Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ...

Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ... Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ...

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EXPECTATION 7 | social responsibility Amongst industry professionals, the notion of social responsibility also spawns discussions concerning the need for students to increase their cultural awareness prior to entering the twentyfirst century workplace. “Today’s new pluralism in graphic design must be seen as a response to the greater multiculturalism of today’s global society.” 33 With the opulence of technology and our expanded global demands, the audience for which we design is increasingly important. Design history lectures will always idolize the “universal” design solutions of Bauhaus Modernism as the true “international style” of yesteryear. But with the new wave of social media and other forms of technology that broaden our communicative abilities, there is no longer such a thing as a universal audience. 34 With each project, students must learn to become experts on “the audience’s values, symbolic codes, and communicative styles; and preferred media and distribution channels must inform how we shape the written message.” 35 The First Things First manifesto reminds us that designers have the potential to create messages that have a profound impact on the world. Opportunity for pedagogical change rests in infusing practical principles of design ethics in students by requiring each studio project to fully research the global audience’s perspective and incorporate aspects of social responsibility by concept, process, and production. Design is directed toward human beings. To design is to solve human problems by identifying them & executing the best solution. Ivan Chermayeff 33 Fiell, 8 34 Katherine McCoy, “Maximize the Message: Tailoring Design for Your Audience in a Multicultural Era,” in The Education of a Graphic Designer, ed. Steven Heller, (New York, NY: Allworth Press, 2005), 279. 35 Ibid, 283. The First Things First manifesto was published in January 1964. Inexplicably, reverberations are still apparent. 44

EXPECTATION 7 | social responsibility Design is a call to action. Charles Eames 45

EXPECTATION 7 | social responsibility<br />

Amongst industry professionals, the notion<br />

of social responsibility also spawns discussions<br />

concerning the need for students to increase their<br />

cultural awareness prior to entering the twentyfirst<br />

century workplace. “Today’s new pluralism<br />

in graphic design must be seen as a response to the<br />

greater multiculturalism of today’s global society.” 33<br />

With the opulence of technology and our expanded<br />

global demands, the audience for which we design is<br />

increasingly important. Design history lectures will<br />

always idolize the “universal” design solutions of<br />

Bauhaus Modernism as the true “international style”<br />

of yesteryear. But with the new wave of social media<br />

and other forms of technology that broaden our<br />

communicative abilities, there is no longer such a thing<br />

as a universal audience. 34 With each project, students<br />

must learn to become experts on “the audience’s<br />

values, symbolic codes, and communicative styles;<br />

and preferred media and distribution channels must<br />

inform how we shape the written message.” 35 The First<br />

Things First manifesto reminds us that designers have<br />

the potential to create messages that have a profound<br />

impact on the world. Opportunity for pedagogical<br />

change rests in infusing practical principles of design<br />

ethics in students by requiring each studio project to<br />

fully research the global audience’s perspective and<br />

incorporate aspects of social responsibility by concept,<br />

process, and production.<br />

Design is directed toward human beings.<br />

To design is to solve human problems by<br />

identifying them & executing the best solution.<br />

Ivan Chermayeff<br />

33 Fiell, 8<br />

34 Katherine McCoy, “Maximize the<br />

Message: Tailoring Design for Your<br />

Audience in a Multicultural Era,” in The<br />

Education of a Graphic Designer, ed.<br />

Steven Heller, (New York, NY: Allworth<br />

Press, 2005), 279.<br />

35 Ibid, 283.<br />

The First Things First manifesto<br />

was published in January 1964.<br />

Inexplicably, reverberations are<br />

still apparent.<br />

44

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