas,<br />

and Henry), it ventures a bold and<br />

decisive reappraisal of phenomenology<br />

and its possibilities.<br />

“Simply dazzling: it is a work of tremendous<br />

depth and highly original<br />

thought. . . . It’s amazing how much<br />

Marion . . . has changed <strong>the</strong> landscape<br />

of phenomenology—or what we on<br />

this side of <strong>the</strong> Atlantic call ‘continental<br />

philosophy of religion.’ ”<br />

—The Christian Century<br />

“A major event in contemporary phenomenology,<br />

which will be a major<br />

source of debate and inspiration<br />

for contemporary philosophy and<br />

<strong>the</strong>ology.”<br />

—The Year’s Work in Critical and<br />

Cultural Theory<br />

Cultural Memory in <strong>the</strong> Present<br />

408 pp., 2002<br />

9780804734110 Paper $31.95 $25.56 sale<br />

9780804734103 Cloth $77.00 $61.60 sale<br />

On Philosophy<br />

Notes from a Crisis<br />

John McCumber<br />

Deepening divisions separate today’s<br />

philosophers, first, from <strong>the</strong> culture<br />

at large; <strong>the</strong>n, from each o<strong>the</strong>r; and<br />

finally, from philosophy itself. Though<br />

<strong>the</strong>se divisions tend to coalesce publicly<br />

as debates over <strong>the</strong> Enlightenment,<br />

<strong>the</strong>ir roots lie much deeper. Overcoming<br />

<strong>the</strong>m thus requires a confrontation<br />

with <strong>the</strong> whole of Western philosophy.<br />

The book’s interpretations of figures<br />

past and present are as scrupulous as<br />

its conclusions will be controversial.<br />

The result contributes to <strong>the</strong> most<br />

important question confronting us<br />

today: does reason itself have a future?<br />

“A highly original book that makes a<br />

distinctive and significant contribution<br />

to a number of different philosophical<br />

debates, including <strong>the</strong> nature of reason,<br />

<strong>the</strong> philosophy of history, <strong>the</strong> modernity/postmodernity<br />

debate, and <strong>the</strong><br />

relationship between metaphysics and<br />

oppression.”<br />

—Amy Allen, Dartmouth <strong>University</strong><br />

288 pp., 2013<br />

9780804781435 Paper $25.00 $20.00 sale<br />

9780804781428 Cloth $85.00 $68.00 sale<br />

Philosophy<br />

7


Human, All Too<br />

Human II and<br />

Unpublished<br />

Fragments from <strong>the</strong><br />

Period of Human, All<br />

Too Human II (Spring<br />

1878–Fall 1879)<br />

Volume 4<br />

Friedrich Nietzsche<br />

Translated with an Afterword by<br />

Gary Handwerk<br />

Volume 4 of The Complete Works<br />

of Friedrich Nietzsche contains two<br />

works, Mixed Opinions and Maxims<br />

(1879) and The Wanderer and His<br />

Shadow (1880), originally published<br />

separately, <strong>the</strong>n republished toge<strong>the</strong>r<br />

in <strong>the</strong> 1886 edition of Nietzsche’s<br />

works. Like its predecessor, Human,<br />

All Too Human II is above all an act<br />

of resistance not only to <strong>the</strong> intellectual<br />

influences that Nietzsche felt<br />

called upon to critique, but to <strong>the</strong><br />

basic physical facts of his daily life.<br />

“This series will become <strong>the</strong> definitive<br />

resource for English readers.”<br />

—Gary Shapiro, <strong>University</strong> of Richmond<br />

The Complete Works of Friedrich Nietzsche<br />

648 pp., 2012<br />

9780804783934 Paper $21.95 $17.56 sale<br />

9780804728751 Cloth $65.00 $52.00 sale<br />

8 Philosophy<br />

The Neuro-Image<br />

A Deleuzian Film-<br />

Philosophy of Digital<br />

Screen Culture<br />

Patricia Pisters<br />

Arguing that today’s viewers move<br />

through a character’s brain instead<br />

of looking through his or her eyes or<br />

mental landscape, this book approaches<br />

twenty-first-century globalized<br />

cinema through <strong>the</strong> concept of<br />

<strong>the</strong> “neuro-image.” Pisters explains<br />

why this concept has emerged now,<br />

and she elaborates its threefold<br />

nature through research from three<br />

domains—Deleuzian (schizoanalytic)<br />

philosophy, digital networked screen<br />

culture, and neuroscientific research.<br />

Topics covered along <strong>the</strong> way include<br />

<strong>the</strong> omnipresence of surveillance, <strong>the</strong><br />

blurring of <strong>the</strong> false and <strong>the</strong> real and<br />

<strong>the</strong> affective powers of <strong>the</strong> neo-baroque,<br />

and <strong>the</strong> use of neuro-images in<br />

politics, historical memory, and war.<br />

“This outstanding work makes a major<br />

contribution to film studies and to <strong>the</strong><br />

understanding of <strong>the</strong> work of Gilles<br />

Deleuze. It extends Deleuze’s questions<br />

and concerns by thinking through<br />

recent developments in film and<br />

moving-images culture and succeeds<br />

magnificently in mobilizing his ideas in<br />

order to discover something new.”<br />

—Steven Shaviro, Wayne State <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

