Boxoffice-January.07.1950
CANADIAN THEATRES of the Odeon chain which have been built since the war are outstanding for modern treatment in design and decoration. In Toronto, the new Himiber embodies the best in Odeon style with a hillside location which gives access from the street level directly onto the mezzanine foyer pictured at the left. The graceful, winding staircase at the right descends to the theatre's main floor. Notice how the stark plainness of the dark green walls has been softened by the use of sweeping curves in the lighting coves, which illuminate the chartreuse ceiling. The picture window at the right cui-ves above the theatre entrance. Characteristic of spotlighting in the house are the two down-spots above the refreshment counter. Notice also the manner in which a pattern somewhat similar to that of the caiTJeting is carried by the wallpaper flanking the concession stand. Decoration of the house was handled by Bavington Bros, of Toronto. Carpeting is by Odeon Standard. THE CITY LINE CENTER Theatre in Philadelphia combines patron comfort with gracious decor, as expressed in the foyer view below. The soundproof wall, barely visible at the right, replaces the standee rail and keeps lobby noises from the auditorium. David Brodsky Associates, who handled decoration, employed plastic Krylon wall covering in combination with natural hardwood for walls and upholstei-y on the recessed benches. Color scheme for the house is neutral green and gold. Here, again, a carpet containing a large pattern is used with relatively plain walls. Four
pi -•r. A WALL OF LIGHT is featured in the attractive mezzanine foyer of the 1,100-seat Parsons Theatre in Jamaica, N. Y. By day this area is lighted from outside and at night a yellow curtain over the panel, 36 feet wide and 11 feet high, is illuminated indirectly. Blue and coral are combined in the general color scheme, with caipeting in gray and burgundy. Foyers in the Modern Manner X HE FOUR THEATRE FOYERS pictUTCd here might well represent some of the counti-y's largest downtown first run houses to judge by the tasteful elegance with which they are decorated, yet actually each one is a neighborhood theatre in a different portion of the counti-y. Although each one demonstrates some particular phase of the modern decorator's technique, all four incorporate many of the newer decorative trends in theatre design which indicate "the shape of things to come" within the field. Characteristic of these qualities is the growing use of sweeping planes in wall and ceiling line; large window areas, and the use of more vivid color and larger pattern in carpeting to set the keynote of an entire area. Use of indirect lighting coves and recessed downlights to accent particular spots is becoming accepted decorator policy. In the case of the Odeon Humber, pot lights suspended from the ceiling are used over the refreshment stand and at strategic points throughout the house. Foyers of both the Humber and the Parsons illustrate a new trend toward the use of modern casual pieces of furniture in non-auditorium seating. ON THE WEST COAST, San Piancisco's new Coronet Theatre includes a sunken foyer containing refreshment service facilities, a television lounge, restrooms and the manager's office. In keeping with the regal decor of the de luxe neighborhood theatre, carpeting of floral design in Venetian red is combined with wall and ceiling colors in brown, cream and gold. Decoration of the new house was handled by Tony Heinsbergen. BOXOFFICE January 7, 1950
- Page 67 and 68: Film Problems Form College Forum To
- Page 69 and 70: '. • Full brilliance and sharper
- Page 71 and 72: $8427 Erects This Striking # New Sc
- Page 73 and 74: . . Scores T. J. Hickes Observes TO
- Page 75 and 76: ' . . . Roy . . Bernice . . Milton
- Page 77 and 78: . . William . . Ohio Theatre Servic
- Page 79 and 80: Capitol in Meriden To Add TV Lounge
- Page 81 and 82: YOUgetextroresohsWrtli equipment TR
- Page 83 and 84: • ^ : . . Paul . . The . . Manage
- Page 85 and 86: . . . Monk . . . George . . Mrs. .
- Page 87 and 88: Church Moves Out For Stage Shows 60
- Page 89 and 90: Equipmeni manvfacfored by CENTURY P
- Page 91 and 92: Manager Ryan Scoops Newsreels and V
- Page 93 and 94: . . Manager . . Paul . . Eight . .
- Page 95 and 96: Anchored Balloon Promotes 'Jolson'
- Page 97 and 98: YOU get extto results with quipment
- Page 99: . . . The . . Leo — thought of a
- Page 102 and 103: . . Earl . . U-Ark . . Robert . . F
- Page 104 and 105: . . Edgar —— — — — MONTRE
- Page 106 and 107: . . . Heavy . . . Micky . . Joan .
