Boxoffice-January.07.1950
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CANADIAN<br />
THEATRES<br />
of the Odeon chain which have been<br />
built since the war are outstanding for<br />
modern treatment in design and decoration.<br />
In Toronto, the new Himiber embodies<br />
the best in Odeon style with a hillside<br />
location which gives access from the<br />
street level directly onto the mezzanine<br />
foyer pictured at the left. The graceful,<br />
winding staircase at the right descends<br />
to the theatre's main floor.<br />
Notice how the stark plainness of the<br />
dark green walls has been softened by<br />
the use of sweeping curves in the lighting<br />
coves, which illuminate the chartreuse<br />
ceiling. The picture window at<br />
the right cui-ves above the theatre entrance.<br />
Characteristic of spotlighting in the<br />
house are the two down-spots above the<br />
refreshment counter.<br />
Notice also the manner in which a<br />
pattern somewhat similar to that of the<br />
caiTJeting is carried by the wallpaper<br />
flanking the concession stand.<br />
Decoration of the house was handled<br />
by Bavington Bros, of Toronto. Carpeting<br />
is by Odeon Standard.<br />
THE CITY LINE CENTER Theatre in Philadelphia combines patron<br />
comfort with gracious decor, as expressed in the foyer view below. The<br />
soundproof wall, barely visible at the right, replaces the standee rail and keeps<br />
lobby noises from the auditorium. David Brodsky Associates, who handled decoration,<br />
employed plastic Krylon wall covering in combination with natural<br />
hardwood for walls and upholstei-y on the recessed benches. Color scheme for the<br />
house is neutral green and gold. Here, again, a carpet containing a large pattern<br />
is used with relatively plain walls.<br />
Four