17.07.2014 Views

Heritage News 19 - South Derbyshire District Council

Heritage News 19 - South Derbyshire District Council

Heritage News 19 - South Derbyshire District Council

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

SOUTH DERBYSHIRE<br />

HERITAGE NEWS<br />

The design and heritage newsletter of <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong> & Sharpe’s Pottery<br />

Issue <strong>19</strong><br />

Spring/Summer 2005<br />

The <strong>District</strong> <strong>Council</strong> has produced<br />

the first nine in a series of 22 leaflets<br />

devoted to the history of the <strong>District</strong>’s<br />

conservation areas. Attractively<br />

produced on concertina-folded<br />

cream card, they comprise<br />

comprehensive but readable texts<br />

illustrated with old and modern<br />

photographs and cross-referenced to<br />

old Ordnance Survey plans.<br />

If conservation areas are to be truly valued,<br />

it is important that people are able to find<br />

out what is special about them, and how<br />

and why they have come to look as they<br />

do. The first nine leaflets in the series have<br />

in some cases been written by, or with the<br />

help of, local historians active in the areas<br />

concerned and efforts have been made to<br />

source attractive and appropriate<br />

photographs. It is planned to publish the<br />

remaining 13 leaflets by Easter, 2006.<br />

The leaflets produced so far include Aston<br />

on Trent, Barrow on Trent, Bretby, Etwall,<br />

King’s Newton, Melbourne, Swarkestone<br />

(by Barbara Foster), Ticknall (by Janet<br />

Spavold and Sue Brown) and Woodhouses<br />

(parish of Melbourne). They are available<br />

for purchase at £1.50 each or any six for<br />

£8. Retail outlets are still being arranged,<br />

but in the case of difficulty they can be<br />

easily obtained from the <strong>District</strong> <strong>Council</strong><br />

with no extra charge for postage and<br />

packing. The address to write to is: Philip<br />

Heath, <strong>Heritage</strong> Officer, <strong>South</strong> <strong>Derbyshire</strong><br />

<strong>District</strong> <strong>Council</strong>, Civic Offices, Civic Way,<br />

Swadlincote, <strong>Derbyshire</strong> DE11 0AH.<br />

Cheques should be made payable to<br />

“<strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>”, with<br />

the reference 29236 366 written on the<br />

back.<br />

The other forthcoming leaflets will<br />

examine the histories of Lullington,<br />

Milton, Netherseal, Newton Solney,<br />

Repton, Shardlow, Smisby, Stanton by<br />

Bridge, Swadlincote, the Trent and Mersey<br />

Canal, Trusley, Twyford and Walton on<br />

Trent.<br />

“ROUND<br />

WOULDS”<br />

SPOTTED!<br />

In the last issue of “<strong>Heritage</strong> <strong>News</strong>”, an article was<br />

included about a former pottery of Nadin, Parker and<br />

Co. by Blacksmith’s Lane, Woodville. Readers were<br />

asked if they knew the location of the “Round Woulds”<br />

in Church Gresley where Robert Robinson (earthenware<br />

manufacturer), a previous owner of the Nadin/Parker<br />

pottery, had been resident in 1818. Mr. Peter Yates of<br />

Midway has pointed out that the name is actually marked<br />

on the early 1" Ordnance Survey of the area. It refers to<br />

land between Burton Road and Swadlincote Road at<br />

Woodville, in the approximate area of the former Rose<br />

Hill Pottery.<br />

So now we know! Thank you Peter. Could this suggest<br />

that Robert Robinson was an early proprietor, and<br />

perhaps even a/the founder, of the old Rose Hill Pottery?<br />

•Ordnance Survey 1” 1 st edition, published 1836. The Round Wolds<br />

are left of centre, at the bottom.<br />

Erratum. As an erratum to the last issue, it should be<br />

pointed out that the pottery described in the article was on the south-east side of Blacksmith’s Lane and not the north-west<br />

side as stated in Issue 18.<br />

<strong>Heritage</strong> <strong>News</strong> - 1


COME AND SEE!<br />

Two very special items from the famous Bretby Art Pottery are now<br />

on show at Sharpe’s.<br />

Melbourne is to push the boat out this coming September by staging<br />

the first “Melbourne Festival”, which it is hoped will become an<br />

annual event.<br />

The first is a unique painted canvas designed as a mural for the<br />

decorative ceiling of the pottery showroom building. It is reputed to<br />

show chief artist William Oram Trivett working at an easel, flanked<br />

by two seated ladies who are decorating pottery. The mural has<br />

had a lucky escape, having been stolen from the showroom and<br />

damaged prior to its fortunate retrieval. It has since been expertly<br />

restored, with the financial backing of the showroom owner, and<br />

will remain at Sharpe’s pending the hoped-for repair and restoration<br />

of the showroom building.<br />

Planned for the weekend of 17 th and 18 th September, local<br />

householders will be opening their homes and gardens to provide<br />

interesting and unusual settings for the work of both local and<br />

visiting artists. In addition, special events are being planned by the<br />

Melbourne Photographic Society and the St. Michaels Youth<br />

Players, and a gala evening is under consideration, involving the<br />

Town Band, the Melbourne Male Voice Choir and the Melbourne<br />

Operatic Society.<br />

Kick-start donations for funding the Festival have been made by<br />

the Melbourne Business Association and the Friends of Melbourne<br />

Parish Church. In addition, a grant is being prepared for submission<br />

to the National Lottery’s “Awards For All” for display materials<br />

etc. The weekend itself will generate income from ticketed events,<br />

sales of the festival guide (a numbered map indicating the location<br />

of host venues), and financial contributions from visiting artists.<br />

Festival Co-ordinator Phil Dobby says “We now have a proper<br />

organisation and a bank account, with money in it! One important<br />

decision made by the Festival Committee is that two or three<br />

bursaries for local young people in the field of arts or architecture<br />

will be made from surplus funds. Anything left over after that will<br />

go towards 2006!”<br />

This is an event which brings heritage and culture together and<br />

thereby embraces the past and the present at the same time. It has<br />

taken its cue partly from the well-established Wirksworth Festival,<br />

and to a smaller degree from the <strong>Heritage</strong> Open Days events that<br />

have taken place each September in Melbourne over the last five<br />

years. As in past years, some of the participating properties will be<br />

of historic interest, worthy of a visit in their own right.<br />

If you would like further information, either as a spectator or as a<br />

would-be participant, please contact the Festival Co-ordinator Phil<br />

Dobby on 01332 863640 or by<br />

e-mail: info@melbournefestival.co.uk<br />

•A Sharpe’s volunteer admires the Bretby mural<br />

The other item, scarcely less unusual than the first, is an example<br />

of the Bretby “Gypsy Boy” or “Italian Boy”. He is a seated figure<br />

wearing a hat, designed to sit on a pedestal, with his legs loosely<br />

crossed. He plays a tin whistle or similar instrument, and has a<br />

satchel slung over his shoulder. At 2’ 6" tall without his pedestal, he<br />

is now the focal point of the Bretby showcase in the first floor gallery<br />

of Sharpe’s. To complement him, Bretby Art Pottery also produced<br />

a companion female figure.<br />

NB. A feasibility study into the future of the attractive Grade II<br />

listed showroom at the Bretby Art Pottery site is currently being<br />

conducted by the <strong>Derbyshire</strong> Historic Buildings Trust, with a<br />