392 pp., 2012<br />

9780804781367 Paper $27.95 $22.36 sale<br />

9780804781350 Cloth $90.00 $72.00 sale<br />

AVAILABLE IN MARCH 2013<br />

Spectacular Speculation<br />

Thrills, <strong>the</strong> Economy, and<br />

Popular Discourse<br />

Urs Stäheli<br />

Translated by Eric Savoth<br />

A history and sociological analysis of <strong>the</strong><br />

semantics of speculation from 1870 to<br />

1930, when speculation began to assume<br />

enormous importance in popular culture.<br />

Informed by <strong>the</strong> work of Luhmann,<br />

Foucault, Simmel and Deleuze, it looks<br />

at how speculation was translated into<br />

popular knowledge and charts <strong>the</strong> discursive<br />

struggles of making speculation a<br />

legitimate economic practice. Noting that<br />

<strong>the</strong> vocabulary available to discuss <strong>the</strong><br />

concept was not properly economic, <strong>the</strong><br />

book reveals <strong>the</strong> underside of putting it<br />

into words. Speculation’s success depended<br />

upon non-economic language and<br />

morally questionable thrills: a proximity<br />

to <strong>the</strong> wasteful practice of gambling or<br />

o<strong>the</strong>r “degenerate” behaviors, <strong>the</strong> experience<br />

