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R A P I D R I V E R A R T S & C U L T U R E<br />

performance<br />

Asheville Choral Society Performs<br />

“Be Here <strong>Now</strong>”<br />

Aspecial treat is in s<strong>to</strong>re for<br />

Western North Carolina<br />

audiences when The Asheville<br />

Choral Society performs<br />

“Be Here <strong>Now</strong>: Singing <strong>the</strong><br />

Temporal Art of Living Composers,”<br />

on Saturday, March 5 at 8 p.m. and<br />

Sunday, March 6 at 4 p.m. in Central<br />

United Methodist Church, down<strong>to</strong>wn<br />

Asheville.<br />

Singing <strong>the</strong> Temporal Art<br />

of Living Composers<br />

“This concert is a celebration of<br />

spirit in <strong>the</strong> wonder and engagement<br />

of ancient wisdom and modern sound.<br />

All of <strong>the</strong> crea<strong>to</strong>rs of <strong>the</strong> music are<br />

living composers, ranging in ages from<br />

32 <strong>to</strong> 90 years old. There is much<br />

musical variety, with colorful soundscapes<br />

that conjure up images of a<br />

thunderous ocean, a mystic ceremony,<br />

a smoky jazz club, and even a Scottish<br />

folk dance,” says Dr. Galloway, ACS’<br />

March guest conduc<strong>to</strong>r.<br />

“I’ll Ay Call in By Yon Town,”<br />

features duo piano, while Dave Brubeck’s<br />

“Mass,” will include<br />

<strong>the</strong> Ray Lyons jazz trio.<br />

O<strong>the</strong>r musical selections<br />

include a modern arrangement<br />

of “Ubi Caritas,” by<br />

Gjeilo, “I Am Not Yours,”<br />

a Stroope adaptation of a<br />

poem by Sara Teasdale, and “Animal<br />

Crackers,” an Eric Whitacre ligh<strong>the</strong>arted<br />

arrangement of some of <strong>the</strong><br />

wittiest of Ogden Nash’s poetry.<br />

The centerpiece is, “The<br />

Here and <strong>Now</strong>,” by Chris<strong>to</strong>pher<br />

Theofanidis, a beautiful and stirring<br />

setting of poems by <strong>the</strong> 13th<br />

century mystic, Rumi. This 2005 work<br />

for soloists, chorus and orchestra will<br />

feature Simone Vigilante, soprano, and<br />

Jonathan Ross, bari<strong>to</strong>ne.<br />

Melodie Galloway hails from<br />

Asheville, where she serves as Assistant<br />

Professor, Choral Direc<strong>to</strong>r, and<br />

Coordina<strong>to</strong>r of Vocal Studies in <strong>the</strong><br />

UNCA Department of Music, as well<br />

as Musical Direc<strong>to</strong>r of <strong>the</strong> Junaluska<br />

Singers, a 16-voice professional summer<br />

ensemble.<br />

Galloway holds a Doc<strong>to</strong>ral degree<br />

in choral conducting from UNC-<br />

ACS guest<br />

conduc<strong>to</strong>r Melodie<br />

Galloway<br />

BY LINDSEY RHODEN<br />

Greensboro, as well as a<br />

Masters in vocal performance<br />

from Florida State<br />

University. Her passion in<br />

music runs <strong>the</strong> gamut from<br />

classical <strong>to</strong> musical <strong>the</strong>atre,<br />

jazz, and even <strong>the</strong> avantgarde.<br />

“Be Here <strong>Now</strong>: Singing<br />

<strong>the</strong> Temporal Art of Living Composers”<br />

is <strong>the</strong> second concert in <strong>the</strong> Asheville<br />

Choral Society’s 34th season,<br />

“Good Things Come in Threes…Join<br />

Us this Season.” Each concert features<br />

a different guest conduc<strong>to</strong>r.<br />

“From Tribulation <strong>to</strong> Celebration:<br />

Finding <strong>the</strong> Divine through<br />

Trial” will be conducted by Dr. C.<br />

Michael Porter, May 21 and 22 in<br />

Arden Presbyterian Church.<br />

IF<br />

YOU<br />

GO<br />

<strong>Tickets</strong> <strong>to</strong> “Be Here<br />

