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<strong>Accepted</strong> <strong>in</strong> <strong>Partial</strong> <strong>Fulfillment</strong> <strong>of</strong> <strong>the</strong> <strong>Requirements</strong><br />

<strong>For</strong> <strong>the</strong> <strong>Degree</strong> <strong>of</strong> Master <strong>of</strong> F<strong>in</strong>e Arts<br />

at The Savannah College <strong>of</strong> Art and Design<br />

Type name<br />

Type title<br />

Committee Chair<br />

Date (mm/dd/yyyy)<br />

Type name<br />

Type title<br />

Topic Consultant<br />

Date (mm/dd/yyyy)<br />

Type name<br />

Type title<br />

Editor<br />

Date (mm/dd/yyyy)<br />

1


MeeGram :<br />

A Collaborative Exploration and<br />

Visualization System <strong>of</strong> <strong>the</strong> Personal Identity<br />

A Thesis Submitted to <strong>the</strong> Faculty <strong>of</strong> <strong>the</strong> Graphic Design Department<br />

<strong>in</strong> <strong>Partial</strong> <strong>Fulfillment</strong> <strong>of</strong> <strong>the</strong> <strong>Requirements</strong> for <strong>the</strong><br />

<strong>Degree</strong> <strong>of</strong> Master <strong>of</strong> F<strong>in</strong>e Arts<br />

Savannah College <strong>of</strong> Art and Design<br />

By<br />

J<strong>in</strong> Young Lim<br />

Atlanta, Georgia<br />

July, 2010<br />

2


Abstract<br />

This research proposes MeeGram, an orig<strong>in</strong>al visual identity<br />

system that captures <strong>the</strong> affective dimension <strong>of</strong> an <strong>in</strong>dividual and<br />

compensates for <strong>the</strong> limitations <strong>of</strong> digitized—encoded <strong>in</strong> numbers—<br />

IDs, such as barcodes. In an <strong>in</strong>dustrialized society, digitized IDs are<br />

widely used to identify objects and persons, and IDs are typically<br />

designed as certa<strong>in</strong> compositions <strong>of</strong> computer-generated letters and<br />

numbers to make it easy to standardize, anonymize, encode, and<br />

decode. Identification <strong>of</strong> merchandise and personnel us<strong>in</strong>g barcode,<br />

one type <strong>of</strong> digital ID, is essential to all aspects <strong>of</strong> commerce as it<br />

facilitates speedy and accurate transactions.<br />

However, <strong>the</strong> downside <strong>of</strong> such convenience is <strong>the</strong> limited capacity<br />

<strong>of</strong> digitized IDs <strong>in</strong> communicat<strong>in</strong>g concepts that cannot be expressed<br />

<strong>in</strong> numbers, such as emotions that all human be<strong>in</strong>gs are born with.<br />

Recently, <strong>the</strong>re have been a few <strong>in</strong>terest<strong>in</strong>g attempts to create<br />

digitized personal/corporate identity systems that also embrace and<br />

<strong>in</strong>corporate <strong>the</strong> affective dimension <strong>of</strong> <strong>the</strong> person/bus<strong>in</strong>ess <strong>in</strong> visual<br />

elements, such as colors and symbols. <strong>For</strong> example, D-Barcode is an<br />

attempt to create customized barcodes by add<strong>in</strong>g images to regular<br />

barcodes to turn <strong>the</strong>m <strong>in</strong>to someth<strong>in</strong>g more fun and memorable<br />

(figure1). Also, Color Code (figure 4) is a system that generates<br />

customized 5 x 5 matrices pa<strong>in</strong>ted <strong>in</strong> four colors (black, blue, green,<br />

red). Color Code represents <strong>the</strong> characteristics <strong>of</strong> <strong>in</strong>dividuals and<br />

organizations and is decoded with a cell-phone reader app.<br />

Motivated by <strong>the</strong> idea, <strong>the</strong> researcher proposes a visual ID system<br />

that shows a slice <strong>of</strong> its owner’s personality. The proposed system,<br />

MeeGram, represents <strong>the</strong> owner’s personality <strong>in</strong> five dimensions:<br />

Openness, Conscientiousness, Extroversion, Agreeableness,<br />

Neuroticism (<strong>the</strong> five broad doma<strong>in</strong>s <strong>in</strong> <strong>the</strong> Five Factor Model), and<br />

each dimension is visualized as a unique symbol. When <strong>the</strong> five<br />

symbols are layered on top <strong>of</strong> each o<strong>the</strong>r, <strong>the</strong> result<strong>in</strong>g symbol—<br />

which is more than <strong>the</strong> simple sum <strong>of</strong> five symbols, consider<strong>in</strong>g <strong>the</strong><br />

<strong>in</strong>teractions between <strong>in</strong>dividual symbols—provides <strong>the</strong> owner with a<br />

unique, personalized representation <strong>of</strong> his/her identity.<br />

The MeeGram is developed based on <strong>the</strong> data collected from research


participants with a qualitative research approach. The researcher<br />

recruited two groups <strong>of</strong> participants—graphic designers and<br />

non-graphic designers—for this study. First, <strong>the</strong> participants were<br />

asked to collect images that were somehow related to <strong>the</strong>ir identities<br />

for four weeks. At <strong>the</strong> end <strong>the</strong> fourth week, <strong>the</strong> researcher conducted<br />

<strong>in</strong>terviews with <strong>the</strong> images, analyzed <strong>the</strong>ir comments with Aff<strong>in</strong>ity<br />

Diagrams, and created each person’s pr<strong>of</strong>ile <strong>in</strong> <strong>the</strong> Openness,<br />

Conscientiousness, Extroversion, Agreeableness, Neuroticism<br />

dimensions. The pr<strong>of</strong>iles were translated <strong>in</strong>to visual symbols, which<br />

will function as <strong>the</strong>ir IDs. The researcher presented <strong>the</strong> symbols<br />

to <strong>the</strong> participants and collected <strong>the</strong>ir feedback. When presented<br />

with <strong>the</strong> symbols, <strong>the</strong> non-graphic designer group had a hard time<br />

understand<strong>in</strong>g what <strong>the</strong>ir symbols meant, whereas <strong>the</strong> graphic<br />

designer group was relatively faster <strong>in</strong> <strong>in</strong>terpret<strong>in</strong>g <strong>the</strong> symbols.<br />

Most participants <strong>in</strong> both groups, however, agreed that <strong>the</strong>ir<br />

personal symbols reflected <strong>the</strong>ir personality traits to some degree.<br />

Throughout <strong>the</strong> research and implementation process, <strong>the</strong> researcher<br />

found limitations <strong>of</strong> MeeGram IDs due to <strong>the</strong> concept is <strong>in</strong>tangible,<br />

broad, and vaguely def<strong>in</strong>ed. In addition, <strong>the</strong> number <strong>of</strong> participants<br />

is small <strong>in</strong> this research so <strong>the</strong> f<strong>in</strong>d<strong>in</strong>gs are ra<strong>the</strong>r directive than<br />

conclusive. The limitations po<strong>in</strong>t to <strong>the</strong> direction <strong>of</strong> future studies.<br />

Firstly, MeeGram will be developed <strong>in</strong>to an onl<strong>in</strong>e system, a website,<br />

or a social network site application where people already have<br />

networks <strong>of</strong> friends and share images with <strong>the</strong>m. Secondly, <strong>the</strong><br />

researcher would like to explore o<strong>the</strong>r personality models beyond <strong>the</strong><br />

Five Factor Model and develop ano<strong>the</strong>r visual ID system.


Chapter 1<br />

Introduction<br />

This research proposes MeeGram, an orig<strong>in</strong>al visual identity<br />

system that captures <strong>the</strong> affective dimension <strong>of</strong> an <strong>in</strong>dividual and<br />

compensates for <strong>the</strong> limitations <strong>of</strong> digitized—encoded <strong>in</strong> numbers—<br />

IDs, such as barcodes. In an <strong>in</strong>dustrialized society, digitized IDs are<br />

widely used to identify objects and persons, and IDs are typically<br />

designed as certa<strong>in</strong> compositions <strong>of</strong> computer-generated letters and<br />

numbers to make it easy to standardize, anonymize, encode, and<br />

decode. Identification <strong>of</strong> merchandise and personnel us<strong>in</strong>g barcode,<br />

one type <strong>of</strong> digital ID, is essential to all aspects <strong>of</strong> commerce as it<br />

facilitates speedy and accurate transactions.<br />

However, <strong>the</strong> downside <strong>of</strong> such convenience is <strong>the</strong> limited capacity<br />

<strong>of</strong> digitized IDs <strong>in</strong> communicat<strong>in</strong>g concepts that cannot be expressed<br />

<strong>in</strong> numbers, such as emotions that all human be<strong>in</strong>gs are born with.<br />

Recently, <strong>the</strong>re have been a few <strong>in</strong>terest<strong>in</strong>g attempts to create<br />

digitized personal/corporate identity systems that also embrace and<br />

<strong>in</strong>corporate <strong>the</strong> affective dimension <strong>of</strong> <strong>the</strong> person/bus<strong>in</strong>ess <strong>in</strong> visual<br />

elements, such as colors and symbols. <strong>For</strong> example, D-Barcode is an<br />

attempt to create customized barcodes by add<strong>in</strong>g images to regular<br />

barcodes to turn <strong>the</strong>m <strong>in</strong>to someth<strong>in</strong>g more fun and memorable<br />

(figure1). Also, Color Code (figure 4) is a system that generates<br />

customized 5 x 5 matrices pa<strong>in</strong>ted <strong>in</strong> four colors (black, blue, green,<br />

red). Color Code represents <strong>the</strong> characteristics <strong>of</strong> <strong>in</strong>dividuals and<br />

organizations and is decoded with a cell-phone reader app.<br />

Motivated by <strong>the</strong> idea, <strong>the</strong> researcher proposes a visual ID system<br />

that shows a slice <strong>of</strong> its owner’s personality. The proposed system,<br />

MeeGram, represents <strong>the</strong> owner’s personality <strong>in</strong> five dimensions:<br />

Openness, Conscientiousness, Extroversion, Agreeableness,<br />

Neuroticism (<strong>the</strong> five broad doma<strong>in</strong>s <strong>in</strong> <strong>the</strong> Five Factor Model), and<br />

each dimension is visualized as a unique symbol. When <strong>the</strong> five<br />

symbols are layered on top <strong>of</strong> each o<strong>the</strong>r, <strong>the</strong> result<strong>in</strong>g symbol—<br />

which is more than <strong>the</strong> simple sum <strong>of</strong> five symbols, consider<strong>in</strong>g <strong>the</strong><br />

<strong>in</strong>teractions between <strong>in</strong>dividual symbols—provides <strong>the</strong> owner with a<br />

unique, personalized representation <strong>of</strong> his/her identity.<br />

The MeeGram is developed based on <strong>the</strong> data collected from research<br />

3


participants with a qualitative research approach. The researcher<br />

recruited two groups <strong>of</strong> participants—graphic designers and<br />

non-graphic designers—for this study. First, <strong>the</strong> participants were<br />

asked to collect images that were somehow related to <strong>the</strong>ir identities<br />

for four weeks. At <strong>the</strong> end <strong>the</strong> fourth week, <strong>the</strong> researcher conducted<br />

<strong>in</strong>terviews with <strong>the</strong> images, analyzed <strong>the</strong>ir comments with Aff<strong>in</strong>ity<br />

Diagrams, and created each person’s pr<strong>of</strong>ile <strong>in</strong> <strong>the</strong> Openness,<br />

Conscientiousness, Extroversion, Agreeableness, Neuroticism<br />

dimensions. The pr<strong>of</strong>iles were translated <strong>in</strong>to visual symbols, which<br />

will function as <strong>the</strong>ir IDs. The researcher presented <strong>the</strong> symbols<br />

to <strong>the</strong> participants and collected <strong>the</strong>ir feedback. When presented<br />

with <strong>the</strong> symbols, <strong>the</strong> non-graphic designer group had a hard time<br />

understand<strong>in</strong>g what <strong>the</strong>ir symbols meant, whereas <strong>the</strong> graphic<br />

designer group was relatively faster <strong>in</strong> <strong>in</strong>terpret<strong>in</strong>g <strong>the</strong> symbols.<br />

Most participants <strong>in</strong> both groups, however, agreed that <strong>the</strong>ir<br />

personal symbols reflected <strong>the</strong>ir personality traits to some degree.<br />

This <strong>the</strong>sis is organized <strong>in</strong> six chapters. In Chapter 1, <strong>the</strong> research<br />

problems, questions, and motivations will be discussed with<br />

examples <strong>of</strong> digitized and visual identity systems. Chapter 2<br />

presents <strong>the</strong> <strong>the</strong>ories <strong>of</strong> identity relevant to this study. Chapter 3<br />

describes <strong>the</strong> research approaches, design, and methods. In Chapter<br />

4, <strong>the</strong> f<strong>in</strong>d<strong>in</strong>gs from data analysis are presented with examples <strong>of</strong><br />

data collected from <strong>the</strong> participants. Chapter 5 outl<strong>in</strong>es <strong>the</strong> design<br />

rationale <strong>of</strong> a new visual identity, and Chapter 6 concludes this<br />

<strong>the</strong>sis with <strong>the</strong> summary <strong>of</strong> f<strong>in</strong>d<strong>in</strong>gs and a future research plan.<br />

1.1 Statement <strong>of</strong> <strong>the</strong> Design Research Problem<br />

In his book The Savage M<strong>in</strong>d, Levis Claude argues that people can<br />

recognize th<strong>in</strong>gs by separat<strong>in</strong>g or differentiat<strong>in</strong>g one from ano<strong>the</strong>r,<br />

and IDs and identification systems were <strong>in</strong>troduced to satisfy <strong>the</strong>ir<br />

needs. In an <strong>in</strong>dustrialized society, an identification system is<br />

typically designed <strong>in</strong> a form <strong>of</strong> standardized numeric <strong>in</strong>formation,<br />

such as social security numbers or bank account numbers. These<br />

numbers, which allow us to process tons <strong>of</strong> <strong>in</strong>formation at <strong>the</strong><br />

speed <strong>of</strong> light, are convenient vehicles <strong>of</strong> communication when a<br />

system <strong>of</strong> encod<strong>in</strong>g and decod<strong>in</strong>g <strong>the</strong> numbers are <strong>in</strong> place. Digitized<br />