of financial markets as seductive,<br />

or out of control. American discourses<br />

of speculation take center stage, and<br />

<strong>the</strong> book covers an unusual range of<br />

material, including stock exchange<br />

guidebooks, ticker tape, moral treatises,<br />

plays, advertisements, and newspapers.<br />

“A stunningly original and disturbing account<br />

of euphoria and hysteria in world<br />

financial markets.”<br />

—Werner DeBondt, DePaul <strong>University</strong><br />

352 pp., 10 illustrations, 2013<br />

9780804771320 Paper $27.95 $22.36 sale<br />

9780804771313 Cloth $85.00 $68.00 sale


NEW IN PAPERBACK<br />

The Problem<br />

of Distraction<br />

Paul North<br />

We live in an age of distraction. Contemporary<br />

analyses of culture, politics,<br />

techno-science, and psychology insist<br />

on this. They often suggest remedies<br />

for it, or ways to capitalize on it. Yet<br />

<strong>the</strong>y almost never investigate <strong>the</strong><br />

meaning and history of distraction<br />

itself. The Problem of Distraction corrects<br />

this lack of attention. It inquires<br />

into <strong>the</strong> effects of distraction, defined<br />

not as <strong>the</strong> opposite of attention, but as<br />

truly discontinuous intellect. Human<br />

being has to be reconceived, according<br />

to this argument, not as quintessentially<br />

thought-bearing, but as subject to<br />

repeated, causeless blackouts of mind.<br />

“This thoughtful study asks what<br />

would be involved in <strong>the</strong>orizing<br />

<strong>the</strong> interpretive framework through<br />

which an interrogation of distraction<br />

would first become thinkable.”<br />

—Gerhard Richter,<br />

<strong>University</strong> of California, Davis<br />

“This superb analysis of distraction and<br />

our lack of attention to it breaks significant<br />

new ground in our critical history.”<br />

—David Ferris,<br />

<strong>University</strong> of Colorado at Boulder<br />

248 pp., 2011<br />

9780804786874 Paper $22.95 $18.36 sale<br />

9780804775380 Cloth $55.00 $44.00 sale<br />

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Philosophy<br />

9


Barbarism and Its<br />

Discontents<br />

Maria Boletsi<br />

Barbarism and civilization form one of<br />

<strong>the</strong> oldest and most rigid oppositions<br />

in Western history. According to this<br />

dichotomy, barbarism functions as <strong>the</strong><br />

negative standard through which “civilization”<br />

fosters its self-definition and<br />

superiority by labeling o<strong>the</strong>rs “barbarians.”<br />

Since <strong>the</strong> 1990s, and especially<br />

since 9/11, <strong>the</strong>se terms have become<br />

increasingly popular in Western political<br />

and cultural rhetoric—a rhetoric<br />

that divides <strong>the</strong> world into forces of<br />

good and evil. This study intervenes<br />

in this recent trend and interrogates<br />

contemporary and historical uses of<br />

barbarism, arguing that barbarism also<br />

has a disruptive, insurgent potential.<br />

“Our age is no less barbaric than any<br />

o<strong>the</strong>r time, though more efficient<br />

and more globally repercussive in its<br />

ability to perpetrate acts of barbarism.<br />

Boletsi’s attempt to recoup and recast<br />

<strong>the</strong> notion of barbarism as redemptive<br />

force—discursive and worldly ‘real’––is<br />

a timely and compelling undertaking<br />

that she carries out admirably and conscientiously.”<br />

—Djelal Kadir, Penn State <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

328 pp., 9 illustrations, 2013<br />

9780804782760 Cloth $60.00 $48.00 sale<br />

The Game of<br />

Probability<br />

Literature and Calculation<br />

from Pascal to Kleist<br />

Rüdiger Campe<br />

Translated by<br />

Ellwood H. Wiggins, Jr.<br />

The Game of Probability revisits<br />

<strong>the</strong> seventeenth and eighteenthcentury<br />

“probabilistic revolution,”<br />

providing a history of <strong>the</strong> relations<br />

between ma<strong>the</strong>matical and rhetorical<br />

techniques, between <strong>the</strong> scientific<br />

and <strong>the</strong> aes<strong>the</strong>tic. Focusing on <strong>the</strong><br />

