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Boxoffice-March.06.1948

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: March<br />

.*<br />

THE COMPROMI^b<br />

American companies will be allowed remittances of<br />

$17,000,000 a year, and retain profits on British films shown in this country. A plan is<br />

being prepared to determine how receipts remaining in Great Britain may be spent.<br />

Export of new U.S. films to England begins April 1. Remittances to U.S. begin June 14.<br />

BRITISH SITUATION SETTLED<br />

AND BOTH SIDES ARE PLEASED<br />

NEW YORK—American film exports to<br />

Great Britain will be resumed April 1.<br />

The British 75 per cent tax will be rescinded.<br />

For the next two years American companies<br />

will be allowed to remit $17,000,000<br />

per year to this country and will be permitted<br />

to retain the profits on British films<br />

shown here.<br />

The agreement is for four years and it<br />

will be reviewed at the end of two years for<br />

adjustment to any changes that may have<br />

taken place in the condition of British<br />

finances.<br />

U.S. TO GET ABOUT $22,000,000<br />

Depending upon how much profit is turned<br />

in by British films here, the American industry<br />

may be able to collect something less than<br />

half of its estimated total of $48,000,000 from<br />

the<br />

British market.<br />

All money over the $17,000,000 taken in in<br />

England will be held there.<br />

Last year earnings of British films in this<br />

country were about $4,000,000. An optimistic<br />

estimate for the year starting in June is $5,-<br />

000,000. If this pans out, total income from<br />

British market—the $17,000,000 remitted plus<br />

the income from British films here—would<br />

reach about $22,000,000.<br />

Under the terms of the agreement the<br />

money blocked in Great Britain can be used<br />

in various ways. Distribution charges for<br />

American pictures over there average about<br />

25 per cent, so this would use up about $12,-<br />

000,000 of the estimated blocked income. A<br />

clause in the agreement will permit American<br />

distributors to pay British talent hired over<br />

there for American production out of such<br />

funds. These funds also can be used for purchase<br />

of scripts, production in England and<br />

investment in film companies and theatres.<br />

COMPANIES PLAN EXPANSION<br />

Use of some funds may be allowed for investments<br />

not directly coimected with the<br />

film industry.<br />

Details of these arrangements are still to<br />

be worked out. Technical advisers will handle<br />

these negotiations.<br />

The agreement was formally signed Friday<br />

morning.<br />

A new quota law is now under consideration<br />

by the house of lords and is nearing<br />

enactment.<br />

The British tax Is expected to go off April<br />

1 and the arrangement for remittances will<br />

start June 14, Exports of film will begin<br />

from this country as soon as the tax goes<br />

off.<br />

The plan was agreed upon Wednesday<br />

afternoon, March 10, at a conference of<br />

'Democratic' Deal<br />

"This is by no means a Johnston<br />

agreement or a British agreement,<br />

but a democratic<br />

compromise,"<br />

Eric<br />

Johnston,<br />

president of<br />

the Motion<br />

Picture Ass'n<br />

of America,<br />

declared in a<br />

statement released<br />

shortly<br />

after the settlement<br />

was<br />

Eric Johnston<br />

announced.<br />

"Once again there will be a free<br />

flow of films between the United<br />

Stales and Great Britain and we<br />

avoid the consequences of a dangerous<br />

precedent."<br />

Johnston also added that the<br />

agreement will avoid any adverse<br />

effects on British economy and<br />

would keep Hollywood a flourishing<br />

and going concern.<br />

Discussing the compromise w^ith<br />

BOXOFFICE over transatlantic<br />

telephone, the MPAA president<br />

said he was pleased to learn the<br />

immediate reaction in the United<br />

States was favorable.<br />

American representatives headed by Eric<br />

Johnston, MPAA president, and Harold Wilson,<br />

president of the British Board of Ti-ade.<br />

It was presented to the house of commons<br />

by Wilson Thursday afternoon at 3 o'clock.<br />

Parliamentary action was required in order<br />

to rescind the tax.<br />

^<br />

In the meantime, the details were telephoned<br />

to this country with instructions that<br />

they should be kept secret until Wilson had<br />

had time to present them to the house of<br />

commons.<br />

Francis Harmon, vice-president of the<br />

MPAA, called a meeting of company heads<br />

and foreign department executives at the<br />

MPAA offices and the word spread like a<br />

prairie fire. During the meeting calls were<br />

made to executives in Florida and Hollywood<br />

in order to test sentiment. It was generally<br />

agreed that the settlement was a good compromise.<br />

Newspaper men arrived at the MPAA offices<br />

while the meeting was convening and<br />

saw executives entering. Harmon blandly<br />

denied any meeting was in progress and<br />

ordered the heavily loaded coat racks in the<br />

reception room taken into the board of<br />

directors room.<br />

From that time on Harmon could not be<br />

reached. Even the Washington headquarters<br />

of the MPAA received his orders for silence.<br />

TO STIMULATE DISTRIBUTION<br />

One effect of the agreement, it was agreed,<br />

would be the stimulation of efforts to secure<br />

distribution of British pictures here. With<br />

only about a third of the total British revenue<br />

reaching this country, the American distributors<br />

will still be pinched, even though<br />

the books show British deposits. The situation<br />

is greatly eased, however, and all executives<br />

agree that this settlement will have a<br />

tendency to halt some of the restrictions in<br />

other countries that began pihng up.<br />

Barney Balaban, Paramount president, on<br />

vacation in Florida said he was "delighted"<br />

with the settlement, because the American<br />

industry had suffered a 4.9 per cent decrease<br />

in foreign revenue which had wiped out<br />

profits. Further economies in production and<br />

distribution costs will be made between now<br />

and June 14 when the agreement goes into<br />

effect, he said.<br />

Arthur Loew, president of Loews International,<br />

sounded the only critical note in the<br />

chorus of satisfaction. He said there could<br />

have been a more equitable remittance arrangement.<br />

On the coast Floyd B. Odium, head of<br />

Atlas Corp., said he was not going to express<br />

any enthusiasm until he found out more<br />

about the details. Sam Goldwyn said he<br />

could not decide how satisfactory the deal<br />

was until he fomid out more about it.<br />

STRONG MARKET REACTION<br />

The stock market reacted strongly to the<br />

Thursday morning news flash from London.<br />

Film stocks were strong. Eighteen thousand<br />

shares of Paramount were sold and they went<br />

up a point to 20':, Warner Bros, advanced<br />

one-half point on sales of 10,900 shares, 20th-<br />

Fox was up three-eighths to 21's, Loews up<br />

Vi to n^i and RKO up 'i to 8''a.<br />

At a press interview in London Friday<br />

morning, Wilson said that American production<br />

in Great Britain would increase and<br />

Johnston optimistically indicated he hoped<br />

American companies eventually would be able<br />

to get most of their money out in some form.<br />

A representative for MGM said his company<br />

would start building new studios as soon as<br />

possible and a Warner Bros, representative<br />

said his company would extend its studio facilities<br />

in England and rent space to others.<br />

BOXOFFICE<br />

:<br />

13, 1948

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