4


identity systems convert various types <strong>of</strong> <strong>in</strong>formation <strong>in</strong>to (random)<br />

compositions <strong>of</strong> numbers, which are easier to compare, sort, encrypt,<br />

search, and store <strong>in</strong> <strong>the</strong> digital data format. Such advantages make<br />

<strong>the</strong> numbers an efficient means <strong>of</strong> communication for identification<br />

purposes. Virtually everyth<strong>in</strong>g can be identified with computergenerated<br />

numbers, and most <strong>in</strong>stitutions, banks, schools, and o<strong>the</strong>r<br />

governmental <strong>of</strong>fices rely on digitized identification systems.<br />

Digitized identity systems, however, have <strong>the</strong>ir limitations. The<br />

ID consist<strong>in</strong>g <strong>of</strong> only numbers can leave out some <strong>in</strong>formation—<br />

<strong>in</strong>formation that cannot be encoded <strong>in</strong> numbers—about <strong>the</strong> human<br />

who is be<strong>in</strong>g represented with it. The numbers cannot capture<br />

how he or she deals with reality, challenges, opportunities and<br />

complexities <strong>of</strong> life. The numbers do not show how he or she may<br />

react toward th<strong>in</strong>gs, people and events. The numbers cannot tell<br />

what he or she values or appreciates most. The numbers, <strong>in</strong> o<strong>the</strong>r<br />

words, cannot capture <strong>the</strong> owner’s core values and fail to convey<br />

who he or she is <strong>in</strong> general. These aspects <strong>of</strong> identity are considered<br />

irrelevant <strong>in</strong> many <strong>of</strong> <strong>the</strong> digitized identification systems—an<br />

ATM mach<strong>in</strong>e would not be <strong>in</strong>terested <strong>in</strong> learn<strong>in</strong>g how sensitive<br />

its customers are when <strong>the</strong>y withdraw money from it. It merely<br />

recognizes an <strong>in</strong>dividual as one <strong>of</strong> its millions <strong>of</strong> customers, identified<br />

only with a unique bank account number. As a graphic designer,<br />

however, <strong>the</strong> researcher argues that an identity system that (a)<br />

captures more relevant <strong>in</strong>formation about <strong>the</strong> owner as a person<br />

and (b) represents <strong>the</strong> <strong>in</strong>formation <strong>in</strong> visual forms that everyone can<br />

<strong>in</strong>tuitively <strong>in</strong>terpret can be valuable for three reasons: Firstly, such<br />

an identity system will br<strong>in</strong>g our attention back to <strong>the</strong> matter <strong>of</strong><br />

humanity that is <strong>of</strong>ten ignored when we treat people as simply one <strong>of</strong><br />

<strong>the</strong> many entities to “process.” Secondly, such an identity system will<br />

<strong>in</strong>evitably <strong>in</strong>vite people to participate <strong>in</strong> <strong>the</strong> processes <strong>of</strong> reflection<br />

and representation <strong>of</strong> self that will help <strong>the</strong>m discover, negotiate,<br />

construct and represent <strong>the</strong>ir identities <strong>in</strong> <strong>the</strong>ir own terms. Thirdly,<br />

this research proposes design<strong>in</strong>g a visual symbol for an ID that<br />

reflects its owner’s personality and attitude as a part <strong>of</strong> <strong>the</strong> identity<br />

system, and when <strong>the</strong> symbol is shared <strong>in</strong> <strong>the</strong> social <strong>in</strong>teraction<br />

context, it will open up a lot <strong>of</strong> conversations and contemplative<br />

5


thoughts, present<strong>in</strong>g <strong>in</strong>terest<strong>in</strong>g opportunities to explore to <strong>the</strong><br />

owner.<br />

1.2 Research Questions<br />

With aforementioned assumptions, this research plans to exam<strong>in</strong>e<br />

<strong>the</strong> strengths and weaknesses <strong>of</strong> <strong>the</strong> new visual identity system by<br />

ask<strong>in</strong>g two research questions.<br />

First, what <strong>in</strong>formation about a person that has not already been<br />

represented <strong>in</strong> o<strong>the</strong>r digitized IDs can this new visual identity<br />

properly capture and represent for its owner? Dur<strong>in</strong>g this study, <strong>the</strong><br />

researcher constantly questions what constitutes a person’s identity<br />

and how it is represented and perceived by <strong>the</strong> o<strong>the</strong>rs. A person’s<br />

identity is not manifested <strong>in</strong> a s<strong>in</strong>gle, concrete form, but it is ra<strong>the</strong>r<br />

partially reflected <strong>in</strong> material and immaterial elements around <strong>the</strong><br />

person, such as his/her personality, appearance, personal history,<br />

and/or objects with which he/she <strong>in</strong>teracts, e.g. The researcher<br />

plans to f<strong>in</strong>d out <strong>in</strong>formation that is relevant to a person’s identity<br />

but has not been represented on IDs so far by recruit<strong>in</strong>g research<br />

participants and collect<strong>in</strong>g identity-related cues reflected <strong>in</strong> material/<br />

immaterial artifacts around <strong>the</strong>m.<br />

Second, once <strong>the</strong> proposed system, MeeGram, generates a visual<br />

symbol-ID for a person, how would <strong>the</strong> owner <strong>of</strong> <strong>the</strong> symbol and <strong>the</strong><br />

o<strong>the</strong>rs respond to, <strong>in</strong>terpret, and use it? What secondary mean<strong>in</strong>gs/<br />

functions would <strong>the</strong>y attribute to <strong>the</strong> symbols? This research<br />

<strong>in</strong>tends to design visual symbols (MeeGram IDs) based on <strong>the</strong><br />

research participants’ <strong>in</strong>put about <strong>the</strong>mselves to make this process a<br />

personalized experience <strong>of</strong> discover<strong>in</strong>g, negotiat<strong>in</strong>g and represent<strong>in</strong>g<br />

<strong>the</strong>mselves. The research activities <strong>in</strong>clude (1) artifact collection<br />

and <strong>in</strong>-depth <strong>in</strong>terviews with <strong>the</strong> participants prior to system<br />

design to def<strong>in</strong>e <strong>the</strong> type <strong>of</strong> personal <strong>in</strong>formation that is relevant to<br />

identity and also (2) <strong>in</strong>-depth <strong>in</strong>terviews with <strong>the</strong> same participants<br />

after design<strong>in</strong>g visual symbol-IDs to get <strong>the</strong>ir feedback. Both <strong>the</strong><br />

visual identity as a system and <strong>the</strong> result<strong>in</strong>g MeeGram IDs will be<br />

developed and reviewed <strong>in</strong> a participatory manner.<br />

6


1.3 Motivations<br />

The personal motivation beh<strong>in</strong>d this research has grown with a<br />

series <strong>of</strong> events <strong>the</strong> researcher experienced over time regard<strong>in</strong>g<br />

digitized IDs and identification systems. The communities,<br />

organizations, and <strong>in</strong>stitutions that <strong>the</strong> researcher belongs to issued<br />

several ID numbers. S<strong>in</strong>ce all <strong>of</strong> <strong>the</strong>se numbers were designed to<br />

work <strong>in</strong> different identification systems, <strong>the</strong>y were completely useless<br />

outside <strong>the</strong>ir systems. <strong>For</strong> <strong>in</strong>stance, <strong>the</strong> seven-digit student ID that a<br />

college issued was very useful for <strong>the</strong> four years while <strong>the</strong> researcher<br />

attended <strong>the</strong> college, but <strong>the</strong> ID was completely forgotten after she<br />

graduated from <strong>the</strong> school. The ID has not been used at all so far,<br />

and it just became part <strong>of</strong> her history. The ID, come to th<strong>in</strong>k <strong>of</strong> it,<br />

is not part <strong>of</strong> <strong>the</strong> researcher’s identity anymore because it was not<br />

pert<strong>in</strong>ent to her identity to beg<strong>in</strong> with, and it was only mean<strong>in</strong>gful<br />

with<strong>in</strong> <strong>the</strong> college’s identification system.<br />

The idea <strong>of</strong> a new visual identity system that is (a) more <strong>in</strong>tuitively<br />

relevant to a person’s identity and (b) thus mean<strong>in</strong>gful for <strong>the</strong><br />

lifetime to its owner was conceived from <strong>the</strong> experience. The<br />

proposed visual identity, MeeGram, may be designed and used <strong>in</strong><br />

conjunction with digitized IDs and identification systems, but <strong>in</strong>stead<br />

<strong>of</strong> be<strong>in</strong>g just efficient, MeeGram can address <strong>the</strong> affective aspects <strong>of</strong><br />

<strong>the</strong> owner and make his/her social <strong>in</strong>teractions richer. <strong>For</strong> <strong>in</strong>stance,<br />

if <strong>the</strong> MeeGram ID is pr<strong>in</strong>ted with barcodes on a student ID card, <strong>the</strong><br />

<strong>in</strong>formation stored <strong>in</strong> <strong>the</strong> card will be efficiently manipulated thanks<br />

to <strong>the</strong> barcodes, but <strong>the</strong> <strong>in</strong>formation is not completely detached from<br />

<strong>the</strong> owner as a person because <strong>the</strong>re is ano<strong>the</strong>r symbol, MeeGram<br />

ID, that tells someth<strong>in</strong>g more about him/her as a person.<br />

The next chapter, Literature Review, will <strong>in</strong>troduce examples <strong>of</strong><br />

visual identity systems that represent <strong>the</strong> owner’s personality and<br />

characteristics. This will be followed by <strong>the</strong> current def<strong>in</strong>itions and<br />

<strong>the</strong>ories <strong>of</strong> identity.<br />

7


Chapter 2<br />

Literature Review<br />

2.1 Introduction<br />

There are many ways <strong>of</strong> understand<strong>in</strong>g <strong>in</strong> terms <strong>of</strong> Identity. In<br />

Philosophy, identity can be referred to that which contrasts with<br />

‘<strong>the</strong> sameness,’ <strong>the</strong> property <strong>of</strong> an entity—objects or people—that<br />

dist<strong>in</strong>guishes one from ano<strong>the</strong>r. In <strong>the</strong> social sciences, identity<br />

is an <strong>in</strong>dividual’s comprehension <strong>of</strong> a person with separate<br />

characteristics than himself or herself as Claude Levi-Strauss<br />

argued <strong>in</strong> his book The Savage M<strong>in</strong>d, and this is a part <strong>of</strong> <strong>the</strong> process<br />

<strong>of</strong> how a personality is perceived. There are also many studies and<br />

research results on identity process, formation, development, and<br />

determ<strong>in</strong>ation. This chapter will beg<strong>in</strong> by <strong>in</strong>troduc<strong>in</strong>g early studies<br />

and research on identity and some <strong>of</strong> <strong>the</strong> digitized visual identity<br />

attempts start<strong>in</strong>g from barcodes to o<strong>the</strong>r type <strong>of</strong> codes that attempt<br />

to capture personality aspects.<br />

2.2 Early study on Identity by Claude Levi-Strauss<br />

Accord<strong>in</strong>g to The Savage M<strong>in</strong>d by Claude Levi-Strauss, <strong>the</strong>re is a<br />

classification system <strong>in</strong> society <strong>in</strong> order to avoid chaos and to step<br />

towards rational order<strong>in</strong>g. The classification works based on human<br />

nature’s sensibility that perceives <strong>the</strong> property <strong>of</strong> entities. <strong>For</strong><br />

example, we sense <strong>the</strong> difference between an apple and a pear by<br />

<strong>the</strong>ir properties such as color, shape, size, and taste. These traits<br />

become <strong>the</strong> pear or <strong>the</strong> apple’s identity. When we go to a grocery<br />

store, products are grouped by <strong>the</strong> same category so customers can<br />

efficiently recognize and grab what <strong>the</strong>y want. This is how identity<br />

forms and works by differentiat<strong>in</strong>g one from ano<strong>the</strong>r.<br />

In The Savage M<strong>in</strong>d, <strong>the</strong> author argues that <strong>the</strong> classification system<br />

is a co-exist<strong>in</strong>g b<strong>in</strong>ary structure called Bricolage and Science (1) .<br />

‘Bricoleur’ comes from <strong>the</strong> old French verb bricoler that refers to<br />

random activities <strong>in</strong> hunt<strong>in</strong>g, shoot<strong>in</strong>g, and rid<strong>in</strong>g. In contemporary<br />

French, <strong>the</strong> word is equal to ‘do it yourself’ <strong>in</strong> English. Bricoleur<br />

refers to one who works with his hands, usually <strong>in</strong> devious or “crafty”<br />

ways, especially when compared to <strong>the</strong> pr<strong>of</strong>essional craftsman, whom<br />

Levi-Strauss equates with <strong>the</strong> Eng<strong>in</strong>eer. The Bricoleur is adept at<br />

8


many tasks and at putt<strong>in</strong>g pre-exist<strong>in</strong>g th<strong>in</strong>gs toge<strong>the</strong>r <strong>in</strong> random<br />

ways. The Bricoleur can be referred to as “<strong>the</strong> savage m<strong>in</strong>d” and <strong>the</strong><br />

Eng<strong>in</strong>eer can be referred to “<strong>the</strong> scientific m<strong>in</strong>d” (1) .<br />

These two aspects set <strong>the</strong> b<strong>in</strong>ary structure on <strong>the</strong> axis <strong>of</strong> opposition<br />

between nature and culture. Inspired by Levi-Strauss’ <strong>the</strong>ory, <strong>the</strong><br />

researcher concludes that Bricoleur can be represented as a physical<br />

presence <strong>of</strong> human nature (e.g. personality traits) and <strong>the</strong> Scientific<br />

m<strong>in</strong>d can be represented as <strong>in</strong>tangible presence <strong>of</strong> <strong>in</strong>formation (e.g.<br />

digitized IDs). They have to co-exist <strong>in</strong> order to be balanced between<br />