view to its repair and restoration when the adjoining site of<br />

the demolished pottery works is being redeveloped.<br />

•Church Street, Melbourne<br />

•The Bretby companion figures of a girl and boy.<br />

<strong>Heritage</strong> <strong>News</strong> - 2


TICKNALL POTS AND POTTERS<br />

A new book from Landmark Publishing, “Ticknall Pots and Potters”<br />

by Janet Spavold and Sue Brown, has been eagerly anticipated by<br />

local historians for some time. The book is the result of many years’<br />

work on their part and is hailed as a definitive work on the subject.<br />

Priced at £24.99, the book is available from either Sue (01530-412888)<br />

or Janet (01530-415117) if readers do not come across it elsewhere.<br />

David Barker (Stoke-on-Trent Archaeological Service) recommends<br />

it as “essential reading for anyone with an interest in pottery or<br />

pottery production”.<br />

Co-author Janet Spavold writes:<br />

“The book discusses the potting families as well as the pottery they<br />

produced. Several significant potting families have been identified; there<br />

was intermarriage among them, and the pottery trade was not confined<br />

to men only. Girls were brought up to the trade, and then worked with<br />

their husbands in family groups; some widows continued the businesses.<br />

“Much of Ticknall’s output was utilitarian ware for the kitchen<br />

and dairy, easily broken and discarded, which helps to explain<br />

why so little survives today. However, we can demonstrate the<br />

widespread distribution of Ticknall pots through documentary sources,<br />

and we discuss how and where it was sold. It has been possible to indicate<br />

likely values for the utilitarian wares over time, and to tabulate named<br />

types of pots by date. There was an extensive and sophisticated<br />

distribution network which was later adapted to serve the potteries at<br />

Stoke-on-Trent, Derby and <strong>South</strong> <strong>Derbyshire</strong>. Sales of pottery through<br />

markets and fairs can be shown to have been a significant method of<br />

distribution.”<br />

The book charts both the rise and fall of this forgotten industry, and as<br />

well as archaeologists it will be of interest to local, family and economic<br />

historians as well as archaeologists. The book sheds some new<br />

light on the problem of the Melbourne pottery as part of the discussion<br />

of the extent of the Ticknall industry.<br />

“Ticknall pots were sold throughout central England for over 400 years.<br />

Already well-known to archaeologists, this study will enable “Ticknall<br />

Ware” to be interpreted more accurately when it is encountered on<br />

archaeological sites. In its early period, we suggest, pottery from Ticknall<br />

was probably better known than that from the Stoke-on-Trent area. The<br />

pottery was sold from Lincolnshire to Cheshire and from Lancashire to<br />

Shropshire.<br />

“All the Ticknall pottery mentioned in Leicestershire probate inventories<br />

has been mapped, to show the rise and fall of the industry. The output of<br />

other potteries such as those at Boston, Burslem and Wednesbury is<br />

discussed for comparison, along with imported pottery. Decorated<br />

Cistercian wares have been found through extensive fieldwalking. Some<br />

of these fragments are exceptional for their date, featuring small but<br />

exquisitely-modelled animals or flowers.<br />

•“small but exquisitely modelled”. Ticknall ware fragments<br />

showing dogs, with 5p piece for scale.<br />

FEELING GARRULOUS?<br />

Come along and celebrate ‘Memories of Swad and Melbourne’ !<br />

May is the Historical<br />

Association’s “Local History<br />

Month”. To mark the event,<br />

the National Forest’s<br />

“LANDshapes” Project has<br />

joined forces with the<br />

<strong>Derbyshire</strong> County Library<br />

Service and local heritage<br />

groups to organise two<br />

unique events.<br />

Everyone is invited, free of<br />

charge, to come along to<br />

“Memories of Swad” on May<br />

17 th, 10am – 6pm, at<br />

Swadlincote Library and<br />

“Memories of Melbourne” on<br />

May 23 rd , 2pm – 6pm at<br />

Melbourne Library.<br />

Both events involve seeing,<br />

sharing and saving our local<br />

history. See how lives and<br />

landscapes have changed in the<br />

area and listen to a collection of<br />

recorded conversations with<br />

local people, telling their life<br />

stories.<br />

The Swadlincote event will<br />

feature a fascinating display of<br />

•An old photograph of the Delph or Market Place, Swadlincote.<br />

By courtesy of the Derby Evening Telegraph.<br />

photographs and artefacts by the<br />

Friends of Eureka Park and the<br />

<strong>South</strong> <strong>Derbyshire</strong> Mining<br />

photographs of Melbourne, taken<br />

over the last 15 years, and<br />

Melbourne Civic Society will<br />

display images from their own<br />

archives.<br />

Preservation Group.In<br />

Melbourne, the Melbourne<br />

Historical Research Group will<br />

present a local history display What you remember and can<br />

and their new book ‘Melbourne share is important! Both events<br />

1820-1875; A Diary by John are chances to share your<br />

Joseph Briggs’ will be on sale. memories of how the<br />

Local photographer Peter Clough Swadlincote and Melbourne<br />

will be exhibiting his areas have changed in your<br />

<strong>Heritage</strong> <strong>News</strong> - 3<br />

lifetime. Please bring in your<br />

own old photographs or<br />

objects that relate to bygone<br />

industries and ways of living.<br />

Have a look in your attics,<br />

sheds and wardrobes for<br />

memorabilia of days gone by<br />

to bring along.<br />

Saving your knowledge,<br />

memories and stories for<br />

future generations is an<br />

important part of both events.<br />

The organisers invite you to<br />

take part in the LANDshapes<br />

scheme, which is creating a<br />

collection of local history<br />

information, contributed by<br />

local people. Help will be on<br />

hand to record and add your<br />

memories to the new<br />

LANDshapes community<br />

archive.<br />

For further information, contact<br />

Lucy Ashworth at LANDshapes<br />

01283 551211 or Kathryn Durkan<br />

at Swadlincote Library 01283<br />

217701<br />

Lucy Ashworth


UNUSUAL HISTORIC DIARY<br />

PUBLISHED<br />

Victorian life in a <strong>South</strong> <strong>Derbyshire</strong> village seen through the eyes<br />

of a gentleman farmer, poet, natural and local historian is revealed<br />

in a new book published by the Melbourne Historical Research<br />

Group, in conjunction with <strong>Derbyshire</strong> County <strong>Council</strong> and <strong>South</strong><br />

<strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>. Priced at £10.99, the book is good<br />

value with more than 240 pages including a sixteen-page colour<br />

section.<br />

John Joseph Briggs from King’s Newton in the parish of Melbourne<br />

kept a diary from 1845 to 1875 covering all aspects of life from<br />

national events to ‘everyday tales of village folk’. A few<br />

retrospective entries record events back to 1820. Now his<br />

thoughtful and unusual memoir spanning 55 years has been<br />

transcribed from the original manuscript into a glossy paperback,<br />

which was launched at Melbourne on Friday 22 April.<br />

Nominally a farmer, Briggs himself confessed that “To employment<br />

of an agricultural nature I had from infancy a great aversion”.<br />

Moreover, Briggs never enjoyed good health and was the only<br />

one of his parents eight children to achieve the age of 25. So after<br />

his father ceased to be active on the farm, he managed the office<br />

side of the business and left the heavy work to employees. The<br />

farm was a prosperous one on the Melbourne Estate, and was<br />

profitable enough to support Briggs while he did much as he liked.<br />

He wrote extensive notes on natural and local history, composed<br />

poetry and published three histories of Melbourne in 1839, 1852<br />

and 1870.<br />

As an amateur historian, it’s not surprising that Briggs wrote his<br />

diary with posterity in mind. He probably never dreamt that it would<br />

ever be published, but he certainly wanted future generations to<br />

read it.<br />

“Many of the notes I am fully aware may seem uninteresting and<br />

unworthy of record and yet I cannot but imagine that even the<br />

most trivial in distant years must be found useful - for oftentimes a<br />

small well authenticated fact tends most materially to forward a<br />

great end. Improvements are in progress and we like to see the<br />

state of objects before such were effected. Times & manners change<br />

and man loves to contemplate how men lived & acted before him.<br />

We live in a changing age and I conceive that half a century hence<br />

we shall view the present time with as much amusement as we<br />

now look back upon that which is past.”<br />

The content of the diary is wide-ranging. Briggs describes events<br />

of national significance like the<br />

Crimean War down to the latest<br />

fashions of home life, such as the<br />

introduction of Christmas trees or<br />

the new trend for growing a<br />

beard. One of the diary entries<br />

describes how plans for a new<br />

railway line linking Rugby and<br />

Manchester were opposed at<br />

Swarkestone by Sir John Harpur<br />

Crewe of Calke who hired fifty<br />

people to prevent surveyors<br />

entering his land. Briggs<br />

•J.J. Briggs as a young man.<br />

By courtesy of Mr G.R. Heath.<br />

describes how “The company<br />

procured about eighty others<br />

from Melbourne and<br />

<strong>Heritage</strong> <strong>News</strong> - 4<br />

elsewhere…when Sir John’s men saw the opposite party were not<br />

to be lightly frustrated they quietly and very prudently withdrew.”<br />

The diary also reveals that the Victorians experienced some of the<br />

same problems that we encounter today such as erratic, unseasonal<br />

weather and “cattle plague”, which swept the country in 1866.<br />

“Melbourne 1820 – 1875: A Diary by John Joseph Briggs”, edited<br />

by Philip Heath, is available from local bookshops. It is also<br />

available to order at £13.00 (to cover postage and packing), from<br />

<strong>Derbyshire</strong> Libraries Service, County Hall, Matlock, DE4 3AG.<br />

Cheques should be made payable to <strong>Derbyshire</strong> County <strong>Council</strong>.<br />

LISTENING AND LEARNING<br />

Roger Kitchen, who has recently been working for the National Forest’s<br />

LANDshapes project, tells us what he’s been up to:<br />

For the last 3 months I’ve had a dream job. I’ve been recording the<br />

memories of 36 people who live within the National Forest area, as<br />

part of the National Forest Company’s “LANDshapes <strong>Heritage</strong> in the<br />

Making” Project.<br />

The idea behind LANDshapes is to work with local people to capture,<br />

record and celebrate the landscape and cultural heritage of The National<br />

Forest by creating an on-line archive that can hold a variety of types of<br />

historical information - written documents, photographs, maps and oral<br />

histories. (Visit the website at www.landshapes.org)<br />

The site already included historic maps, documents and photos, but<br />

was lacking that very important historical source - the evidence of local<br />

eyewitnesses. My work has done a little to rectify that and the first<br />

extracts from my interviews are now starting to appear on the website<br />

(they can be found by going into the “archive” section and typing “roger<br />

kitchen” into the simple text search box, Ed.)<br />

“The recordings do not just capture the stories, they<br />

also capture a dialect which is fast disappearing.”<br />

There was no science in the choice of the interviewees; they were just<br />

people whose lives had interacted in different ways with the landscape<br />

and who also had a good story to tell. They included miners, farmers<br />

and farmworkers, brewers, an archaeologist, a tree surgeon, a drystone<br />

waller, a female railway platelayer, and a bird watcher. All of them<br />

gave me wonderful, unique insights into life in this area in the last 80<br />

years or so.<br />

The recordings do not just capture the stories, they also capture a dialect<br />

which is fast disappearing. Although I’m sure that if these recordings<br />

had been made twenty or thirty years ago many more of the interviewees<br />

would have spoken in a broad dialect, I have still been lucky enough to<br />

hear and capture some examples of this. As a stranger to the area<br />

sometimes the answers seemed mystifying and confusing. A miner<br />

talked about a ‘tile box’, which threw me until he went on to say that it<br />

contained a pick and shovel and I realised he was talking about a<br />

‘toolbox’. Likewise I realised that the ‘kills’ at the pottery were the<br />

kilns!<br />

I have been only able to scratch the surface in collecting the oral history<br />

of the area. I hope that more local people who are interested in<br />

discovering the history of their place will become enthused to collect<br />

memories as well as documents. The technology is there to capture<br />

and preserve the memories to a high standard and the funding is there<br />

through such schemes as the Local <strong>Heritage</strong> Initiative to get training<br />

and support and pay for equipment. I firmly believe that everybody<br />

has a story to tell. If we listen to people we’ll not only get unique<br />

insights into our local past but we will make new friends and, as a<br />

bonus, we’ll hear stories that will amuse us, astound us and even move<br />

us to tears.<br />

Roger Kitchen


NEWS AND VIEWS<br />

FROM THE CHAIR<br />

John Oake reports:<br />

It is wonderful to be able to report that, with only one month of<br />

the membership year elapsed, over 80% of last year’s members<br />

have renewed their subscriptions. We base our business plan on<br />

being able to retain at least 85% of our previous year’s members,<br />

so a massive thank you is owed to all who have shown support<br />

for Sharpe’s in this way.<br />

We try to make supporting the Friends of Sharpe’s a two way<br />

benefit and are still offering a free limited edition print to all new<br />

members. In addition, every member enjoys a 10% discount in<br />

the Sharpe’s cafe and 10% off concert tickets, as well as a £1.50<br />

reduction off the price of our limited edition Cornishware mugs.<br />

That is on top of the three issues a year of <strong>Heritage</strong> <strong>News</strong>, keeping<br />

you in touch not just with Sharpe’s but with a broad range of<br />

heritage activities, facts and issues relating to <strong>South</strong> <strong>Derbyshire</strong>.<br />

