Plymouthhistory
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Two Theatres<br />
A theatre was opened in Dock, later known as Devonport,<br />
on the site of what was then Cumberland Gardens. In<br />
1793, Messieurs Bernard and Barrett argued and Barrett<br />
opened yet a third theatre, an improved wooden structure<br />
on George Street, which he called “The New Theatre” but<br />
this was soon abandoned. Mr Bernard’s company then<br />
performed alternate nights at the Plymouth and Dock<br />
Theatres.<br />
In 1801, both the Plymouth Theatre and the Dock Theatre<br />
were taken over by Mr S. Foote (formerly known as<br />
Freeman). He re-named the Plymouth establishment the<br />
Theatre Royal, though no-one knew on whose authority,<br />
but he declared “it’s a good travelling name and avoids<br />
troublesome enquiries”. To his credit, King George III had<br />
visited in 1789, and Mr Foote actually bothered to apply<br />
for a licence and performed in all the shows himself. His<br />
pretty daughter also became a popular actress, playing<br />
Juliet at just twelve years old. (For a time, the Dock<br />
Theatre was also called the Theatre Royal which must<br />
have caused some confusion!)<br />
George III visited the Plymouth Theatre in<br />
1789<br />
Meanwhile the Dock Theatre became notorious for drunken behaviour, with the sailors passing<br />
bottles of rum to the women who sat segregated in the audience. In the pit, tradesmen were<br />
assailed with insults and pelted with orange peel. Riots regularly broke out in the aisles. In 1808, a<br />
lady was ‘insulted’ as the lights went down and officers fought in the upper boxes. Police were<br />
called, and the naval officers used their whips and bludgeons against the police. The ringleader<br />
was publicly stripped of his uniform and sentenced to two years in solitary confinement. Local<br />
magistrates asserted their right to free tickets so they could attend to preserve the peace, but they<br />
failed to prevent the debauchery.<br />
One performance of Othello at Dock was so good that when Desdemona was being strangled by<br />
Othello, one man in the audience raced to her rescue, tearing Desdemona from Othello’s grasp.<br />
The poor actor playing Othello bolted home terrified, still in black-face, his dagger in hand.<br />
Smith and Winson took over Plymouth’s Theatre Royal and tried to attract a better clientele, but<br />
local patrons preferred buffoonery to high drama. The next manager Mr Sandford increased the<br />
prices by a shilling to pay for improvements, but the actors and the audience rebelled, defiantly<br />
blowing trumpets and singing lewd songs throughout the show. A crowd of sailors took over the<br />
stage and in the mayhem the manager reduced the prices.<br />
Theatre Royal patrons particularly enjoyed the performances of Mr. Hayne, a local actor of<br />
tragedies, because he would interrupt his speeches with attacks on the misbehaving audience. As<br />
Othello, played by Hayne, addresses the Senate in the play, Hayne would repeatedly turn to<br />
members of the audience and shout abuse: “I'll have everyone of you in custody before you are<br />
aware of it.” And “That young woman with blue ribbons is as bad as any of you” and “What, are<br />
you at it again?”. Before the speech was over, he’d be calling for the constable, much to the<br />
amusement of the crowd. Some ladies in the audience got their own back when Hayne was<br />
playing Richard the Third, sewing beneath his robes a long and curly demonic tail which protruded<br />
as he sauntered across the stage. As he began his opening speech “Now is the winter...”, it stood<br />
erect like a giant phallus. The audience were apoplectic with laughter.