<strong>the</strong> emotional and <strong>the</strong> rational, improvised events and planned<br />

structures, so <strong>the</strong> comb<strong>in</strong>ation <strong>of</strong> <strong>the</strong> Bricoleur and <strong>the</strong> Eng<strong>in</strong>eer<br />

aspect can work as a whole identity. The research has been grounded<br />

<strong>in</strong> this structure, and it leans more toward captur<strong>in</strong>g personality<br />

traits.<br />

2.3 Theories <strong>of</strong> Social Identity<br />

Social identity is one <strong>of</strong> <strong>the</strong> dom<strong>in</strong>ant methods <strong>in</strong> def<strong>in</strong><strong>in</strong>g a person<br />

<strong>in</strong> terms <strong>of</strong> identity <strong>in</strong> social psychology. As developed by Tajfel, <strong>the</strong><br />

<strong>the</strong>ory is <strong>in</strong>terrelated to social psychological <strong>the</strong>ories deal<strong>in</strong>g with<br />

personal identity regard<strong>in</strong>g what makes difference when is viewed<br />

by an <strong>in</strong>dividual versus group (5) . Social identity <strong>the</strong>ory covers both<br />

psychological and sociological dimensions. Each person has both<br />

social and personal identities, each identity <strong>in</strong>form<strong>in</strong>g <strong>the</strong> <strong>in</strong>dividual<br />

<strong>of</strong> whom he or she is and what <strong>the</strong> identity presents. These identities<br />

will vary accord<strong>in</strong>g to <strong>the</strong> social boundaries. The <strong>the</strong>ory argues that<br />

social behavior ranges from <strong>the</strong> <strong>in</strong>terpersonal to <strong>the</strong> <strong>in</strong>tergroup<br />

behavior (4) . When personal identity stands out, <strong>the</strong> person will relate<br />

to o<strong>the</strong>rs <strong>in</strong> an <strong>in</strong>terpersonal manner, and this depends on <strong>the</strong>ir<br />

personality traits and any personal relationship exist<strong>in</strong>g between<br />

people. However, under specific conditions, that social identity<br />

will stand out more than personal identity if self-conception is<br />

qualitatively different.<br />

Four elements <strong>of</strong> composition <strong>in</strong> social identity:<br />

• Categorization: pPeople <strong>of</strong>ten put o<strong>the</strong>rs (and ourselves)<br />

<strong>in</strong>to categories. Label<strong>in</strong>g someone a Muslim, a Turk or<br />

a baseball player is one way <strong>of</strong> categorization.<br />

9


• Identification: People also associate with certa<strong>in</strong> groups<br />

(<strong>in</strong>groups and outgroups), which serves to bolster <strong>the</strong>ir<br />

self-esteem.<br />

• Comparison: People compare <strong>the</strong>ir own groups with<br />

o<strong>the</strong>r groups, see<strong>in</strong>g a favorable bias toward <strong>the</strong> group to<br />

which <strong>the</strong>y belong.<br />

• Psychological Dist<strong>in</strong>ctiveness: People desire <strong>the</strong>ir<br />

identity to be both dist<strong>in</strong>ct from and positively compared<br />

to o<strong>the</strong>r groups (6) .<br />

2.4 Theories <strong>of</strong> Cultural Identity<br />

Cultural identity is <strong>the</strong> identity <strong>of</strong> a certa<strong>in</strong> culture and formed by<br />

<strong>in</strong>fluenc<strong>in</strong>g a person’s belong<strong>in</strong>g to <strong>the</strong> culture. Culture is a social<br />

possess ra<strong>the</strong>r than an <strong>in</strong>dividuals possess <strong>in</strong> which people share and<br />

contribute, <strong>in</strong> <strong>the</strong> boundary <strong>of</strong> chang<strong>in</strong>g historical conditions.<br />

As a historic reservation, culture is an important element <strong>in</strong> form<strong>in</strong>g<br />

identity (7) .<br />

2.5 Identity <strong>For</strong>mation, Development and Negotiation<br />

Rummens def<strong>in</strong>es identity as “<strong>the</strong> dist<strong>in</strong>ctive character belong<strong>in</strong>g<br />

to any given <strong>in</strong>dividual, or shared by all members <strong>of</strong> a particular<br />

social category or group” (3) . The term is derived from <strong>the</strong> French<br />

noun identité which has its l<strong>in</strong>guistic orig<strong>in</strong> <strong>in</strong> <strong>the</strong> Lat<strong>in</strong> word<br />

identitas, -tatis, itself a root <strong>of</strong> <strong>the</strong> Lat<strong>in</strong> adjective idem, mean<strong>in</strong>g<br />

‘<strong>the</strong> same.’ The term is basically approximate <strong>in</strong> nature, as it<br />

highlights <strong>the</strong> shar<strong>in</strong>g a level <strong>of</strong> sameness with o<strong>the</strong>rs <strong>in</strong> a specific<br />

area or on a certa<strong>in</strong> given po<strong>in</strong>t. ‘Identity’ can be differentiated from<br />

‘identification.’ Identity is a classification whereas identification<br />

refers to <strong>the</strong> classify<strong>in</strong>g act itself. Identity is thus best understood as<br />

be<strong>in</strong>g both relational and contextual, while <strong>the</strong> act <strong>of</strong> identification is<br />

best viewed as essentially processual (3) .<br />

In this research, personal identity refers to <strong>the</strong> result <strong>of</strong> an<br />

identification <strong>of</strong> <strong>in</strong>dividuals. In o<strong>the</strong>r words, it is a self-identification<br />

as reflexively perceived by <strong>the</strong> <strong>in</strong>dividual on <strong>the</strong> part <strong>of</strong> <strong>the</strong> him/<br />

her. On <strong>the</strong> o<strong>the</strong>r hand, social identity refers to <strong>the</strong> result <strong>of</strong> an<br />

identification <strong>of</strong> self by o<strong>the</strong>rs (3) . In short, it is essential to consider<br />

10


all perceptions <strong>of</strong> identity when exam<strong>in</strong><strong>in</strong>g <strong>the</strong> <strong>in</strong>terdiscipl<strong>in</strong>ary<br />

research concerned with <strong>the</strong> social classification <strong>of</strong> <strong>in</strong>dividuals and<br />

<strong>the</strong> accompany<strong>in</strong>g identification processes (3) .<br />

Identity classification can be discussed <strong>in</strong> a wide range <strong>of</strong> categories<br />

such as national identity, regional identity, racial identity, religious<br />

identity, etc. These are also impacted by birth places, economic<br />

status, languages, cultural backgrounds, education, religion, and<br />

social <strong>in</strong>teraction.<br />

The formation <strong>of</strong> an identity is an on-go<strong>in</strong>g process with a complexity<br />

that can be def<strong>in</strong>ed as be<strong>in</strong>g <strong>the</strong> result <strong>of</strong> ei<strong>the</strong>r identity formation/<br />

development or identity negotiation/construction. Personality may<br />

be someth<strong>in</strong>g we are born with; however, over time and experience,<br />

identity can be adjusted or reformed by o<strong>the</strong>r environmental factors<br />

such as culture, people, history, etc. In many cases, <strong>the</strong>se two<br />

processes work closely toge<strong>the</strong>r through overlapp<strong>in</strong>g or <strong>in</strong>tertw<strong>in</strong><strong>in</strong>g,<br />

and, from time to time, compet<strong>in</strong>g. Differentiat<strong>in</strong>g between Self-<br />

Identity, Personal-Identity and Social-Identity is key <strong>in</strong> figur<strong>in</strong>g out<br />

<strong>the</strong> complicated process <strong>of</strong> identity formation.<br />

Identity Development/<strong>For</strong>mation (<strong>of</strong> self, by <strong>the</strong> <strong>in</strong>dividual)<br />

Identity formation comes from <strong>the</strong> processes <strong>of</strong> thoughts and feel<strong>in</strong>gs<br />

that a person experiences as he/she learns about life over time<br />

and builds up a unique characteristics through <strong>the</strong> experiences.<br />

Identity development or formation refers to cognitive development.<br />

Psychology is closely related to <strong>the</strong> development <strong>of</strong> self-identity, as<br />

well as <strong>in</strong>-group affirmation and <strong>in</strong>-group denial <strong>in</strong>clud<strong>in</strong>g identity<br />

declarations <strong>of</strong> him/her self by o<strong>the</strong>rs.<br />

Identity Construction (<strong>of</strong> self by <strong>in</strong>dividuals and/or groups)<br />

Identity construction refers to human identity that one is born with,<br />

or identity that is socially-reformed regardless <strong>of</strong> life history or<br />

experience.<br />

Identity Negotiation<br />

(<strong>of</strong> self/o<strong>the</strong>r, between/among groups, by/with<strong>in</strong> groups via <strong>in</strong>dividuals)<br />

11


Identity negotiation refers to <strong>the</strong> social identifications with<strong>in</strong><br />

groups through <strong>the</strong> <strong>in</strong>teractive activities <strong>of</strong> <strong>in</strong>dividuals <strong>in</strong> terms<br />

<strong>of</strong> relationship. Identities can be obta<strong>in</strong>ed both by <strong>in</strong>dividuals and<br />

groups (3) .<br />

Among <strong>the</strong> activities that form a personal identity, <strong>the</strong> research on<br />

<strong>the</strong> development <strong>of</strong> identity explores what occurs around someone<br />

<strong>in</strong>clud<strong>in</strong>g an exam<strong>in</strong>ation <strong>of</strong> <strong>the</strong> variables that constitute personal<br />

identity. From this perspective, <strong>the</strong> <strong>the</strong>oretical approach is closely<br />

related to Identity Negotiation because <strong>the</strong>re is an assumption that<br />

how an <strong>in</strong>dividual engages with identity formation and construction<br />

determ<strong>in</strong>es how an <strong>in</strong>dividual identifies.<br />

2.6 Visual Identities<br />

There are many types <strong>of</strong> digitized identities that deliver <strong>in</strong>formation<br />

<strong>in</strong>clud<strong>in</strong>g first, second and third generations <strong>of</strong> barcodes. The<br />

work<strong>in</strong>g formula <strong>of</strong> barcodes represents data <strong>in</strong> <strong>the</strong> widths <strong>of</strong> l<strong>in</strong>es<br />

and <strong>the</strong> gaps <strong>of</strong> parallel l<strong>in</strong>es. In <strong>the</strong> second generation, barcodes<br />

are built <strong>in</strong> patterns <strong>of</strong> squares, dots, hexagons and o<strong>the</strong>r geometric<br />

patterns with<strong>in</strong> 2D matrix codes. The second generation is similar to<br />

a l<strong>in</strong>ear barcode, but has more data representation capability.<br />

Barcodes came to use label railroad cars at first, but <strong>the</strong>y were not<br />

commercially successful until <strong>the</strong>y become popular to automate<br />

supermarket checkout systems. The usage <strong>of</strong> barcodes has expended<br />

to many o<strong>the</strong>r roles, tasks referred to as Auto ID Data Capture<br />

(AIDC) <strong>in</strong> general. In sale management, <strong>the</strong> use <strong>of</strong> barcodes can<br />

provide very detailed up-to-date <strong>in</strong>formation on key aspects <strong>of</strong> <strong>the</strong><br />

bus<strong>in</strong>ess, enabl<strong>in</strong>g managers to make decisions quickly. These<br />

decisions can be made with more confidence, less cost, and fewer<br />

errors.<br />

Besides <strong>the</strong> bus<strong>in</strong>ess–friendly quality, barcodes are also very useful<br />

<strong>in</strong> shipp<strong>in</strong>g, receiv<strong>in</strong>g, and track<strong>in</strong>g, and that is why barcodes are<br />

widely used <strong>in</strong> postal services.<br />

As <strong>the</strong> use <strong>of</strong> barcodes become more popular <strong>in</strong> <strong>the</strong> market, <strong>the</strong>re<br />

have been a few attempts to create customized barcodes by add<strong>in</strong>g<br />

images that represent personalities. This can be seen as an<br />

additional feature on <strong>the</strong> top <strong>of</strong> <strong>the</strong> barcodes’ functionality.<br />

12


In Japan, a Barcode design company, D-Barcode, has been creat<strong>in</strong>g<br />

custom barcodes that turn regular rigid barcodes <strong>in</strong>to someth<strong>in</strong>g fun<br />

and memorable by creat<strong>in</strong>g graphic elements based on <strong>the</strong> bus<strong>in</strong>ess<br />

owner’s identities(figure 1). These graphics are visually <strong>in</strong>trigu<strong>in</strong>g<br />

and communicative <strong>in</strong> terms <strong>of</strong> uniqueness. In Korea, <strong>the</strong>re is a<br />

new data representational system which is called The Color Code<br />

(figure 2). The Color Code is a form <strong>of</strong> matrix that uses four different<br />

colors—red, green, blue, and black—to represent data that can be<br />

read by camera phones from TV screens and <strong>of</strong>f-l<strong>in</strong>e media. In The<br />

Color Code system, users can create <strong>the</strong>ir own codes by add<strong>in</strong>g some<br />

simple and basic graphic elements such as a heart shape, a diamond<br />

shape and shapes <strong>of</strong> letters (figure 3). The company also <strong>of</strong>fers a<br />

custom-made color code, and <strong>the</strong>y are more communicative <strong>in</strong> terms<br />

<strong>of</strong> identity with<strong>in</strong> <strong>the</strong> limitation <strong>of</strong> <strong>the</strong> four colors (figure 4).<br />

Chapter 3<br />

Research Approach/Method/Design<br />

3.1 Introduction<br />

This research was conducted <strong>in</strong> three phases: In Phase 1, <strong>the</strong><br />

researcher recruited five participants for artifact collection and<br />

<strong>in</strong>-depth <strong>in</strong>terviews. The participants were <strong>in</strong>structed to collect<br />

20 or more items represent<strong>in</strong>g or resembl<strong>in</strong>g <strong>the</strong>ir personalities<br />

from <strong>the</strong>ir acqua<strong>in</strong>tances. Activities <strong>in</strong> this phase were exploratory<br />

