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Boxoffice-May.29.1948

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Philip Morris Tieup<br />

Sparks Heidt Show<br />

For Nate Wise<br />

Nate Wise, publicity director for RKO Theatres<br />

in Cincinnati, came up with one of his<br />

usual thorough campaigns in connection with<br />

the appearance of Horace Heidt on the Albee<br />

Theatre stage.<br />

Several weeks in advance a tieup was made<br />

with the Philip Morris cigaret distributor,<br />

who did a sensational job of blanketing the<br />

town with display pieces. More than 3,000<br />

•Johnny" figures and window displays were<br />

put out with playdates. These went into<br />

di-ug stores, groceries, cigar stores, hotel lobbies<br />

and empty windows.<br />

Radio station WLW regularly uses 100 taxi<br />

tire covers for advertising, and it devoted<br />

all of these to an exclusive plug tor Heidt's<br />

personal at the Albee. The station also circularized<br />

at its own expense every grocery<br />

and drug store in four states with a bulletin.<br />

Wise arranged a series of personal appearances<br />

for Heidt. He appeared as guest<br />

of the Cuvier Press club and was made an<br />

honorary member of the Foundation for Boys<br />

in Cincinnati, had acts which appear with<br />

him on 25 different radio shows over five<br />

different stations, and attended a cocktail<br />

party for press and radio representatives.<br />

Several thousand local artists made application<br />

for auditions on Heidt's show, the<br />

Post coming up with layout and art on the<br />

auditions. The Enquirer and the Times-Star<br />

both used page-one boxes on the local broadcast<br />

of the program.<br />

Additional exploitation included a front<br />

page picture of Heidt on tlie cover of Host<br />

magazine, distributed at hotels, cross trailers<br />

and lobby displays in affiliated RKO theatres,<br />

5,000 table tents placed with restaurants<br />

and hotel dining rooms and a colorful theatre<br />

front.<br />

^mrMSl<br />

Tommy Roderick, manager of the State, Farmington.<br />

Me., had everyone curious on how he<br />

contrived animation with the above display<br />

on "Sitting Pretty." Nylon fish lines, attached<br />

to the sides of the rocker, were hooked to a<br />

small oscillating fan from which the blades<br />

had been removed. As the Ian oscillated, the<br />

rocker was kept in motion. Simple, but it<br />

sure had the citizens ol Farmington stumped.<br />

Business was good. Roderick reports.<br />

Entire Kentucky U. Team Will Go<br />

To Olympics Due to Benefit Show<br />

The Schine circuit executives at Gloversville,<br />

N. Y., have good reason to be proud<br />

of their Lexington. Ky., showmen for staging<br />

a benefit show in conjunction with "Carnegie<br />

Hall." The boys did a terrific ijublic relations<br />

job in addition to hanging up a record gross<br />

at the State Theatre, a third run operation<br />

in the city.<br />

The benefit shows are strictly a home office<br />

device for building business on pictures which<br />

need extra selling. They aKso serve a commendable<br />

purpose by helping local groups to<br />

raise funds. Tickets are usually sold by the<br />

sponsoring organization which receives a percentage<br />

of the sales they account for.<br />

The Lexington tieup was a real masterpiece<br />

of strategy in which everyone connected with<br />

the three local theatres. Bob Cox, city manager,<br />

and Lew Hensler. district manager,<br />

participated.<br />

The University of Kentucky basketball<br />

team, which won the national championship,<br />

was invited to represent the U.S. in the<br />

Olympics. Unfortunately the invitation included<br />

only the first team so that other players<br />

who had helped the team to victory faced<br />

the unhappy prospect of remaining home.<br />

The plan for a "Carnegie Hall" benefit was<br />

proposed to representatives of SuKy circle,<br />

the student organization of Kentucky U., with<br />

the objective of raising funds so that the entire<br />

basketball team could go to the Olympics.<br />

The State Theatre was offered for the purpose.<br />

The organization immediately went for<br />

the idea.<br />

The Lexington Herald went along on the<br />

Faculty of High School<br />

Guests at 'Union' Debut<br />

All faculty members of the local high school<br />

were invited to the opening night of "State<br />