interpretation of games of chance as<br />

<strong>the</strong> model for probability and on <strong>the</strong><br />

reinterpretation of aes<strong>the</strong>tic form as<br />

verisimilitude (a critical question for<br />

<strong>the</strong>oreticians of that new literary genre,<br />

<strong>the</strong> novel), <strong>the</strong> scope alone of Campe’s<br />

book argues for probability’s crucial<br />

role in <strong>the</strong> constitution of modernity.<br />

“This marvelous book belongs among<br />

<strong>the</strong> most distinguished publications to<br />

have emerged out of cultural studies in<br />

Germany during <strong>the</strong> past thirty years.”<br />

—David E. Wellbery <strong>University</strong> of Chicago<br />

Cultural Memory in <strong>the</strong> Present<br />

504 pp., 3 tables, 2013<br />

9780804768658 Paper $35.00 $28.00 sale<br />

9780804768641 Cloth $95.00 $76.00 sale<br />

Writing Against Time<br />

Michael W. Clune<br />

For centuries, a central goal of art has<br />

been to make us see <strong>the</strong> world with<br />

new eyes. Thinkers from Edmund<br />

Burke to Elaine Scarry have understood<br />

this effort as <strong>the</strong> attempt to create<br />

new forms. But as anyone who has ever<br />

worn out a song by repeated listening<br />

knows, artistic form is hardly immune<br />

to sensation-killing habit. Some of<br />

our most ambitious writers—Keats,<br />

Proust, Nabokov, Ashbery—have been<br />

obsessed by this problem. Attempting<br />

to create an image that never gets old,<br />

<strong>the</strong>y experiment with virtual, ideal<br />

forms. Poems and novels become<br />

workshops, as fragments of <strong>the</strong> real<br />

world are scrutinized for insights and<br />

<strong>the</strong> shape of an ideal artwork is pieced<br />

toge<strong>the</strong>r. These writers, voracious in<br />

<strong>the</strong>ir appetite for any knowledge that<br />

will fur<strong>the</strong>r <strong>the</strong>ir goal, find help in<br />

unlikely places. The logic of totalitarian<br />

regimes, <strong>the</strong> phenomenology of music,<br />

<strong>the</strong> pathology of addiction, and global<br />

commodity exchange furnish <strong>the</strong>m<br />

with tools and models for arresting<br />

neurobiological time. Reading central<br />

works of <strong>the</strong> past two centuries in light<br />

of <strong>the</strong>ir shared ambition, Clune produces<br />

a revisionary understanding of<br />

some of our most important literature.<br />

200 pp., 2013<br />

9780804770828 Paper $22.95 $18.36 sale<br />

9780804770811 Cloth $75.00 $60.00 sale<br />

10 Literature & Theory


AVAILABLE IN MARCH 2013<br />

Warped Mourning<br />

Stories of <strong>the</strong> Undead in <strong>the</strong><br />

Land of <strong>the</strong> Unburied<br />

Alexander Etkind<br />

After Stalin’s death in 1953, <strong>the</strong> Soviet<br />

Union dismantled <strong>the</strong> enormous system<br />

of terror and torture that he had<br />

created. But <strong>the</strong>re has never been any<br />

Russian ban on former party functionaries,<br />

nor any external authority to<br />

dispense justice. Memorials to <strong>the</strong> Soviet<br />

victims are inadequate, and <strong>the</strong>ir<br />

families have received no significant<br />

compensation. This book’s premise is<br />

that late Soviet and post-Soviet culture,<br />

haunted by its past, has produced a<br />

unique set of memorial practices. More<br />

than twenty years after <strong>the</strong> collapse of<br />

<strong>the</strong> Soviet Union, Russia remains “<strong>the</strong><br />

land of <strong>the</strong> unburied”: <strong>the</strong> events of<br />

<strong>the</strong> mid-twentieth century are still<br />

very much alive, and still contentious.<br />

Alexander Etkind shows how post-<br />

Soviet Russia has turned <strong>the</strong> painful<br />

process of mastering <strong>the</strong> past into an<br />

important part of its political present.<br />

“Etkind’s brilliant and lucid work presents<br />

<strong>the</strong> first serious account of <strong>the</strong>oretical<br />

challenges to mourning <strong>the</strong>ories in <strong>the</strong><br />

context of Soviet terror.”<br />

—Nancy Condee, <strong>University</strong> of Pittsburgh<br />

Cultural Memory in <strong>the</strong> Present<br />

320 pp., 13 illustrations, 2013<br />

9780804773935 Paper $25.95 $20.76 sale<br />

9780804773928 Cloth $85.00 $68.00 sale<br />

Georges Bataille<br />

Phenomenology and<br />

Phantasmatology<br />

Rodolphe Gasché<br />

Translated by Roland Végső<br />

This book investigates what Bataille,<br />

in “The Pineal Eye,” calls mythological<br />

representation: <strong>the</strong> mythological<br />

anthropology with which this unusual<br />

thinker wished to outflank and<br />

undo scientific (and philosophical)<br />

anthropology. Gasché probes that<br />

anthropology by situating Bataille’s<br />

thought with respect to <strong>the</strong> quatrumvirate<br />

of Schelling, Hegel, Nietzsche,<br />

and Freud. He begins by showing<br />

what Bataille’s understanding of<br />

<strong>the</strong> mythological owes to Schelling.<br />

Drawing on Hegel, Nietzsche, and<br />

Freud, he <strong>the</strong>n explores <strong>the</strong> notion<br />

of image that constitutes <strong>the</strong> sort<br />

of representation that Bataille’s<br />

innovative approach entails. Gasché<br />

concludes that Bataille’s mythological<br />

anthropology takes on Hegel’s phenomenology<br />

in a systematic fashion.<br />

“A splendid introduction to a revolutionary<br />

thinker, still not as known in<br />

this country as he ought to be, written<br />

by a renowned commentator on<br />

twentieth-century French thought. An<br />

important book!”<br />

—Arkady Plotnitksy, Purdue <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

352 pp., 2012<br />

9780804776073 Paper $25.95 $20.76 sale<br />

9780804776066 Cloth $85.00 $68.00 sale<br />

Better Left Unsaid<br />

Victorian Novels, Hays<br />

Code Films, and <strong>the</strong><br />

Benefits of Censorship<br />

Nora Gilbert<br />

Better Left Unsaid is in <strong>the</strong> unseemly<br />

position of defending censorship<br />

from <strong>the</strong> central allegations that are<br />

traditionally leveled against it. Taking<br />

two genres generally presumed to<br />

have been stymied by <strong>the</strong> censor’s<br />

knife—<strong>the</strong> Victorian novel and<br />

classical Hollywood film—this book<br />

reveals <strong>the</strong> varied ways in which<br />

censorship, for all its blustery selfrighteousness,<br />

can actually be good<br />

for sex, politics, feminism, and art.<br />

“Through her meticulous comparisons<br />

of Victorian novels and Hays Code<br />

Hollywood, Gilbert studies visual and<br />

verbal slippage, inference, irony, and<br />

<strong>the</strong> pleasure of perversion. Informative<br />

and a delight to read, Better Left Unsaid<br />

sparkles with wit and invention.”<br />

—Tom Conley, Harvard <strong>University</strong><br />

The Cultural Lives of Law<br />

200 pp., 13 illustrations, 2012<br />

9780804784207 Cloth $50.00 $40.00 sale<br />

Literature & Theory 11


AVAILABLE IN APRIL 2013<br />

Counterculture<br />

Colophon<br />

Grove <strong>Press</strong>, <strong>the</strong><br />

Evergreen Review, and <strong>the</strong><br />

Incorporation of <strong>the</strong> Avant-<br />

Garde<br />

Loren Glass<br />

Responsible for such landmark<br />

publications as Lady Chatterley’s<br />

Lover, Tropic of Cancer, Naked Lunch,<br />

Waiting for Godot, The Wretched of<br />

<strong>the</strong> Earth, and The Autobiography of<br />

Malcolm X, Grove <strong>Press</strong> was <strong>the</strong> most<br />

innovative publisher of <strong>the</strong> postwar<br />

era. Counterculture Colophon tells <strong>the</strong><br />

story of how <strong>the</strong> press and its house<br />

journal, The Evergreen Review, revolutionized <strong>the</strong> publishing industry and radicalized<br />

