The Magazine of St Aloysius' College ⢠'Men for Others' ⢠Issue XLVII ...
The Magazine of St Aloysius' College ⢠'Men for Others' ⢠Issue XLVII ...
The Magazine of St Aloysius' College ⢠'Men for Others' ⢠Issue XLVII ...
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<strong>The</strong> production <strong>of</strong> Tommy proved to be one <strong>of</strong> the<br />
most technically demanding ever staged at the <strong>College</strong>.<br />
Fortunately notable amongst the Production Team were old<br />
boys <strong>of</strong> the <strong>College</strong> Mr John Pappas (SAC 1997) and Mr<br />
Cameron Hissey (SAC 2005). John is a young lighting<br />
designer with an award winning career. He will be the<br />
lighting designer <strong>for</strong> the coming 2008 Beijing Olympic<br />
Games <strong>for</strong> both local TV station Channel 7 and the huge<br />
American NBC network. Cameron is an acknowledged<br />
IT and graphics specialist who is skilled in all aspects <strong>of</strong><br />
networking and ICT systems <strong>for</strong> business and theatre. It was<br />
gratifying to see the involvement <strong>of</strong> these old boys <strong>of</strong> the<br />
<strong>College</strong> in the production.<br />
<strong>The</strong> Punks per<strong>for</strong>m ’Pinball Wizard‘.<br />
Matthew Osborn is surrounded by reporters.<br />
By March 2008 the magnificent set design had been<br />
completed by designer Adam Lindberg. <strong>The</strong> chosen design<br />
concept was to be based upon a greatly extended,<br />
reflective metal-skinned and heavily raked Great Hall stage<br />
with three enormous full height screens suspended by huge<br />
metal trusses. A key element in the design was to be a sate<br />
<strong>of</strong> the art rear projection screen which was to provide,<br />
through digital imaging, the setting, historical context and<br />
‘atmosphere’ <strong>for</strong> each <strong>of</strong> the many complex scenes in this<br />
musical. In order to transport the setting <strong>of</strong> Tommy to Sydney<br />
in the 1970s - 1990s, Mr Peter Gough and Cameron Hissey<br />
Reporters and fans.<br />
created a digital image library <strong>of</strong> archival, still and video<br />
images, (more than 200 in all). <strong>The</strong> technical specifications<br />
also called <strong>for</strong> ‘live feed’ video <strong>of</strong> the action on the stage.<br />
<strong>The</strong> image library <strong>for</strong> the production ranged from historic<br />
shots <strong>of</strong> the Moratorium anti-war demonstrations <strong>of</strong> the<br />
1970s (taken by Mr Roger Scott) to footage <strong>of</strong> Canberra<br />
Bombers in action in the Vietnam War and included much<br />
psychedelic imagery <strong>of</strong> the period. All projected on the<br />
enormous centrepiece screen. This advanced technology<br />
proved to be one <strong>of</strong> the ‘big hits’ <strong>of</strong> this production.<br />
Rehearsals <strong>for</strong> principals and chorus were ongoing<br />
throughout February to May and band rehearsals were<br />
in full swing by the third week <strong>of</strong> term. Teams <strong>of</strong> costume<br />
sewers ably led by Costume Coordinator Mrs Wendy<br />
Wijetunge worked tirelessly <strong>for</strong> months: measuring, sewing<br />
and at other times seeking at Op Shops and <strong>St</strong> Vincent de<br />
Paul outlets the weird and exotic fabrics and retro costumes<br />
required <strong>for</strong> this period production.<br />
By May all was ready. <strong>The</strong> set was constructed, sound<br />
design and system were completed by Loud & Clear Audio,<br />
the lighting array, data projector and cabling installed and<br />
tested. It was becoming clear by the time <strong>of</strong> the final dress<br />
rehearsals that this production was going to be very different<br />
from the average student musical. In the end, the cast, band<br />
and crew worked magnificently to ensure that the tradition<br />
<strong>of</strong> first class <strong>College</strong> musical productions continue. Tommy<br />
was experienced by four near-capacity houses <strong>of</strong> more than<br />
1600 patrons each <strong>of</strong> whom seemed in agreement that the<br />
season was a rounding success.<br />
<strong>The</strong> Principals<br />
John Slaven – Narrator / Tommy (SAC Year 11)<br />
Harry Power – Capt Walker (SAC Year 11)<br />
Lauren Curtin – Mrs Walker (Monte Sant’ Angelo <strong>College</strong>)<br />
Michael Curtin – Uncle Ernie (SAC Year 12)<br />
Matthew Osborn – Cousin Kevin (SAC Year 12)<br />
Alexandra Hogan – <strong>The</strong> Gypsy / Ensemble (Loreto<br />
Normanhurst)<br />
Jonathan Larach – <strong>The</strong> Lover / Local Punk 1 / Security<br />
Guard 1 (SAC Year 11)<br />
<strong>St</strong> Aloysius’ <strong>College</strong><br />
A Jesuit School <strong>for</strong> Boys _ Founded 1879 aloysiad / page 35