If you haven’t yet joined yourself, or can think of someone else<br />

who might be interested, please give it some consideration.<br />

Our independent Volunteers Group is now very much up and<br />

running. So far this year, they have already provided funds for<br />

some new display cabinets, besides making a massive contribution<br />

to the success of the Spring Fair by organising the cake stands<br />

and a recruitment stand. The Volunteers Recruitment Day produced<br />

some additional active volunteers and the presence of volunteer<br />

stewards at Sharpe’s is making a constantly enhanced contribution<br />

to smooth running and visitor enjoyment.<br />

Meanwhile, in the café, our catering business has been so<br />

successful that we have had to increase staffing and have provided<br />

extra seating on the balcony of the kiln. The new balcony seating<br />

enables visitors to enjoy a drink or a snack in a truly novel<br />

environment.<br />

The first event in the Sharpe’s Lecture series (Dr. Glyn Coppack<br />

of English <strong>Heritage</strong> on “The Archaeology of Monasteries”) was<br />

very successful, both in the numbers attending and in the interest<br />

and enjoyment generated. All agreed that starting the evening<br />

with a reception accompanied by a piano and violin recital and<br />

wine sales added hugely to the enjoyment of the evening and the<br />

focus of the lecture on the lifestyle of monastic occupants made<br />

for an interesting and enjoyable presentation.<br />

The 2005/6 concert and theatre season could hardly have got off<br />

to a busier or more popular start. Carl Harper has a deservedly<br />

large following and he and his ‘Friends’ kicked off the season<br />

with a truly memorable concert of music from the theatre,<br />

performed to a full house. Within a week, he was followed by a<br />

one-person theatrical tribute to Vivien Leigh and a return of the<br />

hugely popular Maggie Chaplin and the ‘Sounds Like Jazz’<br />

ensemble. The 2005/6 season is still evolving, so do keep in touch<br />

with changes through the pages of <strong>Heritage</strong> <strong>News</strong>, the Sharpe’s<br />

web site (www.sharpes.org.uk ) or<br />

the handbills and programmes available on the counter at Sharpe’s.<br />

ETWALL AND BURNASTON LOCAL HISTORY SOCIETY<br />

The Etwall and Burnaston Local History Society was founded in<br />

2001 and has a membership of about 30. Meetings are held monthly<br />

and the Society’s area of interest is the townships, now civil<br />

parishes, of Etwall, Burnaston and Bearwardcote which historically<br />

looked to St Helen’s Church in Etwall for spiritual guidance. The<br />

programme includes talks by invited speakers, including a public<br />

lecture in November, but our main purpose is investigative and<br />

most meetings are workshops to further the Society’s defined<br />

projects. So far these have focused on nineteenth and twentieth<br />

century material, which is comparatively easy to access.<br />

The first such projects initiated by the Society have been the<br />

transcription and analysis of the census returns for the period 1841<br />

to <strong>19</strong>01 and the bringing together of all the Directory entries for the<br />

three parishes which are locally available. The present focus of<br />

activity is the ‘Etwall and Burnaston <strong>Heritage</strong> Project’ which is<br />

funded by grant from the Local <strong>Heritage</strong> Initiative. The outcomes,<br />

planned for completion in the spring of 2006, will be a series of<br />

four pamphlets/trails designed to provide information about the<br />

villages and the surrounding countryside, an oral history record<br />

and a compilation of material covering the development of our area<br />

during the Twentieth Century. This material will be incorporated<br />

into the Society’s existing archive currently located in Etwall Church.<br />

To date the archive has been the basis of three exhibitions and a<br />

fourth is planned in both the Church and Chapel in Etwall during<br />

the Etwall Well Dressing Festival 2005 taking place on the weekend<br />

of May 21st and 22nd to which all are welcome.<br />

A visit to Etwall should include the interior of St Helen’s Church,<br />

normally open on Wednesday afternoons between 2 and 4 pm,<br />

where there are memorials to the Port family (originally of Chester)<br />

who purchased land in Etwall in 1495. Both John Ports, father and<br />

son, were distinguished barristers and judges who held high office<br />

nationally and in <strong>Derbyshire</strong>. They acquired considerable estates<br />

in the county and elsewhere including the manor of Etwall in 1540<br />

following the Dissolution. Sir John Port II died in 1557 without male<br />

issue and in his will made provision for the foundation of a Grammar<br />

School, now Repton School, and the endowment of almshouses<br />

or a hospital for the poor in Etwall, which are an important local<br />

architectural feature. The present buildings to the north of the<br />

Church, although modernised, are the rebuild of 12 houses<br />

constructed round a courtyard in 1681 with the addition of a wing<br />

of four additional houses in about 1690. This arrangement is shown<br />

in the engraving dating from 1854.<br />

Roger Dalton, Chairman.<br />

•An engraving of the Etwall almshouses, 1854.<br />

<strong>Heritage</strong> <strong>News</strong> - 5


HISTORIC BUILDINGS - NEW LISTINGS<br />

Four new buildings have been added to the register<br />

of listed buildings within <strong>South</strong> <strong>Derbyshire</strong> in the<br />

last nine months. A request for a building to be listed<br />

can be made by any member of the public, or by a<br />

body such as the <strong>District</strong> <strong>Council</strong>, which in practice<br />

currently submits most of the requests that are made<br />

from <strong>South</strong> <strong>Derbyshire</strong>.<br />

The responsibility for listing buildings lies with the<br />

Department for Culture, Media and Sport in London,<br />

which takes the advice of English <strong>Heritage</strong> officers<br />

as to whether a building should be listed or not.<br />

The newly-listed buildings comprise:<br />

Sealwood Cottage, Sealwood Lane, Linton<br />

(listed 25 th August, 2004).<br />

This is an intriguing, folly-like, “gothick” cottage of the<br />

late 18 th century which stood on the edge of Seal Wood,<br />

commanding a wide view towards Overseal. The<br />

woodland around the cottage has long since been felled.<br />

The cottage, built by the Gresleys of Netherseal<br />

apparently for their own use, is of a highly unusual cavity<br />

wall construction, with re-used oak timber framing to the<br />

outer leaf of the walls, and solid brickwork to the inner<br />

leaf.<br />

The Woodville War Memorial, of Cornish granite with a<br />

bronze plaque, dates from <strong>19</strong>25-26. Many war<br />

memorials are not listed buildings, but one of the reasons<br />

for listing this one was its unusual inscription: “Erected<br />

to the memory of the late Mr. W. Cousens who for 30<br />

years was the much esteemed head master of the<br />

Wesleyan School of the village, and his scholars who<br />

paid the supreme sacrifice in the Great War <strong>19</strong>14-<strong>19</strong>18”.<br />