<strong>the</strong> reading habits of <strong>the</strong> “paperback generation.” In <strong>the</strong> process, it offers<br />

a new window onto <strong>the</strong> 1960s, from 1951, when Barney Rosset purchased<br />

<strong>the</strong> fledgling press for $3,000, to 1970, when <strong>the</strong> multimedia corporation into<br />

which he had built <strong>the</strong> company was crippled by a strike and feminist takeover.<br />

Grove <strong>Press</strong> was not only responsible for ending censorship of <strong>the</strong> printed<br />

word in <strong>the</strong> United States but also for bringing avant-garde literature, especially<br />

drama, into <strong>the</strong> cultural mainstream as part of <strong>the</strong> quality paperback<br />

revolution. Much of this happened thanks to Rosset, whose charismatic<br />

leadership was crucial to Grove’s success. With chapters covering world<br />

literature and <strong>the</strong> Latin American boom, including Grove’s close association<br />

with UNESCO and <strong>the</strong> rise of cultural diplomacy; experimental drama<br />

such as <strong>the</strong> <strong>the</strong>ater of <strong>the</strong> absurd, <strong>the</strong> Living Theater, and <strong>the</strong> political epics<br />

of Bertolt Brecht; pornography and obscenity, including <strong>the</strong> landmark<br />

publication of <strong>the</strong> complete work of <strong>the</strong> Marquis de Sade; revolutionary<br />

writing, featuring Rosset’s daring pursuit of <strong>the</strong> Bolivian journals of Che<br />

Guevara; and underground film, including <strong>the</strong> innovative development<br />

of <strong>the</strong> pocket filmscript, Loren Glass covers <strong>the</strong> full spectrum of Grove’s<br />

remarkable achievement as a communications center of <strong>the</strong> counterculture.<br />

“Brimming with as many colorful and brilliant personalities as it is with good ideas<br />

and cogent analyses, this book fills in a major gap in our knowledge of postwar<br />

American culture, and will appeal to anyone who has ever felt <strong>the</strong> lure of dangerously<br />

sexy ideas.”<br />

—Mark McGurl, <strong>Stanford</strong> <strong>University</strong><br />

“A riveting and highly entertaining narrative, Glass’s book offers a compelling new<br />

map of <strong>the</strong> world system of postwar literature, a map on which Paris and New<br />

York figure less as competing capitals than as <strong>the</strong> closest of trading partners. It<br />

provides a whole new perspective on <strong>the</strong> American literary scene of <strong>the</strong> 1950s,<br />

