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Boxoffice-March.06.1948

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: March<br />

UA Will Release Six The Television Front:<br />

Filmed in England<br />

NEW YORK—The United Artists<br />

board of<br />

directors has approved a deal to release six<br />

pictures to be produced in England by Artists<br />

Alliance, Mary Pickford-Lester Cowan<br />

producing unit. These films are "entirely<br />

apart" from another plan for production in<br />

Britain recently approved by the board, according<br />

to Arthur W. Kelly, executive vicepresident<br />

of UA.<br />

This plan was brought back from England<br />

by Kelly early this year. It calls for production<br />

of five pictures yearly in England for<br />

seven years at a cost of $1,000,000 each with<br />

British backing. Kelly said there have been<br />

no further developments on this producing<br />

arrangement. No pictures have been set to<br />

date.<br />

The Pickford-Cowan films will have all-<br />

American casts. The first will feature the<br />

Marx Brothers,<br />

Four other deals were approved by the directors:<br />

UA will put up $150,000 for a 25 per<br />

cent interest in "Innocent Affair," starring<br />

Madeleine Carroll and Fred MacMui-ray: UA<br />

will release "A Man Scans His Past," to be<br />

produced for Elie Rothschild by Leopold<br />

Schlossberg in Canada : UA will release "Little<br />

Shepherd of Kingdom Come," Technicolor<br />

production from Dink Templeton; UA will<br />

release "Confessions of a Communist," to be<br />

produced by A. Edward Sutherland.<br />

Product<br />

Lineup<br />

(Continued from page 10)<br />

than 22 this season. Eleven were<br />

through February. At least eleven more will<br />

be released in the second half of the season.<br />

In the group are: "Man of Evil," "Lafftime,"<br />

"Arch of Triumph," "Atlantis," "They<br />

Passed This Way," "So This Is New York,"<br />

"Texas, Brooklyn and Heaven," "The Pitfall,"<br />

"Mad Wednesday," "Outpost in Morocco,"<br />

plus several Hopalong Cassidy westerns.<br />

Universal-International for the entire release<br />

season running through August, about<br />

32 films will be delivered. For the first half<br />

14 were released. Eighteen more are set<br />

from March through August. In the group<br />

are: "Black Bart." "The Naked City,"<br />

"Double Life," "Casbah," "Jassy," "All My<br />

Sons," "Ai-e You With It," "Another Part<br />

of the Forest," "Letter from an Unknown<br />

Woman," "River Lady," "White Unicorn,"<br />

"Brain of Frankenstein," "Up in Central<br />

Park," "Man Eaters of Kumaon." "Race,"<br />

"Ma and Pa."<br />

Warners probably will deliver 30 during the<br />

current release season: Sixteen were released<br />

during the first six months. Fourteen more<br />

are scheduled for the second half. Included<br />

are "I Became a Criminal," "Robin Hood,"<br />

"April Showers," "To the Victor," "Winter<br />

Meeting," "Valley of the Giants," "The<br />

Fighting 69th," "Woman in White," "Silver<br />

River," "Wallflower," "Romance on the High<br />

Seas," "God's Counti-y and the Woman,"<br />

"Key Largo," "Life With Father."<br />

SG Adds Two Reissues<br />

HOLLYWOOD—Screen Guild has added<br />

two reissues, "Forbidden Music" and "Flirting<br />

With Pate," to its 1948 release program.<br />

"Music" stars Jimmy Durante and "Fate"<br />

is a Joe E. Brown comedy.<br />

BOXOFHCE :<br />

Theatre and Radio Spar<br />

OnWho Pays for What?'<br />

NEW YORK—The television and film industries<br />

are sparring like a couple of lightweights<br />

trying to find out the weak points.<br />

Blows are light and fast with plenty of footwork,<br />

but nothing that looks like a good solid<br />

sock as yet.<br />

That sock may come in the next few weeks.<br />

NBC and CBS have been warning all and<br />

sundry on then- television screens that no<br />

admission can be charged for seeing the programs.<br />

There is nothing new about this;<br />

they b^an warning several years ago when<br />

the Scophony apparatus was demonstrated in<br />

the New Yorker Theatre. Then it was merely<br />

an academic legal move. Lawyers sent<br />

letters to Scophony and the theatre management<br />

warning that the television broadcasters<br />

had property rights in their programs<br />

and they would protect them in court.<br />

They may have them, but the courts have<br />

not decided the problem.<br />

WATCHFUL ATTITUDE TAKEN<br />

Developments have reached the point where<br />

something may happen soon, but who will<br />

take the first crack on the chin and pay the<br />

bill?<br />

Exhibitors on both coasts w

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