Get Tickets Now to the Season's Best Performances - Rapid River ...
Get Tickets Now to the Season's Best Performances - Rapid River ...
Get Tickets Now to the Season's Best Performances - Rapid River ...
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R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />
music<br />
The Eternal Sunshine of<br />
Jonathan Richman<br />
If Dick Clark is rightfully known as<br />
“America’s Oldest Teenager,” <strong>the</strong>n<br />
Jonathan Richman is certainly poised<br />
<strong>to</strong> someday accept that role. Richman<br />
has been writing songs, making records<br />
and performing live for most of his life,<br />
winning fans and making friends around <strong>the</strong><br />
world with his guileless honesty and playfully<br />
catchy compositions.<br />
He’s revered by countless fellow artists,<br />
and has built a remarkably loyal international<br />
audience through his tireless <strong>to</strong>uring. His<br />
deceptively straightforward songs embody<br />
timeless qualities of humanity, optimism,<br />
emotional insight and a boundless sense of<br />
humor, untainted by cynicism or transient<br />
notions of what might be hip and cool.<br />
The many (more than thirty and counting)<br />
records that Jonathan Richman has<br />
made over <strong>the</strong> past 30 years have long held a<br />
special place in <strong>the</strong> hearts of his fans.<br />
He began playing guitar as a teen and in<br />
<strong>the</strong> early 1970s formed <strong>the</strong> beloved Modern<br />
Lovers; <strong>the</strong>ir raw, minimalist sound and<br />
emotionally forthright songs helped <strong>to</strong> lay<br />
<strong>the</strong> groundwork for punk rock and countless<br />
bands <strong>to</strong> follow. But by <strong>the</strong> time <strong>the</strong> group’s<br />
landmark debut album (including <strong>the</strong> muchcovered<br />
“Road Runner,” a Top Five single in<br />
Europe) was released in 1976, Richman had<br />
already moved on <strong>to</strong> a quieter sound and a<br />
gentler lyrical focus.<br />
Since <strong>the</strong>n, he’s continued <strong>to</strong> record<br />
and <strong>to</strong>ur prolifically, first with a series of<br />
Modern Lovers lineups, later on his own,<br />
and eventually as a duo with drummer<br />
Tommy Larkins.<br />
Over <strong>the</strong> years, Jonathan’s music has<br />
absorbed a multitude of influences, from<br />
doo-wop <strong>to</strong> country <strong>to</strong> a variety of interna-<br />
tional styles, without sacrificing <strong>the</strong><br />
artist’s effervescent personality.<br />
Richman’s fans have remained<br />
fiercely devoted<br />
over <strong>the</strong> years, and his<br />
audience expanded<br />
substantially in <strong>the</strong><br />
1990s, thanks<br />
<strong>to</strong> his frequent<br />
guest spots on<br />
TV’s Late Night<br />
with Conan<br />
O’Brien, his<br />
prominent appearance<br />
in <strong>the</strong> 1998 film comedy<br />
smash There’s Something<br />
About Mary, and <strong>the</strong> inclusions<br />
of his Modern Lovers<br />
classics “Ice Cream Man”<br />
and “I’m A Little Airplane”<br />
on Sesame Street.<br />
For much of his career,<br />
Richman has <strong>to</strong>ured nearly nons<strong>to</strong>p around<br />
<strong>the</strong> world. “Traveling and playing for new<br />
people in new places is one of my favorite<br />
things,” he tells me via a brief phone<br />
interview.<br />
“It’s great playing places that are off <strong>the</strong><br />
beaten track. You can learn a lot when you<br />
play in a little <strong>to</strong>wn in Holland or Western<br />
Australia, and you learn different things<br />
than you would learn playing a big city. Last<br />
year we played in Extremadura, which is<br />
<strong>the</strong> southwest of Spain —we were <strong>the</strong> first<br />
American entertainers ever <strong>to</strong> play <strong>the</strong>re. My<br />
next dream is <strong>to</strong> play <strong>the</strong> Canary Islands.”<br />
“Playing shows and making records<br />
keeps getting easier and more fun,” he<br />
states, adding, “Me and Tommy play <strong>to</strong>tally<br />
different than we played just two years ago.<br />
Jonathan Richman<br />
BY JAMES CASSARA<br />
We already<br />
play a different<br />
style<br />
than we played<br />
on our live DVD,<br />
and <strong>the</strong> way we played <strong>the</strong>n<br />
was <strong>to</strong>tally different from <strong>the</strong><br />
way we played three years<br />
before that. I still feel like<br />
we’re just starting out, and<br />
I still learn new stuff every<br />
night. Each one is different,<br />
which is what keeps it<br />
alive and real.”<br />
Indeed it does: Richman<br />
has played our <strong>to</strong>wn<br />
many times over <strong>the</strong> years – for nearly<br />
a decade he was a semi-regular at <strong>the</strong><br />
now defunct Vincent’s Ear – but each<br />
time brings something new. What<br />
doesn’t change is <strong>the</strong> adoration of his<br />
