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i<br />
rolling<br />
j<br />
litigation,<br />
i production.<br />
: products.<br />
i<br />
should<br />
I<br />
I<br />
he<br />
I<br />
Reported<br />
ding, and exhibitors do their part at the point-of-sale, everyting<br />
will really be rosy vnlh this business again.<br />
ruly, the Heart<br />
Speaking of public relations, the Variety Club's 12th anlal<br />
convention held at Miami this week serves as a reminder<br />
at this great group of men is rendering the finest kind of<br />
ablic relations in humanitarian services. In its work of aidg<br />
the sick, the lame, the blind and the underprivileged in<br />
.,,j ^ .rtually all regions of the U.S. and now carrying its great work<br />
|£Hito other countries. Variety, through its inspired leadership,<br />
?* deserving of the highest praise. It has well earned its<br />
ascription as "The HEART of the motion picture industry."<br />
I<br />
liay it long continue in its humanitarian endeavors with<br />
"I<br />
[bounding success.<br />
"-f<br />
^gain, Television and Talent<br />
in the news pages of this issue is an interesting<br />
tory of the latest industry step in the direction of harnessing<br />
^levision for use on the theatre screen. The success of the<br />
xperiment points to further developments along this line,<br />
/hile some commercial kinks are being ironed out. As an<br />
ndication of one of the kinks to be encountered, we quote<br />
rom a letter received from John Dales jr., executive secretary<br />
!if the Screen Actors Guild. The letter follows:<br />
"We at the Screen Actors Guild always read with great interest<br />
our editorials in BOXOFFICE. In your comments on Talent and Teleision'<br />
in the issue of April 3, you indicate it would be belter for the<br />
lotion picture industry if films made for theatre exhibition are not used<br />
ii television. With this conclusion we agree heartily, as do the ex-<br />
!iibitors.<br />
"There is one remark in your editorial in question which vre must<br />
|:hallenge. You stated: 'It would seem that when a player is paid for<br />
lis services in a motion picture, all uses of that film are covered.' Do<br />
fou believe that stars and character actors who have been paid to<br />
jnact roles in pictures made for theatre exhibition have thereby sold<br />
right to use their work and their likenesses to advertise commerrial<br />
products on television? Yet that could happen if your statement<br />
s taken at face value. In fact, such use of theatre films already has<br />
Dccurred. The actors feel that such unauthorized use of their names and<br />
Iheir work is outrageous and indefensible. It will be most interesting<br />
lo see what the courts have to say on this question."<br />
To answer Mr. Dales' question: We should not like to see<br />
films made for theatre exhibition put to use on video programs<br />
for the express purpose of advertising commercial<br />
And, as we stated in our editorial of April 3, we<br />
not like to see the industry put "regular" films into<br />
'competition with itself via television. It is our further belief<br />
that such instances where theatre films are being put to comjmercial<br />
television use will disappear once television gets to<br />
on a firm and regular basis. Meanwhile these isolated<br />
cases should not be allowed to involve the industry in more<br />
nor to add to the already high cost of regular film<br />
There's such a thing as "more than the traffic will<br />
) bear."<br />
QlAl C/^if"-^<br />
San Francisco is A-warded<br />
1949 Variety Meeting<br />
At closing session, its also announced that<br />
33 tents pledge a total of $2,020,185 for charity<br />
in 1948; R. J. O'Donnell and slate of officers<br />
reelected.<br />
Foundation Trustees Set<br />
12 for Meeting<br />
May 11.<br />
Two-day session will be held at Hotel Astor,<br />
New York; meetings also scheduled for finance<br />
committee on fund raising, and program<br />
and scope committee on industry relief.<br />
United States Publication<br />
Of Tax Pact Irks British<br />
Harold Wilson, president of the board of<br />
trade in England, tells the house of commons<br />
final form approved by it will be different<br />
from the version printed here.<br />
Two Features Up for Bids<br />
From 20th-Fox in Chicago<br />
"Sitting Pretty" and "Fury at Furnace<br />
Creek" are booked at first run Loop houses<br />
after they are offered for bids under the new<br />
20th-Fox zoning plan for the city.<br />
Bars With Tele, Juke Box<br />
Free of 20 Per Cent Tax<br />
Internal revenue bureau rules taverns and<br />
public places showing films must pay cabaret<br />
tax; those with television sets exempt unless<br />
dancing and entertainment is permitted,<br />
Producers A'wait Actors<br />
For New Pact Parleys<br />
-K<br />
Charles Boren. labor relations liaison executive<br />
and vice-president of MPAA, says no<br />
doors closed and the producers "have not<br />
broken off negotiations" with the actors.<br />
Johnston Reaffirms Stand<br />
On Actors and Politics<br />
MPAA head at Hollywood press interview<br />
stands pat on his previously declared handsoff<br />
policy regarding the rights of film personalities<br />
for the presidential campaign.<br />
Loew's, Inc. 28-Week Net<br />
Shows Big Decrease<br />
Profit of $3,886,745 reported for period ending<br />
March 11 compared to $8,596,779 for<br />
same period previous year; gross revenue.s,<br />
however, were up.<br />
-X<br />
Pictorial Films Acquires<br />
69 Features for 16mm<br />
Eagle Lion sells 35 features, 24 westerns and<br />
10 Edward Small productions for distribution<br />
to nontheatrical situations, starting October<br />
1; also many shorts added.<br />
;/ .