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R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />

restaurants & wine<br />

Empty Vessels, Friends Lost, Remembering Good Times<br />

- PLUS, AN ASHEVILLE MARDI GRAS UPDATE<br />

Da Svedanya, Vadim Bora<br />

The passing of Asheville artist Vadim<br />

Bora continues <strong>to</strong> be a heavy-heart matter<br />

for those who knew him. He was among <strong>the</strong><br />

very best of <strong>the</strong> creative talent that walked<br />

Asheville’s down<strong>to</strong>wn sidewalks. He never<br />

failed at giving a pleasant hello and sincere,<br />

attentive smile.<br />

There was something<br />

<strong>to</strong> him, not just what his<br />

lines, curves, and colors<br />

said about his mind and<br />

soul, or what Russian<br />

sense and spice powered<br />

his hand and colored his<br />

images. His consistent<br />

politeness underscored a<br />

sound and brilliant mind.<br />

In my possession and<br />

pride, a painting by Bora<br />

of a tray of empty bottles<br />

and used wine glasses. The title is “After <strong>the</strong><br />

Party,” and I specifically remember my first<br />

glance, it giving me a visual echo of one of<br />

my favorite real-life sights: dirty glasses -<br />

evidence of a good time had <strong>the</strong> night before<br />

with good friends and good wine.<br />

I realized <strong>the</strong> pleasure of this sight a few<br />

years before, after I hosted my first supersized<br />

dinner party. I requested that all glasses<br />

be left on <strong>the</strong> table. They were ra<strong>the</strong>r nice, all<br />

hoity-<strong>to</strong>ity Riedel and Waterford and all that,<br />

and because guests are often under <strong>the</strong> delusion<br />

that <strong>the</strong>y are being helpful by piling every<br />

dirty thing in your kitchen sink, I wanted<br />

<strong>to</strong> avoid <strong>the</strong> risk of broken glasses. The next<br />

morning, <strong>the</strong> sight of 50 dirty glasses on <strong>the</strong><br />

dining table delighted me <strong>to</strong> <strong>the</strong> max.<br />

Likewise, <strong>the</strong> sight of spent, empty<br />

bottles seems <strong>to</strong> be a universal fascination<br />

that begins for many people right around<br />

<strong>the</strong>ir coming of legal drinking age. A decorative<br />

motif that really should end by <strong>the</strong> end<br />

of college, this is <strong>the</strong> hoarding of alcoholic<br />

beverage bottles and <strong>the</strong>ir proud display a<strong>to</strong>p<br />

refrigera<strong>to</strong>rs and cabinets. In part, <strong>the</strong>y are<br />

‘Brew News’ cont’d from pg. 24<br />

liance members but are $25 for <strong>the</strong> general<br />

public. Ticket price includes a buffet-style<br />

barbecue dinner and two drink tickets for<br />

Highland pints. Don’t miss this opportunity<br />

<strong>to</strong> meet an icon in <strong>the</strong> brewing industry.<br />

For eight years, Joe Zinich<br />

has been taking a selfguided,<br />

high-intensity <strong>to</strong>ur<br />

of <strong>the</strong> Asheville beer scene.<br />

Contact him at: jzinich@<br />

bellsouth.net.<br />

The Oyster Lunch, 1734<br />

The Oyster Lunch, 1734<br />

by Jean François de Troy<br />

reminders of good times had, and also, at<br />

that age, elements of <strong>the</strong> competition that<br />

suggests that he with <strong>the</strong> most bottles has<br />

had better times than you.<br />

(Wine collec<strong>to</strong>rs and enthusiasts are <strong>to</strong><br />

be given something of a pass on empty bottle<br />

collecting, by <strong>the</strong> way. “Dead soldiers” are<br />

more like trophies.)<br />

One of my three<br />

favorite paintings in all<br />

<strong>the</strong> world is a scene featuring<br />

French aris<strong>to</strong>crats<br />

feasting on oysters and<br />

white wine. “The Oyster<br />

Lunch” was painted in<br />

1734 by Jean Francois de<br />

Troy.<br />

The floor of <strong>the</strong><br />

scene is littered with<br />

baskets overturned, spent<br />

oyster shells and empty<br />

bottles. Red-faced, effete, elite men are<br />

partying hard. In <strong>the</strong>ir self-consciously fancy<br />

(ridiculous) attire <strong>the</strong>y have managed <strong>to</strong><br />

hold on <strong>to</strong> <strong>the</strong>ir napkins, <strong>the</strong> only remaining<br />

evidence that <strong>the</strong> men actually have some<br />

manners, manners that will be certainly not<br />

recovered until a later scene and after a day’s<br />

rest.<br />

Being <strong>the</strong> dandies that <strong>the</strong>y were, it is<br />

clear in <strong>the</strong> “The Oyster Lunch” that <strong>the</strong><br />

men had no compunction or concern being<br />

recorded in a giant painting as <strong>the</strong>y aban-<br />

doned <strong>the</strong>ir etiquette. If <strong>the</strong> evidence shows<br />

that <strong>the</strong>y had what constituted a good, great,<br />

or wild time, it is <strong>the</strong> same mentality that<br />

says “he who dies with <strong>the</strong> most <strong>to</strong>ys wins.”<br />

