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Wx*^ ^KCC St^'CHt^^<br />
New Ticket Tax Moves<br />
JJ'OT much is known in this industry<br />
about the political power of the American<br />
Municipal Ass'n which met in Washington<br />
last week. Apparently it has connections<br />
with Leagues of Municipalities<br />
and other state groups interested in tax<br />
problems and intends to engineer a national<br />
movement to get the federal government<br />
to give up admission taxes so<br />
they can be taken over by municipalities.<br />
There is sharply divided sentiment on<br />
the wisdom of this among exhibitor leaders.<br />
In many places local ticket taxes are<br />
ah-eady levied on top of federal taxes and<br />
there is no way of telling to what lengths<br />
some governing authorities might go.<br />
If the new association really goes to<br />
work, there will be a lot of agitation in<br />
exhibitor circles before 44 state legislatures<br />
adjourn three or four months hence.<br />
To Fight Checking Suits<br />
^HE last two paragraphs of a resolution<br />
recently passed by the Iowa-Nebraska<br />
Allied unit read:<br />
"The employment of 'auditors' of a single<br />
firm of alleged 'copyright attorneys' by<br />
the seven or more film companies raises<br />
the extremely important question of possible<br />
exchange of properly secret theatre<br />
information as to rentals paid and business<br />
enjoyed by theatres audited by and<br />
between the several film companies. As<br />
American citizens, independent exhibitors<br />
have certain inalienable rights, and it is<br />
our opinion that this collective, if not<br />
collusive, action violates one or more of<br />
these fundamental rights.<br />
"Recent court decisions have held that<br />
the contracts the film companies are now<br />
attempting to audit are illegal, and that<br />
these contracts will not therefore be recognized<br />
by any court in the land."<br />
Tele Networks Possible<br />
fHE FCC ruling last week that Paramount<br />
controls the DuMont company<br />
and its theatre partnerships which, in effect,<br />
limited this group of companies to<br />
five television stations may be obsolete<br />
soon. If divorcement goes through with<br />
the approval of the Department of Justice,<br />
as it is expected to do within the<br />
next few weeks, any circuit will be entitled<br />
to file an application for a television<br />
station permit with the expectation<br />
that it will get one.<br />
This will apply to the other theatreowning<br />
majors whose circuits are cut<br />
adrift.<br />
RKO Report<br />
^HE RKO report showing a net loss of<br />
$2,257,887.78 for the 13 weeks ending<br />
October 2 and a $356,024.04 net loss for<br />
the 39 weeks ending on that date came as<br />
a shock to many, but it may be the temporary<br />
effect of a reorganization brought<br />
on by a change in management.<br />
Production activities are sensitive to<br />
turnovers. When Howard Hughes acquired<br />
fly JAMES M. JERAULD<br />
control the company was in the middle of<br />
a studio slowdown, with one picture in<br />
work.<br />
Since Hughes took over, the company<br />
has made some moderate-budget films,<br />
including "The Clay Pigeon" and "Follow<br />
Me Quietly." Some larger-budget pictures<br />
were started recently, including "Sam<br />
Wynne" and "It's Only Money." Another<br />
slowdown is now in effect, but in January<br />
the company will start "The Big Steal,"<br />
with George Raft.<br />
A turn for the better can be expected<br />
shortly, because it is not expected that the<br />
stock splitup scheduled as a result of the<br />
consent decree will have much effect on<br />
production and distribution.<br />
Arnall Talkative<br />
JF ELLIS G. ARNALL, president of the<br />
Society of Independent Motion Picture<br />
Producers, does only a small percentage<br />
of the things he is talking of doing he will<br />
stir up plenty of excitement in this business.<br />
Al Steffes and Bennie Berger in their<br />
palmiest days were never more positive in<br />
their expressions on all kinds of industry<br />
problems.<br />
Among other things he is in favor of<br />
more litigation, if he deems it necessary,<br />
and complete divorcement of all distributor-owned<br />
theatres.<br />
Apparently the SIMPP members are convinced<br />