<strong>in</strong> that <strong>the</strong> researcher approached participants with open-ended<br />

questions to observe <strong>the</strong>ir personalities reflected on perceptible<br />

artifacts. In Phase 2, <strong>the</strong> researcher analyzed <strong>the</strong> collected data<br />

with <strong>the</strong> Aff<strong>in</strong>ity Diagram method and created each participant’s<br />

pr<strong>of</strong>ile <strong>in</strong> five dimensions <strong>in</strong> <strong>the</strong> Five Factor Model, i.e. Openness,<br />

Conscientiousness, Extroversion, Agreeableness and Neuroticism.<br />

Based on <strong>the</strong> <strong>in</strong>formation collected, a personalized MeeGram ID was<br />

designed for each participant.<br />

In Phase 3, <strong>the</strong> researcher conducted <strong>in</strong>-depth <strong>in</strong>terviews with<br />

<strong>the</strong> same participants with <strong>the</strong> already-generated MeeGram IDs<br />

present for feedback purposes. The participants discussed <strong>the</strong>ir<br />

<strong>in</strong>terpretations <strong>of</strong> MeeGam IDs and shared <strong>the</strong>ir thoughts on <strong>the</strong><br />

design <strong>of</strong> visual symbols. The participants described how <strong>the</strong>y would<br />

13


use <strong>the</strong> MeeGram IDs as well as any foreseeable concerns and issues<br />

that could emerge when us<strong>in</strong>g IDs with <strong>the</strong>ir personalities revealed.<br />

3.2 Phase 1: Artifact Collection and Participant Interviews<br />

Five participants were recruited for this research: three graphic<br />

designers and two o<strong>the</strong>r <strong>in</strong>dividuals with non-design-related<br />

pr<strong>of</strong>essions. The researcher recruited graphic designer participants<br />

to collect <strong>the</strong>ir feedback on <strong>the</strong> visual design <strong>of</strong> MeeGram IDs.<br />

Participants were <strong>in</strong>structed to collect 20 to 25 items show<strong>in</strong>g some<br />

aspect <strong>of</strong> <strong>the</strong>ir personality. Next, <strong>the</strong>y shared <strong>the</strong> collected items with<br />

<strong>the</strong> researcher by post<strong>in</strong>g <strong>the</strong> images <strong>of</strong> items on a bullet<strong>in</strong> board<br />

(figure 5). Participants were also asked to articulate <strong>the</strong> relationships<br />

between <strong>the</strong>mselves and <strong>the</strong> items.<br />

The artifacts, collected <strong>in</strong> various mediums/formats—quotes, poems,<br />

or pictures, e.g.—were <strong>in</strong>formative <strong>in</strong> many regards. The images<br />

provided rich <strong>in</strong>formation on <strong>the</strong> participants’ physical, social and<br />

cultural environments where a person’s identity is generally formed/<br />

transformed. <strong>For</strong> <strong>in</strong>stance, Participant #3 posted many sports and<br />

game-related artifacts such as baseball, darts, and carnival games.<br />

This selection shows a dynamic and active side <strong>of</strong> her personality.<br />

She posted <strong>the</strong> Yankees’ logo because <strong>of</strong> her love <strong>of</strong> baseball and New<br />

York birthplace.<br />

“LOVES baseball and <strong>the</strong> yankees. probably cause she was born <strong>in</strong> ny. but i got her<br />

yankee spr<strong>in</strong>g tra<strong>in</strong><strong>in</strong>g tickets for her bday”.<br />

(Excerpt from <strong>the</strong> e-mail communication with participant #3)<br />

14


“canival game: crystal’s friend just gave this to crystal a few days ago s<strong>in</strong>ce crystal<br />

loves WII and thought she would like this game s<strong>in</strong>ce it perta<strong>in</strong>s to different carnival<br />

games like pop <strong>the</strong> balloon, horse rac<strong>in</strong>g, shoot<strong>in</strong>g duck and so much more. her friend<br />

said she would love it! s<strong>in</strong>ce <strong>the</strong> more you w<strong>in</strong>, <strong>the</strong> more tickets you receive and <strong>the</strong>n<br />

you exchange <strong>the</strong>m for a prize! Lol.”<br />

(Excerpt from <strong>the</strong> e-mail communication with participant #3)<br />

The images provided <strong>the</strong> participants’ self-images mirrored on<br />

perceptible artifacts around <strong>the</strong>m. The perceptible artifacts are<br />

representations <strong>of</strong> how <strong>the</strong> participants view <strong>the</strong>mselves (<strong>the</strong>n and<br />

now), which <strong>of</strong>ten differ from how <strong>the</strong>ir acqua<strong>in</strong>tances view <strong>the</strong>m.<br />

Without <strong>the</strong> perceptible artifacts, it would have been very difficult<br />

to communicate <strong>the</strong> participants’ self-images because <strong>the</strong> selfimages<br />

may have been obvious to <strong>the</strong> participants but not visible at<br />

all to <strong>the</strong> researcher. The perceptible artifacts, however, are signs<br />

that have to be <strong>in</strong>terpreted by <strong>the</strong> researcher, and <strong>the</strong> researcher’s<br />

subjectivity will always be projected onto <strong>the</strong> mean<strong>in</strong>gs <strong>of</strong> <strong>the</strong> signs.<br />

A person’s represented identity, as a result, is not a clearly def<strong>in</strong>ed<br />

and established image by <strong>the</strong> person, but always a negotiated image<br />

between <strong>the</strong> person and <strong>the</strong> <strong>in</strong>terpreters <strong>of</strong> <strong>the</strong> image. <strong>For</strong> example,<br />

participant #5 used an image <strong>of</strong> a circle to represent her personality,<br />

a personality she described as not sensitive or easygo<strong>in</strong>g. The circle<br />

was used as a metaphor for her <strong>in</strong>visible personality traits that<br />

are not po<strong>in</strong>ted or sharp. Even though <strong>the</strong> personality traits are<br />

not visible or tangible, it was communicated clearly between <strong>the</strong><br />

researcher and <strong>the</strong> participant with <strong>the</strong> metaphor thanks to <strong>the</strong><br />

15


shared perception <strong>of</strong> <strong>the</strong> circle.<br />

“One <strong>of</strong> my friend said she th<strong>in</strong>ks <strong>of</strong> circle when she imag<strong>in</strong>es me cause everyth<strong>in</strong>g I<br />

have is circle shape like my eyes, my face, my easygo<strong>in</strong>g personality.”<br />

(Excerpt from <strong>the</strong> e-mail communication with participant #5)<br />

The images also <strong>in</strong>clude some artifacts that relate to <strong>the</strong> participant’s<br />

identity by association, such as seashell that is associated to<br />

seashore. Concepts arise from a person’s experience and more<br />

concepts are associated with <strong>the</strong>m, and altoge<strong>the</strong>r, <strong>the</strong>y become<br />

part <strong>of</strong> <strong>the</strong> person’s identity. The associated concepts revealed <strong>the</strong><br />

participant’s memories/relations to ideas, objects, activities, and<br />

people dur<strong>in</strong>g <strong>the</strong> research. Some concepts associated with some <strong>of</strong><br />

<strong>the</strong> participant’s characteristics by similarity helped <strong>the</strong> researcher<br />

see <strong>the</strong> participant’s personality.<br />

<strong>For</strong> <strong>in</strong>stance, participant #2 posted a photo <strong>of</strong> red flat shoes because<br />

she frequently wears flat shoes <strong>in</strong> various colors (especially <strong>in</strong> red),<br />

and it has become a characteristic part <strong>of</strong> her fashion style. Dur<strong>in</strong>g<br />

<strong>the</strong> <strong>in</strong>terview, <strong>the</strong> flat shoes rem<strong>in</strong>ded participant #2 <strong>of</strong> <strong>the</strong> activities<br />

that she was <strong>in</strong>volved <strong>in</strong> while she was wear<strong>in</strong>g <strong>the</strong> shoes. Also, she<br />

posted a blue VW Beetle image because she has been driv<strong>in</strong>g VW<br />

Beetle for a long time and people who are close to her th<strong>in</strong>k <strong>the</strong> car<br />

goes well with her. As a result, <strong>the</strong> car, or any car that is similar to<br />

<strong>the</strong> VW Beetle, rem<strong>in</strong>ds <strong>the</strong>m <strong>of</strong> participant #2.<br />

“My bro<strong>the</strong>r-<strong>in</strong>-law said whenever he sees VW beetle, it rem<strong>in</strong>ds him <strong>of</strong> me. because I<br />

16


drive Beetle and I hear a lot from people that my car is just like me.“<br />

(Excerpt from <strong>the</strong> e-mail communication with participant #3)<br />

“One on my close friend says a red flat shoes always rem<strong>in</strong>ds <strong>of</strong> me. because I love<br />

shoes :) and especially I have a lot <strong>of</strong> flat shoes. s<strong>in</strong>ce I am a graphic designer, she<br />

th<strong>in</strong>ks my red flat shoes match with my personality.”<br />

(Excerpt from <strong>the</strong> e-mail communication with Participant #3)<br />

3.3 Phase 2: Five Factor Model – The Design Rationale <strong>of</strong> MeeGram<br />

The data collected from <strong>the</strong> Phase 1 activities were analyzed with<br />

<strong>the</strong> Aff<strong>in</strong>ity Diagram method where clusters <strong>of</strong> related data emerge<br />

as <strong>the</strong>mes. <strong>For</strong> each participant, clusters <strong>of</strong> collected data were<br />

summarized as an Aff<strong>in</strong>ity Diagram (Figure 6). Later, <strong>the</strong> researcher<br />

concluded that (1) similar <strong>the</strong>mes can be found <strong>in</strong> most participants,<br />

and (2) <strong>the</strong> <strong>the</strong>mes virtually co<strong>in</strong>cide with <strong>the</strong> five dimensions <strong>of</strong><br />

identity as <strong>the</strong>y are def<strong>in</strong>ed <strong>in</strong> <strong>the</strong> Five Factor Model: Openness,<br />

Conscientiousness, Extroversion, Agreeableness and Neuroticism.<br />

The design <strong>of</strong> MeeGram ID as a visual symbol with five layered<br />

images, <strong>the</strong>refore, can be derived from <strong>the</strong> five dimensions.<br />

Big Five Factors or <strong>the</strong> Five Factor Model is one <strong>of</strong> <strong>the</strong> contemporary<br />

17


psychology <strong>the</strong>ories that describe human personality. Orig<strong>in</strong>ally<br />

developed by Tupes and Cristal for <strong>the</strong> U.S. Air <strong>For</strong>ce Personnel<br />

Laboratory <strong>in</strong> <strong>the</strong> late 1950s, this model is considered <strong>the</strong> most<br />

comprehensive, empirical, and data-driven research f<strong>in</strong>d<strong>in</strong>g <strong>in</strong><br />

personality psychology as it effectively identifies <strong>the</strong> basic traits<br />

and structure <strong>of</strong> human personality. It is, however, a very broad,<br />

ra<strong>the</strong>r conceptual framework, and also it is a strictly descriptive<br />

model. Each <strong>of</strong> <strong>the</strong> Big Five Factors—Openness, Conscientiousness,<br />

Extroversion, Agreeableness, and Neuroticism (Emotional<br />

Stability)—<strong>in</strong>cludes several related qualities: for <strong>in</strong>stance,<br />

sociability, excitement seek<strong>in</strong>g, and impulsiveness belong to <strong>the</strong><br />

Extroversion factor. The Big Five Factors and <strong>the</strong>ir constituent traits<br />

can be summarized as follows:<br />

Openness<br />

Openness refers to appreciation for art, unusual or unexpected<br />

ideas, curiosity, and variety <strong>of</strong> o<strong>the</strong>r cultural experience. This trait<br />

separates <strong>in</strong>novative and imag<strong>in</strong>ative people from realistic and<br />

material people. People with high openness scores are open-m<strong>in</strong>ded<br />

to unusual experience and show a lot <strong>of</strong> <strong>in</strong>tellectual curiosity. They<br />

are very sensitive to creativity, and honest about <strong>the</strong>ir own feel<strong>in</strong>gs.<br />

They can deal with complex and subtle ideas pretty well.<br />

Conscientiousness<br />

Conscientiousness describes a person’s level <strong>of</strong> discipl<strong>in</strong>e and<br />

responsibility. People with high conscientiousness scores tend to be<br />

responsible <strong>in</strong> action and highly motivated <strong>in</strong> achievement. They<br />

act with planned, controlled, and regulated behaviors ra<strong>the</strong>r than<br />

impulsive or spontaneous ones.<br />

Extroversion<br />

Extroversion trait shows a person’s tendency to pursue excitement<br />

<strong>in</strong> social relationships. People with high extroversion scores enjoy<br />

be<strong>in</strong>g with o<strong>the</strong>r people and are <strong>of</strong>ten called “party people.” They are<br />

likely to be energetic and enthusiastic, action-driven <strong>in</strong>dividuals who<br />

are likely to lead and say “Yes!” or “Let’s go!” to opportunities for<br />

18


stimulation. When <strong>the</strong>y meet o<strong>the</strong>r people <strong>in</strong> groups, <strong>the</strong>y like to talk<br />

<strong>in</strong> front <strong>of</strong> people and draw attention to <strong>the</strong>mselves.<br />

Agreeableness<br />

The agreeableness trait shows how much a person would like to<br />

cooperate <strong>in</strong> relationships with o<strong>the</strong>rs. This trait also represents<br />

<strong>in</strong>dividual differences <strong>in</strong> how much each person is concerned about<br />

social harmony, so people with high agreeableness scores are<br />

attentive, amiable, generous, friendly, and wil<strong>in</strong>g to compromise.<br />

