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Front Matter (PDF) - Stanford University Press

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the divergence between these two tendencies within Kabbalah, we see<br />

In<br />

and abstractionist elements strugglingwithin the emergingself-articu-<br />

mythic<br />

of the mystical spirit. In raisingall to the very heights of the se®rotic<br />

lation<br />

the Catalonians were votingfor abstraction, a Kabbalah that led the<br />

world,<br />

to experience a God not entirely removed from the rari®ed transpersonal<br />

mystic<br />

deity of the Jewish philosophers. The Castilians may have incorporated<br />

aspects of Gerona's Neoplatonism, but their spirit is entirely different.<br />

some<br />

in¯uenced in part by renewed contact with more mythically-oriented<br />

Perhaps<br />

elements, and in part re¯ectingalso the romantic troubadour ethos<br />

Ashkenazic<br />

the surroundingculture, they write in a spirit far from that of philosophy.<br />

of<br />

we ®nd a strong emphasis on the theurgic, quasi-magical effect of<br />

Here<br />

activity on the inner state of the Godhead, and its ef®cacy in<br />

kabbalistic<br />

divine unity and thus showeringdivine blessingupon the lower<br />

bringingabout<br />

Their depictions of the upper universe are highly colorful, sometimes<br />

world.<br />

earthy. The fascination with both the demonic and the sexual that characterizes<br />

even<br />

their work lent to Kabbalah a dangerous and close-to-forbidden edge<br />

undoubtedly served to make it more attractive, both in its own day and<br />

that<br />

later generations. 2<br />

throughout<br />

last quarter of the thirteenth century was a period of great creative<br />

The<br />

amongthe kabbalists of Castile. The se®rotic KabbalahÐas detailed<br />

expansion<br />

the works of such well-known ®gures as Moses de LeoÂn, Todros Abula®a,<br />

in<br />

Gikatilla, Isaac Ibn Sahula, Joseph ben Shalom Ashkenazi, Joseph An-<br />

Joseph<br />

and Joseph of Hamadan, all dating from the period between 1280 and<br />

gelino,<br />

a considerable and highly varied body of writing, even leav-<br />

1310Ðconstitutes<br />

the Zohar itself. It was within this circle that fragments of a more<br />

ingaside<br />

composition, written mostly in lofty and mysterious Aramaic rather<br />

poetic<br />

Hebrew, ®rst began to circulate. These fragments, composed within one<br />

than<br />

two generations but edited over the course of the following century and a<br />

or<br />

The emergence of kabbalistic teaching is more complex and obscure than has been<br />

2.<br />

in the precedingparagraphs. The relationship between Kabbalah and certain late<br />

described<br />

of midrashic writingis still not entirely clear. The nature and degree of contact<br />

forms<br />

early kabbalists and the German Hasidic circles, especially as re¯ected in the<br />

between<br />

of Rabbi Eleazar of Worms (ca. 1165±ca. 1230), continues to puzzle scholars. The<br />

writings<br />

of abstract mystical writings known as Sifrei ha-Iyyun, or Books of Contemplation, ®ts<br />

group<br />

into this puzzle, but its precise date and relationship to other parts of the pre-<br />

somewhere<br />

corpus is still debated by scholars. The sources of the highly distinctive school of<br />

Zoharic<br />

or ``ecstatic'' Kabbalah taught by Rabbi Abraham Abula®a (1240±after 1292),<br />

``prophetic''<br />

havinglittle connection to the Zohar, also would require treatment in a full picture of<br />

while<br />

emergence of kabbalistic thought. But this very brief treatment of major schools and<br />

the<br />

should suf®ce to set forth the context out of which the Zohar emerged.<br />

themes<br />

Introduction<br />

xl<br />

half, are known to the world as the Zohar.

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