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THE NATIONAL FILM WEEKLY<br />
PaSLISHO IN<br />
NINE SECTIONAL EDITIONS<br />
BEN SHLYEN<br />
Editor-in-Chief and Publisher<br />
JAMES M. JERAULD Editor<br />
NATHAN COHEN Associate Editor<br />
JESSE SHLYEN Managing Editor<br />
IVAN SPEAR<br />
Western Editor<br />
J. HARRY TOLER Equipment Editor<br />
RAYMOND LEVY General Manager<br />
Published Every Saturday by<br />
ASSOCIATED PUBLICATIONS<br />
Editorial OHices: 9 Rockefeller Plcea, New York 20.<br />
N. Y. Raymond Levy, General Manager; James M<br />
Jerauld, Editor; Chester Friedman, Editor Showmandiser<br />
Section; A. J. Stocker, Eastern Representative<br />
Telephone Columbus 5-6370, 5-6371, 5-5372. Cable<br />
address: BOXOFFICE, New York."<br />
Central Oliices: 332 South Michigan Blvd., Chicago<br />
A, 111. J. Harry Toler, Editor Modern Theatre Section.<br />
Telephone WABash 4575.<br />
Western Offices: 6404 Hollywood Blvd., Hollywood<br />
28. Calil. Ivan Spear, Manager. Telephone GLad-<br />
Etone 1186.<br />
Washington Offices: 302-303 International Bldg., 13!S<br />
F St., N. W. Lee L. Garling, Manager. Telephone<br />
NAtional 3482. Filmrow; 932 New Jersey, N. W. Sara<br />
London Offices: 136 Wordour St.. John Sullivan, Manager.<br />
Telephone Gerrard 3934-5-6.<br />
Publication Offices: 825 Van Brunt Blvd., Kansas City<br />
1. Mo. Nathan Cohen, Associate Editor; Jesse Shlyen,<br />
Managing Editor; Morris Schlozman, Business Manager.<br />
Telephone CHestnut 7777-78.<br />
Other Publications: BOXOFFICE BAROMETER,<br />
published in as section November a of BOXOFFICE;<br />
THE MODERN THEATRE, published monthly as a<br />
section oi BOXOFFICE.<br />
ALBANY—21-23 Walter Ave., M. Berrigan.<br />
ATLANTA— 163 Walton, N. W., P. H. Savin.<br />
BIRMINGHAM—The News, Eddie Badger.<br />
BOSTON—Frances W. Harding, 20 Piedmont St., Lib,<br />
9314. Home: Com. 4700.<br />
BUFFALO— 157 Audubon Drive, Snyder, Jim Schroder.<br />
CHARLOTTE—216 W. 4th, Paulme Grillith.<br />
CHICAGO—332 S. Michigan, Jonas Perlberg, WA-4575.<br />
CINCINNATI— 1634 Central Parkway, Lillian Seltzer.<br />
CLEVELAND—Elsie Loeb, Fairmount 0046.<br />
DALLAS—4525 Holland, V. W. Crisp, 18-9780.<br />
'<br />
DENVER— 1645 Lalayette, Jack Rose, TA 8517.<br />
DES MOINES— Register & Tribune Bldg., Russ Schoch.<br />
DETROIT— 1009 Fox Theatre Bldg., H. F. Reves.<br />
Telephones: RA 1100; Night, UN-4-0219.<br />
HARTFORD— 109 Westborne, Allen Widem.<br />
HARRISBURG, JA.—The Telegraph, Lois Fegan.<br />
INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux.<br />
MIAMI—66 S. Hibiscus Island, Mrs. Manton E. Harwood.<br />
2952 Merrick Rd., Elizabeth Sudlow. '<br />
MEMPHIS—707 Spring St., Null Adams, Tel. 48-5452.<br />
MILWAUKEE—529 N. 13th, J. R. Gahagan, MA-0297.<br />
MINNEAPOLIS—29 Washington. Ave. So., Les Rees.<br />
NEW HAVEN—42 Church St., Gertrude Lander.<br />
NEWARK, N. J.—207 Sumner, Sara Carleton.<br />
NEW ORLEANS—218 So. Uberty St., Mrs. Jack Auslet.<br />
Telephone MA 5812.<br />
OKLAHOMA CITY— 125 NW 15th St., Polly Trindle.<br />
OMAHA—Omahg World-Herald Bldg., Lou Gerdes.<br />
PHILADELPHIA—4901 Spruce St., J. M. Makler.<br />
PITTSBURGH—86 Van Braam St., R. F. Klingensmith.<br />
PORTLAND, ORE.—David C. Kahn, 823 S. E. Ash St.<br />
RICHMOND—Grand Theatre, Sam PuUiam.<br />
ST. LOUIS—5149 Rosa, David Barrett, FL-3727.<br />
