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Rapid River Magazine, october 2006

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Silver Fox Gallery<br />

‘Fall Colors in Glass’<br />

Victor Chiarizia<br />

Friday, Oct. 6, 6 to 9 pm<br />

Artist Reception<br />

Silver Fox Gallery, 508 N. Main St., Hendersonville<br />

828-698-0601 silverfoxonline.com<br />

OPEN 7 DAYS/WEEK . FRIDAY TO 9 PM<br />

R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />

by Glenn Garson<br />

O<br />

ne of the great gems of the<br />

<strong>River</strong> Arts District is hard to<br />

find but worth the search.<br />

The Art Atelier is located<br />

at 375 Depot St., on the left<br />

side of the building, and<br />

up the stairs, in an intimate<br />

studio that glows in natural light. There,<br />

students learn to see and capture beauty in<br />

the tradition of the Great Masters at The<br />

Art Atelier.<br />

When Jim Ostlund and Michele<br />

Mitchel came back from Europe, after<br />

teaching and studying there, they entered<br />

two national portrait contests. In one,<br />

they tied for First place, and in the other,<br />

one of them came in First and the other<br />

Second. Since then they have done commissioned<br />

portraits for Federal Judges,<br />

actresses, Deans and Presidents of Colleges.<br />

When they were going to have their first<br />

child they chose Asheville and then opened<br />

The Art Atelier to teach students through<br />

RIVERARTS<br />

Classes and portraits in the<br />

tradition of the Great Masters<br />

The photograph is one of their paintings.<br />

a system handed down over the centuries<br />

from the old Masters.<br />

Each student is individually taught in<br />

small classes that last 6 weeks. They will<br />

also offer evening classes, if they have at<br />

least 7 students. Watch their<br />

web site for the start date of<br />

their next class (www.theartatelier.com)<br />

or call them at (828)<br />

645-5101.<br />

Each student is given their<br />

own space and progresses from<br />

charcoal to oil paint in a nurturing<br />

environment. At an opening<br />

for some of their younger students<br />

one of the mothers began<br />

to cry, explaining how their<br />

teaching environment made her<br />

feel like she was in a special<br />

place.<br />

Jim and Michele are treasures<br />

from an era when artists<br />

spent thousands of hours drawing<br />

and painting from live models<br />

and learning how to articulate the<br />

music of color and light onto the<br />

canvas. They draw on the tools of the Great<br />

Masters to paint the beauty of today.<br />

Won’t somebody tell me: What is a person?<br />

WBy Glenn Garson<br />

hen you<br />

see August<br />

Hoerr’s<br />

portraits<br />

up close,<br />

you see an<br />

oil abstract, but as you<br />

step back away from the<br />

painting, the epiphany<br />

hits you that you are seeing<br />

a person.<br />

Blind Willy Johnson,<br />

the preacher and blues<br />

singer asks in one of his<br />

songs “Won’t somebody<br />

tell me: What is the soul<br />

of a man?” Later he<br />

answers his own question:<br />

“Nothing but a<br />

burning light!” August’s<br />

paintings ask, “What is a<br />

person?” And his answer<br />

is just as universal.<br />

August portrays<br />

individual human beings<br />

with a rich palette of impasto, which raises his<br />

subject from the canvas and deconstructs them for<br />

our eyes. August reaches his final portrait of the<br />

person by steps, building upon previous steps, until<br />

he reveals the person underneath. Rather than wipe<br />

away his initial attempts to capture his subject,<br />

August layers his later brush strokes over his initial<br />

October <strong>2006</strong> — <strong>Rapid</strong> <strong>River</strong> ArtS & CULTURE <strong>Magazine</strong>— Vol. 10, No. 2<br />

The Photo is a painting by August Hoerr titled<br />

“Hidden Words in a Murky Tongue”<br />

marks until a dense surface of<br />

multiple workings evolves to<br />

illuminate the person underneath.<br />

One notable element of<br />

August’s pieces are the seemingly<br />

unintentional flourishes<br />

in his images, which manifest<br />

themselves as smudges and<br />

splotches in the negative space<br />

of his portraits. These artifacts<br />

whisper into our ear, like a<br />

sigh, that we are an audience to<br />

real human beings with all their<br />

associated imperfections.<br />

August’s earlier paintings<br />

were suffused in the warm<br />

umber and sienna colored tones<br />

of the old masters but over<br />

the last 2 years he has brought<br />

in more vibrant and pulsating<br />

colors that grab the viewer and<br />

convey a sense of tension and<br />

release.<br />

Bella Vista Art Gallery<br />

will hold an opening reception<br />

for new works by<br />

August Hoerr on Saturday Oct. 7 from 1-4pm at<br />

240 Clingman Ave., in the heart of the <strong>River</strong> Arts<br />

District. Call (828) 768-0246 for business hours<br />

and directions. Visit www.bellavista.com.

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