Boxoffice-January.07.1950

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MUSIC TIEUPS HIT NEW PEAK SELLING JOLSON SINGS AGAIN' In key locations throughout the nation. Columbia field exploiteers working with lo;al theatremen have been garnering innumerable music tieups in connection with "Jolson Sings Again." Sparked by a national tieup with Decca record distributors, radio and store promotions have accounted for extra splurges of publicity and advertising on a cooperative basis. For the Hollywood Theatre booking in Atlantic City, exploiteer Milt Young, and Jack Waxman. publicist for the theatre, set up a contest on the Al Owens record program over WFPG. Owens invited listeners to send in the names of their favorite Jolson tunes. Promoted Decca albums were given to those who sent in the best letters explaining why these songs were so popular. The Jolson transscription and the Tex and Jinx interview recordings were aired on the program. Owen introduced local flavor wath recollections of stars who had performed with Jolson. OPENS WAY FOR TIEUPS The recordings and Jolson tunes were aired by Bob Ardrey over WMID and WBAB also was productive for numerous plugs. The Decca distributor opened the way for music tieups with all leading stores and department stores through displays of posters and albums in windows and on counters. Downtown restaurants featured the title and theatre dates on menus; 300 window cards were distributed in choice locations and 3.000 heralds were handed out in affiliated theatres in Atlantic City. The affiliated theatres also showed trailers and displayed lobby posters plugging the Hollywood playdates. At the Regent in Grand Rapids. Mich., Manager Louis Lutz and exploiteer Roy Jones teamed up to land valuable radio tieups with stations WOOD, WFUR and WJEF. The campaign was launched at a screening attended by disk jockeys, Decca dealers and newspapermen. Warsburg's department store sponsored a contest on its daily Man on the Street program, offering two albums daily to interviewees giving the correct answer to the query, "Who Plays Al Jolson in 'Jolson Sings Again'?" The theatre received several plugs each day. All radio stations featured Jolson hit tunes and mentioned the Regent booking for a week prior to opening. ZENITH SPONSORS CO-OPS Zenith dealers sponsored several co-op newspaper ads with inclusion of the Regent playdates, jukeboxes were plastered with signs calling attention to Jolson records and the theatre dates, and streamers were displayed by all dealers in the area handling Kellogg products. A novel diversion was created for opening at the Colonial in Dayton, Ohio. Manager Carroll Crist set a contest with radio station WING which elicited more than 700 phone calls during the two-hour broadcast. Albums and theatre tickets were offered to listeners who called in to give Al Jolson's real name. The stunt attracted so much attention it was extended over a six-day period by the radio station. Mutual Record Co. ran two co-op ads in Singing troubadours entertain patrons with Jolson song hits during the engagement at the Madison Theatre, Detroit. Stunt was also a street ballyhoo. the daily papers with full credits and the Dayton Herald ran a fashion layout to publicize the dates in addition to the usual advance breaks. Similar radio tieups proved successful for Allan Schrimpp, manager of the Broadway Theatre, Council Bluffs, Iowa. Schrimpp promoted record albums and sent them to disk jockeys at six radio stations in Council Bluffs and Omaha. Window displays were promoted with music shops and stickers were placed on jukeboxes. Two hundred grocery stores displayed streamers via the Kellogg This sound truck was used in Boston by publicist Jim Shanahan to ballyhoo "Jolson" opening at the State and Orpheum Theatres. tieup. A florist donated 100 long-stem American Beauty roses which were presented to the first- women who attended the opening matinee. The giveaway was advertised in newspaper underlines, a trailer, lobby display and merchant window sign. A local ahiateur comedian served as an effective street ballyhoo. In blackface makeup, "Jolson" perambulated the downtown area, mimicking Jolson. A portable victrola provided music for his antics and an announcement card called attention of passersby to the Broadway playdates. In Detroit, where the picture opened at the Madison Theatre. Alice Gorham, publicity director for UDT and Ralph Stitt, field man for Columbia, put over a novel promotion which reaped extra publicity that reached television audiences. IMITATORS ON STAGE In conjunction with WXYZ-TV, a call was put out for local Larry Parks imitators doing his imitation of Jolson. Detroit papers carried stories under the heading "Calling All Mammy Singers." Contestants were instructed to appear at the Michigan Theatre, anotlier UDT house in Detroit. About 30 showed up for elimination contests on the stage. Five finalists were selected to appear, one each night on the TV show, "Sing for Your Supper." An exclusive photo of the five finalists afforded the picture a fivecolumn break in the Detroit Times. The winners w-ere also booked on special amateur shows at two UDT houses to provide more publicity for the Madison playdates. Detroit disk jockeys and headline entertainers at all leading restaurants and cabarets featured Jolson songs and included mention of the opening. A screening for the press and a special theatre front covering the tenstory-high building facade of the Madison helped current ballyhoo. Has Headless Ballyhoo To exploit the Italian produced comedy, "The Headless Boy." Mike Piccii-illo. manager of the Center Theatre, Hartford, had an usher walk through the dowiitown section with a trick costume and a dummy head under his arm. Copy on a sign he wore read, "I laughed my head off, etc., etc." 24 — 2 BOXOFFICE Showmandiser January 7, 1950 ; :