That is why we like images of dirty<br />

glasses. It’s why I paid a very fair price for<br />

Bora’s “After <strong>the</strong> Party” and why every man<br />

in that painting would have paid <strong>to</strong>p franc<br />

for “The Oyster Lunch” or even a simple<br />

image of a soiled Sèvres saucer.<br />

Great values & styles<br />

FREE Wine Tastings on Saturdays<br />

from 2 <strong>to</strong> 5 p.m.<br />

Goodbye, Flying Frog<br />

After a fifteen-year run, Chef Vijay<br />

Shastri and <strong>the</strong> Shastri family closed <strong>the</strong><br />

Flying Frog Café, both <strong>the</strong> fine dining<br />

downstairs and <strong>the</strong> bar and sidewalk café<br />

as well. As with many closings, <strong>the</strong>re are<br />

always multiple fac<strong>to</strong>rs, and as <strong>the</strong> restaurant<br />

business goes in Asheville, this is yet ano<strong>the</strong>r<br />

reminder <strong>to</strong> believe not one damn thing you<br />

hear in local restaurant business gossip. The<br />

economy has been very hard on extra special<br />

fine dining, particularly on white tablecloth<br />

restaurants. The Frog is no exception.<br />

The Shastris were pioneers in <strong>the</strong> Asheville<br />

dining scene. They had a truly independent<br />

and unique approach <strong>to</strong> menu creation.<br />

The mixed heritage of <strong>the</strong> family (Eastern<br />

European and Indian) was represented on<br />

<strong>the</strong> menu, <strong>to</strong> <strong>the</strong> delight, and sometimes <strong>to</strong><br />

<strong>the</strong> confusion, of cus<strong>to</strong>mers. Ashevillians<br />

were often at a loss for <strong>the</strong> words <strong>to</strong> describe<br />

<strong>the</strong> Frog’s continental and Indian and German<br />

menu. I always thought it made sense.<br />

It was a most interesting menu and reflected<br />

<strong>the</strong> mixed heritage of <strong>the</strong> family, presented<br />

with skill and flavors that no o<strong>the</strong>r kitchen<br />

in <strong>the</strong> region offered.<br />

I must finish with a metaphorical raised<br />

glass <strong>to</strong> one of <strong>the</strong> best chefs and most<br />

generous guys I know. While Vijay Shastri’s<br />

future work is unannounced, I look forward<br />

<strong>to</strong> it when <strong>the</strong> time is right for it <strong>to</strong> be done.<br />

The now-vacant space in <strong>the</strong> groundlevel<br />

corner of <strong>the</strong> Haywood Park Hotel will<br />

surely not be vacant for long. Those of you<br />

who think we have lost one of our favorite<br />

bars should have confidence that someone<br />

worthy will take charge. I anticipate my<br />

warm wea<strong>the</strong>r seat in <strong>the</strong> best people-watching<br />

perch in Asheville.<br />

Tasting wine is not only fun, but it presents a chance <strong>to</strong> learn about<br />

wine and what it is about a particular wine that you like, or don't<br />

like. You can sip while you shop. Find some new favorites — try<br />

it before you buy it. We will usually have a few whites and a few<br />

reds open, with <strong>the</strong> occassional guest speaker. Please s<strong>to</strong>p by!<br />

Wine Retail ~ Tastings ~ Wine Classes<br />

Great wines for any occasion and budget.<br />

BY MICHAEL PARKER<br />

February 2011<br />

Events at <strong>the</strong> Weinhaus<br />

Tuesday, February 22<br />

Vincenzo’s Italian restaurant will serve<br />

a multi course dinner accompanied by<br />

fine wines designed <strong>to</strong> match <strong>the</strong> meal, a<br />

wonderful way <strong>to</strong> chase away <strong>the</strong> winter<br />

blues. The time is 7 p.m. The cost is $60<br />

all inclusive. Please call <strong>the</strong> Weinhaus for<br />

reservations at (828) 254-6453.<br />

Friday, February 25<br />

Friday night flights at <strong>the</strong> Weinhaus will<br />

present a tasting of “Pinot Noirs from<br />

Around <strong>the</strong> World.” The price is $10 for<br />

a tasting and light hors d’ouvres. Time is<br />

5:30-7:30 p.m. Held at <strong>the</strong> Weinhaus, 86<br />

Pat<strong>to</strong>n, Ave. Asheville.<br />

The Weinhaus, 86 Pat<strong>to</strong>n Avenue<br />

Asheville, NC (828) 254-6453<br />

Asheville Mardi Gras<br />

and <strong>the</strong> Grand Krewe<br />

Tune in <strong>to</strong> <strong>the</strong> Facebook page for Asheville<br />

Mardi Gras and <strong>the</strong> <strong>to</strong>-be-scheduled events<br />

of <strong>the</strong> Grand Krewe, <strong>the</strong> krewe for wine<br />

drinkers. The parade marches on March 6,<br />

Bacchus Sunday, down<strong>to</strong>wn at 3 p.m.<br />

The Grand Krewe will be announcing:<br />

• an event at <strong>the</strong> Wine Studio of Asheville<br />

• <strong>the</strong> Running of <strong>the</strong> Winos, from wine bar<br />

<strong>to</strong> wine bar, in down<strong>to</strong>wn Asheville<br />

• pre-parade ga<strong>the</strong>ring for March 6<br />

Anyone who wants <strong>to</strong> join <strong>the</strong> Grand Krewe<br />

is welcome. Find us on Facebook by search-<br />

ing for “Grand Krewe, Dionysiaque.”<br />

www.<strong>the</strong>AshevilleWineGuy.com<br />

555 Merrimon Ave.<br />

(828) 254-6500<br />

Vol. 14, No. 6 — RAPID RIVER ARTS & CULTURE MAGAZINE — February 2011 25

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