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—<br />
I<br />
Continued<br />
I ontlnued from page 28)<br />
JOXFTICE ::<br />
r|or Republic, but then a Paramount Service, Special Screen Services, Inc., Allied<br />
an, recalls the skepticism of some ex- Posters and Morris Negrin's.<br />
|t]s w :ien Paramount moved. They were Incidentally, the New York branch of NSS<br />
tli.it nobody would walk the two long also provides trailers for the Albany, Buffal.)<br />
Square to buy pictures. and in addition U)<br />
we >t of Times New Haven exchanges,<br />
pe^slmists called their shots wrong. the metropolitan district.<br />
the next seven years all the major The memories of many exchange workers,<br />
ge.'^ and supply houses moved to 44th from district managers to shippers, go far<br />
beift'een Eighth and Ninth avenues, back into the early days of the film business.<br />
16 customers kept coming for pictures.<br />
We have already mentioned John Dacey<br />
»iy Warners, 20th-Fox and Paramount and Eddie Carroll of RKO and Bob Fatuion<br />
BT-heir own exchange buildings on the<br />
of Republic In this connection.<br />
^tl sicie of 44th, and MGM, RKO, Co-<br />
There are<br />
Monogram. PRC,<br />
many more<br />
United who were active In<br />
Artists,<br />
the industry when it<br />
&»fsal. Astor and Bell are tenants<br />
was In its infancy.<br />
of the<br />
benter Bldg., 630 Ninth Ave., between At MGM the oldtimers" list is headed by<br />
i[nd 45th streets.<br />
Jack Bowen, district manager; Bob Elsworth,<br />
Brooklyn salesman,<br />
)rthf south side of 44th street are Film<br />
and Lou Johnson, head<br />
of the shipping<br />
cs, Screen Guild, and around<br />
department and of the Shippers<br />
and Inspectors Union.<br />
the corner<br />
1 •'ilm Classics is Hoffberg<br />
More than 30<br />
Prod.<br />
years ago they all worked together for General<br />
Film.<br />
Film Center Bldg., in which most of<br />
changes are now situated, was opened<br />
Today, MGM is the only company with<br />
!. 5. 1928.<br />
separate New York and New Jersey branches<br />
a modern fireproof building with com- serving the metropolitan district.<br />
|U storage, screening and shipping facil-<br />
It dominates the immediate<br />
Ben Abner heads the New Jersey branch<br />
westside<br />
Ug wrliood of dingy tenements and<br />
and Ralph Pielow the New York branch.<br />
lofts.<br />
At Paramount. Henry Randel, recently<br />
dition to the exchanges, the building appointed district manager, recalls that until<br />
1^ houses supply and accessory firms.<br />
1941 he was manager of Paramount's Brooklyn<br />
branch. That year, Brooklyn, New Jersey<br />
JQ Hornstein of Joe Hornstein, Inc., one<br />
and New York branches were consolidated<br />
t; big supply dealers there, can vividly<br />
into a single<br />
ber the dawn of the Iniiustry when<br />
New York branch, with Randel<br />
the<br />
as manager.<br />
i? houses were located on University<br />
just off 14th street.<br />
Randel is a member of the Paramoimt 25-<br />
year club. He has been with the company<br />
he industry moved uptown, the supply<br />
27 years. Other memljers are: Harry Friedman<br />
and Gilbert Basch of the film room;<br />
IUJ3 moved with it.<br />
Jd recalls the early days, 1903, 1904 and Rose McConnell, head of the film room;<br />
i»bouts, when projectors were rented, Sybil Mayer, ledger clqrk; Edward Bell, New<br />
lid.<br />
York salesman; Kitty Flymi. booker, and<br />
t<br />
H' remembers the supplyman's campaign Leah Peterson, cashier. Albert Gebhardt,<br />
t the manufacturers to standardize New Jersey salesman, will be eligible for<br />
lent: to get them to build flickerless membership by the end of 1947.<br />
