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R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />

music<br />

The Eternal Sunshine of<br />

Jonathan Richman<br />

If Dick Clark is rightfully known as<br />

“America’s Oldest Teenager,” <strong>the</strong>n<br />

Jonathan Richman is certainly poised<br />

<strong>to</strong> someday accept that role. Richman<br />

has been writing songs, making records<br />

and performing live for most of his life,<br />

winning fans and making friends around <strong>the</strong><br />

world with his guileless honesty and playfully<br />

catchy compositions.<br />

He’s revered by countless fellow artists,<br />

and has built a remarkably loyal international<br />

audience through his tireless <strong>to</strong>uring. His<br />

deceptively straightforward songs embody<br />

timeless qualities of humanity, optimism,<br />

emotional insight and a boundless sense of<br />

humor, untainted by cynicism or transient<br />

notions of what might be hip and cool.<br />

The many (more than thirty and counting)<br />

records that Jonathan Richman has<br />

made over <strong>the</strong> past 30 years have long held a<br />

special place in <strong>the</strong> hearts of his fans.<br />

He began playing guitar as a teen and in<br />

<strong>the</strong> early 1970s formed <strong>the</strong> beloved Modern<br />

Lovers; <strong>the</strong>ir raw, minimalist sound and<br />

emotionally forthright songs helped <strong>to</strong> lay<br />

<strong>the</strong> groundwork for punk rock and countless<br />

bands <strong>to</strong> follow. But by <strong>the</strong> time <strong>the</strong> group’s<br />

landmark debut album (including <strong>the</strong> muchcovered<br />

“Road Runner,” a Top Five single in<br />

Europe) was released in 1976, Richman had<br />

already moved on <strong>to</strong> a quieter sound and a<br />

gentler lyrical focus.<br />

Since <strong>the</strong>n, he’s continued <strong>to</strong> record<br />

and <strong>to</strong>ur prolifically, first with a series of<br />

Modern Lovers lineups, later on his own,<br />

and eventually as a duo with drummer<br />

Tommy Larkins.<br />

Over <strong>the</strong> years, Jonathan’s music has<br />

absorbed a multitude of influences, from<br />

doo-wop <strong>to</strong> country <strong>to</strong> a variety of interna-<br />

tional styles, without sacrificing <strong>the</strong><br />

artist’s effervescent personality.<br />

Richman’s fans have remained<br />

fiercely devoted<br />

over <strong>the</strong> years, and his<br />

audience expanded<br />

substantially in <strong>the</strong><br />

1990s, thanks<br />

<strong>to</strong> his frequent<br />

guest spots on<br />

TV’s Late Night<br />

with Conan<br />

O’Brien, his<br />

prominent appearance<br />

in <strong>the</strong> 1998 film comedy<br />

smash There’s Something<br />

About Mary, and <strong>the</strong> inclusions<br />

of his Modern Lovers<br />

classics “Ice Cream Man”<br />

and “I’m A Little Airplane”<br />

on Sesame Street.<br />

For much of his career,<br />

Richman has <strong>to</strong>ured nearly nons<strong>to</strong>p around<br />

<strong>the</strong> world. “Traveling and playing for new<br />

people in new places is one of my favorite<br />

things,” he tells me via a brief phone<br />

interview.<br />

“It’s great playing places that are off <strong>the</strong><br />

beaten track. You can learn a lot when you<br />

play in a little <strong>to</strong>wn in Holland or Western<br />

Australia, and you learn different things<br />

than you would learn playing a big city. Last<br />

year we played in Extremadura, which is<br />

<strong>the</strong> southwest of Spain —we were <strong>the</strong> first<br />

American entertainers ever <strong>to</strong> play <strong>the</strong>re. My<br />

next dream is <strong>to</strong> play <strong>the</strong> Canary Islands.”<br />

