31.08.2014 Views

winners of our annual poetry contest - Rapid River Magazine

winners of our annual poetry contest - Rapid River Magazine

winners of our annual poetry contest - Rapid River Magazine

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />

performance<br />

Piano soloist Di Wu.<br />

The Asheville Symphony<br />

Orchestra will continue its<br />

49th season <strong>of</strong> Masterworks<br />

concerts on Saturday, February<br />

27. Music Director Daniel<br />

Meyer will conduct works <strong>of</strong> Handel,<br />

Gershwin and Shostakovich, featuring<br />

piano soloist Di Wu in Gershwin’s<br />

famous Rhapsody in Blue.<br />

The Overture to the Royal Fireworks<br />

by George Frederick Handel<br />

will open the concert. The first <strong>of</strong>ficial<br />

performance <strong>of</strong> this piece took place<br />

in London on April 27, 1749, as part<br />

<strong>of</strong> the celebration <strong>of</strong> the signing <strong>of</strong><br />

the Treaty <strong>of</strong> Aix-la-Chapelle, which<br />

brought the eight-year War <strong>of</strong> Austrian<br />

Succession to a close. It was Handel’s<br />

last major orchestral composition, and<br />

its mood <strong>of</strong> excitement is infectious.<br />

Rhapsody in Blue by George<br />

Gershwin is one <strong>of</strong> the most famous<br />

pieces <strong>of</strong> 20th century classical music.<br />

Highlighting Gershwin’s mastery <strong>of</strong><br />

jazz idioms, the piece was conceived<br />

as “a sort <strong>of</strong> musical kaleidoscope <strong>of</strong><br />

America — <strong>of</strong> <strong>our</strong> vast melting pot, <strong>of</strong><br />

<strong>our</strong> unduplicated national pep, <strong>of</strong> <strong>our</strong><br />

blues, <strong>of</strong> <strong>our</strong> metropolitan madness,”<br />

Asheville Symphony Orchestra Presents<br />

Red Hot and Blue<br />

according to the composer. Gershwin<br />

composed this rhapsody at a furious<br />

pace, completing the work in about<br />

three weeks. It begins with a famously<br />

languid clarinet solo, and includes a<br />

wonderful solo piano part, which will<br />

be played by Chinese-born Di Wu.<br />

Praised in The Wall Street J<strong>our</strong>nal<br />

as “a most mature and sensitive<br />

pianist,” Di Wu’s reputation continues<br />

to grow, and 2009 was a banner year:<br />

During the spring and summer she<br />

made her New York Alice Tully Hall<br />

recital debut as winner <strong>of</strong> Juilliard’s<br />

William Petschek Piano Debut Recital<br />

Award, was named Artist <strong>of</strong> the<br />

Month by MusicalAmerica.com.<br />

The evening will conclude with<br />

the Symphony No. 10 in E minor,<br />

Opus 95, written in 1953 by Dmitri<br />

Shostakovich. For much <strong>of</strong> his career,<br />

Shostakovich’s work was subject to<br />

the approval <strong>of</strong> Joseph Stalin, and his<br />

dictatorial control had a huge effect<br />

on the composer’s ability to express<br />

his creativity fully. This was the first<br />

symphony he wrote after Stalin’s<br />

death in 1953, and listening to it, one<br />

can imagine the lifting <strong>of</strong> the despotic<br />

restraints on Shostakovich’s muse.<br />

“With the red-hot roar <strong>of</strong> a furious<br />

machine,” says Maestro Meyer, “alongside<br />

secretly-coded musical messages<br />

<strong>of</strong> obsession and defiance, number ten<br />

is considered by many to be his finest<br />

symphony. With it, Shostakovich delivers<br />

a work <strong>of</strong> sheer orchestral power<br />

unparalleled in the Soviet era.”<br />

Two lectures will be <strong>of</strong>fered for<br />

those who enjoy having extra exposure<br />

to the music and its background. On<br />

Friday, February 26 from 3 to 4:30<br />

p.m., at the Reuter Center on the<br />

Campus <strong>of</strong> UNC-Asheville, an introductory<br />

speaker will talk about the<br />

lives and times <strong>of</strong> the composers, and<br />

Music Director Daniel Meyer will discuss<br />

the musical works and introduce<br />

the featured soloists.<br />

On Saturday, February 27 from<br />

7 to 7:30 p.m., Maestro Meyer will<br />

present an abridged version <strong>of</strong> his<br />

presentation on the musical works,<br />

and will introduce the soloist, in the<br />

Banquet Hall <strong>of</strong> the Asheville Civic<br />

Center. Both events are free <strong>of</strong> charge<br />

and open to the public.<br />

IF<br />

YOU<br />

GO:<br />

BY STEVEN R. HAGEMAN<br />

Red Hot and Blue,<br />

Saturday, February 27<br />

at 8 p.m., at Thomas<br />

Wolfe Auditorium in<br />

downtown Asheville.<br />

Tickets are available<br />

through the Symphony <strong>of</strong>fice or the<br />

Asheville Civic Center box <strong>of</strong>fice, and<br />

range in price from $53 to $19 (with<br />

discounts available for students). Subscriptions<br />

are available at a substantial<br />

discount for 3 or more concerts. Visit<br />

www.ashevillesymphony.org or call<br />

(828) 254-7046 for more information.<br />

12 February 2010 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 13, No. 6<br />

Early Music 2010 Festival<br />

BEYOND TIME AND PLACE<br />

The Echo Early Music Festival<br />

is pleased to announce its 3rd<br />

wonderful season <strong>of</strong> music, expanding<br />

minds in a shrinking<br />

world. This year’s concerts will<br />

be held in Asheville over two weekends,<br />

March 12-14 (chamber music)<br />

and 19-21 (larger works).<br />

The Echo Early Music Festival explores<br />

music from before the European<br />

classical period (before around 1750),<br />

presenting the immense treasures <strong>of</strong><br />

the surviving historical traditions from<br />

around the world, using contextually<br />

appropriate practices and instruments<br />

as much as possible.<br />

In <strong>our</strong> performances, this music is<br />

as alive as the day it was written.<br />

BY ERIC SCHEIDER<br />

Trefoil, “Both hearty and<br />

ethereal.” ~ Washington Post<br />

On March 14 we’re fortunate<br />

to welcome the unique<br />

trio Trefoil, consisting <strong>of</strong> Drew<br />

Minter: countertenor and harp; Mark<br />

Rimple: countertenor, lute, harp; and<br />

Marsha Young: soprano and harps.<br />

These three exceptional and well-traveled<br />

musicians join forces for their<br />

program In the Chamber <strong>of</strong> the Harpers:<br />

Late Medieval Music from the<br />

Iberian Peninsula. Sunday, March 14, 3<br />

p.m., Jubilee! Community, 46 Wall St,<br />

Asheville.<br />

IF<br />

YOU<br />

GO:<br />

Tickets for all concerts<br />

are available at the<br />

door. Suggested donation<br />

is $15. Advance<br />

tickets, season passes,<br />

and reserved seats are<br />

available at www.eemf.net and at<br />

SoliClassica, 1550 Hendersonville Rd,<br />

Asheville.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!