Below is the list of 130 men, including 77 scholars, who<br />

were killed in action. On the reverse are the names of<br />

those who fell in the Second World War <strong>19</strong>39-<strong>19</strong>45.<br />

Escolme Pottery, Woodville<br />

(listed 21 st February, 2005).<br />

Originally, the house had just a single room downstairs<br />

and a single room upstairs, reached by a pretty, winding<br />

staircase. The upstairs room was evidently a “prospect<br />

room”, featuring a fine fireplace, large window, pyramidal<br />

ceiling ... and an original bedframe which slides out of<br />

the dado from a void in the roof space! A modest<br />

extension was made to the house in the Victorian period.<br />

Woodville War Memorial<br />

(listed 30 th March, 2005).<br />

•The Escolme Pottery, Woodville<br />

By a coincidence, this building is only a few yards away<br />

from the one previously mentioned. The new listing<br />

comprises the one remaining bottle kiln of the pottery,<br />

dated “1833” in blue headers on the top courses,<br />

together with the workshops to the south west of the<br />

kiln. This was the only bottle kiln within the area of the<br />

former Swadlincote potteries that was not already listed.<br />

There are now nine listed examples in the area<br />

altogether. The others comprise a group of four kilns at<br />

the T. G. Green pottery, plus single examples at the<br />

former “top bank” of T. G. Green’s, Sharpe’s Pottery<br />

(Swadlincote), Rawdon Pottery (behind the Clock<br />

Garage at Woodville) and at Bretby Brick and Stoneware<br />

Co.<br />

Phone Box, Main Street, Milton<br />

(listed 10 th January, 2005).<br />

Not all listed buildings are built of bricks, stone or mortar.<br />

Cast iron mileposts and, yes, cast iron phoneboxes, are<br />

equally eligible. In practice, telephone boxes are more<br />

likely to be deemed “listable” where they form part of<br />

the streetscene in a “good heritage location” such as a<br />

conservation area, as the Milton one does. This red<br />

telephone box, of the friendly and familiar type that was<br />

once ubiquitous, was designed by Sir Giles Gilbert Scott<br />

and made by various manufacturers.<br />

•The Woodville War Memorial.<br />

<strong>Heritage</strong> <strong>News</strong> - 6


WHO KNOWS?<br />

Telling Shardlows story..<br />

...<br />

Sheila Cooke, who lives in Shardlow, maintains the Shardlow <strong>Heritage</strong> Trust’s extensive collection<br />

of historic documentation, assembled from a wide a variety of sources. Her work underpins the<br />

exhibits and explanatory texts on show at the Shardlow <strong>Heritage</strong> Centre, which is open from<br />

12noon to 5pm on Saturdays, Sundays and Bank Holiday Mondays until the end of October.<br />

The Centre is on the canal bank by the car park of the well-known Clock Warehouse and is well<br />

worth a visit while you are in the area. In this piece, Sheila tells us how she came to be involved....<br />

“Shardlow <strong>Heritage</strong> Centre is ten years<br />

old this year. Thousands of visitors have<br />

enjoyed the displays, and all the<br />

volunteers have gained great pleasure<br />

and satisfaction from setting up<br />

exhibitions, guiding walks around the<br />

village and meeting people from all over<br />

the world. For me, however, it has meant<br />

much more, as it helped to save me<br />

during one of the most difficult periods<br />

of my life.<br />

“After many years as the Local Studies<br />

Librarian for Nottinghamshire I had to<br />

give up work, as a chronic condition<br />

meant years of operations,<br />

physiotherapy and enforced inactivity.<br />

The plan had been to do craft and<br />

needlework, but this soon drove me to distraction<br />

accompanied by a growing lack of self worth. The climb<br />

out of depression began with a gift of research material on<br />

Shardlow from a friend who was moving out of the area;<br />

but what really brought my brain back to life was the offer<br />

from Mansfield Brewery to the village of space in a building<br />

next to their new pub and restaurant, for use as a museum.<br />

“The Brewery put in new walls, heating and lighting.<br />

Volunteers built a replica of a narrow boat cabin, set up a<br />

•“The ‘Clock Warehouse’ prior to conversion.<br />

(Brighouse Collection / www.picturethepast.org.uk)<br />

‘forge’ and blacksmiths tools, and with very little money<br />

and photocopies of documents and photographs mounted<br />

on coloured card, we made our first small exhibition. By<br />

visiting Libraries, Record Offices and Museums and talking<br />

to local people (who at first declared that nothing had<br />

survived) the collection has kept growing year by year<br />

including deeds, maps and photograph albums.<br />

“As I slowly gained strength, but little mobility, we began<br />

to offer guided walks around the inland port area of the<br />

village. I soon realized that the route was suitable for me<br />

on my electric scooter - I just had to learn how to slow<br />

down so the group didn’t arrive at each vantage point at a<br />

run and out of breath!<br />

“The final big challenge was to brave new technology and<br />

set up a website. I have to own up, however, that although<br />

I did the planning and content, my husband did the technical<br />

bit. We have received thousands of hits from all over the<br />

world, even including some that are not from family<br />

historians!<br />

•Sheila by the canal with her scooter<br />

<strong>Heritage</strong> <strong>News</strong> - 7<br />

“Last, but not least, I would like to say a huge thankyou to<br />

the people of Shardlow and all the visitors to the <strong>Heritage</strong><br />

Centre.”


