The Collected Works of EDITH STEIN ON THE PROBLEM OF EMPATHY
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2 Edith Stein<br />
f unloading very well. Feelings release or motivate volitions and<br />
ions, so to speak. Feeling is related to the appearance <strong>of</strong> exion<br />
in exactly the same rvay. <strong>The</strong> same feeling that motivates<br />
volition can also motivate an appearance <strong>of</strong> expression. And<br />
ing by its nature prescribes what expression and what volitiorr<br />
can motivat..tt By nature it must always motivate something,<br />
alwal's be "expressed." Only different forms <strong>of</strong> expression<br />
re possible.<br />
It could be objected here that in life feelings <strong>of</strong>ten arise without<br />
ivating a volition or bodily expression. As is u'ell-known, we<br />
ivilized people must "control" ourseh'es and hold back the<br />
ily expression <strong>of</strong> our feelings. We are similarly restricted in<br />
activities and thus in our volitions. 'Ihere is, <strong>of</strong> course. still<br />
e loophole <strong>of</strong> "airing" one's wishes. <strong>The</strong> employee who is alwed<br />
neither to tell his superior by contemptuous look s he thinks<br />
im a scoundrel or a fool nor to decide ro remove hirn, can still<br />
ish secretly that he n'ould go to the devil. Or one can carry out<br />
in fantasy that are blocked in realitl'. One who is borrr into<br />
tricted circumstances and cannot fulfill himself in reality caries<br />
out his desire for grear things by winning battles and pertrming<br />
wonders <strong>of</strong> valor in imagination. <strong>The</strong> creation <strong>of</strong> anher<br />
world where I can do what is forbidden to me here is itself a<br />
trm <strong>of</strong>- expression. Thus the man dying <strong>of</strong> thirst sees in the<br />
istance before him oases n'ith bubbling springs or seas that ree<br />
him, as Gebsattel reDorts.T3<br />
<strong>The</strong> jov filling us is not a meditative devotion to rhe pleasing<br />
ject. Rather, it is externalized in other situations as \'e entirel;<br />
rround ourselves with what is enioyable. We seek it in or-rr real<br />
rrounding world or induce ir by"mem.rry or freely fantasizing<br />
epresentation. We neglect everything that does not fir in rvith it<br />
Lntil our frame <strong>of</strong> mind is in complete harmony with our surl'his<br />
peculiarity <strong>of</strong> expression requires a comprehensive clari-<br />
nding world.<br />
ation. It is not enough to state that f-eelings influence the,,rerduction<br />
<strong>of</strong> ideas" and how frequenth this occurs, as psycholv<br />
usually does.<br />
But expression or its surrogate is possible in still another way,<br />
nd to this the ..controlled" person who fbr social, aesthetic. or<br />
Constitution <strong>of</strong> the psyho_physicat Indiaid.ual<br />
ethical reasons puts on a uniform count<br />
rerreats. Feering can rerease an a* f'eeling<br />
"i;.',iil[;i#TiliJ:l?<br />
i'r..-i,rat.r,,in<br />
itself objective. <strong>The</strong><br />
reflection just as in "*p..i.r..<br />
this<br />
a volition<br />
act o'<br />
or bodily expression.<br />
that reflection we<br />
weakens.<br />
usua,y say<br />
feelirrg <br />
ur,d'thut the incapabte <strong>of</strong><br />
1sfls61ing intense feelings.<br />
man<br />
rnt is<br />
i"ra.l";;.;:::::,ii9. :i"<br />
l. g:' tn :. f.. l ; ; ; ;..m i n a t e s,, i. ;ts"; r;J:,:,:::JJ::r., J""fi f ::<br />
il:,',T.,;:ff :l;:;;:'r.,J,ff _'#:,:..::"".;;;ffi<br />
J;#;t,s<br />
so rar, we can .:l:I"j.<br />
expression. <strong>The</strong> var<br />
Sz<br />
rhai feeling by its narure demands<br />
pc,isib'ities.,Feerin'Jsujr jlt'j,,.if H:::"l.ffi ;Hn*i:{<br />
meaning, nor causally. <strong>The</strong> bodily .*p..rrion, ii;;i#<br />
forms issuing from feeling u"d'i;;;;<br />
il:il,.<br />
de{in i ter y .*fr ..i."..a 1oi r ""i", ryj[.i lij; [",liJ:$il::<br />
rnto expression and ,.un_loaded,, in it, but at the<br />
this expression<br />
52ms time<br />
given.<br />
I<br />
in. have<br />
b"dily p";;;;,i"r,.<br />
preasure<br />
rr,.<br />
rs<br />
,.ii.<br />
experientially<br />
;,-, ,"i;.n<br />
externalized<br />
_y<br />
is u, ,n"<br />
me ,un-'.-r,;"<br />
as a stretching <strong>of</strong> my lips. ;*" i:<br />
As I live in th<br />
irs expression in ihe mode oractu"r,ii<br />
"rlffi;ilT:H:1,::<br />
neous bodily perception in the mode if<br />
to speak, .or.rr.lo.rJ oI it. should I then "",<br />
I am not, so<br />
,.rr-actualit/'<br />
Fl;[:'+rr;:ffi?l;f{:;ti::#:.T'.:::::T:"'.",r;<br />
and expression<br />
has bJen ."nr,ir.ri.J beside rhe sensory ,t":"ng<br />
f s),f ho-physi.rr<br />
Expressio.n<br />
.u"r}i,y to become ..u r i r"j' l1.I..<br />
uses<br />
i :' I J i1J:' : t i. :. o i i.-,..d, "; ; t ;;';;:; J ;.::'Jj<br />
:l X,lI: H<br />
rs raken apart in bodily perception, a'd &p.es.lon<br />
independeni<br />
is separated as<br />
1-1;lativelr<br />
ph..,on'"no".<br />
Decomes<br />
ir.rn. same<br />
productive.<br />
time<br />
I-can<br />
it itself<br />
stretch<br />
"taken my mouth ,. foi" a smile<br />
il;;;,.;,fi,j<br />
but actually nor be a smile.<br />
__-Similar perceptual pt .no-.'nu a[il',<br />
I., ".:n u oi "* p.!r, r o.,' i,, a.p"r, J.n ;t"; ;.:;il Trllff :;TJ#: < 60 ><br />
;Ijji,?::ij::,T,:lT,iJ:<br />
r" "ii,,r,.,.-.u,", r have the same<br />
i :['l*L: lf'l ;: i":t r i s i n g i n t o - t ;;;;;;" ; il"J;#H#:<br />
<strong>of</strong> anger, in.another I .*pe.i<br />
ence the same occurrf-l1t"tttt"n<br />
,, or a s a n ",p.;;;;' ;i f, nf":ff;'#".:,lt T :;ill;**;