Boxoffice-August.1989
Suite SOUTHERN DIVISION Division VP: Royc© Brimage Dallas (Oklahoma City) Manager: Don Wallace New Orleans (Memphis) Manager: Norman Shmdlef 1 2222 MenI Dr. Suite 840 Dallas, TX 75251 214-387-4400 Atlanta Manager: M V McAfee Charlotte Manager: Lawrence Williams Jacksonville Manager: John Hefsker 2200 Century Parkway. Suite 950 Atlanta. GA 30345 404-325-7674 Puerto Rico Manager: Nestor Rivera 954 Ponce DeLeon Avenue Miramar Plaza BIdg.. Suite 201 San Juan. PR 00907 809-721-2360 MIDWESTERN DIVISION Division VP Clark Woods Chicago Manager: Bob Weiss Kansas City (St Louis) Manager: Bruce Placke Oefroir Manager: Peter Fleisher Minneapolis Manager: Jeremy Devine Milwaukee Manager: Scott Huneryager Indianapolis Manager: Susan Puhi Des Moines Manager: John Slama 8750 W, Bryn Mawr Ave.. Suite 890 Chicago. IL 60631 312-380-4560 WESTERN DIVISION Division VP: Terry Kierzek Los Angeles Manager: Rot>ert Box Denver Manager: Jackie Rouleau San Francisco Manager: Larry St. John Seaffte (Portland) Manager: Ron Etchie 15260 Ventura Blvd.. Suite 1 140 Sherman Oaks. CA 91403 818-789-2900 Paramount Productions Inc. (Canada) President Gino Campagnola Toronto Manager Bob Cowan SI. John Manager: Jean White 146 Bloor Street West Toronto. Ontario M5S 1M4 416-922-3600 Calgary . Sullivan Vancouver Manager: Chris Winnipeg Manager: Slain Covert 1109 17th Avenue. S.W, Calgary, Alberta T2T 0B5 403-245-4306 Montreal Manager: Lisa Bertrand 5887 Monkland Avenue Montreal, Quebec H4A 1G6 PATHE COMMUNICATIONS CORP. Worldwide Corporate Headquarters: 8670 Wilshire Blvd Beverly Hills, CA 90211 213-854-7644 Fax 213-659-8994 Pathe Entertainment, Inc. Pathe Films: 640 So San Vicente Blvd Los Angeles, CA 90048 213-658-2100 Fax 213-658-2121 Chairman. Pathe Communications Florio Fiorini Co-Chairman. Paihe Communications: Co-Chairman. CEO. Pathe Entertainment. Inc Alan Ladd, Jr President. CEO. Pathe Communications: Co-Chairman. CFO. Pathe Entertainment. Inc Giancarlo Parretli Co-President, Pathe Communications, Chairman, CEO, Pathe IntT Yoram Globus Chairman ol Production. Pathe Sr Entertainment. Inc VP-Produclion, Pathe Entertainment. Inc Pearce Jay Kanter Christopher Sr Exec VP Business Affairs Pathe Sr Entertainment. Inc Frank I VP-Controller. Pathe Entertainment. Inc Fredric M Sidewaler VP. Creative Affairs. Pathe Entertainment, /nc. Rebecca Pollack Dir of Creative Affairs. Pathe Entertainment. Inc Matthew Davis Palmien Exec VP. Pathe Distribution Tom Berman VP. Marketing Pathe Distribution Randall Barton PLATINUM PICTURES INC. 1 1-12 44th Ave Long Island City, NY 1101 718-786-3701 Fax 718-706-6315 President Chuck Vincent General Release Films PRODUCERS DISTRIBUTING CO. 8833 Sunset Blvd 303 Los Angeles. CA 90069 213-657-8620 Owner Ray Axelrod General Release Films PROMOVISION /CINEVISTA, INC. 353 West 39th St Ste 404 New York. NY 10018 212-947-4373 Fax: 212-947-0644 President: Rene Fuentes-chao VP Sales S Marketing: John Tilley Art Foreign Specialized RM FILMS INC. POB 3748 Hollywood. CA 90078 213-466-7791, 213-461-4152 President: Russ Meyer Adult RADIO VISION INTERNATIONAL 7060 Hollywood Blvd Suite 525 Hollywood, CA 90028 213-469-5740 VP Development David Wyler REEL MOVIES INTERNATIONAL 8235 Douglas Ave Ste 770 Dallas, TX 75225 214-363-4400 Fax 214-739-3456 President CEO Tom T Moore General Art Foreign Specialized Adult REELTIME DISTRIBUTING CORP. 353 W 48th Street New York, NY 10036 212-582-5380 President Roberta Findlay Exec Producer Walter E Sear General Manager: James M Cirile General Release Films REGENCY FILM ENTERPRISES INC. 6405 San Vincenle Blvd Los Angeles, CA 90048 213-931-2201 Fax 213-651-2897 Pres S Nat Sales Man Alx Cooperman Special Services: Irene Cooperman Foreign / General Release Films REPUBLIC PICTURES 1 2636 Beatrice St Los Angeles, CA 90066 213-306-4040 Fax 213-301-0142 Chairman CEO Russell Goldsmith Sr VP Steve Seeks VP Chief Finan Officer David M Kirchheimer VP Business Affairs Richard A Kurshner VP Aquisitions S Development: Sydney Levine Sr VPInll Sates Joe Levinsohn Executive VP Laurie Levit VP. Marketing: Glenn Ross General Release Films ROB-RICH FILMS INC. 305 E 24th St New York, NY 10010 212-889-3034 President Sidney Ginsberg General: Art Foreign Specialized ROXIE RELEASING 3117 16th street San Francisco, CA 94103 415-431-3611,415-431-3612 Fax 415-431-2822 Chairman Robert Evans President Bill Banning VP Craig Marsden Chiel Financial Officer: Charles Ferris VP. Marketing: Nancy Vitlacyl Art