WEST STREET METHODIST CHURCH<br />

RETURNS TO CHARACTER<br />

The Victorian Methodist<br />

Church on West Street,<br />

Swadlincote, has been open<br />

for the Civic Trust’s <strong>Heritage</strong><br />

Open Days for several years<br />

now and many local people<br />

have become aware of its<br />

beauty and historical<br />

significance. Sadly it has<br />

fallen into a state of disrepair,<br />

although there is still a small<br />

Sunday congregation and the<br />

schoolroom is in great<br />

demand for community use.<br />

The property also includes<br />

the impressive row of shops<br />

alongside, with their striking<br />

terracotta façade.<br />

Interested local people have<br />

recently been working hard<br />

with the congregation to find<br />

a way of redeveloping the<br />

buildings for community use,<br />

including performance space<br />

for local choirs etc. This has<br />

led to the formation of the<br />

West Street Partnership. Last<br />

year the Partnership was<br />

successful in attracting a<br />

package of funding to<br />

renovate the outside of the<br />

buildings, which is Phase I of<br />

the project.<br />

New upper windows have<br />

been fitted in the church to<br />

match the original Victorian<br />

windows, removed about a<br />

century ago. With their<br />

slender, curved glazing bars,<br />

they have greatly enhanced<br />

the appearance of the<br />

building. Metal grilles are<br />

being made to fit all the<br />

windows on the Market Street<br />

elevation at the back. Ground<br />

floor windows have been<br />

repaired where necessary,<br />

pending the major scheme<br />

ahead. The window arches<br />

and sills will eventually be<br />

painted and new lead<br />

flashings have been installed<br />

on the West Street elevation.<br />

The roof of the shops at Nos.<br />

10 - 14 West Street has been<br />

retiled and at the time of<br />

writing scaffolding has been<br />

erected in West Street to<br />

facilitate repair and<br />

refurbishment of the external<br />

façade. So pleased are we<br />

with the transformation that<br />

we have applied for a<br />

<strong>Derbyshire</strong> County <strong>Council</strong><br />

Greenwatch award. This<br />

project certainly fits the<br />

criteria of conserving,<br />

restoring and enhancing the<br />

character of the townscape.<br />

The main funding came from<br />

Derby and <strong>Derbyshire</strong><br />

Economic Partnership, <strong>South</strong><br />

<strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>’s<br />

“<strong>Heritage</strong> Economic<br />

Regeneration Scheme” run<br />

jointly with English <strong>Heritage</strong>,<br />

the <strong>District</strong> <strong>Council</strong>’s<br />

“Community Partnership<br />

Scheme” and the Methodist<br />

Church. We received great<br />

help and support from both<br />

our architect, Annie<br />

Duquemin of the Allan Joyce<br />

Partnership, and <strong>South</strong><br />

<strong>Derbyshire</strong> Conservation<br />

Officer Marilyn Hallard. A<br />

specialist building firm,<br />

Bartrams, was given the<br />

contract to carry out the work<br />

to the value of £1<strong>19</strong>,330<br />

including VAT.<br />

Rev. Angela Singleton, April<br />

2005<br />

REPTON VILLAGE HISTORY<br />

GROUP GOES SOLO<br />

On 3 rd March, the Repton<br />

Village History Group formally<br />

split with the Repton Village<br />

Society and became an<br />

independent body. A<br />

constitution for the new Group<br />

has been drawn up and the<br />

Group will have its first AGM<br />

in 2006, when officers and a<br />

committee will be elected. In<br />

the meantime, the Group is<br />

being run by a steering<br />

committee.<br />

The Annual subscription rates<br />

for membership of the Group<br />

are £3.00 for single membership<br />

and £6.00 for Family<br />

membership. The membership<br />

year commences on 1 st April<br />

and runs to 31 st March the<br />

following year. The support of<br />

any interested readers would be<br />

most welcome. The<br />

membership secretary is David<br />

Guest who can be contacted at<br />

Tudor Lodge, High Street,<br />

Repton, <strong>Derbyshire</strong> DE65 6GD<br />

tel. 01283 703650.<br />

•The front of the Methodist Chapel, with its smart<br />

new windows.<br />

<strong>Heritage</strong> <strong>News</strong> - 8<br />

The entry fee to the Group’s<br />

meetings is £1.00 for members<br />

and £2.00 for visitors. This fee,<br />

together with the income from<br />

the raffle, is designed to offset<br />

the cost of room hire, any fees<br />

paid to speakers and any<br />

equipment we might need to<br />

hire for meetings. It also helps<br />

towards the very high cost of<br />

Public Liability Insurance<br />

which we feel is necessary.<br />

Group member Alan Kimber<br />

says: “Our main aim is to create<br />

a social club for those interested<br />

in the history of the area and to<br />

collect, display and save items<br />

of interest. We also aim to<br />

encourage participation through<br />

talks, lectures, projects and<br />

research.<br />

“Forthcoming events include a<br />

talk by Keith Foster of the<br />

Magic Attic, on the Attic’s<br />

painstaking compilation of<br />

thousands of newspaper items<br />

telling of the deaths and injuries<br />

sustained by local members of<br />

the armed forces in both World<br />

Wars. It is a comprehensive<br />

record and a most useful tool for<br />

local people who are tracing<br />

their family history.<br />

“On June 18 th and <strong>19</strong> th , Repton<br />

will be staging its popular Open<br />

Gardens weekend. The History<br />

Group will be contributing to<br />

the activities with a<br />

photographic display in St<br />

Wystan’s Church and our<br />

publications will also be on sale<br />

there. Make a note in your<br />

Diary and come along to visit<br />

us!”<br />

For further information, Alan<br />

can be contacted on 01283<br />

704042 or log on to the<br />

websiteat<br />

reptonhistory@aol.com


REJECTED!<br />

Some would-be listed<br />

buildings that didn’t<br />

make it...<br />

head is an individual structure and is not of sufficient<br />

architectural or historic interest to merit listing.”<br />

Beehive Kiln, Hepworth’s, Swadlincote<br />

Requests to have buildings “listed” are sometimes<br />

rejected even when the <strong>District</strong> <strong>Council</strong> has<br />

considered that there have been good grounds for<br />

listing them. Examples include:<br />

65, Main Street, King’s Newton.<br />

•A Cruck Truss at 65, Main Street<br />

An unspoilt cruckframed<br />

cottage<br />

between two<br />

h e a v i l y<br />

modernised<br />

properties. The two<br />

cruck frames, wellpreserved<br />

and<br />

p o s s i b l y<br />

mediaeval, are<br />

good examples.<br />

This is the only<br />

known example of<br />

a cruck-framed<br />

building in <strong>South</strong><br />

<strong>Derbyshire</strong> which is not a listed building. Nevertheless,<br />

the Department for Culture, Media and Sport declined<br />

to list this building in <strong>19</strong>99, saying it was part of a terrace<br />

of cottages, disqualified for listing by the heavy<br />

alterations to the other properties in the row.<br />

Wellhead, Top Farm, Ticknall.<br />

•The well head near Top Farm,<br />

Ticknall, built in 1871.<br />

This wellhead, restored a<br />

few years ago by the<br />

Ticknall Preservation and<br />

Historical Society, was<br />

built in 1871, preceding<br />

the well-known, greenpainted,<br />

cast iron “taps”<br />

of <strong>19</strong>14 that are so much<br />

a feature of the village.<br />

English <strong>Heritage</strong>, via the<br />

Department for Culture,<br />

Media and Sport, has<br />

been approached twice<br />

with a request to list this<br />

building, but has declined<br />

to list it on both<br />

occasions. They say “It does not contain a pump and<br />

was not part of the installation of the listed pump system<br />

in <strong>19</strong>14. English <strong>Heritage</strong> have concluded that the well-<br />

