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and<br />
Hay-Burner Versus Tractor Issue<br />
Kindles Interest in 'Scudda Hoo!'<br />
Taking advantage of an extensive newspaper<br />
advertising campaign for the opening<br />
of "Scudda Hoo! Scudda Hay!" in Omaha,<br />
Dwight Seymour, manager of the Arbor in<br />
Nebraska City, kept his ad campaign for the<br />
film at a minimum, although the playdates<br />
were prominently in evidence.<br />
Two days prior to opening, 1,000 teaser<br />
cards were distributed to car owners and<br />
employes of all stores. On the following day,<br />
cards were distributed over the same route,<br />
with copy, "Mark 'Scudda Hoo! Scudda Hay!'<br />
as a must-see picture." A two-column scene<br />
cut and theatre imprint appeared in the<br />
lower portion of the card, and a pencil with<br />
theatre imiprint was affixed to each card.<br />
Seymour distributed the cards and pencils<br />
to 86 members attending a Rotary club meeting<br />
on Wednesday before opening. The fact<br />
that he drew a $2 fine from the president<br />
of the organization was justified, according<br />
to Seymour, because of the comment which<br />
the gag provoked among the membership.<br />
A week prior to opening, all employes of<br />
the Arbor Theatre wore blue .leans, loud<br />
plaid shirts or gingham dresses, and large<br />
straw hats set off by press sheet ads. The<br />
outfits also were worn to classes by parttime<br />
employes who attend school.<br />
For a lobby display, Seymour borrowed a<br />
large hammermill, a harrow in two sections.<br />
Lobby Display and Puppy<br />
Animate Tender Years'<br />
A simply contrived mechanical display<br />
helped focus attention on Manager Jack<br />
Randall's date for "The Tender Years" at<br />
the Strand in Vancouver, B. C,<br />
Randall attached a series of stills to a<br />
regular color wheel. The wheel was placed<br />
behind a display with an aperture through<br />
which the stills appeared as the disk revolved.<br />
With color illumination from behind,<br />
the effect was that of a small screen.<br />
Randall promoted a terrier puppy from a<br />
local pet shop and tied up for a giveaway in<br />
conjunction with the Tillicum club, administered<br />
by Diana Gray in the Vancouver<br />
Daily Province.<br />
The newspaper carried entry blanks for<br />
the contest and instructions for contestants<br />
to deposit their entry forms in the Strand<br />
lobby. On the Saturday of the giveaway, a<br />
record crowd was on hand, necessitating the<br />
opening of the balcony.<br />
Lucky Shoppers Win<br />
Gifts and Passes<br />
A ten-week tieup has been arranged by<br />
Leonard Tuttle, manager of the Lam-elton<br />
Theatre, Laurelton, N. Y., which has been<br />
producing front page publicity in the Reflector,<br />
a suburban weekly newspaper.<br />
Each week the paper publishes a photo of<br />
a group of shoppers in one of the local stores,<br />
with the faces of three circled. Persons thus<br />
singled out receive a pass to the Laurelton,<br />
a years subscription to the Reflector and gifts<br />
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motors and many small farm implements,<br />
which he set up in the lobby with tiein copy.<br />
For outside ballyhoo, a Massey-Harris tractor<br />
was placed in the theatre safety zone,<br />
with teaser copy: "Will the tractor replace<br />
the mule on the farm?" Two 40x60s set near<br />
the tractor gave visitors from the stirrounding<br />
farming communities a good laugh and<br />
got the picture extra word-of-mouth advertising.<br />
Net advertising expenses for the exploitation<br />
was held to a low of $17.<br />
donated by the merchant in whose store the<br />
photograph was taken.<br />
Tuttle gets his theatre attractions mentioned<br />
gratis in each story and uses a blowup<br />
of each week's photo in the lobby to attract<br />
extra attention to the tieup.<br />
Holyoke Street Ballyhoo<br />
Is Promoted at No Cost<br />
Paul Kessler, manager of the Suffolk,<br />
Holyoke, Mass., arranged for a no-cost street<br />
ballyhoo to exploit "T-Men."<br />
The Willys dealer provided several jeeps,<br />
one of which was equipped with a public<br />