of the Union" at the Poli Tlieatre. Norwich,<br />

Conn., by Joseph Boyle, manager. Next day,<br />

the instructors recommended the picture tc<br />

their history classes as a must-see attraction.<br />

Boyle also promoted radio plugs on the spot<br />

time of a local leather firm. Catchline was,<br />

"How is the state of your luggage?" followed<br />

by tiein with the picture and playdate credits.<br />

Barometer Lobby Display<br />

Indicates 'April Showers'<br />

After a long and diligent search, Ansel<br />

Winston, manager of the Coliseum in New<br />

York, located a barometer that features two<br />

figures on a swinging platform to indicate<br />

upcoming weather. He borrowed it at no<br />

cost and used it for a lobby display on "April<br />

Showers" with an accompanying sign, "We<br />

can't guarantee the weather but we can<br />

guarantee you'll have a good time when you<br />

see, etc., etc!"<br />

Scene Mat, Radio Contest<br />

Are Planted on 'Mama'<br />

Reynold Wallach, manager of the Strand<br />

in Cumberland, Md., planted a two-column,<br />

five-inch scene mat with his local newspaper<br />

on "I Remember Mama." The NBC radio<br />

outlet featured a letter writing contest on<br />

"Why I Remember Mama," with the picture<br />

coming in for numerous gratis plugs.<br />

deal enthusiastically with a 14-day buildup of<br />

stories and pictures. The mayor of Lexington<br />

issued a proclamation urging all citizens<br />

to coope:ate. Each of the four radio stations<br />

plugged the show continuously for one week.<br />

At an intersection of Main street, a ticket<br />

booth was erected by special permission of<br />

the city commissioners. Lifesize blowups of<br />

the basketball stars were placed in prominent<br />

windows captioned, "I Want to Go, Too."<br />

Lexington was plastered circus-style from end<br />

to end.<br />

The SilKy group was organized into ticket<br />

selling teams and a systematic block-to-block<br />

campaign was set in motion to reach a goal<br />

of 20.000 tickets.<br />

For all practical purposes, the promotion<br />

has already won complete endorsement from<br />

the faculty and students of the university,<br />

city officials, businessmen and Mr. John Q.<br />

Public. The theatres have improved their relationship<br />

with the community as a whole in<br />

a manner that will have enduring effect.<br />

The idea was originally proposed by Lew<br />

Hensler. The campaign was organized and<br />

directed by Bob Cox, who reports that the<br />

two most responsible for the success of the<br />

promotion were John Hutchings, manager of<br />

the State, and Clyde Dickerson. chief of<br />

service. Dickerson is an active member of<br />

SuKy. made all the newspaper and radio<br />

contacts by himself and personally sold 1.000<br />

tickets.<br />

The other Schine managers and assistants<br />

also pitched in to help. They are Bernie<br />

Deap, Bob Anderson, Woodie Walters and<br />

George Pugh.<br />

False Front Backs<br />

'T-Men' Campaign<br />

A barricaded false front in the form of a<br />

gigantic "T" covered the boxoffice of the<br />

Colonial in Allentowai, Pa. It was devised by<br />

Charles Bierbauer, manager, for his engagement<br />

of "T-Men."<br />

Three weeks in advance, all ushers, doormen<br />

and cashiers at the Colonial and affiliated<br />

houses wore large "T-Men Are Coming"<br />

buttons.<br />

Outdoor posting was achieved with an illuminated<br />

24-sheet and six-sheet set in busy<br />

downtown locations. 100 cards used on dashboards<br />

of trolleys and buses running to Bethlehem<br />

and other nearby towns, display boards<br />

in the leading iiotels in" the city and a window<br />

display in Woolworth's with a tieup on comic<br />

books.<br />

The regular advertising budget was upped<br />

accommodate increased newspaper lineage<br />

to<br />

and a series of tea.ser ads tour days in advance<br />

of opening. Cross trailers were used<br />

in affiliated theatres.<br />

Bierbauer was assisted in tliis campaign by<br />

Max MUler, Eagle Lion exploiteer.<br />

Lampposts Posted<br />

Three hundred cards tied to lampposts in<br />

the dowiitown section of Rochester. N. Y.,<br />

advertised "Duel in the Sun" a week in advance<br />

for Lester Pollock, manager of Loew's<br />

Theatre.<br />

BOXOFFICE Showmandiser :: May 29, 1948 —Sis- sy

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