They also have a very positive view on human nature: a human be<strong>in</strong>g<br />

has an honest, decent, and trustworthy existence.<br />

Neuroticism<br />

People with high neuroticism scores have <strong>the</strong> tendency to feel<br />

negative emotions such as depression, anxiety, or anger more <strong>of</strong>ten<br />

than <strong>the</strong> o<strong>the</strong>rs. This trait spells out one’s emotional <strong>in</strong>stability, so<br />

people with high neuroticism scores are likely to take <strong>the</strong>ir problems<br />

very seriously even when <strong>the</strong> problems are m<strong>in</strong>or. People with high<br />

scores are vulnerable to stress <strong>in</strong> general. They are easily disturbed<br />

or irritated by small matters or experience mood sw<strong>in</strong>gs.<br />

Chapter 4<br />

Analysis <strong>of</strong> Data<br />

The data collected <strong>in</strong> Phase 1, <strong>the</strong> participants’ image collections<br />

and <strong>in</strong>terview comments, were analyzed with <strong>the</strong> Aff<strong>in</strong>ity Diagram<br />

method. The Aff<strong>in</strong>ity Diagram, <strong>of</strong>ten used to make clusters <strong>of</strong> ideas<br />

generated by Bra<strong>in</strong>storm<strong>in</strong>g, is a tool that ga<strong>the</strong>rs large amounts<br />

<strong>of</strong> data and organizes <strong>the</strong>m <strong>in</strong>to group<strong>in</strong>gs based on natural<br />

relationships. In this research, a broad range <strong>of</strong> images were<br />

collected by each participant, but <strong>the</strong> <strong>in</strong>terview comments revealed<br />

that some images were related to <strong>the</strong> participant’s identity for a<br />

similar reason. <strong>For</strong> <strong>in</strong>stance, participant #5’s LA fitness image shows<br />

a slice <strong>of</strong> her life style that she regularly exercises and enjoys it.<br />

The image shows <strong>the</strong> participant’s active and dynamic aspect that is<br />

ma<strong>in</strong>ly related to Extroversion. Also, participant #3’s cocktail book<br />

image represents that she loves to party and she is called a party<br />

19


person by her close friends. This shows her Extroversion aspect <strong>in</strong><br />

terms <strong>of</strong> personality traits <strong>in</strong> <strong>the</strong> Big Five Factor.<br />

<strong>For</strong> data analysis, <strong>the</strong> researcher pr<strong>in</strong>ted images collected by<br />

each participant and created sticky notes <strong>of</strong> key ideas about each<br />

image that <strong>the</strong> participant expressed dur<strong>in</strong>g <strong>the</strong> <strong>in</strong>terviews.<br />

Then, <strong>the</strong> images and notes were arranged <strong>in</strong> several groups—<strong>the</strong><br />

researcher paid close attention to how each image is relevant to<br />

<strong>the</strong> participant’s personality, and made groups <strong>of</strong> images that have<br />

similar relationships to <strong>the</strong> participant. The result<strong>in</strong>g Aff<strong>in</strong>ity<br />

Diagram <strong>in</strong>cludes all images organized <strong>in</strong> several groups. At <strong>the</strong> end,<br />

each group was labeled with a keyword captur<strong>in</strong>g <strong>the</strong> essential l<strong>in</strong>k<br />

among <strong>the</strong> ideas conta<strong>in</strong>ed <strong>in</strong> <strong>the</strong> group <strong>of</strong> images.<br />

While go<strong>in</strong>g through this analysis process several times with five<br />

sets <strong>of</strong> data, <strong>the</strong> researcher began to see some recurr<strong>in</strong>g <strong>the</strong>mes<br />

common to all participants’ data, which is very similar to <strong>the</strong> Big<br />

Five Factors. There is a possibility that <strong>the</strong> Big Five Factors actually<br />

affected <strong>the</strong> way data were analyzed as prescribed clusters because<br />

it is such a strong framework that makes a lot <strong>of</strong> sense to <strong>the</strong><br />

researcher. After repeat<strong>in</strong>g <strong>the</strong> Aff<strong>in</strong>ity Diagram analysis several<br />

times, <strong>the</strong> researcher decided to organize images accord<strong>in</strong>g to <strong>the</strong>ir<br />

relevance to <strong>the</strong> Big Five Factors. In <strong>the</strong> follow<strong>in</strong>g paragraphs, how<br />

<strong>the</strong> five dimensions <strong>of</strong> personality were materialized and reflected <strong>in</strong><br />

perceptible artifacts will be described with examples.<br />

4.1 Openness<br />

Openness was shown <strong>in</strong> some <strong>of</strong> artifacts related to travel and art.<br />

Hav<strong>in</strong>g learned that one <strong>of</strong> <strong>the</strong> personality traits <strong>in</strong> Openness is<br />

appreciation <strong>of</strong> o<strong>the</strong>r cultures and art, <strong>the</strong> researcher placed travel<br />

and German coke <strong>of</strong> <strong>the</strong> participant #4. In <strong>the</strong> description <strong>of</strong> <strong>the</strong><br />

objects, <strong>the</strong> participant expla<strong>in</strong>ed his love <strong>of</strong> travel<strong>in</strong>g to o<strong>the</strong>r<br />

countries and love for German Coke. That was how he came up with<br />

travel<strong>in</strong>g and German coke as part <strong>of</strong> his identity, and <strong>the</strong>se artifacts<br />

represent (<strong>the</strong>n and now) <strong>the</strong> participant’s Openness aspect.<br />

Participant #2 brought a light bulb that represents <strong>the</strong> participant’s<br />

flexibility aspect <strong>in</strong> terms <strong>of</strong> sparkl<strong>in</strong>g ideas. In <strong>the</strong> description,<br />

<strong>the</strong> person brought a light bulb for her identity and mentioned her<br />

20


unusual m<strong>in</strong>d set compared to o<strong>the</strong>r ord<strong>in</strong>ary people. This quality<br />

<strong>of</strong> her personality makes her brilliant. The researcher thought <strong>the</strong><br />

object should be categorized under Openness.<br />

4.2 Conscientiousness Represented <strong>in</strong> <strong>the</strong> Collected Images<br />

Conscientiousness is represented <strong>in</strong> some <strong>of</strong> artifacts that <strong>the</strong><br />

participants have a tendency to plan or control th<strong>in</strong>gs ra<strong>the</strong>r than be<br />

spontaneous. <strong>For</strong> <strong>in</strong>stance, <strong>the</strong> participant #1 submitted an image <strong>of</strong><br />

a notepad that shows a tendency to write down items such as th<strong>in</strong>gs<br />

to do or th<strong>in</strong>gs related to schedule and time. The participant stated<br />

that she feels more comfortable when she organizes to do lists on her<br />

note pad. This image clearly shows her conscientiousness quality <strong>in</strong><br />

her character.<br />

As ano<strong>the</strong>r example <strong>of</strong> show<strong>in</strong>g conscientiousness, participant #2<br />

came up with an image <strong>of</strong> Starbucks Americano because that is<br />

everyday activity for her. She sticks to a certa<strong>in</strong> type <strong>of</strong> c<strong>of</strong>fee and<br />

brand ra<strong>the</strong>r than choose and dr<strong>in</strong>k one at random. This image<br />

shows <strong>the</strong> participant’s conscientiousness aspect s<strong>in</strong>ce <strong>the</strong> trait <strong>of</strong><br />

<strong>the</strong> personality is closely related to carefully planned or controlled<br />

behaviors.<br />

4.3 Extroversion Reflected on <strong>the</strong> Collected Images<br />

Among <strong>the</strong> participants, participants #3 and #5 have many artifacts<br />

show<strong>in</strong>g <strong>the</strong> Extroversion quality <strong>of</strong> <strong>the</strong>ir personalities. <strong>For</strong> example,<br />

participant #3’s party person image strongly represents her outgo<strong>in</strong>g<br />

quality <strong>of</strong> personality s<strong>in</strong>ce <strong>the</strong> image came to her because she loves<br />

parties and people.<br />

Participant #5’s LA fitness image shows her dynamic aspect <strong>of</strong><br />

personality because she likes exercis<strong>in</strong>g everyday.<br />

4.4 Agreeableness Exemplified with <strong>the</strong> Collected Images<br />

The example <strong>of</strong> Agreeableness is represented <strong>in</strong> participant #5’s<br />

image titled smil<strong>in</strong>g face. The participant obta<strong>in</strong>ed this image<br />

from her customer because she is always smil<strong>in</strong>g at work. The<br />

participant’s customer may th<strong>in</strong>k that be<strong>in</strong>g sweet to o<strong>the</strong>rs is part <strong>of</strong><br />

<strong>the</strong> participant’s personality or identity.<br />

21


Also, participant #2 obta<strong>in</strong>ed a quote “Life is how to dance <strong>in</strong> <strong>the</strong><br />

ra<strong>in</strong>” from her close friend. The person brought this quote to tell<br />

about her flexible m<strong>in</strong>d set toward life’s difficulties.<br />

4.5 Neuroticism Revealed <strong>in</strong> <strong>the</strong> Collected Images<br />

Neuroticism is referred to emotional stability. In o<strong>the</strong>r words, <strong>the</strong><br />

quality <strong>of</strong> this personality trait is closely related to <strong>the</strong> participant’s<br />

emotional aspect. Participant #2’s Starbucks Americano was placed<br />

under Neuroticism because <strong>the</strong> act <strong>of</strong> want<strong>in</strong>g a certa<strong>in</strong> type <strong>of</strong> c<strong>of</strong>fee<br />

is related to emotions <strong>in</strong> a sense.<br />

Also, participant #2 has an image <strong>of</strong> a cat. The reason is that <strong>the</strong><br />

participant’s personality is k<strong>in</strong>d <strong>of</strong> sensitive, <strong>in</strong>dependent, and<br />

picky. The researcher thought <strong>the</strong> quality <strong>of</strong> those are related to<br />

Neuroticism.<br />

4.6 Pr<strong>of</strong>ile <strong>of</strong> Participant #5<br />

Participant #3 has 11 artifacts that represent <strong>the</strong> Extroversion<br />

quality out <strong>of</strong> 23 items <strong>in</strong> total and 5 items each that can be classified<br />

as Openness and Agreeableness (figure 6). <strong>For</strong> example, waiver for<br />

baseball games and party person represent that she is dynamic and<br />

outgo<strong>in</strong>g, #1 teacher and sunflower represent her warm and humane<br />

aspect <strong>in</strong> her personality. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> participant has<br />

few items that go under Conscientiousness and Neuroticism. As a<br />

result, <strong>the</strong> participant’s personality is revealed as largely dom<strong>in</strong>ated<br />

by Extroversion: dynamic, active and sociable. Through <strong>the</strong> process<br />

<strong>of</strong> build<strong>in</strong>g <strong>the</strong> aff<strong>in</strong>ity diagram for <strong>the</strong> participant, <strong>the</strong> researcher<br />

learned that <strong>the</strong> participant’s personality is ma<strong>in</strong>ly outgo<strong>in</strong>g, vibrant<br />

(Extroversion) and easygo<strong>in</strong>g (Agreeableness). (figure 6)<br />

Chapter 5<br />

Implementation: The Design <strong>of</strong> <strong>the</strong> MeeGram Identity System<br />

5.1 Visual Symbols for <strong>the</strong> Five Dimensions <strong>of</strong> Personality<br />

The proposed identity, MeeGram, is a system that generates<br />

customized visual symbols based on user <strong>in</strong>put. The MeeGram<br />

symbol consists <strong>of</strong> five layered images, each <strong>of</strong> which represents one<br />

<strong>of</strong> <strong>the</strong> five personality dimensions: Openness, Conscientiousness,<br />

22


Extroversion, Agreeableness and Neuroticism. A user can rate<br />

him/herself <strong>in</strong> each dimension on a scale <strong>of</strong> one to five, and five<br />

visual symbols will be designed accord<strong>in</strong>gly. In total, MeeGram can<br />

generate 3,125 <strong>of</strong> different B/W composite symbols. Consider<strong>in</strong>g<br />

each layer can be pa<strong>in</strong>ted <strong>in</strong> one <strong>of</strong> <strong>the</strong> 16.7 million RGB color<br />

comb<strong>in</strong>ations, however, <strong>the</strong> number <strong>of</strong> possible composite symbols<br />

(MeeGram ID) is virtually limitless, so MeeGram ID can generate<br />

genu<strong>in</strong>ely personalized IDs for <strong>in</strong>dividuals.<br />

The biggest challenge <strong>in</strong> design<strong>in</strong>g MeeGram symbols was<br />

determ<strong>in</strong><strong>in</strong>g how effectively <strong>the</strong> designed symbols can communicate<br />

<strong>in</strong>dividual and composite personality dimensions. The symbol for<br />

each dimension should not be too complicated because it will be<br />

put toge<strong>the</strong>r with <strong>the</strong> o<strong>the</strong>rs to create <strong>the</strong> f<strong>in</strong>al, composite symbol<br />

for <strong>the</strong> user’s collective personality. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> symbol<br />

for each dimension should be not be too simplistic as it needs to<br />

clearly differ from <strong>the</strong> o<strong>the</strong>rs and capture <strong>the</strong> depth and breadth <strong>of</strong><br />

<strong>the</strong> five concepts, i.e. Openness, Conscientiousness, Extroversion,<br />

Agreeableness and Neuroticism. The five steps <strong>in</strong> each dimension<br />

need to be clearly discernible from each o<strong>the</strong>r so users know which<br />

dimensions are stronger than <strong>the</strong> o<strong>the</strong>rs <strong>in</strong> <strong>the</strong> personality. The<br />

aes<strong>the</strong>tic <strong>in</strong>teractions among five layers <strong>of</strong> images were also one <strong>of</strong><br />

<strong>the</strong> key considerations. The composite symbol needs to show all five<br />

dimensions <strong>in</strong> a collective whole, with five discernible but nicely<br />

weaved symbols.<br />

Openness (figure 7)<br />

Openness is def<strong>in</strong>ed as an ability to appreciate unusual ideas with<br />

curiosity. The symbol for openness is designed to exhibit <strong>the</strong> sparkle<br />

