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Boxoffice-March.06.1948

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THE NATIONAL FILM WEEKLY<br />

PaSLISHO IN<br />

NINE SECTIONAL EDITIONS<br />

BEN SHLYEN<br />

Editor-in-Chief and Publisher<br />

JAMES M. JERAULD Editor<br />

NATHAN COHEN Associate Editor<br />

JESSE SHLYEN Managing Editor<br />

IVAN SPEAR<br />

Western Editor<br />

J. HARRY TOLER Equipment Editor<br />

RAYMOND LEVY General Manager<br />

Published Every Saturday by<br />

ASSOCIATED PUBLICATIONS<br />

Editorial OHices: 9 Rockefeller Plcea, New York 20.<br />

N. Y. Raymond Levy, General Manager; James M<br />

Jerauld, Editor; Chester Friedman, Editor Showmandiser<br />

Section; A. J. Stocker, Eastern Representative<br />

Telephone Columbus 5-6370, 5-6371, 5-5372. Cable<br />

address: BOXOFFICE, New York."<br />

Central Oliices: 332 South Michigan Blvd., Chicago<br />

A, 111. J. Harry Toler, Editor Modern Theatre Section.<br />

Telephone WABash 4575.<br />

Western Offices: 6404 Hollywood Blvd., Hollywood<br />

28. Calil. Ivan Spear, Manager. Telephone GLad-<br />

Etone 1186.<br />

Washington Offices: 302-303 International Bldg., 13!S<br />

F St., N. W. Lee L. Garling, Manager. Telephone<br />

NAtional 3482. Filmrow; 932 New Jersey, N. W. Sara<br />

London Offices: 136 Wordour St.. John Sullivan, Manager.<br />

Telephone Gerrard 3934-5-6.<br />

Publication Offices: 825 Van Brunt Blvd., Kansas City<br />

1. Mo. Nathan Cohen, Associate Editor; Jesse Shlyen,<br />

Managing Editor; Morris Schlozman, Business Manager.<br />

Telephone CHestnut 7777-78.<br />

Other Publications: BOXOFFICE BAROMETER,<br />

published in as section November a of BOXOFFICE;<br />

THE MODERN THEATRE, published monthly as a<br />

section oi BOXOFFICE.<br />

ALBANY—21-23 Walter Ave., M. Berrigan.<br />

ATLANTA— 163 Walton, N. W., P. H. Savin.<br />

BIRMINGHAM—The News, Eddie Badger.<br />

BOSTON—Frances W. Harding, 20 Piedmont St., Lib,<br />

9314. Home: Com. 4700.<br />

BUFFALO— 157 Audubon Drive, Snyder, Jim Schroder.<br />

CHARLOTTE—216 W. 4th, Paulme Grillith.<br />

CHICAGO—332 S. Michigan, Jonas Perlberg, WA-4575.<br />

CINCINNATI— 1634 Central Parkway, Lillian Seltzer.<br />

CLEVELAND—Elsie Loeb, Fairmount 0046.<br />

DALLAS—4525 Holland, V. W. Crisp, 18-9780.<br />

'<br />

DENVER— 1645 Lalayette, Jack Rose, TA 8517.<br />

DES MOINES— Register & Tribune Bldg., Russ Schoch.<br />

DETROIT— 1009 Fox Theatre Bldg., H. F. Reves.<br />

Telephones: RA 1100; Night, UN-4-0219.<br />

HARTFORD— 109 Westborne, Allen Widem.<br />

HARRISBURG, JA.—The Telegraph, Lois Fegan.<br />

INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux.<br />

MIAMI—66 S. Hibiscus Island, Mrs. Manton E. Harwood.<br />

2952 Merrick Rd., Elizabeth Sudlow. '<br />

MEMPHIS—707 Spring St., Null Adams, Tel. 48-5452.<br />

MILWAUKEE—529 N. 13th, J. R. Gahagan, MA-0297.<br />

MINNEAPOLIS—29 Washington. Ave. So., Les Rees.<br />

NEW HAVEN—42 Church St., Gertrude Lander.<br />

NEWARK, N. J.—207 Sumner, Sara Carleton.<br />

NEW ORLEANS—218 So. Uberty St., Mrs. Jack Auslet.<br />

Telephone MA 5812.<br />

OKLAHOMA CITY— 125 NW 15th St., Polly Trindle.<br />

OMAHA—Omahg World-Herald Bldg., Lou Gerdes.<br />

PHILADELPHIA—4901 Spruce St., J. M. Makler.<br />

PITTSBURGH—86 Van Braam St., R. F. Klingensmith.<br />

PORTLAND, ORE.—David C. Kahn, 823 S. E. Ash St.<br />

RICHMOND—Grand Theatre, Sam PuUiam.<br />

ST. LOUIS—5149 Rosa, David Barrett, FL-3727.<br />

