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Boxoffice-March.06.1948

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The House Program<br />

ipjoanBi^i<br />

Wood Corpse Box Gag<br />

Set Up as Whodunit<br />

For 'Corpse Came'<br />

M. C. Glendy, manager of the La Salle<br />

Theatre, La Salle, 111., stirred up interest ft iiW<br />

in "The Corpse Came C.O.D." with a promotion<br />

which was good for a special story<br />

pllBli*<br />

in the local newspaper.<br />

Glendy arranged to have a local undertaker<br />

ship to the theatre a regular casket shipping<br />

box with the original label on it from Chicago.<br />

The entire theatre cost was $2.<br />

The inside of the box was dressed up with<br />

stills and a three-sheet from the picture.<br />

Lettering on the sides carried copy: "From<br />

city morgue, San Francisco . . . One Corpse,<br />

C.O.D. to the La Salle Theatre . . . Use no<br />

hooks . . . One corpse . in a cool,<br />

dry place."<br />

Upon receipt of the box, Glendy took the<br />

story to the editor of the Daily News-Tribune<br />

which reported that the theatre had received<br />

the box and was at a loss to explain its<br />

origin. An announcement followed that if no<br />

further information was forthcoming, the<br />

box would be opened on Sunday and its contents<br />

examined.<br />

On opening day of the picture, Glendy<br />

opened the box before a large crowd of curious<br />

citizens, who, thereupon were highly amused.<br />

The News-Tribune ran a followup story, explaining<br />

the contents of the box.<br />

In addition to engendering word-of-mouth<br />

comments, Glendy reports excellent business<br />

during the picture's run.<br />

]<br />

The appearance of the cover page ol the house program frequently determines whether or<br />

not the patron will be interested enough to continue reading the sales message within. At<br />

the Louis Theatre in Chicago, Manager Hugh Borland endeavors to make the page so attractive<br />

and so interesting that seldom does anyone refuse them as they are proffered by<br />

ushers on breaks, and rarely is one discarded after acceptance. The trick, as Borland points<br />

out, is to make each issue different from its predecessor. Teaser copy, institutional messages,<br />

announcements of house policy or just personal philosophy brighten the cover each<br />

week. In the inside spread appear small cuts on the week's coming attractions. The back<br />

page heralds either future bookings or additional copy in the institutional vein.<br />

BOXOFFICE NUGGETS<br />

To exploit "Good News," Eddie DiResta,<br />

manager of the Rialto in Amsterdam, N. Y.,<br />

sold the back page of several thousand exchange<br />

heralds to a local record dealer<br />

plugging the "Good News" album. A window<br />

display completed the tieup, and DiResta used<br />

a sound truck to ballyhoo the playdate around<br />

town.<br />

Bert Ruder, manager of the Malone in<br />

Malone, N. Y., promoted a full page co-op ad<br />

from local businessmen in behalf of the March<br />

of Dimes campaign. Banner headline read:<br />

"Schine's Malone and These Leading Merchants<br />

Join in Support of the March of<br />

Dimes." The current attraction was well<br />

played up on the page at no cost to the theatre.<br />

Carrying out the prison theme of "Each<br />

Dawn I Die," Jerry Siegal, manager of the<br />

Lyric, Asbury Park, N. J., dressed his ushers<br />

and ticket takers in convict's uniform. Siegal<br />

also tied up with a local pet shop which paid<br />

for the printing of heralds announcing the<br />

show.<br />

Sleep capsules distributed by a pretty young<br />

woman dressed in a nurse's uniform and cap<br />

helped to promote "Sleep, My Love" for manager<br />

Boyd Sparrow at Loew's Indianapojjs.<br />

To attract extra interest, the capsules read:<br />

" 'Sleep, My Love.' The most terrifying words<br />

ever whispered to a woman. See why, etc.,<br />

etc."<br />

Extensive outdoor ballyhoo preceded the<br />

opening of "Green Dolphin Street" at the<br />

Beach and Paramount theatres in Miami.<br />

Twenty-two 24-sheets were sniped and all<br />

Royal Crown Cola trucks were bannered with<br />

signs announcing the playdates. Window<br />

tieups were placed in excellent locations to<br />

augment a stepped-up radio and newspaper<br />

campaign.<br />

Trailer Ballyhoo Used<br />

To Aid 'Frankenstein'<br />

An animated performance by an usher<br />

during the showing of the trailer for "Son<br />

of Frankenstein" provoked an interesting<br />

audience reaction at the Strand in Amsterdam,<br />

N. Y.<br />

Clark Jordan, manager, had the usher strut<br />

across the stage with his cap worn backwards<br />

and special makeup on his face, while a green<br />

spot played on him. This was done at the<br />

evening performance a week in advance<br />

while the trailer was being run.<br />

Jordan also had a young woman in nurse's<br />

attire sitting in the lobby in advance of playdate<br />

with a sign announcing: "We are taking<br />

this precaution for those who have weak<br />

hearts and intend seeing, etc., etc."<br />

A sandwich man helped ballyhoo the program.<br />

WCOP Radio Quiz Sparks<br />

'Treasure of Sierra'<br />

A novel treasure hunt radio quiz highlighted<br />

the campaign for "Treasure of Sierra<br />

Madre" at the Metropolitan in Boston.<br />

A tieup was made with WCOP with Nelson<br />

Bragg conducting the quiz daily, in advance<br />

of the opening, in the Hotel Statler lobby.<br />

Contestants and radio listeners were asked<br />

to name the place they would hide "the<br />

treasure" and their reasons. Somewhere in<br />

the city "the treasure" was hidden. The<br />

entrant who came closest to guessing the<br />

hidden location was awarded a savings bond.<br />

The daily press also carried stories on the<br />

promotion with the theatre benefiting<br />

through playdate announcements.<br />

42 -410- BOXOFFICE Showmandiser :: Mar. 13, 1948

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