<strong>of</strong> <strong>the</strong> m<strong>in</strong>d that leads to brilliant genius as well as <strong>the</strong> <strong>in</strong>quisitive<br />

attitude that keeps a person will<strong>in</strong>g to accept and explore a broad<br />

range <strong>of</strong> possibilities. The symbol shows eight simple straight l<strong>in</strong>es<br />

with small dots at <strong>the</strong> end stretch<strong>in</strong>g outward from <strong>the</strong> center, and<br />

noth<strong>in</strong>g blocks <strong>the</strong> l<strong>in</strong>es’ advancement or closes <strong>the</strong> open structure.<br />

The circle <strong>of</strong> l<strong>in</strong>es widens as it is open to all possibilities. This idea<br />

<strong>of</strong> sparkl<strong>in</strong>g star-like structure came through dur<strong>in</strong>g a bra<strong>in</strong>storm<strong>in</strong>g<br />

session from <strong>the</strong> conventional metaphor <strong>of</strong> a light bulb for an<br />

23


<strong>in</strong>novative idea.<br />

Conscientiousness (figure 8)<br />

Conscientiousness is a person’s tendency to exert self-discipl<strong>in</strong>e to<br />

achieve certa<strong>in</strong> goals, and it manifests itself <strong>in</strong> carefully-planned<br />

behaviors <strong>of</strong> controll<strong>in</strong>g, regulat<strong>in</strong>g, and direct<strong>in</strong>g one’s impulses.<br />

Conscientiousness is visualized <strong>in</strong> a symbol <strong>of</strong> ma<strong>the</strong>matical<br />

precision and solidity <strong>in</strong> this research. The look and feel <strong>of</strong> this<br />

symbol does not communicate much receptiveness, flexibility or<br />

novelty. Ra<strong>the</strong>r, it shows robustness, <strong>in</strong>tegrity, and accuracy with<br />

its dense, regular, and geometric pattern. This Conscientiousness<br />

symbol is created by rotat<strong>in</strong>g and duplicat<strong>in</strong>g an oval shape by 10<br />

degrees several times, and <strong>the</strong> overlapp<strong>in</strong>g ovals form a structured<br />

pattern <strong>of</strong> <strong>in</strong>terwoven l<strong>in</strong>es. The density <strong>of</strong> this symbol can be<br />

adjusted <strong>in</strong> response to <strong>the</strong> user <strong>in</strong>put, from steps one through five,<br />

to show vary<strong>in</strong>g degrees <strong>of</strong> Conscientiousness.<br />

Extroversion(figure 9)<br />

Extroversion is <strong>the</strong> energy to engage self <strong>in</strong> social <strong>in</strong>teractions, and<br />

<strong>the</strong> symbol for Extroversion is designed to show <strong>the</strong> vibrancy and<br />

enjoyment <strong>of</strong> <strong>the</strong> <strong>in</strong>teractions. The symbol consists <strong>of</strong> small waterdrop<br />

shapes, and actually <strong>the</strong>y are beads <strong>of</strong> sweat that have strong<br />

association to excitement, enthusiasm, and deep <strong>in</strong>volvement. The<br />

water drops are arranged <strong>in</strong> a radially symmetrical structure, and<br />

water drops look as if <strong>the</strong>y are mov<strong>in</strong>g both <strong>in</strong>wards and outwards,<br />

<strong>in</strong> all directions. The symbol visualizes one’s <strong>in</strong>ner self that wants to<br />

ei<strong>the</strong>r push outward or retreat <strong>in</strong>ward, depend<strong>in</strong>g on <strong>the</strong> situation.<br />

<strong>For</strong> action-oriented <strong>in</strong>dividuals who seek for excitement, <strong>the</strong><br />

dom<strong>in</strong>ant direction <strong>of</strong> movement may be outward.<br />

Agreeableness (figure 10)<br />

Agreeableness is a tendency to be compassionate and cooperative<br />

ra<strong>the</strong>r than suspicious and antagonistic towards o<strong>the</strong>rs.<br />

Agreeableness can be observed from <strong>the</strong> empathic and amicable<br />

gestures that <strong>in</strong>dividuals make towards o<strong>the</strong>rs that are used to<br />

establish/ma<strong>in</strong>ta<strong>in</strong> rapport. The considerate, friendly, generous, and<br />

24


altruistic behaviors re<strong>in</strong>force an optimistic view <strong>of</strong> human nature.<br />

The symbol for Agreeableness <strong>in</strong>tends to portray <strong>the</strong> idea <strong>of</strong> a decent<br />

and generous human be<strong>in</strong>g. The circular design <strong>of</strong> this symbol is<br />

a common visual language for ‘will<strong>in</strong>gness to get along with o<strong>the</strong>r<br />

people’ as <strong>the</strong>re is no sharp or aggressive side <strong>in</strong> it. Moreover, <strong>the</strong><br />

fuzzy edge <strong>of</strong> <strong>the</strong> circle symbolizes one’s <strong>in</strong>cl<strong>in</strong>ation to compromise<br />

<strong>in</strong> order to create harmony ra<strong>the</strong>r than to conv<strong>in</strong>ce o<strong>the</strong>rs <strong>of</strong> his/<br />

her ideas. The fuzzy edge cushions <strong>the</strong> <strong>in</strong>evitable conflicts between<br />

people. The overall look and feel <strong>of</strong> <strong>the</strong> circle communicates a<br />

receptive, forgiv<strong>in</strong>g attitude with a great deal <strong>of</strong> warmth, and <strong>in</strong> one’s<br />

MeeGram ID, <strong>the</strong> vary<strong>in</strong>g size <strong>of</strong> this symbol shows how agreeable a<br />

person is.<br />

Neuroticism (figure 11)<br />

Neuroticism, <strong>the</strong> only negative trait among <strong>the</strong> five, is a tendency to<br />

experience negative emotions such as anger, anxiety, or depression<br />

that can lead to emotional <strong>in</strong>stability. Individuals who score high <strong>in</strong><br />

<strong>the</strong> Neuroticism dimension may be more pessimistic, anxious and<br />

vulnerable to stress. The symbol for Neuroticism is designed with an<br />

<strong>in</strong>spiration from <strong>the</strong> structure <strong>of</strong> <strong>the</strong> human nervous system because<br />

<strong>the</strong> negative emotions people experience are <strong>in</strong> fact chemical signals<br />

exchanged <strong>in</strong> <strong>the</strong> nervous system. In <strong>the</strong> human nervous system,<br />

numerous neurons are connected <strong>in</strong> a network and exchange signals<br />

to govern higher mental functions and primitive emotions. When<br />

a person is stressed, a neural stress–response network is activated<br />

and emotional activity is <strong>in</strong>creased while o<strong>the</strong>r cognitive functions<br />

are degraded. The proposed Neuroticism symbol shows a network <strong>of</strong><br />

neuron cells and its dendrites <strong>in</strong> simplified forms.<br />

5.2 Color Palette<br />

The MeeGram symbols are presented <strong>in</strong> B/W <strong>in</strong> <strong>the</strong> previous section,<br />

but <strong>the</strong>y can be pa<strong>in</strong>ted <strong>in</strong> 16.7 million colors <strong>in</strong> this system. In<br />

this research, five participants provided <strong>in</strong>formation about <strong>the</strong>ir<br />

personalities, and <strong>the</strong> researcher generated <strong>the</strong>ir MeeGram IDs<br />

which <strong>the</strong> researcher pa<strong>in</strong>ted <strong>in</strong> <strong>the</strong> colors extracted from <strong>the</strong><br />

collected images.<br />

25


The underly<strong>in</strong>g assumption is that <strong>the</strong> collected images reflect<br />

some aspects <strong>of</strong> <strong>the</strong> participants’ personalities, and as colors <strong>in</strong> <strong>the</strong><br />

images may reflect <strong>the</strong>ir personalities to some degree. The colors <strong>in</strong><br />

<strong>the</strong> images are an <strong>in</strong>tr<strong>in</strong>sic part <strong>of</strong> <strong>the</strong> objects and events portrayed<br />

<strong>in</strong> <strong>the</strong> image, and when participants selected <strong>the</strong> images, <strong>the</strong>y may<br />

have been drawn to <strong>the</strong> colors <strong>in</strong> <strong>the</strong> images as well as <strong>the</strong> subjects.<br />

Perception <strong>of</strong> a color evokes both <strong>the</strong> visceral and symbolic levels<br />

<strong>of</strong> reaction to a viewer, and a person’s favorite color reflects <strong>the</strong><br />

personality traits he or she values, such as <strong>the</strong> “<strong>in</strong>trospection, selfcontrol<br />

and conservatism” that blue represents.<br />

In this research, MeeGram IDs were pa<strong>in</strong>ted <strong>in</strong> one <strong>of</strong> <strong>the</strong> collected<br />

images’ color palette. <strong>For</strong> <strong>in</strong>stance, a participant brought an image<br />

<strong>in</strong>clud<strong>in</strong>g light red, pale light blue, navy and a little bit <strong>of</strong> jade<br />

green. His MeeGram ID was pa<strong>in</strong>ted with this color comb<strong>in</strong>ation<br />

because, this research argues, it better reflects his personality. The<br />

researcher selected <strong>the</strong> images for <strong>the</strong> color palette for this study,<br />

but a MeeGram ID can be more personalized if users can submit<br />

<strong>the</strong>ir choices <strong>of</strong> images from which color palettes are extracted. Even<br />

though colors are signs whose mean<strong>in</strong>gs are open to <strong>the</strong> <strong>in</strong>dividual<br />

viewers’ subjective <strong>in</strong>terpretations thanks to <strong>the</strong>ir cultural/personal<br />

background, colors can provide a wide selection <strong>of</strong> vocabulary<br />

for human emotions and experiences that cannot be described <strong>in</strong><br />

l<strong>in</strong>guistic symbols.<br />

5.3 Design <strong>of</strong> <strong>the</strong> Composite Symbol<br />

Based on <strong>the</strong> analysis <strong>of</strong> participants’ image collection and<br />

<strong>in</strong>terviewer comments, five composite symbols for <strong>the</strong> participants<br />

were designed. Each participant received two images: (1) one poster<br />

with 20 composite symbols where each composite symbol was<br />

designed based on one <strong>of</strong> <strong>the</strong> participant’s acqua<strong>in</strong>tances’ perceptions<br />

(<strong>the</strong> scores he or she gave on <strong>the</strong> five personality dimensions along<br />

with <strong>the</strong> image) <strong>of</strong> <strong>the</strong> participant; and (2) a composite MeeGram ID<br />

designed with <strong>the</strong> average <strong>of</strong> all scores.<br />

Firstly, <strong>the</strong> 24-by-32-<strong>in</strong>ch poster shows 20 B/W symbols generated<br />

based on each image and one set <strong>of</strong> five dimension scores. <strong>For</strong><br />

example, on <strong>the</strong> poster 03_1, participant #3 brought <strong>the</strong> Yankees<br />

26


image that she got from her friend s<strong>in</strong>ce she is a huge fan <strong>of</strong><br />

Yankees. Her friend also gave participant #3 5 po<strong>in</strong>ts for <strong>the</strong><br />

Extroversion dimension but no po<strong>in</strong>ts for <strong>the</strong> o<strong>the</strong>r categories (figure<br />

13). Here, <strong>the</strong> researcher learned that participant #3 is perceived as<br />

a very active and outgo<strong>in</strong>g team player.<br />

The symbols <strong>in</strong> <strong>the</strong> poster are B/W to help <strong>the</strong> viewers pay attention<br />

to <strong>the</strong> shapes and <strong>the</strong>ir mean<strong>in</strong>gs without gett<strong>in</strong>g distracted by<br />

colors, and some <strong>in</strong>dividual dimension symbols are <strong>in</strong>verted to make<br />

<strong>the</strong>m visible aga<strong>in</strong>st <strong>the</strong> dark background. <strong>For</strong> example, on <strong>the</strong><br />

poster 02_1, “Life is how to dance <strong>in</strong> <strong>the</strong> ra<strong>in</strong>” is designed based on<br />

<strong>the</strong> 5 po<strong>in</strong>ts <strong>in</strong> Agreeableness and Openness dimensions, but <strong>the</strong> th<strong>in</strong><br />

black l<strong>in</strong>es <strong>in</strong> <strong>the</strong> Openness symbol were not visible when <strong>the</strong>y were<br />

superimposed on <strong>the</strong> dark Agreeableness symbol. Therefore, <strong>the</strong><br />

Agreeableness symbol is <strong>in</strong>verted <strong>in</strong> white to make Openness symbol<br />

visible (figure 15).<br />

Secondly, <strong>the</strong> f<strong>in</strong>al composite symbol, a MeeGram ID, was generated<br />

based on <strong>the</strong> average <strong>of</strong> all 20 sets <strong>of</strong> scores that each participant<br />

earned from his/her acqua<strong>in</strong>tance, and <strong>the</strong> beauty <strong>of</strong> this symbol<br />

comes from <strong>the</strong> <strong>in</strong>terest<strong>in</strong>g visual harmony <strong>of</strong> five layered images.<br />

The MeeGram ID appears <strong>in</strong> <strong>the</strong> colors extracted from one <strong>of</strong> <strong>the</strong><br />

collected images. Actually, participant #3 earned many social activity<br />

related items such as carnival games, darts, and party person<br />

images. Her high average scores <strong>in</strong> <strong>the</strong> Extroversion and Openness<br />

dimensions are reflected on <strong>the</strong> f<strong>in</strong>al composite MeeGram ID <strong>in</strong><br />

Figure 14-1.<br />

Participant #1 obta<strong>in</strong>ed items related to open-m<strong>in</strong>dedness, e.g.<br />

<strong>the</strong> quote “Everyth<strong>in</strong>g happens for a reason” and empty bottles<br />

represent<strong>in</strong>g for her recycl<strong>in</strong>g habits. As a result, her personality<br />

scored high <strong>in</strong> <strong>the</strong> Agreeableness and Openness categories. The f<strong>in</strong>al<br />

composite MeeGram ID is represented <strong>in</strong> Figure 14-2.<br />

In poster 2-1, <strong>the</strong> participant’s artifacts are <strong>in</strong>terpreted <strong>in</strong> a big<br />

portion <strong>of</strong> Openness and Conscientiousness. Many items represent<br />

her pick<strong>in</strong>ess and tendency to stick to her favorite life patterns, e.g.<br />

her photos <strong>of</strong> Starbucks Americano and red flat shoes. On <strong>the</strong> o<strong>the</strong>r<br />

hand, she is open to unusual ideas and arts as she has a light bulb<br />

to convey this quality <strong>of</strong> her personality. This is how she earned<br />