60s, and 70s.”<br />

—James F. English, <strong>University</strong> of Pennsylvania<br />

296 pp., 42 illustrations, 2013<br />

9780804784160 Cloth $27.00 $21.60 sale<br />

Atmosphere, Mood,<br />

Stimmung<br />

On a Hidden Potential<br />

of Literature<br />

Hans Ulrich Gumbrecht<br />

Translated by Erik Butler<br />

What are <strong>the</strong> various atmospheres<br />

or moods that <strong>the</strong> reading of literary<br />

works can trigger? Hans Ulrich<br />

Gumbrecht has long argued that <strong>the</strong><br />

function of literature is not so much<br />

to describe, or to re-present, as to<br />

make present. Here, he goes one<br />

step fur<strong>the</strong>r, exploring <strong>the</strong> substance<br />

and reality of language as a material<br />

component of <strong>the</strong> world—impalpable<br />

hints, tones, and airs that, as<br />

much as <strong>the</strong>y may be elusive, are<br />

no less matters of actual fact.<br />

“The perspective on literature that<br />

[Gumbrecht] presents here—<strong>the</strong><br />

study of <strong>the</strong> emotional reactions,<br />

moods, and atmospheres that reading<br />

can trigger—entails a serious methodological<br />

challenge. How can one<br />

avoid delivering subjective impressions<br />

without any objective relevance?<br />

His answer is as simple as it is bold,<br />

thought-provoking, and charming:<br />

You can’t.”<br />

—Eckart Goebel, New York <strong>University</strong><br />

152 pp., 5 illustrations, 2012<br />

9780804781220 Paper $18.95 $15.16 sale<br />

9780804781213 Cloth $65.00 $52.00 sale<br />

12 Literature & Theory


AVAILABLE IN JUNE 2013<br />

After 1945<br />

Latency as Origin of<br />

<strong>the</strong> Present<br />

Hans Ulrich Gumbrecht<br />

What is it <strong>the</strong> legacy that humankind<br />

has been living with since 1945? We<br />

were once convinced that time was<br />

<strong>the</strong> agent of change. But in <strong>the</strong> past<br />

decade or two, our experience of time<br />

has been transformed. Technology<br />

preserves and inundates us with <strong>the</strong><br />

past, and we perceive our future as<br />

a set of converging and threatening<br />

inevitabilities: nuclear annihilation,<br />

global warming, overpopulation.<br />

Overwhelmed by <strong>the</strong>se horizons, we<br />

live in an ever broadening present. In<br />

identifying <strong>the</strong> prevailing mood of<br />

<strong>the</strong> post-World War II decade as that<br />

of “latency,” Gumbrecht returns to<br />

<strong>the</strong> era when this change in <strong>the</strong> pace<br />

and structure of time emerged and<br />

shows how it shaped <strong>the</strong> trajectory<br />

of his own postwar generation.<br />

“Quirky, superbly composed, and<br />

nuanced. . . . A totally original meditation<br />

on how our sense of time has<br />

changed over <strong>the</strong> last two-thirds of a<br />

century.”<br />

—Harold Bloom, Yale <strong>University</strong><br />

240 pp., 2013<br />

9780804785181 Cloth $35.00 $28.00 sale<br />

AVAILABLE IN MAY 2013<br />

Nineteenth-Century<br />

Jewish Literature<br />

A Reader<br />

Edited by Jonathan M. Hess,<br />

Maurice Samuels, and<br />

Nadia Valman<br />

Recent scholarship has brought to light<br />

<strong>the</strong> existence of a dynamic world of<br />

specifically Jewish forms of literature in<br />

<strong>the</strong> nineteenth century—fiction by Jews,<br />

about Jews, and often designed largely for<br />

Jews. This volume makes this material<br />

accessible to English speakers for <strong>the</strong><br />

first time, offering a selection of Jewish<br />

fiction from France, Great Britain, and<br />

<strong>the</strong> German-speaking world. Offering<br />

unique insights into <strong>the</strong> hopes and fears<br />

of Jews experiencing <strong>the</strong> dramatic impact<br />

of modernity, <strong>the</strong> literature collected<br />

in this book will provide compelling<br />

reading for all those interested in modern<br />

Jewish history and culture, whe<strong>the</strong>r<br />

general readers, students, or scholars.<br />

“As a compendium of previously unavailable<br />

material, Nineteenth-Century<br />

Jewish Literature gives us a glimpse<br />

into a forgotten world. By presenting<br />

<strong>the</strong> literature itself, this book opens<br />

ra<strong>the</strong>r than closes <strong>the</strong> question of what<br />

this body of literature means, allowing<br />

readers to see it for <strong>the</strong>mselves<br />

and engage with it in new ways.”<br />

—Lisa Moses Leff, American <strong>University</strong><br />

<strong>Stanford</strong> Studies in Jewish History and Culture<br />

456 pp., 2013<br />

9780804775472 Paper $29.95 $23.96 sale<br />

9780804775465 Cloth $95.00 $76.00 sale<br />

Slow Print<br />

Literary Radicalism and<br />

Late Victorian Print Culture<br />

Elizabeth Carolyn Miller<br />

This book explores <strong>the</strong> literary culture<br />

of Britain’s radical press from 1880 to<br />

1910, a time that saw a flourishing of<br />

radical political activity as well as <strong>the</strong><br />

emergence of a mass print industry.<br />

“Builds carefully on several generations of<br />

scholarship in <strong>the</strong> field—but pushes <strong>the</strong><br />

scholarly conversation forward in important<br />

