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Leading lady Karen Kondazian - Armenian Reporter

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Director/producer<br />

Edwin Avaness<br />

with director<br />

Emy Hovanesyan<br />

(center), who<br />

was an AFFMA<br />

grant recipient in<br />

2001 with writer<br />

Angela Zograbyan.<br />

Together they<br />

created the<br />

feature film The<br />

Journey.<br />

Alex Kalognomos<br />

with 2006<br />

AFFMA Lifetime<br />

Achievement<br />

Award recipient<br />

Dr. J. Michael<br />

Hagopian.<br />

Starting in March of each year,<br />

Arpa’s organizing committee receives<br />

a variety of entries. They include<br />

short films, films from video<br />

artists, experimental films, and<br />

long-form documentaries. Filmmakers<br />

can submit features, shorts,<br />

animations, music videos, and<br />

documentaries. Three examples of<br />

excellent documentaries that will<br />

be featured this year are ones on<br />

screenwriter Mardik Martin (Mardik),<br />

legendary filmmaker Rouben<br />

Mamoulian (Mamoulian), and The<br />

People’s Advocate, about Charles<br />

R. Garry, the <strong>Armenian</strong>-American<br />

lawyer of the Black Panthers.<br />

Through the Internet, Arpa announces<br />

a call for entries and for<br />

3 months they receive films from<br />

all over the world. As the films<br />

arrive, Khachatourian, the film<br />

festival curator, previews each of<br />

them. Then, the selection committee<br />

screens them and chooses the<br />

official selections.<br />

Then entertainment industry<br />

professionals are invited to be on<br />

the jury, and winners are selected<br />

and announced at the gala awards<br />

banquet. Over the years, Arpa<br />

films have gone on to win Academy<br />

Awards. Just last year, the<br />

festival screened The Little Matchgirl<br />

and it went on to win an Oscar.<br />

Being in Los Angeles is a great<br />

advantage for Arpa. Kalognomos<br />

notes, “filmmakers compete for<br />

slots in our festival to win Academy<br />

recognition.”<br />

Arpa is different from other<br />

American-based <strong>Armenian</strong> film<br />

festivals in that it’s open to non-<br />

<strong>Armenian</strong> films and filmmakers<br />

who explore issues such as<br />

diaspora, dual identity, war, exile,<br />

genocide, and culture.<br />

Arpa aims to share these stories<br />

with other cultures and vice<br />

versa by accepting films from non-<br />

<strong>Armenian</strong>s. An international film<br />

festival offers strong <strong>Armenian</strong><br />

filmmakers the chance to compete<br />

with strong filmmakers from<br />

around the globe.<br />

“We try to release the <strong>Armenian</strong><br />

filmmakers from self-applauding<br />

ethnocentric audiences,” says<br />

Khachatourian. Some people have<br />

C18 <strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture 10/20/2007

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