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Expanding the Public Sphere through Computer ... - ResearchGate

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CHAPTER 3. TECHNOLOGY & THE PUBLIC SPHERE 46<br />

munications (Wright 1975). Producers have an increased ability to specify <strong>the</strong><br />

recipients of specific pieces of information, and to send messages to smaller and<br />

smaller groups of people (Abramson, Arterton & Orren 1988). In addition, feedback<br />

mechanisms built into much of <strong>the</strong> new media give communicators a better<br />

sense of <strong>the</strong> audiences’ response (Neuman 1991). Of course, this feedback shares<br />

<strong>the</strong> characteristics of all information in <strong>the</strong> new environment: it is bigger, faster<br />

and cheaper than previously available feedback information.<br />

When <strong>the</strong> technology being discussed is primarily used for <strong>the</strong> reception and processing<br />

of messages, it is <strong>the</strong> consumer who has access to vastly increased control<br />

mechanisms. Abramson, Arterton & Orren (1988) refer to <strong>the</strong> increased consumer<br />

control as “<strong>the</strong> democratization of information,” suggesting perhaps that<br />

<strong>the</strong> consumer is now able to approach <strong>the</strong> communication transaction with power<br />

equal to <strong>the</strong> producer. Of course, as Abramson, Arterton & Orren (1988) <strong>the</strong>mselves<br />

admit, <strong>the</strong> ultimate power in <strong>the</strong> communication relationship resides in <strong>the</strong><br />

receiver’s continued ability to reject or block incoming messages (that this does<br />

not necessarily need to be <strong>the</strong> case is amply demonstrated by Orwell in 1984).<br />

“Technology has not yet overcome <strong>the</strong> public’s prerogative to receive or reject<br />

information” (Abramson, Arterton & Orren 1988, 50).<br />

The emergence of <strong>the</strong> new “personal” media have profound implications for <strong>the</strong><br />

public sphere. Consider Ganley’s (1992, 2-3) lament about traditional media:<br />

Until a few decades ago, <strong>the</strong> media were basically <strong>the</strong> mass media – <strong>the</strong><br />

newspaper, magazine and book publishers, radio broadcasters, movie and<br />

record producers, and that post-World War II newcomer, television. Even in<br />

<strong>the</strong> most liberal democracies, because of <strong>the</strong> lack of technical means and/or<br />

prohibitive costs, individuals and small groups had few and quite laborious<br />

methods of expression, and <strong>the</strong> scope of <strong>the</strong>se was sorely limited. . . . Such<br />

limitations were relative, and individuals have always used whatever means<br />

were available to conduct important political acts <strong>through</strong>out history. ...But<br />

with some power exceptions, personal opinions have generally found smallish<br />

audiences which, of necessity, have often been local. Technological and<br />

financial constraints have normally meant that only governments, large organizations,<br />

and <strong>the</strong> mass media have had access to <strong>the</strong> means to produce<br />

and distribute substantial amounts of idea-containing materials.<br />

The advent of personal media has <strong>the</strong> potential to shift <strong>the</strong> balance between user<br />

and producer control, Among <strong>the</strong> many media she cites – citizen’s band radios,

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