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Boxoffice-April.17.1948

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i<br />

rolling<br />

j<br />

litigation,<br />

i production.<br />

: products.<br />

i<br />

should<br />

I<br />

I<br />

he<br />

I<br />

Reported<br />

ding, and exhibitors do their part at the point-of-sale, everyting<br />

will really be rosy vnlh this business again.<br />

ruly, the Heart<br />

Speaking of public relations, the Variety Club's 12th anlal<br />

convention held at Miami this week serves as a reminder<br />

at this great group of men is rendering the finest kind of<br />

ablic relations in humanitarian services. In its work of aidg<br />

the sick, the lame, the blind and the underprivileged in<br />

.,,j ^ .rtually all regions of the U.S. and now carrying its great work<br />

|£Hito other countries. Variety, through its inspired leadership,<br />

?* deserving of the highest praise. It has well earned its<br />

ascription as "The HEART of the motion picture industry."<br />

I<br />

liay it long continue in its humanitarian endeavors with<br />

"I<br />

[bounding success.<br />

"-f<br />

^gain, Television and Talent<br />

in the news pages of this issue is an interesting<br />

tory of the latest industry step in the direction of harnessing<br />

^levision for use on the theatre screen. The success of the<br />

xperiment points to further developments along this line,<br />

/hile some commercial kinks are being ironed out. As an<br />

ndication of one of the kinks to be encountered, we quote<br />

rom a letter received from John Dales jr., executive secretary<br />

!if the Screen Actors Guild. The letter follows:<br />

"We at the Screen Actors Guild always read with great interest<br />

our editorials in BOXOFFICE. In your comments on Talent and Teleision'<br />

in the issue of April 3, you indicate it would be belter for the<br />

lotion picture industry if films made for theatre exhibition are not used<br />

ii television. With this conclusion we agree heartily, as do the ex-<br />

!iibitors.<br />

"There is one remark in your editorial in question which vre must<br />

|:hallenge. You stated: 'It would seem that when a player is paid for<br />

lis services in a motion picture, all uses of that film are covered.' Do<br />

fou believe that stars and character actors who have been paid to<br />

jnact roles in pictures made for theatre exhibition have thereby sold<br />

right to use their work and their likenesses to advertise commerrial<br />

products on television? Yet that could happen if your statement<br />

s taken at face value. In fact, such use of theatre films already has<br />

Dccurred. The actors feel that such unauthorized use of their names and<br />

Iheir work is outrageous and indefensible. It will be most interesting<br />

lo see what the courts have to say on this question."<br />

To answer Mr. Dales' question: We should not like to see<br />

films made for theatre exhibition put to use on video programs<br />

for the express purpose of advertising commercial<br />

And, as we stated in our editorial of April 3, we<br />

not like to see the industry put "regular" films into<br />

'competition with itself via television. It is our further belief<br />

that such instances where theatre films are being put to comjmercial<br />

television use will disappear once television gets to<br />

on a firm and regular basis. Meanwhile these isolated<br />

cases should not be allowed to involve the industry in more<br />

nor to add to the already high cost of regular film<br />

There's such a thing as "more than the traffic will<br />

) bear."<br />

QlAl C/^if"-^<br />

San Francisco is A-warded<br />

1949 Variety Meeting<br />

At closing session, its also announced that<br />

33 tents pledge a total of $2,020,185 for charity<br />

in 1948; R. J. O'Donnell and slate of officers<br />

reelected.<br />

Foundation Trustees Set<br />

12 for Meeting<br />

May 11.<br />

Two-day session will be held at Hotel Astor,<br />

New York; meetings also scheduled for finance<br />

committee on fund raising, and program<br />

and scope committee on industry relief.<br />

United States Publication<br />

Of Tax Pact Irks British<br />

Harold Wilson, president of the board of<br />

trade in England, tells the house of commons<br />

final form approved by it will be different<br />

from the version printed here.<br />

Two Features Up for Bids<br />

From 20th-Fox in Chicago<br />

"Sitting Pretty" and "Fury at Furnace<br />

Creek" are booked at first run Loop houses<br />

after they are offered for bids under the new<br />

20th-Fox zoning plan for the city.<br />

Bars With Tele, Juke Box<br />

Free of 20 Per Cent Tax<br />

Internal revenue bureau rules taverns and<br />

public places showing films must pay cabaret<br />

tax; those with television sets exempt unless<br />

dancing and entertainment is permitted,<br />

Producers A'wait Actors<br />

For New Pact Parleys<br />

-K<br />

Charles Boren. labor relations liaison executive<br />

and vice-president of MPAA, says no<br />

doors closed and the producers "have not<br />

broken off negotiations" with the actors.<br />

Johnston Reaffirms Stand<br />

On Actors and Politics<br />

MPAA head at Hollywood press interview<br />

stands pat on his previously declared handsoff<br />

policy regarding the rights of film personalities<br />

for the presidential campaign.<br />

Loew's, Inc. 28-Week Net<br />

Shows Big Decrease<br />

Profit of $3,886,745 reported for period ending<br />

March 11 compared to $8,596,779 for<br />

same period previous year; gross revenue.s,<br />

however, were up.<br />

-X<br />

Pictorial Films Acquires<br />

69 Features for 16mm<br />

Eagle Lion sells 35 features, 24 westerns and<br />

10 Edward Small productions for distribution<br />

to nontheatrical situations, starting October<br />

1; also many shorts added.<br />

;/ .

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