21.08.2014 Views

PONDERS TAFT-HARTLEY WAL

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

—<br />

I<br />

Continued<br />

I ontlnued from page 28)<br />

JOXFTICE ::<br />

r|or Republic, but then a Paramount Service, Special Screen Services, Inc., Allied<br />

an, recalls the skepticism of some ex- Posters and Morris Negrin's.<br />

|t]s w :ien Paramount moved. They were Incidentally, the New York branch of NSS<br />

tli.it nobody would walk the two long also provides trailers for the Albany, Buffal.)<br />

Square to buy pictures. and in addition U)<br />

we >t of Times New Haven exchanges,<br />

pe^slmists called their shots wrong. the metropolitan district.<br />

the next seven years all the major The memories of many exchange workers,<br />

ge.'^ and supply houses moved to 44th from district managers to shippers, go far<br />

beift'een Eighth and Ninth avenues, back into the early days of the film business.<br />

16 customers kept coming for pictures.<br />

We have already mentioned John Dacey<br />

»iy Warners, 20th-Fox and Paramount and Eddie Carroll of RKO and Bob Fatuion<br />

BT-heir own exchange buildings on the<br />

of Republic In this connection.<br />

^tl sicie of 44th, and MGM, RKO, Co-<br />

There are<br />

Monogram. PRC,<br />

many more<br />

United who were active In<br />

Artists,<br />

the industry when it<br />

&»fsal. Astor and Bell are tenants<br />

was In its infancy.<br />

of the<br />

benter Bldg., 630 Ninth Ave., between At MGM the oldtimers" list is headed by<br />

i[nd 45th streets.<br />

Jack Bowen, district manager; Bob Elsworth,<br />

Brooklyn salesman,<br />

)rthf south side of 44th street are Film<br />

and Lou Johnson, head<br />

of the shipping<br />

cs, Screen Guild, and around<br />

department and of the Shippers<br />

and Inspectors Union.<br />

the corner<br />

1 •'ilm Classics is Hoffberg<br />

More than 30<br />

Prod.<br />

years ago they all worked together for General<br />

Film.<br />

Film Center Bldg., in which most of<br />

changes are now situated, was opened<br />

Today, MGM is the only company with<br />

!. 5. 1928.<br />

separate New York and New Jersey branches<br />

a modern fireproof building with com- serving the metropolitan district.<br />

|U storage, screening and shipping facil-<br />

It dominates the immediate<br />

Ben Abner heads the New Jersey branch<br />

westside<br />

Ug wrliood of dingy tenements and<br />

and Ralph Pielow the New York branch.<br />

lofts.<br />

At Paramount. Henry Randel, recently<br />

dition to the exchanges, the building appointed district manager, recalls that until<br />

1^ houses supply and accessory firms.<br />

1941 he was manager of Paramount's Brooklyn<br />

branch. That year, Brooklyn, New Jersey<br />

JQ Hornstein of Joe Hornstein, Inc., one<br />

and New York branches were consolidated<br />

t; big supply dealers there, can vividly<br />

into a single<br />

ber the dawn of the Iniiustry when<br />

New York branch, with Randel<br />

the<br />

as manager.<br />

i? houses were located on University<br />

just off 14th street.<br />

Randel is a member of the Paramoimt 25-<br />

year club. He has been with the company<br />

he industry moved uptown, the supply<br />

27 years. Other memljers are: Harry Friedman<br />

and Gilbert Basch of the film room;<br />

IUJ3 moved with it.<br />

Jd recalls the early days, 1903, 1904 and Rose McConnell, head of the film room;<br />

i»bouts, when projectors were rented, Sybil Mayer, ledger clqrk; Edward Bell, New<br />

lid.<br />

York salesman; Kitty Flymi. booker, and<br />

t<br />

H' remembers the supplyman's campaign Leah Peterson, cashier. Albert Gebhardt,<br />

t the manufacturers to standardize New Jersey salesman, will be eligible for<br />