SALT LAKE CITY—Deseret News, Howard Pearson.<br />

SAN ANTONIO—333 Blum St., L. J. B. Ketner.<br />

SAN FRANCISCO—25 Taylor St., Gail Lipman,<br />

ORdway 3-4612.<br />

SEATTLE—928 N. 84th St., WiUard Elsey.<br />

TOLEDO-^330 Willys Pkwy., Anna Kline.<br />

IN CANADA<br />

CALGARY—The Albertan, Wm. Campbell.<br />

MONTREAL-^330 Wilson Ave., N. D. G., Roy Carmichael.<br />

Walnut 5519.<br />

ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />

TORONTO—242 Milwood, Milton Galbraith.<br />

VANCOUVER-^ 11 Lyric Theatre Bldg., Jack Droy.<br />

VICTORIA—938 Island Highway, Alec Merrimon.<br />

WINNIPEG—The Tribune, Ben Lepkin.<br />

Member Aodit Bureau of Circulations<br />

Entcrad as Second Class matter at Post Office, Kansas City, Mo.<br />

OXOFFICE<br />

TEAMWORK WILL TRIUMPH!<br />

by many hands pulling together, there is this statement:<br />

"Teamwork will triumph. To quote an old proverb, 'Whe<br />

was ever honey made with one bee in the hive?' Objectivt<br />

in this world and in this business can be attained only 1:<br />

cooperation—teamwork. The principle, the practice, of pullir<br />

together can assure victory to you in this and future cat<br />

paigns."<br />

Occupying half the large front page of the Fox West Coa<br />

Theatres house organ, this message is used to inspire mai<br />

agers and executives in that circuit's current business driv<br />

as well as for others to come. We pick it up and carry it<br />

our readers, hoping that it will inspire them also—to get t<br />

gether and work together for the common good. We mec<br />

exhibitor, producer and distributor.<br />

It's an old story with us—this trying to talk some sem<br />

into the heads of the disruptive elements within this busine?<br />

who are self-seeking. But it's ever new, so long as there is tl<br />

need, which seems to be as great, if not greater, today wh«<br />

not only the various branches of this business, but the se'<br />

ments of each as well, keep pulling further and further apa:<br />

For the past year or more the industry has been on a sc<br />

of reconversion program, getting back to the normal from tl<br />

stratospheric heights it reached during the war years. Tl<br />

transition called for understanding cooperation all up at<br />

down the line. But instead there seemed to be an excessi^<br />

amount of recrimination and distrust. There is no one pa<br />

ticular element more to blame than the others. All have bet<br />

at fault. Each has tried to go it alone; as though nothing mc<br />

tered but his group's or company's interests. When, as a mo<br />

ter of fact and truth, all are intervowen into the pattern thi<br />

goes to make up this business. No branch can independent<br />

stand off the others, for all are interdependent.<br />

The distrust has some basis, because of the evidei<br />

that come to the surface that seem to justify it. But the<br />

dustry itself is bigger than the individual cases that throw >w.l'<br />

bad light on it, from time to time.<br />

It seems such a simple thing to realize that picture-makd<br />

picture-distributor and picture-exhibitor are all in one boat<br />

gether. That they cannot be separated. That each needs tl<br />

other. Yet the way they carry on, the way each disregan<br />

the other's problems—the way they all disregard even the<br />

Sectional Edition, $2.00 per year; National Edition. J7.50<br />

Vol. 52<br />

MARCH<br />

No. 18<br />

1948

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