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MUSIC TIEUPS HIT NEW PEAK<br />

SELLING JOLSON SINGS AGAIN'<br />

In key locations throughout the nation.<br />

Columbia field exploiteers working with lo;al<br />

theatremen have been garnering innumerable<br />

music tieups in connection with "Jolson<br />

Sings Again." Sparked by a national tieup<br />

with Decca record distributors, radio and<br />

store promotions have accounted for extra<br />

splurges of publicity and advertising on a<br />

cooperative basis.<br />

For the Hollywood Theatre booking in Atlantic<br />

City, exploiteer Milt Young, and Jack<br />

Waxman. publicist for the theatre, set up a<br />

contest on the Al Owens record program over<br />

WFPG. Owens invited listeners to send in<br />

the names of their favorite Jolson tunes. Promoted<br />

Decca albums were given to those who<br />

sent in the best letters explaining why these<br />

songs were so popular. The Jolson transscription<br />

and the Tex and Jinx interview recordings<br />

were aired on the program. Owen<br />

introduced local flavor wath recollections of<br />

stars who had performed with Jolson.<br />

OPENS WAY FOR TIEUPS<br />

The recordings and Jolson tunes were<br />

aired by Bob Ardrey over WMID and WBAB<br />

also was productive for numerous plugs. The<br />

Decca distributor opened the way for music<br />

tieups with all leading stores and department<br />

stores through displays of posters and albums<br />

in windows and on counters.<br />

Downtown restaurants featured the title<br />

and theatre dates on menus; 300 window cards<br />

were distributed in choice locations and 3.000<br />

heralds were handed out in affiliated theatres<br />

in Atlantic City. The affiliated theatres also<br />

showed trailers and displayed lobby posters<br />

plugging the Hollywood playdates.<br />

At the Regent in Grand Rapids. Mich.,<br />

Manager Louis Lutz and exploiteer Roy Jones<br />

teamed up to land valuable radio tieups with<br />

stations WOOD, WFUR and WJEF. The<br />

campaign was launched at a screening attended<br />

by disk jockeys, Decca dealers and<br />

newspapermen.<br />

Warsburg's department store sponsored a<br />

contest on its daily Man on the Street program,<br />

offering two albums daily to interviewees<br />

giving the correct answer to the<br />

query, "Who Plays Al Jolson in 'Jolson Sings<br />

Again'?" The theatre received several plugs<br />

each day. All radio stations featured Jolson<br />

hit tunes and mentioned the Regent booking<br />

for a week prior to opening.<br />

ZENITH SPONSORS CO-OPS<br />

Zenith dealers sponsored several co-op<br />

newspaper ads with inclusion of the Regent<br />

playdates, jukeboxes were plastered with signs<br />

calling attention to Jolson records and the<br />

theatre dates, and streamers were displayed<br />

by all dealers in the area handling Kellogg<br />

products.<br />

A novel diversion was created for opening<br />

at the Colonial in Dayton, Ohio. Manager<br />

Carroll Crist set a contest with radio station<br />

WING which elicited more than 700 phone<br />

calls during the two-hour broadcast. Albums<br />

and theatre tickets were offered to listeners<br />

who called in to give Al Jolson's real<br />

name. The stunt attracted so much attention<br />

it was extended over a six-day period by<br />

the radio station.<br />

