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The Collected Works of EDITH STEIN ON THE PROBLEM OF EMPATHY

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2 Edith Stein<br />

f unloading very well. Feelings release or motivate volitions and<br />

ions, so to speak. Feeling is related to the appearance <strong>of</strong> exion<br />

in exactly the same rvay. <strong>The</strong> same feeling that motivates<br />

volition can also motivate an appearance <strong>of</strong> expression. And<br />

ing by its nature prescribes what expression and what volitiorr<br />

can motivat..tt By nature it must always motivate something,<br />

alwal's be "expressed." Only different forms <strong>of</strong> expression<br />

re possible.<br />

It could be objected here that in life feelings <strong>of</strong>ten arise without<br />

ivating a volition or bodily expression. As is u'ell-known, we<br />

ivilized people must "control" ourseh'es and hold back the<br />

ily expression <strong>of</strong> our feelings. We are similarly restricted in<br />

activities and thus in our volitions. 'Ihere is, <strong>of</strong> course. still<br />

e loophole <strong>of</strong> "airing" one's wishes. <strong>The</strong> employee who is alwed<br />

neither to tell his superior by contemptuous look s he thinks<br />

im a scoundrel or a fool nor to decide ro remove hirn, can still<br />

ish secretly that he n'ould go to the devil. Or one can carry out<br />

in fantasy that are blocked in realitl'. One who is borrr into<br />

tricted circumstances and cannot fulfill himself in reality caries<br />

out his desire for grear things by winning battles and pertrming<br />

wonders <strong>of</strong> valor in imagination. <strong>The</strong> creation <strong>of</strong> anher<br />

world where I can do what is forbidden to me here is itself a<br />

trm <strong>of</strong>- expression. Thus the man dying <strong>of</strong> thirst sees in the<br />

istance before him oases n'ith bubbling springs or seas that ree<br />

him, as Gebsattel reDorts.T3<br />

<strong>The</strong> jov filling us is not a meditative devotion to rhe pleasing<br />

ject. Rather, it is externalized in other situations as \'e entirel;<br />

rround ourselves with what is enioyable. We seek it in or-rr real<br />

rrounding world or induce ir by"mem.rry or freely fantasizing<br />

epresentation. We neglect everything that does not fir in rvith it<br />

Lntil our frame <strong>of</strong> mind is in complete harmony with our surl'his<br />

peculiarity <strong>of</strong> expression requires a comprehensive clari-<br />

nding world.<br />

ation. It is not enough to state that f-eelings influence the,,rerduction<br />

<strong>of</strong> ideas" and how frequenth this occurs, as psycholv<br />

usually does.<br />

But expression or its surrogate is possible in still another way,<br />

nd to this the ..controlled" person who fbr social, aesthetic. or<br />

Constitution <strong>of</strong> the psyho_physicat Indiaid.ual<br />

ethical reasons puts on a uniform count<br />

rerreats. Feering can rerease an a* f'eeling<br />

"i;.',iil[;i#TiliJ:l?<br />

i'r..-i,rat.r,,in<br />

itself objective. <strong>The</strong><br />

reflection just as in "*p..i.r..<br />

this<br />

a volition<br />

act o'<br />

or bodily expression.<br />

that reflection we<br />

weakens.<br />

usua,y say<br />

feelirrg <br />

ur,d'thut the incapabte <strong>of</strong><br />

1sfls61ing intense feelings.<br />

man<br />

rnt is<br />

i"ra.l";;.;:::::,ii9. :i"<br />

l. g:' tn :. f.. l ; ; ; ;..m i n a t e s,, i. ;ts"; r;J:,:,:::JJ::r., J""fi f ::<br />

il:,',T.,;:ff :l;:;;:'r.,J,ff _'#:,:..::"".;;;ffi<br />

J;#;t,s<br />

so rar, we can .:l:I"j.<br />

expression. <strong>The</strong> var<br />

Sz<br />

rhai feeling by its narure demands<br />

pc,isib'ities.,Feerin'Jsujr jlt'j,,.if H:::"l.ffi ;Hn*i:{<br />

meaning, nor causally. <strong>The</strong> bodily .*p..rrion, ii;;i#<br />

forms issuing from feeling u"d'i;;;;<br />

il:il,.<br />

de{in i ter y .*fr ..i."..a 1oi r ""i", ryj[.i lij; [",liJ:$il::<br />

rnto expression and ,.un_loaded,, in it, but at the<br />

this expression<br />

52ms time<br />

given.<br />

I<br />

in. have<br />

b"dily p";;;;,i"r,.<br />

preasure<br />

rr,.<br />

rs<br />

,.ii.<br />

experientially<br />

;,-, ,"i;.n<br />

externalized<br />

_y<br />

is u, ,n"<br />

me ,un-'.-r,;"<br />

as a stretching <strong>of</strong> my lips. ;*" i:<br />

As I live in th<br />

irs expression in ihe mode oractu"r,ii<br />

"rlffi;ilT:H:1,::<br />

neous bodily perception in the mode if<br />

to speak, .or.rr.lo.rJ oI it. should I then "",<br />

I am not, so<br />

,.rr-actualit/'<br />

Fl;[:'+rr;:ffi?l;f{:;ti::#:.T'.:::::T:"'.",r;<br />

and expression<br />

has bJen ."nr,ir.ri.J beside rhe sensory ,t":"ng<br />

f s),f ho-physi.rr<br />

Expressio.n<br />

.u"r}i,y to become ..u r i r"j' l1.I..<br />

uses<br />

i :' I J i1J:' : t i. :. o i i.-,..d, "; ; t ;;';;:; J ;.::'Jj<br />

:l X,lI: H<br />

rs raken apart in bodily perception, a'd &p.es.lon<br />

independeni<br />

is separated as<br />

1-1;lativelr<br />

ph..,on'"no".<br />

Decomes<br />

ir.rn. same<br />

productive.<br />

time<br />

I-can<br />

it itself<br />

stretch<br />

"taken my mouth ,. foi" a smile<br />

il;;;,.;,fi,j<br />

but actually nor be a smile.<br />

__-Similar perceptual pt .no-.'nu a[il',<br />

I., ".:n u oi "* p.!r, r o.,' i,, a.p"r, J.n ;t"; ;.:;il Trllff :;TJ#: < 60 ><br />

;Ijji,?::ij::,T,:lT,iJ:<br />

r" "ii,,r,.,.-.u,", r have the same<br />

i :['l*L: lf'l ;: i":t r i s i n g i n t o - t ;;;;;;" ; il"J;#H#:<br />

<strong>of</strong> anger, in.another I .*pe.i<br />

ence the same occurrf-l1t"tttt"n<br />

,, or a s a n ",p.;;;;' ;i f, nf":ff;'#".:,lt T :;ill;**;

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