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Mr J. R. Newcombe from Bath made a bid for the management of the ailing Theatre Royal but<br />

season after season passed without profit, the dress circle usually empty and the outbreak of<br />

cholera in Plymouth did his business no favours. Mr Newcombe never lost heart and the<br />

audiences that turned up saw some of the best performers in the country, local stories being<br />

warmly received, most noteworthy being The Five Fields Tragedy, or the Assassin's Bridge : A<br />

Tale of Stoke, in 1787. He even staged the famous Drake and the bowling green scene in a play<br />

about the Spanish Armada.<br />

His tenure would be marked by tragedy. During a local amateur performance, the auditorium was<br />

filled to overflowing when the performers entered the stage. Mrs Kirby as a Country Belle came<br />

downstage towards the footlights wearing a light muslin dress and was instantly enveloped in<br />

flames. For a moment, everyone was paralysed with horror then several men rushed to her rescue<br />

with coats and rugs. The hysterical spectators dispersed to the news that the poor Mrs Kirby was<br />

horribly injured. She did not survive.<br />

During the pantomime season of 1863, shortly after the house had emptied, Mr Newcombe<br />

noticed a suspicious smell and scoured the theatre. He saw nothing to alarm him and went to bed,<br />

where still worried he rose within the hour and returned to find the Theatre Royal in flames. The<br />

props room was ablaze and the firefighters made a hole in the roof so the water could reach the<br />

fire, but this seemed only to spread it further. The firemen were forced to retreat and the rafters<br />

shook and came crashing down. The country was illuminated by the flames for miles. Thousands<br />

were evacuated from their homes as the Citadel’s guns fired in warning. The conflagration<br />

enveloped the western part of the building and engineers saved the rest by hacking at the roof<br />

with hatchets. The ballroom floor collapsed into the tearoom below with such force that the floor<br />

sank several inches.<br />

In June 1878, fire struck again. The play had just finished when the acting manager, another Mr<br />

Newcombe, saw smoke issuing from the upper windows. In a couple of hours, the theatre was<br />

gutted again and nothing remained but bare walls. It finally reopened in January 1879.<br />

The Palace of Varieties<br />

In 1898, an elegant Theatre of Varieties was built on Union Street<br />

replacing a noisy marketplace that was called “The Fancy Fair”. Designed<br />

by Mr W.H. Arber of London, with tiled panel reproductions of Sir Oswald<br />

Brierly’s famous Armada paintings, the new theatre was named “The<br />

Palace”. A handsome Sicilian marble staircase led to the balcony and<br />

foyers and the stalls were reached through an avenue of mirrors. In the<br />

proscenium over the stage, a huge Union Jack was displayed along with a<br />

fresco of the knighting of Drake, and the dome and balcony were filled<br />

with paintings of naval and military triumphs. Along with the building of the<br />

Western Hotel next door, the total cost was £185,000.<br />

Over the years, the Palace would attract the great names of variety including Charlie Chaplin,<br />

Gracie Fields, Lilly Langtry, Anna Pavlova, Harry Houdini, George Formby, Louis Armstrong, Old<br />

Mother Riley and Tommy Handley of ‘It’s That Man Again’. Laurel and Hardy were to perform there<br />

in 1954, but Stan Laurel had a minor heart attack following a bout of flu and they sadly had to pull<br />

out. Their faces however still decorate the interior. Shows continued throughout the Plymouth Blitz,<br />

despite the theatre being hit with incendiary bombs.<br />

Variety performers had previously used St. James's Hall in Union Street which had been<br />

built in 1866 by Mr Henry Reed, musical director at the Theatre Royal and Mr J R<br />

Newcombe’s son-in-law. In 1872 the famous Barnum circus star General Tom Thumb<br />

appeared there. In 1898 the Hall was closed to prevent competition with the new theatre<br />

and performers were transferred to The Palace.<br />

Having lost the lease to his father-in-law’s Theatre Royal, Henry Reed then constructed<br />

the Grand Theatre in Union Street but it could not compete with the existing theatres and<br />

the owner of The Palace easily induced Mr Reed to sell The Grand Theatre for £17,000.<br />

The Grand became a very popular film theatre until it was destroyed in the Plymouth Blitz<br />

Tom Thumb<br />

of March 1941.

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