that this is the way to get higher<br />
rentals for pictures.<br />
Rembusch Gets Data<br />
^LL the regional Allied units are urging<br />
their members to submit suggestions to<br />
Trueman Rembusch on pictures and other<br />
problems for submission to the coast meeting<br />
of producers. He will have a full portfolio<br />
when he arrives in Hollywood.<br />
This probably will be the first time in<br />
many years that producers will come into<br />
face-to-face contact with a man representing<br />
their sharpest critics. It's a new<br />
approach and something constructive may<br />
come of it.<br />
This Man's a Producer,<br />
Not an Exhibitor<br />
DENVER— Cy Lee of Poppers Supply Co.,<br />
theatre candy and popcorn broker, recently<br />
sold a 100-pound sack of popcorn to a very<br />
small town in Colorado. Lee said a farmer<br />
came into his office and asked the price.<br />
Lee asked where his town was. On being<br />
told Lee said, "Why, that town is too small<br />
for a popper, isn't it?"<br />
"Oh," replied the farmer, "it isn't for<br />
public consumption. I have 11 children, and<br />
my sister and brother each have nine children<br />
in their families. When we get together,<br />
the popcorn really disappears. Now<br />
it appears I will soon be a grandfather, so. I<br />
suppose that in a few years I'll be getting<br />
200 pounds each year."<br />
Wants This Performance<br />
Without Sound<br />
Brownsville, Tex.—What's the legal<br />
amount of noise you can make in building<br />
a theatre? Builders of the new downtown<br />
Interstate circuit theatre here didn't<br />
know it was against the law to make<br />
noise in construction until they ran up<br />
against an irate federal court judge,<br />
Allan B. Hannay.<br />
H. F. Pettigrew, contractor for the<br />
$300,000 theatre, recently moved in a<br />
power saw to speed the work. Across the<br />
street, Judge Hannay was holding<br />
court. 'When the saw buzzed, the court<br />
held, it disturbed legal procedure. The<br />
judge also fined the job superintendent<br />
$100 and 10 days in jail, but suspended<br />
sentence when the noise abated.<br />
But it took Frank Strickland, Interstate<br />
lawyer, the contractor, and the<br />
coui-t to determine just how much noise<br />
a builder can legitimately make before he<br />
runs afoul of the law. The parties agreed<br />
to tone down the noise, and the court<br />
allowed the project to proceed.<br />
George Bonwick Elected<br />
To Pictorial Films Post<br />
NEW YORK—George J. Bonwick. who has<br />
been associated with various Robert R. Young<br />
entei-prises since 1930, has been elected president<br />
of Pictorial Films, Inc., a wholly-owned<br />
subsidiary of Pathe Industries, Inc.<br />
Pictorial<br />
handles the 16mm distribution of all featui-es<br />
produced and distributed by Eagle Lion<br />
Films, also a wholly-owned subsidiary of<br />
Pathe.<br />
Before taking his new post, Bonwick has<br />
successively been: office manager. Young,<br />
Kolbe & Co., brokers; president, Atina Corp.,<br />
security holding company; president, Jersey<br />
Management Corp., securities; assistant<br />
chairman, Alleghany Corp., railroad holding<br />
company; assistant chairman, Chesapeake &<br />
Ohio Railway Co.; executive vice-president<br />
and treasurer, Pathe Film Corp.; executive<br />
vice-president and treasurer, Pathe Laboratories,<br />
Inc.. and executive vice-president<br />
and treasurer, Pi-oducers Releasing Corp.<br />
Earle Hammons Gets ABC<br />
Tele Tieup for Lion<br />
NEW YORK—Earle Hammons, president<br />
of the newly organized Lion Television Pictures,<br />
has been appointed film television consultant<br />
of the American Broadcasting Co.,<br />
according to Paul Mowrey, national television<br />
director of the network.<br />
Tlie appointment provides the new Lion<br />
company with an immediate outlet for the<br />
films which it is now accumulating for television<br />
use.<br />
Cowan Buys More Drive-Ins<br />
TORONTO—The Sunset Drive-In Theatres<br />
at Brantford and Peston have been<br />
taken over by A. C. Cowan of Toronto who<br />
acquired five units a short time ago from<br />
Park Drive-In Theatres operated by Herb J.<br />
Ochs of Cleveland. The latter includes Ottawa,<br />
Peterboro, Oshawa and two at Toronto.<br />
16<br />
BOXOFFICE December 25, 1948