Boxoffice-January.07.1950

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CANADIAN THEATRES of the Odeon chain which have been built since the war are outstanding for modern treatment in design and decoration. In Toronto, the new Himiber embodies the best in Odeon style with a hillside location which gives access from the street level directly onto the mezzanine foyer pictured at the left. The graceful, winding staircase at the right descends to the theatre's main floor. Notice how the stark plainness of the dark green walls has been softened by the use of sweeping curves in the lighting coves, which illuminate the chartreuse ceiling. The picture window at the right cui-ves above the theatre entrance. Characteristic of spotlighting in the house are the two down-spots above the refreshment counter. Notice also the manner in which a pattern somewhat similar to that of the caiTJeting is carried by the wallpaper flanking the concession stand. Decoration of the house was handled by Bavington Bros, of Toronto. Carpeting is by Odeon Standard. THE CITY LINE CENTER Theatre in Philadelphia combines patron comfort with gracious decor, as expressed in the foyer view below. The soundproof wall, barely visible at the right, replaces the standee rail and keeps lobby noises from the auditorium. David Brodsky Associates, who handled decoration, employed plastic Krylon wall covering in combination with natural hardwood for walls and upholstei-y on the recessed benches. Color scheme for the house is neutral green and gold. Here, again, a carpet containing a large pattern is used with relatively plain walls. Four

pi -•r. A WALL OF LIGHT is featured in the attractive mezzanine foyer of the 1,100-seat Parsons Theatre in Jamaica, N. Y. By day this area is lighted from outside and at night a yellow curtain over the panel, 36 feet wide and 11 feet high, is illuminated indirectly. Blue and coral are combined in the general color scheme, with caipeting in gray and burgundy. Foyers in the Modern Manner X HE FOUR THEATRE FOYERS pictUTCd here might well represent some of the counti-y's largest downtown first run houses to judge by the tasteful elegance with which they are decorated, yet actually each one is a neighborhood theatre in a different portion of the counti-y. Although each one demonstrates some particular phase of the modern decorator's technique, all four incorporate many of the newer decorative trends in theatre design which indicate "the shape of things to come" within the field. Characteristic of these qualities is the growing use of sweeping planes in wall and ceiling line; large window areas, and the use of more vivid color and larger pattern in carpeting to set the keynote of an entire area. Use of indirect lighting coves and recessed downlights to accent particular spots is becoming accepted decorator policy. In the case of the Odeon Humber, pot lights suspended from the ceiling are used over the refreshment stand and at strategic points throughout the house. Foyers of both the Humber and the Parsons illustrate a new trend toward the use of modern casual pieces of furniture in non-auditorium seating. ON THE WEST COAST, San Piancisco's new Coronet Theatre includes a sunken foyer containing refreshment service facilities, a television lounge, restrooms and the manager's office. In keeping with the regal decor of the de luxe neighborhood theatre, carpeting of floral design in Venetian red is combined with wall and ceiling colors in brown, cream and gold. Decoration of the new house was handled by Tony Heinsbergen. BOXOFFICE January 7, 1950

pi<br />

-•r.<br />

A WALL OF LIGHT is featured in the attractive mezzanine foyer<br />

of the 1,100-seat Parsons Theatre in Jamaica, N. Y. By day this area is lighted<br />

from outside and at night a yellow curtain over the panel, 36 feet wide and 11<br />

feet high, is illuminated indirectly. Blue and coral are combined in the general<br />

color scheme, with caipeting in gray and burgundy.<br />

Foyers in<br />

the Modern Manner<br />

X HE FOUR THEATRE FOYERS pictUTCd<br />

here might well represent some of the<br />

counti-y's largest downtown first run houses<br />

to judge by the tasteful elegance with which<br />

they are decorated, yet actually each one<br />

is a neighborhood theatre in a different<br />

portion of the counti-y.<br />

Although each one demonstrates some<br />

particular phase of the modern decorator's<br />

technique, all four incorporate many of<br />

the newer decorative trends in theatre design<br />

which indicate "the shape of things<br />

to come" within the field. Characteristic<br />

of these qualities is the growing use of<br />

sweeping planes in wall and ceiling line;<br />

large window areas, and the use of more<br />

vivid color and larger pattern in carpeting<br />

to set the keynote of an entire area.<br />

Use of indirect lighting coves and recessed<br />

downlights to accent particular spots<br />

is becoming accepted decorator policy. In<br />

the case of the Odeon Humber, pot lights<br />

suspended from the ceiling are used over<br />

the refreshment stand and at strategic<br />

points throughout the house. Foyers of<br />

both the Humber and the Parsons illustrate<br />

a new trend toward the use of modern<br />

casual pieces of furniture in non-auditorium<br />

seating.<br />

ON THE WEST COAST, San Piancisco's new Coronet Theatre includes<br />

a sunken foyer containing refreshment service facilities, a television lounge,<br />

restrooms and the manager's office. In keeping with the regal decor of the de luxe<br />

neighborhood theatre, carpeting of floral design in Venetian red is combined with wall<br />

and ceiling colors in brown, cream and gold. Decoration of the new house was handled<br />

by Tony Heinsbergen.<br />

BOXOFFICE January 7, 1950

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