“Playing shows and making records<br />

keeps getting easier and more fun,” he<br />

states, adding, “Me and Tommy play <strong>to</strong>tally<br />

different than we played just two years ago.<br />

Jonathan Richman<br />

BY JAMES CASSARA<br />

We already<br />

play a different<br />

style<br />

than we played<br />

on our live DVD,<br />

and <strong>the</strong> way we played <strong>the</strong>n<br />

was <strong>to</strong>tally different from <strong>the</strong><br />

way we played three years<br />

before that. I still feel like<br />

we’re just starting out, and<br />

I still learn new stuff every<br />

night. Each one is different,<br />

which is what keeps it<br />

alive and real.”<br />

Indeed it does: Richman<br />

has played our <strong>to</strong>wn<br />

many times over <strong>the</strong> years – for nearly<br />

a decade he was a semi-regular at <strong>the</strong><br />

now defunct Vincent’s Ear – but each<br />

time brings something new. What<br />

doesn’t change is <strong>the</strong> adoration of his<br />

fans, <strong>the</strong> excitement and energy he<br />

delivers, and <strong>the</strong> eternal youth that has<br />

marked his musical career.<br />

IF<br />

YOU<br />

GO<br />

Jonathan Richman and<br />

Tommy Larkin at The<br />

Grey Eagle. Thursday,<br />

February 24 at 9 p.m.<br />

<strong>Tickets</strong> are $15 for <strong>the</strong><br />

show. It is standing room only so<br />

bring those comfortable shoes and be<br />

ready <strong>to</strong> party!<br />

The Big Daddy Bluegrass Band “The Next Generation”<br />

The Big Daddy Bluegrass<br />

Band rides again! It has<br />

been five long years since<br />

<strong>the</strong> band has taken <strong>the</strong><br />

stage.<br />

Steve “Big Daddy” McMurry,<br />

front man and founding member<br />

of Acoustic Syndicate, returns <strong>to</strong><br />

<strong>the</strong> world of bluegrass music with<br />

a formidable arsenal of hot, young<br />

pickers.<br />

Jason Flournoy, formerly<br />

of Larry Keel & Natural Bridge /<br />

Shanti Groove, is highly respected<br />

in all genres of music across <strong>the</strong> nation.<br />

Jay Sanders is <strong>the</strong> long time bass man for<br />

Acoustic Syndicate and former bass player<br />

for Donna The Buffalo.<br />

The Big Daddy<br />

The Big Daddy<br />

Bluegrass Band<br />

Producer, engineer and<br />

dobro virtuoso, Billy Cardine,<br />

formerly of The Biscuit Burners,<br />

is one of Jerry Douglass’ favorite<br />

new dobro men. He has shared<br />

<strong>the</strong> stage with Edgar Meyer at<br />

Carnegie Hall, and his recordings<br />

are featured on <strong>the</strong> BBC, PBS,<br />

and <strong>the</strong> His<strong>to</strong>ry Channel.<br />

Robert Greer, front man<br />

for Town Mountain, will also be<br />

joining <strong>the</strong> band, adding nizing vocals and guitar.<br />

harmo-<br />

The Big Daddy Bluegrass<br />

Band is a vehicle for good times, fun music<br />

and fellowship. There are always great guest<br />

musicians at <strong>the</strong>ir performances — you never<br />

know who will turn up <strong>to</strong> play. Some past<br />

guests include Wyatt Rice, Larry Keel,<br />

Jenny Keel, Curtis Burch, Billy Constable,<br />

Danny Knicely, and Darol Anger.<br />

IF<br />

YOU<br />

GO<br />

BY ERIN SCHOLZE<br />

The Big Daddy<br />

Bluegrass Band,<br />

Saturday, February 12.<br />

Doors open at 7:30 p.m.<br />

Show begins at 8:30 p.m.<br />

$10 in advance, $13 at <strong>the</strong> door.<br />

Valentine’s VIP Package: only $40<br />

(advance tickets only!) Phone (828)<br />

669-0190. Pisgah Brewing Company,<br />

150 Eastside Drive, in Black Mountain.<br />

Visit www.pisgahbrewing.com<br />

“THE NEXUS”<br />

SPREADS ITS WINGS<br />

BY CHRIS CLOONAN<br />

The Spiritual Rez reggae funk<br />

dance experience is an unabashed<br />

display of musical<br />

virtuosity. When paired with a<br />

deep, sub-sonic groove, and powerful<br />

heartfelt vocalization, crowds are left<br />

dancing and screaming for more.<br />

Over <strong>the</strong> past 8 years, <strong>the</strong>se six<br />

men have relentlessly <strong>to</strong>ured <strong>the</strong><br />

country <strong>to</strong> share <strong>the</strong>ir music and<br />

appreciation of <strong>the</strong> arts. Rooted in<br />

rock, reggae, and funk; <strong>the</strong>ir diversity<br />

exemplifies <strong>the</strong>ir love and desire <strong>to</strong><br />

put on a live experience that will not<br />

only cut <strong>to</strong> your core, but also ignite<br />

<strong>the</strong> inner flame that exists in us all. It’s<br />

this power, this creative desire, that<br />

has fans traveling across <strong>the</strong> nation <strong>to</strong><br />

experience this raw and in<strong>to</strong>xicating<br />

display of musical bliss.<br />

Their latest album, The Nexus<br />

(2010), was created by combining<br />

elements from a multitude of<br />

influences gained from years on <strong>the</strong><br />

road. The result is an album that<br />

showcases how <strong>the</strong>y have grown in<strong>to</strong><br />

a primed party machine; ready <strong>to</strong><br />

churn out hard-driven guitar solo’s,<br />

inspiring vocals, and powerful, funkified<br />

dance grooves.<br />

The Rez has been lucky enough<br />

<strong>to</strong> share <strong>the</strong> stage with artists such as<br />

Gregory Issacs, Toots and The Maytals,<br />

Steel Pulse, and Barring<strong>to</strong>n Levy.<br />

Showing <strong>the</strong>ir diversity as artists, The<br />

Rez has also rocked with George Clin<strong>to</strong>n<br />

and The Parliament Funkadelic,<br />

Golgol Bordello and Jah Wobble.<br />

For more information on <strong>the</strong> band<br />

visit www.spiritualrez.com<br />

IF<br />

YOU<br />

GO<br />

Spiritual Rez,<br />

Saturday, February<br />

19. 21+ show begins<br />

at 8 p.m. at <strong>the</strong> Emerald<br />

Lounge, 112 N.<br />

Lexing<strong>to</strong>n Ave. in Asheville.<br />

Phone (828) 232-4372 or visit www.<br />

emeraldlounge.com for more details.<br />

Vol. 14, No. 6 — RAPID RIVER ARTS & CULTURE MAGAZINE — February 2011 23

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