and new directions through its archival<br />

findings and syn<strong>the</strong>tic analysis. This is<br />

a sit-up-and-take-notice, must-read book<br />

in Victorian and modernist studies.”<br />

—Ann Ardis, <strong>University</strong> of Delaware<br />

392 pp., 33 illustrations, 2013<br />

9780804784085 Cloth $60.00 $48.00 sale<br />

On Making Sense<br />

Queer Race Narratives<br />

of Intelligibility<br />

Ernesto Javier Martínez<br />

“On Making Sense represents nothing less<br />

than a much needed generational shift<br />

in <strong>the</strong> practice of Queer Studies itself.”<br />

—Robert F. Reid-Pharr, The Graduate Center, City<br />

<strong>University</strong> of New York<br />

<strong>Stanford</strong> Studies in Comparative Race and Ethnicity<br />

216 pp., 2012<br />

9780804783408 Paper $22.95 $18.36 sale<br />

9780804783392 Cloth $70.00 $56.00 sale<br />

Literature & Theory 13


AVAILABLE IN MAY 2013<br />

Having It All in <strong>the</strong><br />

Belle Epoque<br />

How French Women’s<br />

Magazines Invented <strong>the</strong><br />

Modern Woman<br />

Rachel Mesch<br />

At once deeply historical and<br />

surprisingly timely, Having it All<br />

in <strong>the</strong> Belle Epoque shows how <strong>the</strong><br />

debates that continue to captivate<br />

high-achieving women in America<br />

and Europe can be traced back<br />

to <strong>the</strong> early 1900s in France. The<br />

first two photographic magazines<br />

aimed at women, Femina and La<br />

Vie Heureuse created a female role<br />

model who—unlike <strong>the</strong> fear-inducing New Woman—could balance age-old<br />

feminine convention with new equalities. Often referred to simply as <strong>the</strong><br />

“modern woman,” <strong>the</strong> feminine role model promoted in Femina and La Vie<br />

Heureuse was a bundle of decidedly new contradictions, as she embraced a<br />

newfound sense of equality without completely abandoning conventional<br />

gender roles. Full of never before studied images of <strong>the</strong> modern French<br />

woman in action—from <strong>the</strong> adorably adventurous mountain climber,<br />

literally reaching new heights, to <strong>the</strong> multiple dazzling incarnations of <strong>the</strong><br />

woman writer herself, gracefully balancing work and family, Having it All<br />

shows how <strong>the</strong>se early magazines exploited new photographic technologies,<br />

artistic currents, and literary trends to offer a powerful new model<br />

of French femininity—one that has exerted a lasting, if rarely recognized,<br />

influence on French expression. The book introduces and explores <strong>the</strong><br />

concept of Belle Epoque literary feminism, a product of <strong>the</strong> elite literary<br />

and artistic milieu from which <strong>the</strong> magazines emerged. Through an astute<br />

blend of historical research, literary criticism, and visual analysis, Mesch<br />

offers an original window onto a bygone era that can serve as a framework<br />

for ongoing debates about feminism, femininity, and work-life tensions.<br />

“Mesch illuminates both <strong>the</strong> context that produced <strong>the</strong> paradox of ‘having it all’<br />

and <strong>the</strong> difficulties that arose as a result. Her book opens a window onto a distant<br />

and relatively unknown past, all <strong>the</strong> while shedding light on debates that<br />

are still very much alive today.”<br />

—Susan Hiner, Vassar College<br />

“For too long, we have tended to view <strong>the</strong> Belle Epoque through <strong>the</strong> prism<br />

of <strong>the</strong> feminism of our own day—how it measures up or falls short of current<br />

standards. By linking women’s magazines of <strong>the</strong> time to novels, visual imagery,<br />

and cultural practices, Mesch breaks out of this straitjacket, offering <strong>the</strong> most<br />

insightful and thorough examination of that space to date.”<br />

—Lenard R. Berlanstein, <strong>University</strong> of Virginia<br />

264 pp., 63 illustrations, 2013<br />

9780804784245 Cloth $39.95 $31.96 sale<br />

Watching War<br />

Jan Mieszkowski<br />

What does it mean to be a spectator<br />

to war in an era when <strong>the</strong> boundaries<br />

between witnessing and perpetrating<br />

violence have become profoundly<br />

blurred? Arguing that <strong>the</strong> contemporary<br />

dynamics of military spectatorship<br />

took shape in Napoleonic Europe,<br />

Watching War explores <strong>the</strong> status of<br />

warfare as a spectacle unfolding before<br />

a mass audience. By showing that <strong>the</strong><br />

battlefield was a virtual phenomenon<br />

long before <strong>the</strong> invention of photography,<br />

film, or <strong>the</strong> Internet, this book<br />

proposes that <strong>the</strong> unique character of<br />

modern conflicts has been a product of<br />

imaginary as much as material forces.<br />

“Urgent, difficult, and often painful<br />

questions drive this captivating book:<br />

<strong>the</strong> inextricable link between waging<br />

and representing war, between witnessing<br />

and perpetrating atrocity, and between<br />

<strong>the</strong> various logics that organize,<br />

mediate, disseminate, and legitimate<br />

<strong>the</strong> militarization of <strong>the</strong> world. We ignore<br />

