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The House Program<br />
ipjoanBi^i<br />
Wood Corpse Box Gag<br />
Set Up as Whodunit<br />
For 'Corpse Came'<br />
M. C. Glendy, manager of the La Salle<br />
Theatre, La Salle, 111., stirred up interest ft iiW<br />
in "The Corpse Came C.O.D." with a promotion<br />
which was good for a special story<br />
pllBli*<br />
in the local newspaper.<br />
Glendy arranged to have a local undertaker<br />
ship to the theatre a regular casket shipping<br />
box with the original label on it from Chicago.<br />
The entire theatre cost was $2.<br />
The inside of the box was dressed up with<br />
stills and a three-sheet from the picture.<br />
Lettering on the sides carried copy: "From<br />
city morgue, San Francisco . . . One Corpse,<br />
C.O.D. to the La Salle Theatre . . . Use no<br />
hooks . . . One corpse . in a cool,<br />
dry place."<br />
Upon receipt of the box, Glendy took the<br />
story to the editor of the Daily News-Tribune<br />
which reported that the theatre had received<br />
the box and was at a loss to explain its<br />
origin. An announcement followed that if no<br />
further information was forthcoming, the<br />
box would be opened on Sunday and its contents<br />
examined.<br />
On opening day of the picture, Glendy<br />
opened the box before a large crowd of curious<br />
citizens, who, thereupon were highly amused.<br />
The News-Tribune ran a followup story, explaining<br />
the contents of the box.<br />
In addition to engendering word-of-mouth<br />
comments, Glendy reports excellent business<br />
during the picture's run.<br />
]<br />
The appearance of the cover page ol the house program frequently determines whether or<br />
not the patron will be interested enough to continue reading the sales message within. At<br />
the Louis Theatre in Chicago, Manager Hugh Borland endeavors to make the page so attractive<br />
and so interesting that seldom does anyone refuse them as they are proffered by<br />
ushers on breaks, and rarely is one discarded after acceptance. The trick, as Borland points<br />
out, is to make each issue different from its predecessor. Teaser copy, institutional messages,<br />
announcements of house policy or just personal philosophy brighten the cover each<br />
week. In the inside spread appear small cuts on the week's coming attractions. The back<br />
page heralds either future bookings or additional copy in the institutional vein.<br />
BOXOFFICE NUGGETS<br />
To exploit "Good News," Eddie DiResta,<br />
manager of the Rialto in Amsterdam, N. Y.,<br />
sold the back page of several thousand exchange<br />
heralds to a local record dealer<br />
plugging the "Good News" album. A window<br />
display completed the tieup, and DiResta used<br />
a sound truck to ballyhoo the playdate around<br />
town.<br />
Bert Ruder, manager of the Malone in<br />
Malone, N. Y., promoted a full page co-op ad<br />
from local businessmen in behalf of the March<br />
of Dimes campaign. Banner headline read:<br />
"Schine's Malone and These Leading Merchants<br />
Join in Support of the March of<br />
Dimes." The current attraction was well<br />
played up on the page at no cost to the theatre.<br />
Carrying out the prison theme of "Each<br />
Dawn I Die," Jerry Siegal, manager of the<br />
Lyric, Asbury Park, N. J., dressed his ushers<br />
and ticket takers in convict's uniform. Siegal<br />
also tied up with a local pet shop which paid<br />
for the printing of heralds announcing the<br />
show.<br />
Sleep capsules distributed by a pretty young<br />
woman dressed in a nurse's uniform and cap<br />
helped to promote "Sleep, My Love" for manager<br />
Boyd Sparrow at Loew's Indianapojjs.<br />
To attract extra interest, the capsules read:<br />
" 'Sleep, My Love.' The most terrifying words<br />
ever whispered to a woman. See why, etc.,<br />
etc."<br />
Extensive outdoor ballyhoo preceded the<br />
opening of "Green Dolphin Street" at the<br />
Beach and Paramount theatres in Miami.<br />
Twenty-two 24-sheets were sniped and all<br />
Royal Crown Cola trucks were bannered with<br />
signs announcing the playdates. Window<br />
tieups were placed in excellent locations to<br />
augment a stepped-up radio and newspaper<br />
campaign.<br />
Trailer Ballyhoo Used<br />
To Aid 'Frankenstein'<br />
An animated performance by an usher<br />
during the showing of the trailer for "Son<br />
of Frankenstein" provoked an interesting<br />
audience reaction at the Strand in Amsterdam,<br />
N. Y.<br />
Clark Jordan, manager, had the usher strut<br />
across the stage with his cap worn backwards<br />
and special makeup on his face, while a green<br />
spot played on him. This was done at the<br />
evening performance a week in advance<br />
while the trailer was being run.<br />
Jordan also had a young woman in nurse's<br />
attire sitting in the lobby in advance of playdate<br />
with a sign announcing: "We are taking<br />
this precaution for those who have weak<br />
hearts and intend seeing, etc., etc."<br />
A sandwich man helped ballyhoo the program.<br />
WCOP Radio Quiz Sparks<br />
'Treasure of Sierra'<br />
A novel treasure hunt radio quiz highlighted<br />
the campaign for "Treasure of Sierra<br />
Madre" at the Metropolitan in Boston.<br />
A tieup was made with WCOP with Nelson<br />
Bragg conducting the quiz daily, in advance<br />
of the opening, in the Hotel Statler lobby.<br />
Contestants and radio listeners were asked<br />
to name the place they would hide "the<br />
treasure" and their reasons. Somewhere in<br />
the city "the treasure" was hidden. The<br />
entrant who came closest to guessing the<br />
hidden location was awarded a savings bond.<br />
The daily press also carried stories on the<br />
promotion with the theatre benefiting<br />
through playdate announcements.<br />
42 -410- BOXOFFICE Showmandiser :: Mar. 13, 1948