address system. The cars toured the downtown<br />
business section for several days carrying<br />
banners armouncing the Suffolk playdates<br />
and used a "T-Men" transcription,<br />
providing audible as well as graphic advertising<br />
for the picture.<br />
The car dealer used a large window display,<br />
while the local Treasury department office<br />
and the press cooperated.<br />
Yo-Yo Contest Attracts<br />
Youths to Safety Show<br />
A yo-yo contest staged in conjunction with<br />
a safety campaign in San Pedro, Calif., tested<br />
the capacity of the Strand for Manager Constantine<br />
Papandrew.<br />
Papandrew Introduced the San Pedro police<br />
chief, from the stage, who made a brief talk<br />
on the subject of safety and the need for<br />
obeying traffic rules to a capacity audience of<br />
youngsters. An expert demonstrated a variety<br />
of tricks to the fascinated children, who competed<br />
for honors as the best yo-yo players.<br />
Art Theatre Features<br />
Literature Series of<br />
Features, Shorts<br />
Great classics of literature, documentaries<br />
of bookish interest and poetic featurettes<br />
may sound like stuffy material to the average<br />
exhibitor, but for Irving Levin, district<br />
manager for San Francisco Theatres,<br />
Inc., they comprise the entire program of<br />
a highly successful "Limelighting Literature"<br />
series screened each Wednesday in<br />
February at the Vogue Theatre.<br />
Repeating a formula which he originated<br />
for the presentation of a light opera festival,<br />
a series of famous musical films .shown each<br />
year at the Vogue, Levin launched a new<br />
and unique presentation of classical pictures<br />
from the literature of both book and<br />
screen.<br />
Billing his four attractions as "integrated,<br />
enlightened entertainment for discriminating<br />
students of the motion picture as an art<br />
form," Levin prepared a novel program of<br />
"Crime and Punishment," "The Lower<br />
Depths," "Peter the Great" and "Time in<br />
the Sun." Featurettes included a Shakesperian<br />
reading by Wilfred Lawson and Leo<br />
Genn, interviews with famous authors (Somerset<br />
Maugham. Rebecca West and Julian<br />
I<br />
Huxley pictorial recitations of modern<br />
and classic poetry.<br />
Levin offered reservations to the Vogue<br />
on a season ticket basis. Brochures on tan<br />
book stock, emphasizing the program's literary<br />
quality with a short commentary on the<br />
films, were .sent out to the mailing list of<br />
one of San Francisco's most prominent book<br />
stores as well as to private and public school<br />
teachers and all the literary and drama societies<br />
in the Bay area. The heralds were<br />
made available at book stores and were distributed<br />
in other theatres of the circuit.<br />
While Limelighting Literature was originally<br />
scheduled for matinee performances<br />
only, demand for tickets prompted Levin to<br />
run continuously from 2:30 p. m. each<br />
Wednesday.<br />
Music Score Is Exploited<br />
For 'Albuquerque' Date<br />
For the Detroit opening of "Albuquerque"<br />
at the Palms-State. Ahce Gorham, publicity<br />
director for United Detroit Theatres, obtained<br />
the piano score of the unpublished<br />
song, "Albuquerque," from Paramount's studios<br />
and had it plugged into hit parade<br />
stature via local radio stations. Barber shop<br />
quartets were promoted through a tieup<br />
with the Franmeneth Brewing Co.<br />
The picture was screened for the writers<br />
of the Lone Ranger, popular radio serial,<br />
and a special episode was framed around<br />
the theme of the film for use on the 225-<br />
station network which carried the story.<br />
Picture Plug Dominates<br />
Co-Op 'Avenue Angel'<br />
A three-column, eight-inch co-op ad was<br />
promoted by Eddie DiResta, manager of the<br />
Rialto in Amsterdam, N. Y., to help publicize<br />
"Tenth Avenue Angel." DiResta tied up with<br />
a local children's clothing shop featuring<br />
the Margaret O'Brien brand. In addition<br />
to theatre credits, a large star cut and scene<br />
illumination were incorporated in the ad.<br />
I<br />
36 —450— BOXOFFICE Showmandiser :: April 17, 1948