This is the last remaining downdraught or “beehive” kiln<br />

in the Swadlincote area, which once had score upon<br />

score of them. Used for firing bricks and pipes etc.,<br />

modern technology and the decline of the local clay<br />

industry has accounted for their destruction. This final<br />

example, albeit in a very poor condition, had therefore<br />

become valuable.<br />

Nevertheless, English <strong>Heritage</strong> via the Department for<br />

Culture, Media and Sport considered that it was unworthy<br />

of listing on its own. They said: “The kiln is of<br />

indeterminate date, since the nature of the industrial<br />

process results in a continuous rebuilding programme<br />

as kiln linings deteriorate. Much of the surviving fabric<br />

is probably of the late 20 th century, while its design is<br />

representative of the technology of the late <strong>19</strong> th century.<br />

Its associated chimney is listed, but the kiln is now an<br />

isolated component in a much altered surrounding area.<br />

English <strong>Heritage</strong> have concluded that the building is not<br />

of sufficient architectural or historic interest to merit<br />

listing.”<br />

Consent has been given for the demolition of the kiln,<br />

subject to detailed prior recording for posterity, as part<br />

of the scheme for the new Morrison’s Supermarket.<br />

Steam Mill, Smisby<br />

This building is completely unremarkable on the outside,<br />

but the interior contains conventional mill machinery for<br />

grinding oats, barley and wheat, powered by steam<br />

instead of wind or water. The machinery was apparently<br />

installed within the shell of an earlier farm building at<br />

some point in the <strong>19</strong> th century. The machinery is crudely<br />

put together and assembled using a jumble of materials,<br />

including an old wooden two-holer privy seat!<br />

Unfortunately, English <strong>Heritage</strong> deemed it to be too<br />

rustic, makeshift and crude for listing.<br />

<strong>Heritage</strong> <strong>News</strong> - 9<br />

•Firing a beehive kiln, from the Donisthorpe<br />

Colliery Co’s brochure <strong>19</strong>51.


NEW GLOR<br />

ORY IN PROSPECT FOR<br />

ELVAST<br />

ASTON CASTLE<br />

A <strong>Derbyshire</strong>-based team led by<br />

Highgate Sanctuary Ltd. has been<br />

appointed as <strong>Derbyshire</strong> County<br />

<strong>Council</strong>’s preferred partner to restore<br />

the Elvaston Castle Estate, four miles<br />

to the south-east of Derby and in the<br />

north-eastern corner of the <strong>South</strong><br />

<strong>Derbyshire</strong> district. Highgate Sanctuary<br />

hopes to create a luxury hotel and<br />

College of Estate Management, she<br />

gained her PhD from Nottingham<br />

University on “The Sustainable Re-Use<br />

of Listed Buildings in the Context of<br />

Urban Regeneration.” As a result of the<br />

experience gained through her studies,<br />

Tanya founded Highgate Sanctuary,<br />

which develops new uses for derelict<br />

listed buildings. Tanya says:<br />

Under Highgate Sanctuary’s proposals,<br />

the formidable Castle’s grounds will<br />

continue to be open for public<br />

enjoyment. They will be restored to<br />

their former grandeur under a £10<br />

million bid by the County <strong>Council</strong>,<br />

supported by Highgate Sanctuary, for<br />

<strong>Heritage</strong> Lottery Funding. Plans also<br />

include a new visitor centre for the<br />

•A wintry view of Elvaston Castle<br />

championship golf course that will<br />

provide local jobs and boost tourism in<br />

the area.<br />

Bob Janes, cabinet member for<br />

community services at <strong>Derbyshire</strong><br />

Country <strong>Council</strong> says “We want to see<br />

the Castle and Estate returned to its<br />

former glory so that local people and<br />

visitors can enjoy it for many years to<br />

come. We are working with Highgate<br />

Sanctuary because we feel they share<br />

our objectives and will respond to the<br />

sensitive conservation needs of the<br />

Estate, whilst finding a sustainable<br />

solution for its re-use.”<br />

Tanya Spilsbury, managing director of<br />

Highgate Sanctuary, was born and<br />

brought up in Derby. Dr. Spilsbury is<br />

also a board member of “Maintain our<br />

<strong>Heritage</strong>” - a not-for-profit company that<br />

campaigns for the better maintenance<br />

of historic buildings. A chartered<br />

surveyor, Tanya specialises both in the<br />

conservation and sustainable re-use of<br />

historic buildings. Having studied for a<br />

Diploma in Building Conservation at the<br />

“To survive in the long term, an historic<br />

building must have a sustainable use<br />

to generate sufficient income to cover<br />

its maintenance costs. The opportunity<br />

to be involved with the conservation of<br />

Elvaston Castle and its estate brings<br />

together my enthusiasm and<br />

experience in the fields of development,<br />

conservation and <strong>Derbyshire</strong>’s heritage.<br />

If all goes well, the £18 million<br />

restoration and extension project for the<br />

Grade II* listed building could be<br />

completed as early as summer 2007.<br />

“We are well aware of the local<br />

attachment to Elvaston and the strength<br />

of feeling about it, and the next stage<br />

of the proposals will include a public<br />

consultation. The results will be<br />

included in the proposals submitted with<br />

the Lottery grant application. We, in<br />

partnership with the County <strong>Council</strong>,<br />

shall continue to work closely with the<br />

planning authority and English <strong>Heritage</strong><br />

to prepare sensitive planning<br />

applications for the restoration of the<br />

Castle and Estate.”<br />

<strong>Heritage</strong> <strong>News</strong> - 10<br />

•The gardens at Elvaston, as seen from the house<br />

enjoyment of visitors, and especially<br />

educational groups. They will also be<br />

able to visit a proposed craft centre,<br />

cafeteria and shop with products linked<br />

to the plants and topiary of the gardens.<br />

Elvaston Cricket Club will continue to<br />

play on the cricket ground and the<br />

showground will still be used for public<br />

events and shows.<br />

The existing castle was substantially<br />

re-built in the early <strong>19</strong> th century during<br />

the Gothic Revival era by Charles,<br />

Third Earl of Harrington. He<br />

commissioned James Wyatt, a leading<br />

architect of the day, and later Robert<br />

Walker, to create a castle with<br />

battlements and turrets, linked to a<br />

large courtyard and two gatehouses<br />

either side of a Gothic archway.<br />

Landscaping of the surrounding<br />

parkland and gardens took place from<br />

1830 under the direction of William<br />

Barron, who had trained at the<br />

Edinburgh Botanic Gardens. Barron,<br />

with his particular enthusiasm for<br />

conifers and topiary, gradually<br />

transformed the dull, flat landscape of<br />

Elvaston into a garden paradise


JUNE<br />

JULY<br />

AUGUST<br />

For<br />

orthcoming events<br />

ents<br />

at<br />

Sharpe’<br />

pe’s Pottery<br />

MAY Saturday 21 st , 7.30pm Concert in the Kiln: Melbourne Male Voice Choir. Tickets<br />

£6.<br />

Saturday 28 th , 10am – 3.30pm Local Mining <strong>Heritage</strong> display in Conference Room.<br />

