Leading lady Karen Kondazian - Armenian Reporter

Adrineh Gregorian.
review
Tankian’s Elect the Dead is raw
by Adrineh Gregorian
Elect the Dead plays out like the
pages of singer-songwriter Serj
Tankian’s personal diary. Tankian
is part artist and part political activist.
This album is born of the
marriage between the two parts.
The album comprises 12 songs.
Each one is emotionally charged
and undeniably a heartfelt plea
for listeners to take notice of matters
of politics and of the heart.
The sound is as raw as the feelings
expressed in the lyrics.
In Elect the Dead, his first solo
album, Tankian does not stretch
far from his roots with System Of
A Down (SOAD).
Just two years after the release of
SOAD’s critically and commercially
successful double album, Mezmerize/Hypnotize,
Tankian has delved
into his heart and poured his soul
onto musical sheets.
It’s hard not to compare Elect the
Dead with SOAD’s body of work, as
SOAD’s sound was closely identified
with Tankian’s voice. However,
this album trades SOAD’s
recent theatrical appeal for more
sincere outcries and capitalizes on
the strength of Tankian’s signature
voice.
Elect the Dead is alternative
metal close in vein to the sound
that SOAD pioneered. The album
is a throwback to the band’s debut
with songs engorged with overt
messages, such as “P.L.U.C.K.,”
and goes to less whimsical places
than were reached on Mezmerize/
Hypnotize, such as “Radio/Video”
and “Cigaro.”
Compared to past SOAD albums,
this record has a lot of soul and
less Armenian influence. It’s more
rhythmically oriented and at the
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same time less guitar driven. The
music generally relies on the bass
guitar to carry the melody behind
Tankian’s vocals.
The advantage of listening to
this album is that you ride an
emotional rollercoaster alongside
Tankian – who wrote, produced,
and played almost all the instruments
featured on the tracks.
In short, this album is entirely
him – though SOAD’s John Dolmayan
and Brian “Brain” Mantia (Primus,
Tom Waits, Guns N Roses)
contributed to the project, as did
guitarist/bassist Dan Monti and
opera soprano Ani Maldjian.
Elect the Dead is the outcry of a
man tormented by a broken heart
and a failed civilization.
The first single off Elect the Dead
is the riveting “Empty Walls.” It
begins with strong guitar riffs signaling
the start of this rock voyage.
The lyrics serve as a wake-up
call as Tankian belts out “don’t
waste your time on coffins today,”
with melodic bellows synonymous
with his voice.
The album continues with
strong metal sounds juxtaposed
with softer melodies. Intros range
from heavy guitar riffs to piano
solos that launch tracks such as
“Sky is Over,” “Honking Antelope,”
“Lie Lie Lie,” and “Elect the Dead.”
“The Unthinking Majority,” paves
the way for tracks promulgating
political awareness. All in all, oil,
money, and lies contribute to
the end of civilization unless we
take action – or so declares “Sky
is Over.”
“Lie Lie Lie” is the sole song
with a slight Armenian flare. Its
double entendre alludes to lying
politicians and love-torn relationships.
Or, perhaps the deceitful
union we find ourselves in with
dishonest world leaders. It’s up to
you to decide.
“Saving Us” is a ballad channeling
a love-hate relationship, with
the chorus chanting “you’re tearing
us, you’re breaking us, you’re
killing us, you’re saving us.”
Following in its footsteps is
“Baby,” a song about missing a
loved one yet wanting to be left
alone.
The message in “Praise the Lord
and Pass the Ammunition” is as
clear as its title. It includes silly
theatrics echoing the absurd
American response to war. ”Do
we ever have enough, when we
see that blue dove? We want to go
where no one has been.” Sounds
conflict and clash together much
like the divergent opinions on the
U.S. administration’s handling of
the Iraq war.
The somber lullaby “Elect the
Dead” is a plea for solitude. Lyrics
include “All I want is me. Love
comes from inside.” Ironically, the
albums namesake is less about
electing vapid politicians, and
more about choosing mortality
over being without love, as indicated
in the ending chorus, “All I
want is you. All I need is you.”
By putting out this forthright
album Tankian is telling the world
that he has arrived and is a force
to be reckoned with.
Everything on Elect the Dead
is what’s expected of a solid rock
album. It stands alone without
profit-making accessibility. Songs
range from the thought-provoking
to unhealthy relationships
– making me ponder the whole
message. Is this a nasty love letter
or a political diatribe? Either
way, you’re electing the death of
something, whether it’s a soul or
a civilization.
f
On page C1: “Younger Armenians can encourage their children
or brothers and sisters to find their hearts when it comes to art
– because art is one of the few ways that people are going to know
about us as a people,” says actor Karen Kondazian, who wants to
“show the world the beauty of our people.” See page C11 .
C2 Armenian Reporter Arts & Culture 10/20/2007