<strong>Now</strong>,” as well as for <strong>the</strong><br />

2010-2011 ACS Season,<br />

can be purchased from<br />

<strong>the</strong> Asheville Choral<br />

Society via its website at www.<br />

ashevillechoralsociety.org or by calling<br />

(828) 232-2060. Special discounts are<br />

available for groups of 10 or more.<br />

Brevard Music Center Faculty Trio <strong>to</strong> Perform<br />

The Brevard Music Center is a<br />

gem we have in our own back<br />

yard. Hendersonville Chamber<br />

Music is fortunate <strong>to</strong> be able <strong>to</strong><br />

bring three of its outstanding<br />

faculty <strong>to</strong> open <strong>the</strong>ir 2011 season.<br />

The trio features pianist and Brevard<br />

Music Center’s Artistic Direc<strong>to</strong>r,<br />

Bruce Murray with BMC’s Associate<br />

Artistic Administra<strong>to</strong>r Jason Posnock<br />

on violin and Dilshad Posnock on flute.<br />

Bruce Murray holds a full-time,<br />

year-round role at Brevard as Dean<br />

and Artistic Administra<strong>to</strong>r while maintaining<br />

an active<br />

performing career.<br />

He has appeared<br />

with such conduc<strong>to</strong>rs<br />

as Keith Lockhart<br />

and David<br />

Effron.<br />

Violinist Jason<br />

Posnock has performed<br />

regularly<br />

with such prominent<br />

American<br />

ensembles as<br />

<strong>the</strong> Philadelphia<br />

and Pittsburgh<br />

Brevard Music Center’s Bruce Murray,<br />

with Jason and Dilshad Posnock.<br />

Symphony Orchestras. Currently,<br />

he is Associate Artistic Administra<strong>to</strong>r<br />

of <strong>the</strong> Brevard Music Center and, in<br />

his spare time, Concertmaster of <strong>the</strong><br />

Asheville Symphony Orchestra.<br />

Flutist Dilshad Posnock performed<br />

regularly with <strong>the</strong> Pittsburgh<br />

Symphony, Ballet and Opera. <strong>Now</strong><br />

based in Brevard, NC, Ms. Posnock<br />

performs with <strong>the</strong> Asheville Choral<br />

Society and has appeared as Guest<br />

Principal Flute with <strong>the</strong> Asheville<br />

Symphony Orchestra.<br />

Hendersonville Chamber Music<br />

season calls for<br />

<strong>the</strong> EastWind<br />

Wind Quintet,<br />

in residence at<br />

<strong>the</strong> University<br />

of North Carolina-Greensboro<br />

on March<br />

20; The NGU<br />

piano quartet,<br />

in residence at<br />

North Greenville<br />

University<br />

on April 17; <strong>the</strong><br />

Bill Gerhardt Jazz<br />

Trio with vocalist Sharon LaMotte on<br />

May 1 and <strong>the</strong> Kontras String Quartet,<br />

winners of <strong>the</strong> Western Piedmont<br />

residency competition, on May 22.<br />

Series tickets and $17 individual<br />

tickets are available at <strong>the</strong> Hendersonville<br />

Visi<strong>to</strong>rs Center, and at <strong>the</strong> door<br />

on <strong>the</strong> day of <strong>the</strong> performance. More<br />

information at hendersonvillechambermusic.org.<br />

IF<br />

YOU<br />

GO<br />

BY ROBERT WILEY<br />

Hendersonville<br />

Chamber Music<br />

Concerts take place at<br />

<strong>the</strong> First Congregational<br />

Church on <strong>the</strong> corner<br />

of Fifth Avenue and White Pine<br />

in Hendersonville. <strong>Performances</strong><br />

are on Sunday afternoons at 3 p.m.<br />

Subscriptions for all five concerts are<br />

$70. They are available by mailing<br />

a check or money order payable <strong>to</strong><br />

HFCM <strong>to</strong> Hendersonville Chamber<br />

Music, P.O. Box 271 Hendersonville,<br />

NC 28793.<br />

8 February 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 14, No. 6

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