Boxoffice-January.07.1950
— — Elegance With Economy (Continued from Page 10) emphasis to the lapis blue which predominates by being carried over the ceiling and on the walls around the murals as far down as the dado. Here the plum-red is picked up in a large-scaled fluted pattern, both decorative and practical. The seats are lapis blue, as is the drapery forming the proscenium and the main stage curtain. The screen curtains are in molten gold. Now it can be seen plainly how these hangings form a complete inner decorative wall. No one would ever suspect there is nothing behind them but the outside masonry wall. The theatre's name provides the key to the impressive murals forming the main decorative embellishment of the auditorium. Against the background that seems aquatic, heroically scaled, rhythmic marine plant-forms are woven into a flowing composition. AQUATIC COLORS IN AUDITORIUM The colors are also aquatic in character—coral, rose-coral, aquamarine, sand and marine blues and foam-white for accent are brought out by the soft lighting from the trough above. The simplicity and richness of the interior designate this theatre as outstanding in contemporary theatre design. The Mayland auditorium shows a color scheme of deepest cobalt blue carried over the ceiling and around the frame of the side murals. Off-white striping mnning full length from front to back of the auditorium makes an attractive pattern under the down-lights. Ceilings of both theatres are worthy of note in the finesse with which they avoid complicated or expensive architectural handling. The ceilings cari-y their share of the decoration and yet maintain an architectural and structural simplicity. The stage curtains are silver-gold and the proscenium draping in magenta-red is essentially the same as in the Lake except that the curtain curve ends against the solid magenta-painted walls of the proscenium. Here, too, proscenium walls are formed solely by curtain over masonry. Auditorium seats blend in with the hangings and deepest magenta is used for the dado. The glory of this auditorium lies in the two murals which run the complete length of the side walls. These designs are no casual fantasies but are based on research done at Chicago's famous Adler Planetarixmi. Done in black light, they constitute not one decorative effect but two completely different compositions in color and content under white and ultra violet lightings. Under regular light they depict composition of rolling cloud forms, nebulae, stars and planets, executed in the most ethereal blues from palest azure to deepest midnight. Under black light the fluorescent paints which are interwoven with the regular painting, reveal a completely different design which shows the symbols of the various stellar arrangements. The luminescent outline of Leo the Lion appears superimposed over the star formation which bears its name. The glowing outline of The Scales appears to imite the separate stars of its particular formation, and so on. On one side are the constellations and zodiac signs of the southern sky, while on the other side appear those of the northern hemisphere. The symbols used in these murals were patterned from exquisite lithographs in a very rare antique Italian almanac discovered during the last war and given to the Adler Planetarium. We hope you will agree that even this cursory examination of these two theatres backs up our judgment that they are fine examples of contemporary houses any way you look at them as for design, construction methods, maintenance, convenience, comfort, economy and even luxury for the patron. Above all, we hope you will see how this has been achieved through early and thorough planning, not just in the main features but complete integration down to the last carpet, curtain, settee, lamp and even smoking accessory. In Hollywood. . . In Your Theater It's Bausch & Lomb for Top Image Quality -s^ fcii^i* • For many years, the world's leading cameramen in the big name studios of Hollywood ha\ c preferred Bausch & Lomb lenses for top image quality. They depend, too, on Bausch & Lomb lenses for projecting process backgrounds. Your decision to use Bausch & Lomb Super Cincphor lenses for top image quality . . . maximum edge-to-edge brilliance, contrast and sharpness on your screen . . . has the overwhelming support of the motion picture industry. Bausch & Lomb Optical Co., 720-M St. Paul St., Rochester 2, N. Y. FOR TOP IMAGE QUALITY ON YOUR SCREEN ... THE W TRADEMARK ON YOUR LENS BAUSCH & LOMB PROJECTION LENSES 36 The MODERN THEATRE SECTION
ttention value HAT PAYS off; Sure, the show's the thing and you know you have it but, unless you tell the world — at least that part of it that passes your theatre — you can't hope for a big gross. show with the show-sellingest medium ever devised — Wag- SELL that ner Letters and Frames. They really get attention, put sock into your billing, bring in the shekels. Exclusive advantages, available only vnth Wagner, make them the most potent, most economical, most favored of all display equipment. There are frames to meet all conditions, letters in plastic and aluminum in the widest range of sizes, colors to suit your fancy. But send today for the BIG FREE catalog on Wagner show-selling equipment, the largest in the world. LETTERS AND iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii FRAMES iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii WAGNER SIGN SERVICE, • 218 S. Hoyne Ave.. Chicago 12, HI. Please send BIG free catalog on Wagner Theatre I 1 display equipment, the largest line in the world. Name : Theatre INC. USE COUPON TO REQUEST CATALOG ON EFFECTIVE SHOW-SELLING EQUIPMENT = Street E City & State BOXOFFICE January 7, 1950 37
- Page 91 and 92: Manager Ryan Scoops Newsreels and V
- Page 93 and 94: . . Manager . . Paul . . Eight . .