Admission Free.<br />

Wednesday 1 st to Thursday 30 th Ceramics exhibition by Susan Olumides in the Upper<br />

Gallery. Admission Free.<br />

Wednesday 1 st to Thursday 30 th Paintings and Prints by John Straw in the Upper Gallery.<br />

Admission Free.<br />

Wednesday 1 st , 2.30pm – 4pm Valuation of antiques and collectables by James Lewis<br />

of Bamfords. Free,with discretionary donation of £1 per<br />

item to support Sharpe’s.<br />

Saturday 4 th , 10am – 4pm Flower Arranging Masterclass with Carolyn Bates £12<br />

per person including buffet lunch<br />

Saturday 18 th , 7.30pm<br />

Concert in the Kiln: Stan Schofield & the Burton<br />

Accordion Band. Tickets £6.<br />

Friday 1 st to Saturday 30 th Paintings by Rowena Rowley in the Upper Gallery.<br />

Admission Free.<br />

Saturday 2 nd , 10am – 4pm Flower Arranging Masterclass with Carolyn Bates £12<br />

per person including buffet lunch<br />

Wednesday 6 th , 2.30pm – 4pm Valuation of antiques and collectables by James Lewis<br />

of Bamfords. Free,with discretionary donation of £1 per<br />

item to support Sharpe’s.<br />

Saturday 23 rd , 10am – 4pm Summer Fair. Admission Free.<br />

Saturday 30 th , 7.30pm<br />

Concert in the Kiln: Melbourne & <strong>District</strong> Amateur Operatic<br />

Society. Tickets £6.<br />

Wednesday 3 rd , 2.30pm – 4pm Valuation of antiques and collectables by James Lewis<br />

of Bamfords. Free, with discretionary donation of £1 per<br />

item to support Sharpe’s.<br />

Saturday 6 th , 10am – 4pm Flower Arranging Masterclass with Carolyn Bates £12<br />

per person including buffet lunch<br />

NB A Farmers’ Market is planned for June or July, and school holiday activities for children are also being<br />

arranged. The events list is continually updated and can be found on the Sharpe’s website at<br />

www.sharpes.org.uk.<br />

SHARPER IMAGE FOR SHARPE’S.<br />

Further improvements are afoot at Sharpe’s Pottery which will make a significant improvement to the appearance of the buildings.<br />

On the Alexandra Road frontage, the <strong>19</strong>20s steel-framed building which until recently housed an anodising and plating business has<br />

been demolished and its site is being cleared up. Completion of this work will both remove an eyesore and expose the original<br />

pottery buildings to full view once more.<br />

Meanwhile, one of the former pottery buildings overlooking the car park is in the course of conversion to an office suite. This<br />

building, run-down for many years, has until now been the main detracting feature in the view of Sharpe’s from the main entrance<br />

on West Street. Its repair and restoration, under the Swadlincote <strong>Heritage</strong> Economic Regeneration Scheme, perfectly complements<br />

the repair and restoration of the Grade II listed pottery buildings occupied by the museum.<br />

<strong>Heritage</strong> <strong>News</strong> - 11


The library at Repton School is one of the oldest<br />

libraries in the county. Paul Stevens, the new<br />

librarian there, is very enthusiastic about the books<br />

and documents that have come under his care,<br />

and is keen to share some of his findings.<br />

The room that houses the library was the main<br />

room of the school from the mid 16 th to mid <strong>19</strong> th<br />

centuries. It is said to have served as a ‘travel lodge’<br />

for Edward I for several nights in 1291 and,<br />

according to a report in the “Derby Mercury” in<br />

1805, was used for plays and dancing: “The ball<br />

was opened about midnight … and the merry dance<br />

kept up with unabated spirit till four o’ clock.”<br />

•Repton School, seen through the old priory gateway.<br />

- Curiosity Corner -<br />

THE “MARRIAGE ELMS” AT ASH.<br />

At Ash, near Etwall, three<br />

stately elm trees on the main<br />

road near Ash Hall were<br />

known as the “Marriage<br />

Elms”. Their name is<br />

explained as follows:<br />

“It is said that their curious name arises from the fact<br />

that a magistrate who lived at the Hall resented being<br />

called at inconvenient times by couples wishing to be<br />

married. The journey to the church was avoided by<br />

the marriage ceremony being performed on the road<br />

side beneath these three stately elms.”<br />

Another version of the explanation is less polite:<br />

Paul says “I’m very interested in the history of<br />

Repton. Being the librarian gives me a wonderful<br />

opportunity to read contemporary accounts and<br />

documents, and the many books and documents<br />

that the School has amassed over the last 450<br />

years. There is so much to absorb and I’ve been<br />

taking notes since I joined the School, in the hope<br />

that eventually I will be able to publish a miscellany<br />

devoted to the library.”<br />

“The library at Repton is its greatest glory. It is a<br />

Bodleian in miniature, indeed, among the great<br />

libraries of the world, only the Bodleian has ever<br />

given me a similar sensation” (Between the Dog<br />

Kennel and the Appletree by Richard N. Coe, <strong>19</strong>92)<br />

WE CAN HELP YOU WITH PUBLICITY<br />

“<strong>Heritage</strong> <strong>News</strong>” is published three times a year around April/May (Spring/<br />

Summer issue), August (Autumn issue) and December (Winter issue). It<br />

is circulated to all parish councils / meetings, amenity societies and<br />

historical groups within <strong>South</strong> <strong>Derbyshire</strong>, and is also distributed to<br />

libraries and to local press contacts. We are always pleased to advertise<br />

the work of local groups where possible, so please call us with any news<br />

for our next issue. The deadline for inclusion in No. 20 (Autumn 2005) is<br />

Friday 12 th August.<br />

Contacts:<br />

Philip Heath <strong>Heritage</strong> Officer / tel:01283 595936<br />

Editor of “<strong>Heritage</strong> <strong>News</strong>” fax:01283 595850<br />

e-mail: philip.heath@south-derbys.gov.uk<br />

“The magistrates married couples under these trees as<br />

they did not wish to invite them into their homes<br />

because they stank!”<br />

(From “A Brief History of the Manor of Ash” by E. R.<br />

Robinson, July <strong>19</strong>70)<br />

<strong>Heritage</strong> <strong>News</strong> - 12<br />

Marilyn Hallard Design & Conservation tel: 01283 595747<br />

Officer fax: 01283 595850<br />

e-mail: marilyn.hallard@south-derbys.gov.uk<br />

The postal address is: <strong>South</strong> <strong>Derbyshire</strong> <strong>District</strong> <strong>Council</strong>,<br />

Civic Offices, Civic Way, Swadlincote, <strong>Derbyshire</strong> DE11 OAH.<br />

The <strong>District</strong> <strong>Council</strong> has a website at www.south-derbys.gov.uk

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!