lent: to get them to build flickerless membership by the end of 1947.<br />

tors; the constant fight for better<br />

iilg sources.<br />

•Pwentieth-Fox<br />

ans. These<br />

also<br />

include<br />

has<br />

Jack<br />

its quota<br />

Wolf,<br />

of<br />

the<br />

veter-<br />

head<br />

'C al.so remembers the selling campaign<br />

taducted to induce exhibitors to install Cashier; Moe Kurtz, New Jersey sales supervisor,<br />

who has been with the company for 17<br />

'Oprojectors. Now many theatres have<br />

machines. The Mxisi-i Hall has 12. out of the 30 years he has been in the industry.<br />

Morris Sanders also can speak with authority<br />

of the old days. Sanders, New<br />

TJ big years for the supply man were<br />

0. when<br />

York<br />

sound came in, said Joe.<br />

sales supervisor, was president of Motion Pictures<br />

Associates in 1944-45. Ray Moon, Yan-<br />

fi'nstein and his competitors—Capitol<br />

a n Picture Supply Corp., Amusement kee division manager, spent his early film<br />

ip(y Co., Crown Motion Picture Supplies days in Detroit, where he was branch manager<br />

for Universal.<br />

SOS Cinema Supply Corp., National<br />

lire Supply, are agreed that the 1947<br />

u meat<br />

William Murphy. Republic branch manager,<br />

situation could be better.<br />

1<br />

has had a varied and much-traveled<br />

! projection line is easing and deliveries<br />

23 years in the film business. As a salesman<br />

)rompter, but carpets and chairs still<br />

for Universal he covered Oklahoma and Kentucky;<br />

he<br />

ard to get, they say.<br />

B compared<br />

managed theatres in Chicago.<br />

with the premium houses on<br />

Kansas City, Birmingham and Rhode Island.<br />

ow, the equipment dealers are well off.<br />

Tj big three of the premium business Saul Trauner. Columbia branch manager,<br />

Tlieatre Premiums, Sidney Ross Thea- has spent all of his 27 years in the film business<br />

selling. He worked for Pathe as well as<br />

(remiums and the Metro Premium Co.<br />

Tcfd to turn down orders for lack of Columbia.<br />

The dishes on their shelves are for Moe Kerman. president of Favorite Films,<br />

y. Few are coming from factories or and head of the Astor Film exchange, started<br />

ig to exhibitors.<br />

as an exhibitor 30 years ago. He assisted<br />

date, most of the premium orders come his father. David Kerman. who operated the<br />

beyond the borders of the metropolitan Kerman Theatres in Brooklyn. For the last<br />

Although exhibitors in the metropolindistrict<br />

25 years Moe Kerman has been a distributor,<br />

are agreed that the lush days organizing the Astor exchange in 1934.<br />

•reaver business still is brisk enough here<br />

'" '"!tpi>ne the day of the premium. TOE FELDER, vice-president of Favorite<br />

ie :rom the exhibitors, those most di- * and Astor, got his first film job more than<br />

--- cincerned with keeping business brisk 30 years ago with William Fox's Greater<br />

ve he ipproximately 600 men and women New York Film Co. He was with Fox until<br />

h(»oik in the New York exchanges. These<br />

on following page)<br />

•re he listrict managers, branch managers,<br />

Sail Tien bookers, clerks, inspectors and<br />

8hi ers who keep 1.150 theatres in the distrir<br />

IN THE PHOTOS<br />

supplied with film.<br />

A quintet of New York's top theatres. From<br />

^nRE \re approximately another 130 men top to bottom: The Radio City Music Hall,<br />

nd vomen employed by the five major largest of the theatres; Roxy, the 20th-Fox<br />

ni ' of the trailer and accessories showca.se; Capitol Theatre, showcase for<br />

ss. Most of them work for the New Loew's; the RKO Palace and the Astor Theatre.<br />

brh:ieh of National Screen Service, but<br />

m.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!