27


high scores <strong>in</strong> Openness and Conscientiousness. Her f<strong>in</strong>al composite<br />

MeeGram ID is <strong>in</strong> Figure 14-3.<br />

Participant #4’s f<strong>in</strong>al composite MeeGram ID has a similar portion<br />

<strong>in</strong> 3 personality traits: Extroversion, Openness and Agreeableness<br />

(Figure 14-4). The participant obta<strong>in</strong>ed travel- related items such as<br />

public transportation, a German coke advertisment, and city photos<br />

from places that he traveled to <strong>in</strong> <strong>the</strong> past. The artifacts convey that<br />

he is free m<strong>in</strong>ded, vibrant and opened to o<strong>the</strong>r cultures.<br />

Participant #5’s f<strong>in</strong>al MeeGram ID turned out to largely favor<br />

Agreeableness s<strong>in</strong>ce she has many items related to her easygo<strong>in</strong>g<br />

personality, such as a circle and bunch <strong>of</strong> th<strong>in</strong>gs <strong>in</strong> <strong>the</strong> bag. As <strong>the</strong><br />

next big portion <strong>of</strong> her personality, she scored high <strong>in</strong> Extroversion<br />

because she also earned items show<strong>in</strong>g her dynamic and vibrant life<br />

pattern. The f<strong>in</strong>al composite MeeGram ID is <strong>in</strong> Figure 14-5.<br />

5.4 Post-Interviews with <strong>the</strong> MeeGram Composite Symbol<br />

E-mail post-<strong>in</strong>terviews were conducted after <strong>the</strong> researcher shared<br />

<strong>the</strong> result<strong>in</strong>g MeeGram IDs with <strong>the</strong>m, with six open-ended<br />

questions <strong>in</strong> Appendix (16).<br />

Participants commented that people’s identities consist <strong>of</strong> memories,<br />

<strong>the</strong> environments <strong>the</strong>y live <strong>in</strong>, <strong>the</strong> people <strong>the</strong>y spend <strong>the</strong>ir time<br />

with, <strong>the</strong>ir social statuses, and how o<strong>the</strong>rs view and <strong>in</strong>terpret <strong>the</strong>ir<br />

personalities. It is <strong>in</strong>terest<strong>in</strong>g that <strong>the</strong>y thought <strong>of</strong> personality not<br />

as someth<strong>in</strong>g that resides with<strong>in</strong> a person, but as a composite image<br />

<strong>of</strong> <strong>the</strong> person that is created based on <strong>the</strong> person’s self-perception<br />

and o<strong>the</strong>r people’s perception on him/her. In <strong>the</strong> same ve<strong>in</strong>, <strong>the</strong><br />

participants agreed that MeeGram IDs represent <strong>the</strong>ir personalities<br />

pretty well because <strong>the</strong> IDs were designed based on both how <strong>the</strong>y<br />

see <strong>the</strong>mselves and how <strong>the</strong> people around <strong>the</strong>m know/th<strong>in</strong>k <strong>of</strong><br />

<strong>the</strong>m. All participants agreed that <strong>the</strong> collected items reflect <strong>the</strong>ir<br />

personalities and <strong>in</strong>terests. Also, <strong>the</strong>y learned someth<strong>in</strong>g new about<br />

how <strong>the</strong>y are perceived/thought <strong>of</strong> by <strong>the</strong>ir acqua<strong>in</strong>tances dur<strong>in</strong>g<br />

this research. Participant #2 learned that she is perceived as a<br />

person who “eat sweets” and “collect random objects from trips and<br />

to have random items.” Some participants also learned what <strong>the</strong>y<br />

would like to accept as part <strong>of</strong> <strong>the</strong> public self-image and what <strong>the</strong>y<br />

28


would like to hide. Participant #1 received many images <strong>of</strong> soju<br />

(Korean alcoholic dr<strong>in</strong>k which she enjoys) from her friends, and even<br />

though she admits she enjoys dr<strong>in</strong>k<strong>in</strong>g, she would not mention or<br />

publicly display this image as part <strong>of</strong> her identity, especially at work.<br />

Participant #3 received an image <strong>of</strong> her favorite figure skater, and<br />

she is will<strong>in</strong>g to share <strong>the</strong> image with any one, as <strong>the</strong> figure skater<br />

is her country’s national pride. Participant #4 said <strong>the</strong> images are<br />

“extremely accurate depict<strong>in</strong>g my personality… someone who loves<br />

sports, sweets and to have a good time.” She also cont<strong>in</strong>ued that she<br />

“wouldn’t have a problem shar<strong>in</strong>g <strong>the</strong>se items on a job <strong>in</strong>terview”<br />

because <strong>the</strong> items “could become good conversational pieces”.<br />

Regard<strong>in</strong>g <strong>the</strong>ir MeeGram IDs, Participant #2 commented that she<br />

was “very pleased with” and she plans on “display<strong>in</strong>g this <strong>in</strong> my<br />

<strong>of</strong>fice-this will be a great conversational piece once clients and coworkers<br />

visit my space.” The MeeGram ID was “very confus<strong>in</strong>g” to<br />

Participant #4 at first, but after read<strong>in</strong>g <strong>the</strong> researcher’s description<br />

on <strong>the</strong> poster, <strong>the</strong> Five Factor model, and <strong>the</strong> MeeGram ID,<br />

Participant #4 said MeeGram ID as a system was “an abstract-blood<br />

like DNA formula that makes up my personality,” and it would be<br />

safe as an ID because “It would be hard for one to replicate this exact<br />

identity.” Participant #3 mentioned that she appears to be “simple”<br />

<strong>in</strong> her MeeGram ID, but actually she is “complicated a little as<br />

people get to know [her] more and more.”<br />

The researcher concluded that MeeGram ID was very well-received<br />

<strong>in</strong> general because (1) participants enjoyed <strong>the</strong> process <strong>of</strong> collect<strong>in</strong>g<br />

images and were happy about <strong>the</strong>ir self-images reflected on <strong>the</strong><br />

collected images, (2) <strong>the</strong>ir MeeGram IDs designed based on <strong>the</strong><br />

image collection and <strong>the</strong>ir acqua<strong>in</strong>tance’s <strong>in</strong>put made a lot <strong>of</strong> sense<br />

to <strong>the</strong>m, (3) participants appreciated <strong>the</strong> MeeGram ID as a uniquely<br />

personalized objects that is hard to replicate, and (4) participants<br />

saw <strong>the</strong> MeeGram ID’s value <strong>in</strong> facilitat<strong>in</strong>g <strong>the</strong>ir social <strong>in</strong>teractions.<br />

Chapter 6<br />

Conclusions<br />

6.1 Summary and Contributions <strong>of</strong> <strong>the</strong> Research<br />

This research proposed a system <strong>of</strong> a personalized visual ID,<br />

29


MeeGram, that is generated based on <strong>the</strong> user’s personality<br />

traits. MeeGram ID is designed to compensate for <strong>the</strong> limitations<br />

<strong>of</strong> digitized IDs such as barcodes, and to show <strong>the</strong> owner’s core<br />

and endur<strong>in</strong>g characteristics because it reflects both <strong>the</strong> owner’s<br />

self-perception and his/her acqua<strong>in</strong>tances’ perception on <strong>the</strong><br />

owner. In this research, five participants were recruited and were<br />

<strong>in</strong>structed to collect (1) images relevant to <strong>the</strong>ir identities from<br />

<strong>the</strong>ir acqua<strong>in</strong>tances for four weeks; and (2) <strong>the</strong>ir acqua<strong>in</strong>tances’ <strong>the</strong><br />

Five Factor Model scores on <strong>the</strong> participants, on <strong>the</strong> dimensions <strong>of</strong><br />

Openness, Conscientiousness, Extroversion, Agreeableness, and<br />

Neuroticism.<br />

The five participants’ MeeGram IDs were very different from one<br />

ano<strong>the</strong>r, and <strong>the</strong>ir aes<strong>the</strong>tic and practical values were very well<br />

received by <strong>the</strong> participants. Most participants agreed that MeeGram<br />

IDs reflect who <strong>the</strong>y are <strong>in</strong> general, and would like to share <strong>the</strong><br />

IDs with o<strong>the</strong>r people because <strong>the</strong> IDs will open up <strong>in</strong>terest<strong>in</strong>g<br />

conversations. To one participant, <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> her MeeGram ID<br />

was not <strong>in</strong>tuitive, but after listen<strong>in</strong>g to <strong>the</strong> researcher’s explanation,<br />

she began to see how to read <strong>the</strong> ID. She also commented that<br />

MeeGram symbols would be practically useful as an ID because it<br />

is feasible to issue unique MeeGram IDs to each person and make it<br />

difficult to decode for o<strong>the</strong>r people. Participants with Graphic Design<br />

education appreciated <strong>the</strong> aes<strong>the</strong>tic quality <strong>the</strong> ID design and <strong>the</strong><br />

orig<strong>in</strong>ality <strong>of</strong> <strong>the</strong> idea.<br />

The contributions from this research are two-fold. As mentioned<br />

earlier <strong>in</strong> Chapter 1, MeeGram captures more relevant <strong>in</strong>formation<br />

about <strong>the</strong> owner as a person than digitized IDs, thus mak<strong>in</strong>g <strong>the</strong><br />

MeeGram ID mean<strong>in</strong>gful for <strong>the</strong> lifetime to its owner because it<br />

was conceived from an experience. Instead <strong>of</strong> be<strong>in</strong>g just efficient<br />

like o<strong>the</strong>r digitized IDs, MeeGram can address <strong>the</strong> affective aspects<br />

<strong>of</strong> <strong>the</strong> owner and make his/her social <strong>in</strong>teraction richer. MeeGram<br />

also represents <strong>the</strong> <strong>in</strong>formation <strong>in</strong> visual forms that everyone can<br />

<strong>in</strong>tuitively <strong>in</strong>terpret, and this can be valuable for three reasons:<br />

Firstly, such an identity system will br<strong>in</strong>g our attention back to<br />

<strong>the</strong> matter <strong>of</strong> humanity that is <strong>of</strong>ten ignored when we treat people<br />

as simply one <strong>of</strong> <strong>the</strong> many entities to “process.” Secondly, such an<br />

30


identity system will <strong>in</strong>evitably <strong>in</strong>vite people to participate <strong>in</strong> <strong>the</strong><br />

processes <strong>of</strong> reflection and representation <strong>of</strong> self that will help <strong>the</strong>m<br />

discover, negotiate, construct, and represent <strong>the</strong>ir identities <strong>in</strong><br />

<strong>the</strong>ir own terms. Thirdly, this research proposes design<strong>in</strong>g a visual<br />

symbol for an ID that reflects its owner’s personality and attitude<br />

as a part <strong>of</strong> <strong>the</strong> identity system, and when <strong>the</strong> symbol is shared <strong>in</strong><br />

<strong>the</strong> social <strong>in</strong>teraction context, it will open up a lot <strong>of</strong> conversations<br />

and contemplative thoughts, present<strong>in</strong>g <strong>in</strong>terest<strong>in</strong>g opportunities to<br />

explore to <strong>the</strong> owner.<br />

6.2 Limitations <strong>of</strong> <strong>the</strong> Research<br />

Throughout <strong>the</strong> research and implementation process, <strong>the</strong> researcher<br />

struggled with this question: What exactly constitutes a person’s<br />

identity? The concept is <strong>in</strong>tangible, broad, and vaguely def<strong>in</strong>ed.<br />

Even though <strong>the</strong> researcher based her research on <strong>the</strong> Five Factor<br />

Model, she is certa<strong>in</strong> that <strong>the</strong>re are o<strong>the</strong>r aspects <strong>of</strong> self that are<br />

not sufficiently addressed with <strong>the</strong> Five Factor Model, and thus not<br />

represented with MeeGram IDs.<br />

Also <strong>the</strong> number <strong>of</strong> participants is small <strong>in</strong> this research so <strong>the</strong><br />

f<strong>in</strong>d<strong>in</strong>gs are ra<strong>the</strong>r directive than conclusive. The f<strong>in</strong>d<strong>in</strong>gs <strong>in</strong> this<br />

research are more useful as sources <strong>of</strong> <strong>in</strong>spiration for graphic<br />

designers <strong>in</strong>stead <strong>of</strong> as robust research results that suggest everyone<br />

will accept and approve <strong>the</strong> MeeGram symbols. The f<strong>in</strong>d<strong>in</strong>gs <strong>in</strong> this<br />

study should be developed as an onl<strong>in</strong>e system where users set up<br />

accounts, <strong>in</strong>vite <strong>the</strong>ir networks <strong>of</strong> friends, exchange images that<br />

are relevant to <strong>the</strong>ir personalities and Five Factor scores, create a<br />

MeeGram ID, and send <strong>the</strong>ir qualitative and quantitative feedback<br />

to <strong>the</strong> researcher. The f<strong>in</strong>d<strong>in</strong>gs <strong>in</strong> this study can be validated <strong>in</strong> a<br />

large scale study before MeeGram can be implemented as a practical<br />

application.<br />

6.3 Future Studies<br />

The limitations po<strong>in</strong>t to <strong>the</strong> direction <strong>of</strong> future studies. Firstly,<br />

MeeGram will be developed <strong>in</strong>to an onl<strong>in</strong>e system, a website, or a<br />

social network site application where people already have networks<br />

<strong>of</strong> friends and share images with <strong>the</strong>m. Secondly, <strong>the</strong> researcher<br />

31


would like to explore o<strong>the</strong>r personality models beyond <strong>the</strong> Five<br />

Factor Model and develop ano<strong>the</strong>r visual ID system. <strong>For</strong> example,<br />