Mutual Record Co. ran two co-op ads in<br />

Singing troubadours entertain patrons with Jolson song hits during the engagement at<br />

the Madison Theatre, Detroit. Stunt was also a street ballyhoo.<br />

the daily papers with full credits and the<br />

Dayton Herald ran a fashion layout to<br />

publicize the dates in addition to the usual<br />

advance breaks.<br />

Similar radio tieups proved successful for<br />

Allan Schrimpp, manager of the Broadway<br />

Theatre, Council Bluffs, Iowa. Schrimpp<br />

promoted record albums and sent them to<br />

disk jockeys at six radio stations in Council<br />

Bluffs and Omaha. Window displays were<br />

promoted with music shops and stickers were<br />

placed on jukeboxes. Two hundred grocery<br />

stores displayed streamers via the Kellogg<br />

This sound truck was used in Boston by publicist<br />

Jim Shanahan to ballyhoo "Jolson" opening<br />

at the State and Orpheum Theatres.<br />

tieup.<br />

A florist donated 100 long-stem American<br />

Beauty roses which were presented to the<br />

first- women who attended the opening matinee.<br />

The giveaway was advertised in newspaper<br />

underlines, a trailer, lobby display and<br />

merchant window sign.<br />

A local ahiateur comedian served as an effective<br />

street ballyhoo.<br />

In blackface makeup,<br />

"Jolson" perambulated the downtown area,<br />

mimicking Jolson. A portable victrola provided<br />

music for his antics and an announcement<br />

card called attention of passersby to<br />

the Broadway playdates.<br />

In Detroit, where the picture opened at<br />

the Madison Theatre. Alice Gorham, publicity<br />

director for UDT and Ralph Stitt, field man<br />

for Columbia, put over a novel promotion<br />

which reaped extra publicity that reached<br />

television audiences.<br />

IMITATORS ON STAGE<br />

In conjunction with WXYZ-TV, a call was<br />

put out for local Larry Parks imitators doing<br />

his imitation of Jolson. Detroit papers<br />

carried stories under the heading "Calling<br />

All Mammy Singers." Contestants were instructed<br />

to appear at the Michigan Theatre,<br />

anotlier UDT house in Detroit. About 30<br />

showed up for elimination contests on the<br />

stage. Five finalists were selected to appear,<br />

one each night on the TV show, "Sing for<br />

Your Supper." An exclusive photo of the<br />

five finalists afforded the picture a fivecolumn<br />

break in the Detroit Times. The<br />

winners w-ere also booked on special amateur<br />

shows at two UDT houses to provide more<br />

publicity for the Madison playdates.<br />

Detroit disk jockeys and headline entertainers<br />

at all leading restaurants and cabarets<br />

featured Jolson songs and included mention<br />

of the opening. A screening for the press<br />

and a special theatre front covering the tenstory-high<br />

building facade of the Madison<br />

helped current ballyhoo.<br />

Has Headless Ballyhoo<br />

To exploit the Italian produced comedy,<br />

"The Headless Boy." Mike Piccii-illo. manager<br />

of the Center Theatre, Hartford, had an usher<br />

walk through the dowiitown section with a<br />

trick costume and a dummy head under his<br />

arm. Copy on a sign he wore read, "I<br />

laughed my head off, etc., etc."<br />

24 — 2 BOXOFFICE Showmandiser January 7, 1950<br />

; :

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