SALT LAKE CITY—Deseret News, Howard Pearson.<br />
SAN ANTONIO—333 Blum St., L. J. B. Ketner.<br />
SAN FRANCISCO—25 Taylor St., Gail Lipman,<br />
ORdway 3-4612.<br />
SEATTLE—928 N. 84th St., WiUard Elsey.<br />
TOLEDO-^330 Willys Pkwy., Anna Kline.<br />
IN CANADA<br />
CALGARY—The Albertan, Wm. Campbell.<br />
MONTREAL-^330 Wilson Ave., N. D. G., Roy Carmichael.<br />
Walnut 5519.<br />
ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />
TORONTO—242 Milwood, Milton Galbraith.<br />
VANCOUVER-^ 11 Lyric Theatre Bldg., Jack Droy.<br />
VICTORIA—938 Island Highway, Alec Merrimon.<br />
WINNIPEG—The Tribune, Ben Lepkin.<br />
Member Aodit Bureau of Circulations<br />
Entcrad as Second Class matter at Post Office, Kansas City, Mo.<br />
OXOFFICE<br />
TEAMWORK WILL TRIUMPH!<br />
by many hands pulling together, there is this statement:<br />
"Teamwork will triumph. To quote an old proverb, 'Whe<br />
was ever honey made with one bee in the hive?' Objectivt<br />
in this world and in this business can be attained only 1:<br />
cooperation—teamwork. The principle, the practice, of pullir<br />
together can assure victory to you in this and future cat<br />
paigns."<br />
Occupying half the large front page of the Fox West Coa<br />
Theatres house organ, this message is used to inspire mai<br />
agers and executives in that circuit's current business driv<br />
as well as for others to come. We pick it up and carry it<br />
our readers, hoping that it will inspire them also—to get t<br />
gether and work together for the common good. We mec<br />
exhibitor, producer and distributor.<br />
It's an old story with us—this trying to talk some sem<br />
into the heads of the disruptive elements within this busine?<br />
who are self-seeking. But it's ever new, so long as there is tl<br />
need, which seems to be as great, if not greater, today wh«<br />
not only the various branches of this business, but the se'<br />
ments of each as well, keep pulling further and further apa:<br />
For the past year or more the industry has been on a sc<br />
of reconversion program, getting back to the normal from tl<br />
stratospheric heights it reached during the war years. Tl<br />
transition called for understanding cooperation all up at<br />
down the line. But instead there seemed to be an excessi^<br />
amount of recrimination and distrust. There is no one pa<br />
ticular element more to blame than the others. All have bet<br />
at fault. Each has tried to go it alone; as though nothing mc<br />
tered but his group's or company's interests. When, as a mo<br />
ter of fact and truth, all are intervowen into the pattern thi<br />
goes to make up this business. No branch can independent<br />
stand off the others, for all are interdependent.<br />
The distrust has some basis, because of the evidei<br />
that come to the surface that seem to justify it. But the<br />
dustry itself is bigger than the individual cases that throw >w.l'<br />
bad light on it, from time to time.<br />
It seems such a simple thing to realize that picture-makd<br />
picture-distributor and picture-exhibitor are all in one boat<br />
gether. That they cannot be separated. That each needs tl<br />
other. Yet the way they carry on, the way each disregan<br />
the other's problems—the way they all disregard even the<br />
Sectional Edition, $2.00 per year; National Edition. J7.50<br />
Vol. 52<br />
MARCH<br />
No. 18<br />
1948