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Front Matter (PDF) - Stanford University Press

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of the nuances of Hebrew and Aramaic speech, its startlingtransformation<br />

priation<br />

of countless biblical verses, and the frequent subtle rereadings of the<br />

legacy that together comprise much of the Zohar's charm<br />

Talmudic/midrashic<br />

genius. Nevertheless, a great deal can be gained through carefully reading<br />

and<br />

studyingthe Zohar in translation. For this to be possible, however, the<br />

and<br />

needs to be initiated into the symbolic language in which the work was<br />

reader<br />

1 Although the Zohar's poesis often transcends the symbolic conventions,<br />

written.<br />

they are always present in the background of the writers' imagination. So<br />

it was assumed, would they be present in the mind of the reader. The<br />

too,<br />

was composed in the hope that it would be passed on and studied<br />

Zohar<br />

circles of initiates, as indeed it was for many generations.<br />

within<br />

appreciate the Zohar, you will also need to know somethingof the his-<br />

To<br />

and literary context in which it appeared. The Zohar made use of a very<br />

torical<br />

selection of Jewish texts that preceded it, ranging from the Torah itself to<br />

wide<br />

mystical, and philosophical works that were written just shortly before its<br />

legal,<br />

It re¯ected on all of these and used them freely as inspiration for<br />

appearance.<br />

own unique sort of innovative and sometimes even playful religious creativity.<br />

its<br />

It is also much concerned with the Jews and their history: that recorded<br />

Scripture, the present exile, and the dream of messianic redemption. These,<br />

in<br />

form part of the background needed to understand the Zohar.<br />

too,<br />

introduction will begin by outlining the development of Kabbalah in<br />

This<br />

century leadingup to the Zohar, consideringalso the use made in Kabba-<br />

the<br />

of prior Jewish sources. We will then turn to the Zohar itself, discussingin<br />

lah<br />

its style of thought and exegesis, its narrative modes, and the question of<br />

turn<br />

Zohar's appearance and authorship. Because this essay serves as an introduction<br />

the<br />

to the entire Zohar text, we will not quote passages to exemplify the<br />

offered. We hope that the reader will proceed from this introduction<br />

analysis<br />

a careful readingof the text and commentary, ®ndingample passages<br />

to<br />

the Zohar against which to test the claims offered in this brief<br />

throughout<br />

essay.<br />

introductory<br />

``tall order'' detailed in the precedingparagraphs requires a disclaimer.<br />

The<br />

and learned articles have been written on each of the subjects just<br />

Monographs<br />

Some of them have been the subject of entire books. This introduction<br />

mentioned.<br />

does not seek to break new ground in most of them. It is rather a<br />

A much expanded version of this introduction to the Zohar is to be found in my<br />

1.<br />

to the Zohar, also available from <strong>Stanford</strong> <strong>University</strong> <strong>Press</strong>. There the symbolic lan-<br />

Guide<br />

of Kabbalah (i.e., the se®rotic system) is more fully outlined and discussed. The most<br />

guage<br />

introduction to the subject is the three-volume Wisdom of the Zohar by Isaiah<br />

comprehensive<br />

originally written in Hebrew. The English translation by David Goldstein offers a<br />

Tishby,<br />

historical analysis of many topics covered by the Zohar, followed by selected<br />

thorough<br />

Although the Hebrew version was published in 1949±61 and thus predates much<br />

passages.<br />

current Zohar scholarship, Tishby's work remains an invaluable source of knowledge.<br />

of<br />

Introduction<br />

xxix<br />

digest of what the writer considers to be the ®nest scholarship and deepest

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