tors; the constant fight for better<br />
iilg sources.<br />
•Pwentieth-Fox<br />
ans. These<br />
also<br />
include<br />
has<br />
Jack<br />
its quota<br />
Wolf,<br />
of<br />
the<br />
veter-<br />
head<br />
'C al.so remembers the selling campaign<br />
taducted to induce exhibitors to install Cashier; Moe Kurtz, New Jersey sales supervisor,<br />
who has been with the company for 17<br />
'Oprojectors. Now many theatres have<br />
machines. The Mxisi-i Hall has 12. out of the 30 years he has been in the industry.<br />
Morris Sanders also can speak with authority<br />
of the old days. Sanders, New<br />
TJ big years for the supply man were<br />
0. when<br />
York<br />
sound came in, said Joe.<br />
sales supervisor, was president of Motion Pictures<br />
Associates in 1944-45. Ray Moon, Yan-<br />
fi'nstein and his competitors—Capitol<br />
a n Picture Supply Corp., Amusement kee division manager, spent his early film<br />
ip(y Co., Crown Motion Picture Supplies days in Detroit, where he was branch manager<br />
for Universal.<br />
SOS Cinema Supply Corp., National<br />
lire Supply, are agreed that the 1947<br />
u meat<br />
William Murphy. Republic branch manager,<br />
situation could be better.<br />
1<br />
has had a varied and much-traveled<br />
! projection line is easing and deliveries<br />
23 years in the film business. As a salesman<br />
)rompter, but carpets and chairs still<br />
for Universal he covered Oklahoma and Kentucky;<br />
he<br />
ard to get, they say.<br />
B compared<br />
managed theatres in Chicago.<br />
with the premium houses on<br />
Kansas City, Birmingham and Rhode Island.<br />
ow, the equipment dealers are well off.<br />
Tj big three of the premium business Saul Trauner. Columbia branch manager,<br />
Tlieatre Premiums, Sidney Ross Thea- has spent all of his 27 years in the film business<br />
selling. He worked for Pathe as well as<br />
(remiums and the Metro Premium Co.<br />
Tcfd to turn down orders for lack of Columbia.<br />
The dishes on their shelves are for Moe Kerman. president of Favorite Films,<br />
y. Few are coming from factories or and head of the Astor Film exchange, started<br />
ig to exhibitors.<br />
as an exhibitor 30 years ago. He assisted<br />
date, most of the premium orders come his father. David Kerman. who operated the<br />
beyond the borders of the metropolitan Kerman Theatres in Brooklyn. For the last<br />
Although exhibitors in the metropolindistrict<br />
25 years Moe Kerman has been a distributor,<br />
are agreed that the lush days organizing the Astor exchange in 1934.<br />
•reaver business still is brisk enough here<br />
'" '"!tpi>ne the day of the premium. TOE FELDER, vice-president of Favorite<br />
ie :rom the exhibitors, those most di- * and Astor, got his first film job more than<br />
--- cincerned with keeping business brisk 30 years ago with William Fox's Greater<br />
ve he ipproximately 600 men and women New York Film Co. He was with Fox until<br />
h(»oik in the New York exchanges. These<br />
on following page)<br />
•re he listrict managers, branch managers,<br />
Sail Tien bookers, clerks, inspectors and<br />
8hi ers who keep 1.150 theatres in the distrir<br />
IN THE PHOTOS<br />
supplied with film.<br />
A quintet of New York's top theatres. From<br />
^nRE \re approximately another 130 men top to bottom: The Radio City Music Hall,<br />
nd vomen employed by the five major largest of the theatres; Roxy, the 20th-Fox<br />
ni ' of the trailer and accessories showca.se; Capitol Theatre, showcase for<br />
ss. Most of them work for the New Loew's; the RKO Palace and the Astor Theatre.<br />
brh:ieh of National Screen Service, but<br />
m.