- Page 95 and 96: Anchored Balloon Promotes 'Jolson'
- Page 97 and 98: YOU get extto results with quipment
- Page 99: . . . The . . Leo — thought of a
- Page 102 and 103: . . Earl . . U-Ark . . Robert . . F
- Page 104 and 105: . . Edgar —— — — — MONTRE
- Page 106 and 107: . . . Heavy . . . Micky . . Joan .
- Page 108 and 109: iilU'iiniiiiii lliBlliBNW foasm Res
- Page 110 and 111: , Ask the man who SHOWS one! > If,
- Page 112 and 113: SEE THIS I COLOR EFREEI This fiftee
- Page 114 and 115: ELEGANCE WITH ECONOMY By HANNS R. T
- Page 116 and 117: importance to the refreshment niche
- Page 118 and 119: CANADIAN THEATRES of the Odeon chai
- Page 120 and 121: CARPETS THAT CARRY CHARM V^ARPET TE
- Page 122 and 123: . lULTIPLY YOUR POPtURITPROFITS '[/
- Page 124 and 125: next month .,,youHl see it ext mont
- Page 126 and 127: As the First in a Cross-Country Ser
- Page 128 and 129: " Hartford, Conn, Refreshment Surve
- Page 130 and 131: yltefc»fc »'i»>ii4»»>»»^*>»
- Page 132 and 133: Soft Drink Vender Offers a Choice o
- Page 134 and 135: . DETROIT SUBURB GETS NEW THEATRE R
- Page 136 and 137: — AT THE DROP OF With Coins for C
- Page 138 and 139: . ANOTHER ( ACHIEVEMENT and the Map
- Page 140 and 141: (^ccaneC jr4^^iC»t4t PROTECTING TH
- Page 144 and 145: — — life Theatres First to Inst
- Page 146 and 147: . AB READERS' BUREAU For literature
- Page 148 and 149: PARK-LIKE AREA in center of develop
- Page 150 and 151: Undistorted Image and High Speed in
- Page 152 and 153: — LOUISE GRAVES, HAS SWITCHED TO
- Page 154 and 155: URGES USE OF LIGHTER PRINTS FOR BET
- Page 156 and 157: — Rustic Atmosphere Maintained At
- Page 158 and 159: EQUIPMENT Sr DEVELOPMENTS Vacuum-Ty
- Page 160 and 161: The Drive-ln Deal you've been waiti
- Page 162 and 163: Counter Signs Added To Lamolite Lin
- Page 164 and 165: — NEW! GOLDE MOD-URN SAND URN ent
- Page 166 and 167: WHEREVER APPEARANCE ANjUNEATNESS yo
- Page 168 and 169: EXHIBITOR HAS HIS SAY — ABOUT PIC
- Page 170 and 171: I Exhibitor Has His Say (Continued
- Page 172 and 173: (+VerY Good; + Good; ±Fair; —Poo
- Page 174: FEATURE chart]
- Page 178 and 179: SHORTS REVIEWS Opinions on tlie Cur
- Page 180 and 181: FEATURE REVIEWS Story Synopsis; Adl
- Page 182 and 183: QUARTERLY INDEX TO PICTURE GUIDE RE
- Page 184: next month ...youHl see it next mon
ttention value<br />
HAT PAYS off;<br />
Sure, the show's the thing and you know you have it but, unless you<br />
tell the world — at least that part of it that passes your theatre — you<br />
can't hope for a big gross.<br />
show with the show-sellingest medium ever devised — Wag-<br />
SELL that<br />
ner Letters and Frames. They really get attention, put sock into your<br />
billing, bring in the shekels.<br />
Exclusive advantages, available only vnth Wagner, make them the<br />
most potent, most economical, most favored of all display equipment.<br />
There are frames to meet all conditions, letters in plastic and aluminum<br />
in the widest range of sizes, colors to suit your fancy. But send today<br />
for the BIG FREE catalog on Wagner show-selling equipment, the<br />
largest in the world.<br />
LETTERS AND<br />
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii<br />
FRAMES<br />
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii<br />
WAGNER SIGN SERVICE,<br />
•<br />
218 S. Hoyne Ave.. Chicago 12, HI.<br />
Please send BIG free catalog on Wagner Theatre<br />
I<br />
1 display equipment, the largest line in the world.<br />
Name<br />
: Theatre<br />
INC.<br />
USE COUPON TO REQUEST CATALOG ON EFFECTIVE<br />
SHOW-SELLING EQUIPMENT<br />
= Street<br />
E<br />
City & State<br />
BOXOFFICE January 7, 1950<br />
37