winners of our annual poetry contest - Rapid River Magazine
winners of our annual poetry contest - Rapid River Magazine
winners of our annual poetry contest - Rapid River Magazine
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />
performance<br />
Piano soloist Di Wu.<br />
The Asheville Symphony<br />
Orchestra will continue its<br />
49th season <strong>of</strong> Masterworks<br />
concerts on Saturday, February<br />
27. Music Director Daniel<br />
Meyer will conduct works <strong>of</strong> Handel,<br />
Gershwin and Shostakovich, featuring<br />
piano soloist Di Wu in Gershwin’s<br />
famous Rhapsody in Blue.<br />
The Overture to the Royal Fireworks<br />
by George Frederick Handel<br />
will open the concert. The first <strong>of</strong>ficial<br />
performance <strong>of</strong> this piece took place<br />
in London on April 27, 1749, as part<br />
<strong>of</strong> the celebration <strong>of</strong> the signing <strong>of</strong><br />
the Treaty <strong>of</strong> Aix-la-Chapelle, which<br />
brought the eight-year War <strong>of</strong> Austrian<br />
Succession to a close. It was Handel’s<br />
last major orchestral composition, and<br />
its mood <strong>of</strong> excitement is infectious.<br />
Rhapsody in Blue by George<br />
Gershwin is one <strong>of</strong> the most famous<br />
pieces <strong>of</strong> 20th century classical music.<br />
Highlighting Gershwin’s mastery <strong>of</strong><br />
jazz idioms, the piece was conceived<br />
as “a sort <strong>of</strong> musical kaleidoscope <strong>of</strong><br />
America — <strong>of</strong> <strong>our</strong> vast melting pot, <strong>of</strong><br />
<strong>our</strong> unduplicated national pep, <strong>of</strong> <strong>our</strong><br />
blues, <strong>of</strong> <strong>our</strong> metropolitan madness,”<br />
Asheville Symphony Orchestra Presents<br />
Red Hot and Blue<br />
according to the composer. Gershwin<br />
composed this rhapsody at a furious<br />
pace, completing the work in about<br />
three weeks. It begins with a famously<br />
languid clarinet solo, and includes a<br />
wonderful solo piano part, which will<br />
be played by Chinese-born Di Wu.<br />
Praised in The Wall Street J<strong>our</strong>nal<br />
as “a most mature and sensitive<br />
pianist,” Di Wu’s reputation continues<br />
to grow, and 2009 was a banner year:<br />
During the spring and summer she<br />
made her New York Alice Tully Hall<br />
recital debut as winner <strong>of</strong> Juilliard’s<br />
William Petschek Piano Debut Recital<br />
Award, was named Artist <strong>of</strong> the<br />
Month by MusicalAmerica.com.<br />
The evening will conclude with<br />
the Symphony No. 10 in E minor,<br />
Opus 95, written in 1953 by Dmitri<br />
Shostakovich. For much <strong>of</strong> his career,<br />
Shostakovich’s work was subject to<br />
the approval <strong>of</strong> Joseph Stalin, and his<br />
dictatorial control had a huge effect<br />
on the composer’s ability to express<br />
his creativity fully. This was the first<br />
symphony he wrote after Stalin’s<br />
death in 1953, and listening to it, one<br />
can imagine the lifting <strong>of</strong> the despotic<br />
restraints on Shostakovich’s muse.<br />
“With the red-hot roar <strong>of</strong> a furious<br />
machine,” says Maestro Meyer, “alongside<br />
secretly-coded musical messages<br />
<strong>of</strong> obsession and defiance, number ten<br />
is considered by many to be his finest<br />
symphony. With it, Shostakovich delivers<br />
a work <strong>of</strong> sheer orchestral power<br />
unparalleled in the Soviet era.”<br />
Two lectures will be <strong>of</strong>fered for<br />
those who enjoy having extra exposure<br />
to the music and its background. On<br />
Friday, February 26 from 3 to 4:30<br />
p.m., at the Reuter Center on the<br />
Campus <strong>of</strong> UNC-Asheville, an introductory<br />
speaker will talk about the<br />
lives and times <strong>of</strong> the composers, and<br />
Music Director Daniel Meyer will discuss<br />
the musical works and introduce<br />
the featured soloists.<br />
On Saturday, February 27 from<br />
7 to 7:30 p.m., Maestro Meyer will<br />
present an abridged version <strong>of</strong> his<br />
presentation on the musical works,<br />
and will introduce the soloist, in the<br />
Banquet Hall <strong>of</strong> the Asheville Civic<br />
Center. Both events are free <strong>of</strong> charge<br />
and open to the public.<br />
IF<br />
YOU<br />
GO:<br />
BY STEVEN R. HAGEMAN<br />
Red Hot and Blue,<br />
Saturday, February 27<br />
at 8 p.m., at Thomas<br />
Wolfe Auditorium in<br />
downtown Asheville.<br />
Tickets are available<br />
through the Symphony <strong>of</strong>fice or the<br />
Asheville Civic Center box <strong>of</strong>fice, and<br />
range in price from $53 to $19 (with<br />
discounts available for students). Subscriptions<br />
are available at a substantial<br />
discount for 3 or more concerts. Visit<br />
www.ashevillesymphony.org or call<br />
(828) 254-7046 for more information.<br />
12 February 2010 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 13, No. 6<br />
Early Music 2010 Festival<br />
BEYOND TIME AND PLACE<br />
The Echo Early Music Festival<br />
is pleased to announce its 3rd<br />
wonderful season <strong>of</strong> music, expanding<br />
minds in a shrinking<br />
world. This year’s concerts will<br />
be held in Asheville over two weekends,<br />
March 12-14 (chamber music)<br />
and 19-21 (larger works).<br />
The Echo Early Music Festival explores<br />
music from before the European<br />
classical period (before around 1750),<br />
presenting the immense treasures <strong>of</strong><br />
the surviving historical traditions from<br />
around the world, using contextually<br />
appropriate practices and instruments<br />
as much as possible.<br />
In <strong>our</strong> performances, this music is<br />
as alive as the day it was written.<br />
BY ERIC SCHEIDER<br />
Trefoil, “Both hearty and<br />
ethereal.” ~ Washington Post<br />
On March 14 we’re fortunate<br />
to welcome the unique<br />
trio Trefoil, consisting <strong>of</strong> Drew<br />
Minter: countertenor and harp; Mark<br />
Rimple: countertenor, lute, harp; and<br />
Marsha Young: soprano and harps.<br />
These three exceptional and well-traveled<br />
musicians join forces for their<br />
program In the Chamber <strong>of</strong> the Harpers:<br />
Late Medieval Music from the<br />
Iberian Peninsula. Sunday, March 14, 3<br />
p.m., Jubilee! Community, 46 Wall St,<br />
Asheville.<br />
IF<br />
YOU<br />
GO:<br />
Tickets for all concerts<br />
are available at the<br />
door. Suggested donation<br />
is $15. Advance<br />
tickets, season passes,<br />
and reserved seats are<br />
available at www.eemf.net and at<br />
SoliClassica, 1550 Hendersonville Rd,<br />
Asheville.