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. . . "Fine—and<br />
MGM's<br />
Cass Timberlane' Wim]<br />
Blue Ribbon Award for February<br />
By VELMA WEST SYKES<br />
QASS TIMBERLANE," Metro-Goldwyn-Mayer's screen version of the Sinclair Lew<br />
"novel of husbands and wives" has been voted the February BOXOPFICE Blue 1<br />
bon Award by the National Screen Council. With Spencer Tracy in the title roles as<br />
lovable judge in the "city" of Grand Republic (another Minnesota town created t<br />
Lewis 1, this popular best seller carries over into celluloid most of its charm, enhanced t<br />
Lana Turner whose glamor is not obscured by the baseball outfit in which she appeao<br />
early in the picture. While serious in theme, Tracy's casual portrayal of his role keej<br />
it himiorous in spots and there are many neat touches of direction which make it moi<br />
of a family picture than the novel itself might indicate. Good taste is shown in all situa<br />
tions and as entertainment it is an enjoyaole entry in that field.<br />
As a boxoffice favorite, "Cass Timberlane"<br />
has been strong in nearly all of the key exchange<br />
cities from which BOXOFFICE receives<br />
percentage gross reports. In the March<br />
6 issue it was the top hit, having grossed<br />
200 per cent in Kansas City at the Midland<br />
the previous week and 190 per cent in Indianapolis<br />
at Loew's. The February 7 issue<br />
showed it again as the top hit for pictures<br />
playing at regular prices, that time playing<br />
to 160 per cent at the Pox in San Francisco.<br />
It has been held over in many of these<br />
key show tovras for five weeks. This week<br />
it scores again, grossing 190 at Minneapolis.<br />
Dozen Plaques for Tracy<br />
This is the first Blue Ribbon winner for<br />
MGM since it won with "The Unfinished<br />
Dance" for October of 1947, but that company<br />
had a third of the Award winners last<br />
year. For Director George Sidney it is a<br />
first Blue Ribbon and also for Author Sinclair<br />
Lewis, his other filmed novels failing<br />
to fall in this special class.<br />
With the cast, we find Spencer Ti-acy<br />
can be nonchalant about an even dozen<br />
plaques now, the last being for his role as<br />
Colonel Doolittle in "Thirty Seconds Over<br />
Tokyo" for Januai-y 1945. Tom Drake has<br />
three now, one in each of .the last two years,<br />
but Mary Astor only her second, though her<br />
first was as far back as 1932. For Lana Turner,<br />
Albert Dekker and Zachary Scott, these<br />
are initial honors in the Blue Ribbon field.<br />
In the issue of November 8 last year, the<br />
BOXOFFICE reviewer had this to say about<br />
"Cass Timberlane" in part: "The celluloid<br />
version of what he considers his most sue<br />
cessful book attains a new high of excel<br />
lence for pictures based on the author's worl<br />
Such superlative classification is easily mer<br />
ited because of the sterling qualities of<br />
film's every department ... A probablHsc'*<br />
Academy Award nomination—a standout i<br />
a highly competitive field."<br />
"Estimates on Current Motion Pictures,<br />
a sheet put out by MPAA in HoUywooo<br />
which carries combined reports from 14 wo<br />
men's and educational organizations, say |Ts(<br />
that estimates agree on its family rating an<<br />
comments: "If for no other reason, this pic<br />
ture has merit because of the opening speed<br />
jjf]<br />
of Spencer Tracy in which he upholds th<br />
sanctity of marriage and deplores the at<br />
titude of those who rush too carelessly int<br />
it and then seek the divorce court as<br />
Comments from National Screen Counc:<br />
members on their ballots included these<br />
"The cast was great and the story was ver;<br />
humanistic. Photography was excellent,<br />
Arnold Hederman Jackson Clairon-Ledge<br />
I had not expected mucl<br />
for I disliked the book, but the splendii<br />
acting of Mr. Tracy and Miss Turner make<br />
it outstanding."—Mrs. Ferd Lucas, Indian;<br />
Indorsers of Photoplays, Greencastle.<br />
"Saw it twice—to me it was very out<br />
standing, vibrant—and Tracy just talked<br />
Such pictures we need."—Anne Hayes<br />
KCMO, Kansas City . . "It good adull<br />
. is<br />
entertainment and is depicted vrith charir<br />
and simplicity."—Mrs. Allen Cox, Helens<br />
(Ark.) Better Films Council.<br />
1(11<br />
The Cast<br />
Cass Timberlane Spencer Tracy<br />
Virginia Marshland Lana Turner<br />
Bradd Criley Zachary Scott<br />
Jamie Wargate Tom Drake<br />
Queenie Havock<br />
Mary Astor<br />
Boone Havock Albert Dekker<br />
Chris Grau<br />
Margaret Lindsay<br />
Diantha Marl<br />
Rose Hobart<br />
Webb Wargate John Litel<br />
Avis Elderman Mona Barrie<br />
Executive Producer Louis B. Mayer<br />
Directed by George Sidney<br />
Produced by Arthur Hornblow, Jr.<br />
Screenplay by Donald Ocden Stewart<br />
Adaptation by Donald Ogden Stewart,<br />
Sonya Levien<br />
Based on the Novel by Sinclair Lewis<br />
Director of Photography<br />
Robert Planck, A.S.C.<br />
Art Directors Cedric Gibbons<br />
Film Editor.<br />
Production StaH<br />
Lillian Drover Josephine Hutchinson<br />
Louise Wargate Selena RoyleBt<br />
In]]<br />
Gregg Marl Frank Wilcox<br />
Dennis Thane Richard Gaines<br />
Dr. Roy Drover John AlexandebI<br />
Eiiio Roskinen Cameron MitchelIi;<br />
Hervey Flint<br />
Howard Freeman<br />
Mrs. Higbee<br />
Jessie Grayson i<br />
Herman<br />
Griff Barnett I<br />
Alice Wargate Pat Clark<br />
i<br />
Musical Score<br />
Roy Webb<br />
Musical Director<br />
Constantine- BakaleinikoffI<br />
Recording Director Douglas Shearer!<br />
Set Decorations<br />
Edwin B. Willis!<br />
Associate Richard PefferleI<br />
Special Effects Warren NewcombeI<br />
A. Arnold GillespieI<br />
Costumes by IreneI<br />
Hair Styles Designed by<br />
Daniel B. Cathcart Sydney GuilarofpI<br />
John Dunning Make-Up Created by Jack Dawn|<br />
n\<<br />
O This Award is given each month by the National Screen Council on the basis of outstandinn merit<br />
and suitability for family entertainment. Council membership comprises motion picture editors, radit<br />
film commentators, and representatives of better film councils, civic and educational orjanizations.