- Page 108 and 109: iilU'iiniiiiii lliBlliBNW foasm Res
- Page 110 and 111: , Ask the man who SHOWS one! > If,
- Page 112 and 113: SEE THIS I COLOR EFREEI This fiftee
- Page 114 and 115: ELEGANCE WITH ECONOMY By HANNS R. T
- Page 116 and 117: importance to the refreshment niche
- Page 120 and 121: CARPETS THAT CARRY CHARM V^ARPET TE
- Page 122 and 123: . lULTIPLY YOUR POPtURITPROFITS '[/
- Page 124 and 125: next month .,,youHl see it ext mont
- Page 126 and 127: As the First in a Cross-Country Ser
- Page 128 and 129: " Hartford, Conn, Refreshment Surve
- Page 130 and 131: yltefc»fc »'i»>ii4»»>»»^*>»
- Page 132 and 133: Soft Drink Vender Offers a Choice o
- Page 134 and 135: . DETROIT SUBURB GETS NEW THEATRE R
- Page 136 and 137: — AT THE DROP OF With Coins for C
- Page 138 and 139: . ANOTHER ( ACHIEVEMENT and the Map
- Page 140 and 141: (^ccaneC jr4^^iC»t4t PROTECTING TH
- Page 142 and 143: — — Elegance With Economy (Cont
- Page 144 and 145: — — life Theatres First to Inst
- Page 146 and 147: . AB READERS' BUREAU For literature
- Page 148 and 149: PARK-LIKE AREA in center of develop
- Page 150 and 151: Undistorted Image and High Speed in
- Page 152 and 153: — LOUISE GRAVES, HAS SWITCHED TO
- Page 154 and 155: URGES USE OF LIGHTER PRINTS FOR BET
- Page 156 and 157: — Rustic Atmosphere Maintained At
- Page 158 and 159: EQUIPMENT Sr DEVELOPMENTS Vacuum-Ty
- Page 160 and 161: The Drive-ln Deal you've been waiti
- Page 162 and 163: Counter Signs Added To Lamolite Lin
- Page 164 and 165: — NEW! GOLDE MOD-URN SAND URN ent
- Page 166 and 167: WHEREVER APPEARANCE ANjUNEATNESS yo
pi<br />
-•r.<br />
A WALL OF LIGHT is featured in the attractive mezzanine foyer<br />
of the 1,100-seat Parsons Theatre in Jamaica, N. Y. By day this area is lighted<br />
from outside and at night a yellow curtain over the panel, 36 feet wide and 11<br />
feet high, is illuminated indirectly. Blue and coral are combined in the general<br />
color scheme, with caipeting in gray and burgundy.<br />
Foyers in<br />
the Modern Manner<br />
X HE FOUR THEATRE FOYERS pictUTCd<br />
here might well represent some of the<br />
counti-y's largest downtown first run houses<br />
to judge by the tasteful elegance with which<br />
they are decorated, yet actually each one<br />
is a neighborhood theatre in a different<br />
portion of the counti-y.<br />
Although each one demonstrates some<br />
particular phase of the modern decorator's<br />
technique, all four incorporate many of<br />
the newer decorative trends in theatre design<br />
which indicate "the shape of things<br />
to come" within the field. Characteristic<br />
of these qualities is the growing use of<br />
sweeping planes in wall and ceiling line;<br />
large window areas, and the use of more<br />
vivid color and larger pattern in carpeting<br />
to set the keynote of an entire area.<br />
Use of indirect lighting coves and recessed<br />
downlights to accent particular spots<br />
is becoming accepted decorator policy. In<br />
the case of the Odeon Humber, pot lights<br />
suspended from the ceiling are used over<br />
the refreshment stand and at strategic<br />
points throughout the house. Foyers of<br />
both the Humber and the Parsons illustrate<br />
a new trend toward the use of modern<br />
casual pieces of furniture in non-auditorium<br />
seating.<br />
ON THE WEST COAST, San Piancisco's new Coronet Theatre includes<br />
a sunken foyer containing refreshment service facilities, a television lounge,<br />
restrooms and the manager's office. In keeping with the regal decor of the de luxe<br />
neighborhood theatre, carpeting of floral design in Venetian red is combined with wall<br />
and ceiling colors in brown, cream and gold. Decoration of the new house was handled<br />
by Tony Heinsbergen.<br />
BOXOFFICE January 7, 1950