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Boxoffice-January.07.1950

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CANADIAN<br />

THEATRES<br />

of the Odeon chain which have been<br />

built since the war are outstanding for<br />

modern treatment in design and decoration.<br />

In Toronto, the new Himiber embodies<br />

the best in Odeon style with a hillside<br />

location which gives access from the<br />

street level directly onto the mezzanine<br />

foyer pictured at the left. The graceful,<br />

winding staircase at the right descends<br />

to the theatre's main floor.<br />

Notice how the stark plainness of the<br />

dark green walls has been softened by<br />

the use of sweeping curves in the lighting<br />

coves, which illuminate the chartreuse<br />

ceiling. The picture window at<br />

the right cui-ves above the theatre entrance.<br />

Characteristic of spotlighting in the<br />

house are the two down-spots above the<br />

refreshment counter.<br />

Notice also the manner in which a<br />

pattern somewhat similar to that of the<br />

caiTJeting is carried by the wallpaper<br />

flanking the concession stand.<br />

Decoration of the house was handled<br />

by Bavington Bros, of Toronto. Carpeting<br />

is by Odeon Standard.<br />

THE CITY LINE CENTER Theatre in Philadelphia combines patron<br />

comfort with gracious decor, as expressed in the foyer view below. The<br />

soundproof wall, barely visible at the right, replaces the standee rail and keeps<br />

lobby noises from the auditorium. David Brodsky Associates, who handled decoration,<br />

employed plastic Krylon wall covering in combination with natural<br />

hardwood for walls and upholstei-y on the recessed benches. Color scheme for the<br />

house is neutral green and gold. Here, again, a carpet containing a large pattern<br />

is used with relatively plain walls.<br />

Four

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