Foreign Specialized RUMSON FILMS 321 E 90th St Suite IC New York, NY 10028 212-410-5992 President: Don Shiffrin General Art Foreign Specialized SCA INTERNATIONAL POB 1183 Studio City, CA 91604 805-497-6305 President Stephen C Apostolol General Release Films SVS FILMS 1700 Broadway, 16th Floor New York, NY 10019 212-757-4990 Fax 212-956-3792 President Michael Holzman Director of Distribution Edmond D Cruea Marketing Manager: Teresa Bauer General Release /Art /Foreign /Specialized SAMUEL GOLDWYN COMPANY, THE 10203 Santa Monica Blvd 500 , Los Angeles, CA 90067-6403 213-552-2255 Fax 213-284-8493 200 W 57th Street, #808 New York, NY 10019-3211 212-315-3030 St George's House 14/17 Wells Street London W1P3FP 01-436-5105 Fax:011-441-580-6520 Chairman/CEO: Samuel Goldwyn, Jr (LA) President /COO: Meyer Gottlieb (LA) President. TV Distribution: Dick Askin (LA) Sr VP. Worldwide Production: Thomas Rothman (LA) Sr. VP. International & TV Sales J. Michael Byrd (LA) Sr VP, Business Affairs: Norman Flicker (LA) Sr VP. Worldwide Marketing: Ronald Wanless (LA) Sr VP. International Theatrical Sales: Ann Dubinet (LA) Sr VP. Finance & Controller Hans Turner (LA) VP. Theatrical Distribution: Steven Rothenberg (LA) VP. Publicity: Leonie de Picciotto (LA) VP. Advertising: Dan Gelfand (LA) VP. Theatrical Acquisitions. Anne Templeton (LA) VP Motion Picture and TV Facilities: Tom Bodley (LA) VP. Cable S Ancillary Sales: Jen Sacks VP SE TV Sales Steve Barbour (GA) VP. Television Development Ray Solley (LA) VP. International TV Sales Lynden Parry (London) National Director of Publicity: Richard Bornslein (LA) Dir International Marketing Diana . Hawkins (London) Dir Print Advertising Dave . Zimmerman (LA) Dir Midwest TV Sales: Casey . Lanken (IL) Dir. NE TV Sales Gary Perchick (NY) Manager. Co-op Advertising: Michele Schuerger (LA) 36 BOXOFFICK.
vv/ant William A. MAm ^^^ v|Im%A ^J|| %fI |||ill^ I I III 1 1^ to interpret the scene and sive the cast the freedom to perform. It doesn't matter if the dailies look sreat. I " Even with today's 'fast' films, you can't make a movie witin one lislit if y°'^ ^^'^'- ''-' ''^P'^oduce the sray scale in all of its richness and subtleties. Neither is source lisht the only v/ay to be true to a script. You also have to see what the imase looks like when it is projected on a 40-foot-wide screen with an audience reactins in a darkened theater You have to be willing to 30 out on a limb and extend yourself Otherwise you'll never do anything original. Also, if you aren't willing to fight for a great print, you aren't being true to the material, the people you collaborated with, or to yourself." Bill fraker, ASC, has Oscar nominations for "Lool
- Page 1 and 2: usiness m August 198d, $5j 51st ANN
- Page 3 and 4: we've given some flavorful old frie
- Page 5 and 6: Samuel Goldwyn Theater AMPAS Screen
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- Page 15 and 16: Ausust. 1989 15 11. line is affixed
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- Page 39 and 40: Kr?f>,¥*S^'*M Who In The World Can
- Page 41 and 42: A LANDMARK %fc This summer, some of
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- Page 63 and 64: RGM INDUSTRIES 3342 Lillian Blvd. R
- Page 65 and 66: SMART THEATRE SYSTEMS 3856 Green In
- Page 67 and 68: Unit Ste u UREI/JBL PROFESSIONAL 85
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- Page 83 and 84: 1 AuBUst. 1989 83 ALEXANDER FILM &
- Page 85 and 86: . Aueust. 1989 85 SCREENVISION CINE
vv/ant<br />
William A.<br />
MAm<br />
^^^ v|Im%A<br />
^J||<br />
%fI |||ill^<br />
I I III 1 1^ to interpret the scene and sive the cast the freedom to perform. It<br />
doesn't matter if the dailies look sreat. I<br />
"<br />
Even with today's 'fast' films, you can't make a movie witin one lislit if<br />
y°'^ ^^'^'- ''-' ''^P'^oduce the sray scale in all of its richness and subtleties.<br />
Neither is source lisht the only v/ay to be true to a script. You also have<br />
to see what the imase looks like when it is projected on<br />
a 40-foot-wide screen with an audience reactins in a darkened theater You have to be willing to 30 out<br />
on a limb and extend yourself Otherwise you'll never do anything original. Also, if you aren't willing<br />
to fight for a great print, you aren't being true to the material, the people you collaborated with, or to<br />
yourself."<br />
Bill fraker, ASC, has Oscar nominations for "Lool
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