such questions at our own peril.”<br />

—Rebecca Comay, <strong>University</strong> of Toronto<br />

256 pp., 15 illustrations, 2012<br />

9780804782401 Paper $24.95 $19.96 sale<br />

9780804782395 Cloth $80.00 $64.00 sale<br />

14 Literature & Theory


NEW IN PAPERBACK<br />

AVAILABLE IN JULY 2013<br />

Camp Sites<br />

Sex, Politics, and Academic<br />

Style in Postwar America<br />

Michael Trask<br />

Reading across <strong>the</strong> disciplines of <strong>the</strong><br />

mid-century university, this book argues<br />

that <strong>the</strong> political shift in postwar<br />

America from consensus liberalism<br />

to New Left radicalism entailed as<br />

many continuities as ruptures.<br />

“Full of surprises, Trask’s book shows<br />

how Cold War academic culture<br />

shared in <strong>the</strong> irony, detachment, and<br />

performance of 1950s camp. Or so <strong>the</strong><br />

New Left believed, which explains why<br />

<strong>the</strong>y viewed homosexuals and college<br />

professors with such suspicion. This<br />

stunning history of postwar America<br />

shows what was at stake when angry<br />

young men put <strong>the</strong>ir bodies on <strong>the</strong><br />

line on college campuses in <strong>the</strong> 1960s,<br />

and it illuminates <strong>the</strong> ongoing paradoxes<br />

of Left protest.”<br />

—Hea<strong>the</strong>r Love, <strong>University</strong> of Pennsylvania<br />

296 pp., 2013<br />

9780804784412 Paper $24.95 $19.96 sale<br />

9780804784405 Cloth $85.00 $68.00 sale<br />

Walter Benjamin<br />

Images, <strong>the</strong> Creaturely,<br />

and <strong>the</strong> Holy<br />

Sigrid Weigel<br />

Translated by<br />

Chadwick Truscott Smith<br />

Arguing that <strong>the</strong> importance of<br />

painting and o<strong>the</strong>r visual art for<br />

Benjamin’s epistemology has yet to<br />

be appreciated, Weigel undertakes<br />

<strong>the</strong> first systematic analysis of <strong>the</strong>ir<br />

significance to his thought. She does<br />

so by exploring Benjamin’s dialectics<br />

of secularization, an approach that allows<br />

Benjamin to explore <strong>the</strong> simultaneous<br />

distance from and orientation<br />

towards revelation and to deal with<br />

<strong>the</strong> difference and tensions between<br />

religious and profane ideas. In <strong>the</strong><br />

process, Weigel identifies <strong>the</strong> double<br />

reference of ‘life’ to both nature and<br />

to a ‘supernatural’ sphere as a guiding<br />

concept of Benjamin’s writings.<br />

“Weigel’s readings, which are steeped<br />

in philological detail and hermeneutic<br />

insight, brilliantly exhibit <strong>the</strong> stakes<br />

involved in approaching Benjamin’s<br />

work anew.”<br />

—John T. Hamilton, Harvard <strong>University</strong><br />

Cultural Memory in <strong>the</strong> Present<br />

320 pp., 17 illustrations, 2013<br />

9780804780605 Paper $26.95 $21.56 sale<br />

9780804780599 Cloth $85.00 $68.00 sale<br />

Police Aes<strong>the</strong>tics<br />

Literature, Film, and <strong>the</strong> Secret<br />

Police in Soviet Times<br />

Cristina Vatulescu<br />

“Analyzing Soviet literature, film, and aes<strong>the</strong>tic<br />

<strong>the</strong>ory through <strong>the</strong> long-obscured<br />

prism of <strong>the</strong> personal police file, Vatulescu<br />

insightfully draws upon archival<br />

material from both Russia and Romania<br />

to shed valuable light on <strong>the</strong> way <strong>the</strong><br />

secret police informed—or in formed on,<br />

as <strong>the</strong> case may be—artists of <strong>the</strong> era.”<br />

—Tim Harte, Slavic Review<br />

264 pp., 29 illustrations, 2010<br />

9780804786928 Paper $22.95 $18.36 sale<br />

9780804760805 Cloth $60.00 $48.00 sale<br />

Literature, Disaster,<br />

and <strong>the</strong> Enigma of<br />

Power<br />

A Reading of ‘Moby-Dick’<br />

Eyal Peretz<br />

“A highly unusual meditation on Moby-<br />

Dick, powerful and enigmatic in itself.”<br />

—Wai Chee Dimock, Yale <strong>University</strong><br />

192 pp., 2003<br />

9780804787093 Paper $21.95 $17.56 sale<br />

9780804746144 Cloth $46.00 $36.80 sale<br />

Literature & Theory 15


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