fans, <strong>the</strong> excitement and energy he<br />
delivers, and <strong>the</strong> eternal youth that has<br />
marked his musical career.<br />
IF<br />
YOU<br />
GO<br />
Jonathan Richman and<br />
Tommy Larkin at The<br />
Grey Eagle. Thursday,<br />
February 24 at 9 p.m.<br />
<strong>Tickets</strong> are $15 for <strong>the</strong><br />
show. It is standing room only so<br />
bring those comfortable shoes and be<br />
ready <strong>to</strong> party!<br />
The Big Daddy Bluegrass Band “The Next Generation”<br />
The Big Daddy Bluegrass<br />
Band rides again! It has<br />
been five long years since<br />
<strong>the</strong> band has taken <strong>the</strong><br />
stage.<br />
Steve “Big Daddy” McMurry,<br />
front man and founding member<br />
of Acoustic Syndicate, returns <strong>to</strong><br />
<strong>the</strong> world of bluegrass music with<br />
a formidable arsenal of hot, young<br />
pickers.<br />
Jason Flournoy, formerly<br />
of Larry Keel & Natural Bridge /<br />
Shanti Groove, is highly respected<br />
in all genres of music across <strong>the</strong> nation.<br />
Jay Sanders is <strong>the</strong> long time bass man for<br />
Acoustic Syndicate and former bass player<br />
for Donna The Buffalo.<br />
The Big Daddy<br />
The Big Daddy<br />
Bluegrass Band<br />
Producer, engineer and<br />
dobro virtuoso, Billy Cardine,<br />
formerly of The Biscuit Burners,<br />
is one of Jerry Douglass’ favorite<br />
new dobro men. He has shared<br />
<strong>the</strong> stage with Edgar Meyer at<br />
Carnegie Hall, and his recordings<br />
are featured on <strong>the</strong> BBC, PBS,<br />
and <strong>the</strong> His<strong>to</strong>ry Channel.<br />
Robert Greer, front man<br />
for Town Mountain, will also be<br />
joining <strong>the</strong> band, adding nizing vocals and guitar.<br />
harmo-<br />
The Big Daddy Bluegrass<br />
Band is a vehicle for good times, fun music<br />
and fellowship. There are always great guest<br />
musicians at <strong>the</strong>ir performances — you never<br />
know who will turn up <strong>to</strong> play. Some past<br />
guests include Wyatt Rice, Larry Keel,<br />
Jenny Keel, Curtis Burch, Billy Constable,<br />
Danny Knicely, and Darol Anger.<br />
IF<br />
YOU<br />
GO<br />
BY ERIN SCHOLZE<br />
The Big Daddy<br />
Bluegrass Band,<br />
Saturday, February 12.<br />
Doors open at 7:30 p.m.<br />
Show begins at 8:30 p.m.<br />
$10 in advance, $13 at <strong>the</strong> door.<br />
Valentine’s VIP Package: only $40<br />
(advance tickets only!) Phone (828)<br />
669-0190. Pisgah Brewing Company,<br />
150 Eastside Drive, in Black Mountain.<br />
Visit www.pisgahbrewing.com<br />
“THE NEXUS”<br />
SPREADS ITS WINGS<br />
BY CHRIS CLOONAN<br />
The Spiritual Rez reggae funk<br />
dance experience is an unabashed<br />
display of musical<br />
virtuosity. When paired with a<br />
deep, sub-sonic groove, and powerful<br />
heartfelt vocalization, crowds are left<br />
dancing and screaming for more.<br />
Over <strong>the</strong> past 8 years, <strong>the</strong>se six<br />
men have relentlessly <strong>to</strong>ured <strong>the</strong><br />
country <strong>to</strong> share <strong>the</strong>ir music and<br />
appreciation of <strong>the</strong> arts. Rooted in<br />
rock, reggae, and funk; <strong>the</strong>ir diversity<br />
exemplifies <strong>the</strong>ir love and desire <strong>to</strong><br />
put on a live experience that will not<br />
only cut <strong>to</strong> your core, but also ignite<br />
<strong>the</strong> inner flame that exists in us all. It’s<br />
this power, this creative desire, that<br />
has fans traveling across <strong>the</strong> nation <strong>to</strong><br />
experience this raw and in<strong>to</strong>xicating<br />
display of musical bliss.<br />
Their latest album, The Nexus<br />
(2010), was created by combining<br />
elements from a multitude of<br />
influences gained from years on <strong>the</strong><br />
road. The result is an album that<br />
showcases how <strong>the</strong>y have grown in<strong>to</strong><br />
a primed party machine; ready <strong>to</strong><br />
churn out hard-driven guitar solo’s,<br />
inspiring vocals, and powerful, funkified<br />
dance grooves.<br />
The Rez has been lucky enough<br />
<strong>to</strong> share <strong>the</strong> stage with artists such as<br />
Gregory Issacs, Toots and The Maytals,<br />
Steel Pulse, and Barring<strong>to</strong>n Levy.<br />
Showing <strong>the</strong>ir diversity as artists, The<br />
Rez has also rocked with George Clin<strong>to</strong>n<br />
and The Parliament Funkadelic,<br />
Golgol Bordello and Jah Wobble.<br />
For more information on <strong>the</strong> band<br />
visit www.spiritualrez.com<br />
IF<br />
YOU<br />
GO<br />
Spiritual Rez,<br />
Saturday, February<br />
19. 21+ show begins<br />
at 8 p.m. at <strong>the</strong> Emerald<br />
Lounge, 112 N.<br />
Lexing<strong>to</strong>n Ave. in Asheville.<br />
Phone (828) 232-4372 or visit www.<br />
emeraldlounge.com for more details.<br />
Vol. 14, No. 6 — RAPID RIVER ARTS & CULTURE MAGAZINE — February 2011 23