- Page 2 and 3:
FORWARD This publication represents
- Page 4 and 5:
Cooperating with CIPA: Richard Guss
- Page 6 and 7:
SR 3.07 FALL ...................
- Page 8 and 9:
DS 8.18 ITALIAN FOXTROT (96) .
- Page 10 and 11:
1. BASIC REGULATIONS BR 1.00 Title
- Page 12 and 13:
1.06.13 Acting on other matters as
- Page 14 and 15:
BR 1.16 National Federation Reports
- Page 16 and 17:
TR 2.03 Organization of Events 2.03
- Page 18 and 19:
2.06.08 No application will be acce
- Page 20 and 21:
delegates, club or member. The orga
- Page 22 and 23:
2.14.05 The size of the awards shal
- Page 24 and 25:
SR 3.06 Interruption of Skating 3.0
- Page 26 and 27:
3.10.05 If a team fails to complete
- Page 28 and 29:
SR 3.14 Costume Requirements (Show)
- Page 30 and 31:
Artistic Championship or a Continen
- Page 32 and 33:
4.05.13 Under exceptional climatic
- Page 34 and 35:
4.08.06 The CIPA Executive Committe
- Page 36 and 37:
FS 5.02 Figure Diagrams and Descrip
- Page 38 and 39:
FS 5.08 Starts 5.08.01 Starts shall
- Page 40 and 41:
5.15.04 The turns shall be executed
- Page 42 and 43:
6.02.04 General: • The single ele
- Page 44 and 45:
intricate variety of footwork, Arti
- Page 46 and 47:
projection of ease, accomplishment,
- Page 48 and 49:
CLASS B DESCRIPTION COEFFICIENT Dou
- Page 50 and 51:
FR 6.13 itself, and the exit. These
- Page 52 and 53:
FR 6.18 Spin Jump Change Spin 6.18.
- Page 54 and 55:
PS 7.00 General 7. PAIRS SKATING 7.
- Page 56 and 57:
3. The couple MUST INCLUDE one spir
- Page 58 and 59:
7.11.04 The lift should exhibit smo
- Page 60 and 61:
DS 8.00 General 8. DANCE SKATING 8.
- Page 62 and 63:
DS 8.06 Order of Skating the Free D
- Page 64 and 65:
After the rocker the woman’s free
- Page 66 and 67:
DS 8.20 Quickstep (112) 8.20.01 The
- Page 68 and 69:
8.26.08 The character of the dance
- Page 70 and 71:
DS 8.29 Free Dance Technical Limita
- Page 72 and 73:
DS 8.33 • Is the structure of the
- Page 74 and 75:
SD 9.00 General 9. SOLO DANCE 9.00.
- Page 76 and 77:
CF 10.00 10. COMBINED FIGURE AND FR
- Page 78 and 79:
PR 11.02 Scoring Precision 11.02.01
- Page 80 and 81:
SS 12.00 General 12. SHOW SKATING 1
- Page 82 and 83:
