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The Magazine of St Aloysius' College • 'Men for Others' • Issue XLVII ...

The Magazine of St Aloysius' College • 'Men for Others' • Issue XLVII ...

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drama<br />

Senior Drama Productions -<br />

Abducting Jackie O<br />

This is the third Dario Fo play that we have per<strong>for</strong>med<br />

at the <strong>College</strong> following on from the Year 11 Drama<br />

production <strong>The</strong> Pope and the Witchdoctor in 2002<br />

and the Year 10 co-curricular production Accidental Death<br />

<strong>of</strong> an Anarchist in 2006. Dario Fo won the Nobel Prize <strong>for</strong><br />

literature in 1997 <strong>for</strong> his contribution to world theatre and<br />

his plays are dominated by physical farce and swing a<br />

satirical punch at our society. Originally titled Il Ratto Della<br />

Francesca in 1987, the play was based on the actual<br />

kidnapping <strong>of</strong> a rich Italian banker. When translated into<br />

English in 1998 it became Abducting Diana, a satire on<br />

the manipulation <strong>of</strong> society by the media.<br />

Ciaran Tobin and Benjamin Rice.<br />

In producing it in 2008 we gave it an Australian setting<br />

and a new title so it could be relevant to the use <strong>of</strong> power<br />

by the media to manipulate contemporary society. To do<br />

this, Fo creates a media magnate figure who keeps outmanoeuvring<br />

everyone around her. Millionaire media boss<br />

Jackie O’Brien Robinson is kidnapped, but the ruthless<br />

power monger proves more resourceful than her clumsy<br />

abductors. Are things what they seem? Is it Jackie O or<br />

David Boyd, Henry Tuckwell and Mitchell Bainton.<br />

a paid double who is in charge? Who masterminded the<br />

abduction? Who has the television rights to this premiere<br />

media event? Into this cocktail <strong>of</strong> chaos and doubledealing,<br />

Fo adds a ruthless, gun-toting mother, a fake priest,<br />

kidnappers à la <strong>The</strong> Three <strong>St</strong>ooges, a deranged altar boy<br />

and one kidnapper hiding in the fridge. No-one is who they<br />

appear to be – all is deception and manipulation which is<br />

Fo’s hallmark <strong>of</strong> farcical satire.<br />

<strong>The</strong> outrageous nature <strong>of</strong> the play, the absurd characters,<br />

the satirical elements and the bizarre plot lines attracted us<br />

to the play as it is always a great challenge <strong>for</strong> actors to<br />

play Fo. <strong>The</strong> biggest challenge we faced was justifying the<br />

protagonist character being played by a male. With an<br />

extra twist <strong>of</strong> impersonation, in a play full <strong>of</strong> impersonations<br />

where nothing and no one is what they seem, this seemed<br />

to work.<br />

Benjamin Rice and Mitchell Bainton.<br />

Benjamin Rice, David Boyd, Henry Tuckwell (behind) and Mitchell Bainton.<br />

For most <strong>of</strong> the cast this was their first time in a<br />

production, with only two members <strong>of</strong> the cast having done<br />

drama be<strong>for</strong>e. Five <strong>of</strong> the cast came from the Drama Video<br />

Course and Ms Zinkin, as the real Jackie O, had directed<br />

but not acted be<strong>for</strong>e.<br />

<strong>The</strong> rehearsing <strong>of</strong> the play turned out to be tougher than<br />

anticipated. Although we shortened it to fit it into a double<br />

bill programme, it was still a substantial production at one<br />

<strong>St</strong> Aloysius’ <strong>College</strong><br />

A Jesuit School <strong>for</strong> Boys _ Founded 1879<br />

aloysiad / page 38

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