<strong>the</strong>re is DISC <strong>the</strong>ory that is developed based on quadrant behavioral<br />

models by William Moulton Marston, PhD. The <strong>the</strong>ory exam<strong>in</strong>es<br />

<strong>the</strong> behavior <strong>of</strong> people with<strong>in</strong> a certa<strong>in</strong> situation or environment.<br />

The classification <strong>of</strong> four categories <strong>in</strong> <strong>the</strong> method is Dom<strong>in</strong>ance,<br />

Influence, Stead<strong>in</strong>ess, Conscientiousness, <strong>the</strong> first letter <strong>of</strong> each<br />

aspect an acronym for DISC. These four dimensions can be simplified<br />

<strong>in</strong> a 2x2 matrix represent<strong>in</strong>g extroverted quality <strong>of</strong> <strong>the</strong> personality<br />

at <strong>the</strong> top low with Dom<strong>in</strong>ance and Influence, and Stead<strong>in</strong>ess<br />

and Conscientiousness below represent<strong>in</strong>g <strong>in</strong>troverted qualities.<br />

Dom<strong>in</strong>ance and Conscientiousness share <strong>the</strong> left side and represent<br />

task-focused qualities and Influence and Stead<strong>in</strong>ess at <strong>the</strong> right<br />

column represent people-focused qualities. A visual identity system<br />

can be designed based on this <strong>the</strong>ory s<strong>in</strong>ce those four dimensions<br />

represent key aspects <strong>of</strong> <strong>the</strong> personality.<br />

Also, <strong>the</strong>re is ano<strong>the</strong>r <strong>the</strong>ory that <strong>the</strong> personality can be represented<br />

through a color test. Invented by Dr. Max Luscher <strong>in</strong> Switzerland,<br />

supporters <strong>of</strong> <strong>the</strong> Luscher color test ma<strong>in</strong>ta<strong>in</strong> that conduct<strong>in</strong>g<br />

<strong>the</strong> color test <strong>in</strong> an unconscious manner can show a person’s real<br />

color (29) . S<strong>in</strong>ce color preferences are one <strong>of</strong> <strong>the</strong> key elements <strong>in</strong> terms<br />

<strong>of</strong> identity formation, <strong>the</strong> researcher would like <strong>the</strong> opportunity to<br />

explore how this color test<strong>in</strong>g <strong>the</strong>ory could be visualized <strong>in</strong> a certa<strong>in</strong><br />

system.<br />

32


Appendix<br />

figure 1<br />

figure 2<br />

figure 3<br />

figure 4<br />

33


34<br />

figure 5


figure 6<br />

OPENNESS CONSCIENTIOUSNESS EXTROVERSION AGREEABLENESS NEUROTICISM<br />

darts<br />

olive garden<br />

scratch <strong>of</strong>f ticket<br />

#1 teacher<br />

batman<br />

fish<strong>in</strong>g<br />

darts<br />

lady bug<br />

#1 teacher<br />

colorade rackies<br />

sunflower<br />

catholic bracelet<br />

waiver<br />

s<strong>of</strong>tball philosophy<br />

eco frogs<br />

party person<br />

chocolate popcorns<br />

dice<br />

large dr<strong>in</strong>k<strong>in</strong>g cup with<br />

bell<br />

carnival games<br />

s<strong>of</strong>tball philosophy<br />

<strong>the</strong> yankees<br />

number 12<br />

figure 7 figure 8<br />

figure 9 figure 10<br />

figure 11<br />

35


figure 12<br />

figure 13<br />

figure 14-1<br />

figure 14-2<br />

36


figure 14-3<br />

figure 14-4<br />

figure 14-5<br />

figure 15<br />

37


Appendix 16 Participant #1<br />

How do you feel about <strong>the</strong> collected items? Do <strong>the</strong>y reflect your identity?<br />

Why and why not?<br />

The items that people gave me, overall, do reflect my personality. Each item<br />

displays my <strong>in</strong>terest, <strong>the</strong> th<strong>in</strong>gs I like to collect or <strong>the</strong> th<strong>in</strong>gs that I like to<br />

eat.<br />

Which items are you will<strong>in</strong>g to share as part <strong>of</strong> your identity with anyone,<br />

even <strong>in</strong> job <strong>in</strong>terviews?<br />

I wouldn’t have a problem show<strong>in</strong>g anyone <strong>the</strong> items that were given to<br />

me. These items would be items one could see on my desk or <strong>in</strong> my pile <strong>of</strong><br />

collectibles.<br />

Which items would you ra<strong>the</strong>r not mention as part <strong>of</strong> your identity to your<br />

colleagues? Why?<br />

I wouldn’t have a problem show<strong>in</strong>g any <strong>of</strong> <strong>the</strong>se items to my colleagues.<br />

I th<strong>in</strong>k each item that was given to me-describes my personality and my<br />

<strong>in</strong>terest very well.<br />

How do you feel about <strong>the</strong> f<strong>in</strong>ished image? Does it reflect your identity?<br />

Why and why not?<br />

I am very pleased with my identity. I plan on display<strong>in</strong>g this <strong>in</strong> my <strong>of</strong>ficethis<br />

will be a great conversational piece once clients and co-workers visit my<br />

space. This identity relates well with my personality as I am very complexed<br />

and hard to understand at first, but once you get to know me and peel back<br />

my layers, you will f<strong>in</strong>d <strong>the</strong> true/car<strong>in</strong>g person.<br />

What would you conclude from <strong>the</strong> collected items and <strong>the</strong> f<strong>in</strong>ished image?<br />

What can you say about yourself, based on <strong>the</strong> collected item? Is <strong>the</strong>re any th<strong>in</strong>g<br />

new that you learned about yourself from this experiment?<br />

Look<strong>in</strong>g at <strong>the</strong> collected images, I can tell that people see me to eat sweets,<br />

to collect random objects from trips and to have random items s<strong>in</strong>ce I like to<br />

keep everyth<strong>in</strong>g.<br />

What do you th<strong>in</strong>k a person’s identity is constituted with?<br />

A person’s identity can be used <strong>in</strong>-place <strong>of</strong> words or letters. It can be a simple<br />

or complex shape that depicts a person’s personality. Depend<strong>in</strong>g on <strong>the</strong><br />

viewer’s personality, experiences, etc. may <strong>in</strong>fluence <strong>the</strong>ir depiction <strong>of</strong> <strong>the</strong><br />

importance <strong>of</strong> ano<strong>the</strong>r’s identity.<br />

38


Participant #2<br />

How do you feel about <strong>the</strong> collected items? Do <strong>the</strong>y reflect your identity?<br />

Why and why not?<br />

I th<strong>in</strong>k most <strong>of</strong> <strong>the</strong>m reflect my personality. Dur<strong>in</strong>g <strong>the</strong> process, I was k<strong>in</strong>d<br />

<strong>of</strong> expect<strong>in</strong>g what k<strong>in</strong>d <strong>of</strong> items <strong>the</strong>y will br<strong>in</strong>g because <strong>the</strong>y spent long time<br />

with me as friends and family. So I th<strong>in</strong>k <strong>the</strong>y know me and my personality<br />

well.<br />

Which items are you will<strong>in</strong>g to share as part <strong>of</strong> your identity with anyone,<br />

even <strong>in</strong> job <strong>in</strong>terviews?<br />

Among <strong>the</strong> collected items, I liked starbucks Americano to represent my<br />

character and red flat shoes. Because <strong>the</strong>y show my identity well.<br />

Which items would you ra<strong>the</strong>r not mention as part <strong>of</strong> your identity to your<br />

colleagues? Why?<br />

I wouldn’t mention “soju” to o<strong>the</strong>rs (specially <strong>in</strong> my job <strong>in</strong>terview) when<br />

I have to show <strong>the</strong>m because I don’t want o<strong>the</strong>rs to th<strong>in</strong>k I am a heavy<br />

dr<strong>in</strong>k<strong>in</strong>g person. But <strong>the</strong> funny th<strong>in</strong>g was one third <strong>of</strong> my people came up<br />

with soju when I asked <strong>the</strong>m to br<strong>in</strong>g someth<strong>in</strong>g for me.<br />

How do you feel about <strong>the</strong> f<strong>in</strong>ished image? Does it reflect your identity?<br />

Why and why not?<br />

I th<strong>in</strong>k it is communicat<strong>in</strong>g about me <strong>in</strong> some way. S<strong>in</strong>ce <strong>the</strong> icon/symbol<br />

was created <strong>of</strong>f <strong>of</strong> <strong>the</strong> big five factors icons, it is not too different from o<strong>the</strong>rs.<br />

However, <strong>the</strong> color scheme def<strong>in</strong>itely shows my personality and <strong>the</strong> portion<br />

<strong>of</strong> each symbol shows it too.<br />

What would you conclude from <strong>the</strong> collected items and <strong>the</strong> f<strong>in</strong>ished image?<br />

What can you say about yourself, based on <strong>the</strong> collected item? Is <strong>the</strong>re any th<strong>in</strong>g<br />

new that you learned about yourself from this experiment?<br />

I would tell about my self as a quiet, tendency to stick to certa<strong>in</strong> th<strong>in</strong>g that I<br />

like, and a little bit shy.<br />

What do you th<strong>in</strong>k a person’s identity is constituted with?<br />

I th<strong>in</strong>k a person’s identity is constituted with memories that <strong>the</strong> person<br />

experience th<strong>in</strong>gs overtime. Also environments such as friends and objects<br />

contribute to develop or form a personality. Sometimes <strong>the</strong> identity is made<br />

up for a social status and relationships so we won’t be able to tell someone’s<br />

real color.<br />

39


Participant #3<br />

How do you feel about <strong>the</strong> collected items? Do <strong>the</strong>y reflect your identity?<br />

Why and why not?<br />

The items that were collected are items that reflect who I am and my<br />

personality. They are items that I like, that I have an <strong>in</strong>terest <strong>in</strong> and that<br />

make people th<strong>in</strong>k <strong>of</strong> me.<br />

Which items are you will<strong>in</strong>g to share as part <strong>of</strong> your identity with anyone,<br />

even <strong>in</strong> job <strong>in</strong>terviews?<br />

I wouldn’t have a problem shar<strong>in</strong>g <strong>the</strong>se items on a job <strong>in</strong>terview. These<br />

items could become good conversational pieces on describ<strong>in</strong>g what I like to do<br />

on <strong>the</strong> weekends or my hobbies.<br />

Which items would you ra<strong>the</strong>r not mention as part <strong>of</strong> your identity to your<br />

colleagues? Why?<br />

I wouldn’t have a problem show<strong>in</strong>g any <strong>of</strong> <strong>the</strong>se items to my colleagues. I<br />

th<strong>in</strong>k my friends, family and co-workers did a great job collect<strong>in</strong>g items that<br />

<strong>the</strong>y th<strong>in</strong>k best describes me.<br />

How do you feel about <strong>the</strong> f<strong>in</strong>ished image? Does it reflect your identity?<br />

Why and why not?<br />

At first, it is very confus<strong>in</strong>g and I don’t really understand it. But once I<br />

read <strong>the</strong> poster and learn about <strong>the</strong> five personality traits, it semi-comes<br />

toge<strong>the</strong>r. Its almost like an abstract-blood like DNA formula that makes<br />

up my personality. It would be hard for one to replicate this exact identity<br />

<strong>the</strong>refore, it would be safe to use this <strong>in</strong> place <strong>of</strong> an identification code.<br />

What would you conclude from <strong>the</strong> collected items and <strong>the</strong> f<strong>in</strong>ished image?<br />

What can you say about yourself, based on <strong>the</strong> collected item? Is <strong>the</strong>re any th<strong>in</strong>g<br />

new that you learned about yourself from this experiment?<br />

After look<strong>in</strong>g at <strong>the</strong> collected images-it is extremely accurate depict<strong>in</strong>g my<br />

personality…someone who loves sports, sweets and to have a good time.<br />

What do you th<strong>in</strong>k a person’s identity is constituted with?<br />

An identity can sum up who a person is with<strong>in</strong> one shape or letter. A great<br />

identity is one that viewer’s will not easily forget.<br />

40


Participant #5<br />

How do you feel about <strong>the</strong> collected items? Do <strong>the</strong>y reflect your identity?<br />

Why and why not?<br />

Yes, I was surprised that people noticed my characteristics so closely.<br />

Which items are you will<strong>in</strong>g to share as part <strong>of</strong> your identity with anyone,<br />

even <strong>in</strong> job <strong>in</strong>terviews?<br />

I am will<strong>in</strong>g to share Kim Youn A part because I really like her and when I<br />

heard that, I was so proud <strong>of</strong> my self and my country.<br />

Which items would you ra<strong>the</strong>r not mention as part <strong>of</strong> your identity to your<br />

colleagues? Why?<br />

I wouldn’t m<strong>in</strong>d to share or mention any <strong>of</strong> those because I th<strong>in</strong>k <strong>the</strong> items<br />

are so reflect<strong>in</strong>g my personality.<br />

How do you feel about <strong>the</strong> f<strong>in</strong>ished image? Does it reflect your identity?<br />

Why and why not?<br />

Yes. when I saw it at first, I could realize what those show right away and<br />

that is matched with my personality. Especially I liked <strong>the</strong> colors on <strong>the</strong><br />

symbol created.<br />

What would you conclude from <strong>the</strong> collected items and <strong>the</strong> f<strong>in</strong>ished image?<br />

What can you say about yourself, based on <strong>the</strong> collected item? Is <strong>the</strong>re any th<strong>in</strong>g<br />

new that you learned about yourself from this experiment?<br />

I am k<strong>in</strong>d <strong>of</strong> simple seem<strong>in</strong>gly, but so complicated a little as people I get to<br />

know more and more.<br />

What do you th<strong>in</strong>k a person’s identity is constituted with?<br />

The way I th<strong>in</strong>k about my self, or <strong>the</strong> way I want to be looked by o<strong>the</strong>rs. <strong>the</strong><br />

way o<strong>the</strong>rs <strong>in</strong>terpret my personality <strong>in</strong> <strong>the</strong>ir own way.<br />

41


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