12.04.02 Two marks will be awarded.
- Page 84 and 85:
13. INLINE SKATING IS 13.00 General
- Page 86 and 87:
14. GLOSSARY OF SKATING TERMS A ACC
- Page 88 and 89:
CHOCTAW A two-foot turn from a forw
- Page 90 and 91:
DIAGRAM DIRECTION a) a drawn or pri
- Page 92 and 93:
JUMP LANDING LEADING LEADING PARTNE
- Page 94 and 95:
OFFICIAL OPEN OPTIONAL OPENING STEP
- Page 96 and 97:
ROLL a) REGULAR - a natural movemen
- Page 98 and 99:
SPLIT STAG STANCE START STARTING ST
- Page 100 and 101:
TRACE TRACING TRACKING TRANSITION T
- Page 102 and 103:
APPENDIX 1 - FIGURE DIAGRAMS DESCRI
- Page 104 and 105:
IMPERIAL TANGO Beats of Music Step
- Page 106 and 107: ROCKER FOXTROT By Eva Keats and Eri
- Page 108 and 109: CIPA RULE BOOK 2013 108
- Page 110 and 111: FLIRTATION WALTZ Beats of Music Ste
- Page 112 and 113: FOURTEEN STEP By Franz Scholler Mus
- Page 114 and 115: CIPA RULE BOOK 2013 114
- Page 116 and 117: HARRIS TANGO Beats of Music Step Ho
- Page 118 and 119: THE DENCH BLUES By Robert Dench and
- Page 120 and 121: CIPA RULE BOOK 2013 120
- Page 122 and 123: THE 14 STEP PLUS for Solo Dance Ori
- Page 124 and 125: CIPA RULE BOOK 2013 124
- Page 126 and 127: WESTMINSTER WALTZ Step Hold Beats o
- Page 128 and 129: VIENNESE WALTZ By Erik Van der Weyd
- Page 130 and 131: CIPA RULE BOOK 2013 130
- Page 132 and 133: STARLIGHT WALTZ Beats of Music Step
- Page 134 and 135: STARLIGHT WALTZ (Small Pattern used
- Page 136 and 137: ITALIAN FOXTROT by Odoardo Castella
- Page 138 and 139: CIPA RULE BOOK 2013 138
- Page 140 and 141: ICELAND TANGO Beats of Music Step H
- Page 142 and 143: CIPA RULE BOOK 2013 142
- Page 144 and 145: THE QUICKSTEP Beats of Music Step H
- Page 146 and 147: PASO DOBLE By Reginald Wilkie and D
- Page 148 and 149: THE PASO DOBLE Beats of Music Step
- Page 150 and 151: THE ARGENTINE TANGO By Reginald Wil
- Page 152 and 153: CIPA RULE BOOK 2013 152
- Page 154 and 155: THE CASTEL MARCH By Odoardo Castell
- Page 158 and 159: Step 20 starts as a RFI cross behin
- Page 160 and 161: (see notes) 18 RFO-swing- twizzle 4
- Page 162 and 163: DANCE POSITION Hand in Hand Positio
- Page 164 and 165: Kilian Position: Partners face in t
- Page 166 and 167: 5a bi 1 Tbo 2 Salchow 5b bi 2 Tbo 4
- Page 168 and 169: APPENDIX 4 - FOOTWORK SEQUENCES FOR
- Page 170 and 171: Axel Loop Lutz Flip Salchow Toe Wal
- Page 172 and 173: “B” MARK Owing to the unusual f
- Page 174 and 175: Another key aspect of artistic impr
- Page 176 and 177: Straight Line Patterns - Short and
- Page 178 and 179: E. Cartwheel 1. T position 2. T pos
- Page 180 and 181: Around the Back Lift. The starting
- Page 182 and 183: Kick Over Flip Lift The lift begins
- Page 184 and 185: Press Lift(two-handed, layout posit
- Page 186 and 187: Cartwheel (T position) Accomplished
- Page 188 and 189: Militano Lift (one-handed and no-ha
- Page 190 and 191: B. Hazel spin C. Lay Over Camel 1.
- Page 192 and 193: SPIN DESCRIPTIONS Hand in Hand Upri
- Page 194 and 195: Face to Face Inner Back Sit Spin Us
- Page 196 and 197: leg in a straight line from head to
- Page 198 and 199: 4. lift not fully extended; 5.sitti
- Page 200 and 201: *Lift must carry the floor (not spi
- Page 202 and 203: DEATH SPIRAL 1. entrance should sta
- Page 204 and 205: DEATH SPIRAL Score from 0.5 to 1.2.
- Page 206 and 207:
Class A - Score from 1.0 to 1.2 1.
- Page 208 and 209:
CIPA RULE BOOK 2013 208
- Page 210 and 211:
3. Distance should be no more than
- Page 212 and 213:
APPENDIX 8 - TURN/LOOP FIGURE ANALY
- Page 214 and 215:
APPENDIX 9 - CIPA DEDUCTIONS FIGURE
- Page 216 and 217:
4. Each combination jumps performed