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Polyparty-ism - Search for Common Ground

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The bazaar that does not exist anymore<br />

Free falling<br />

78<br />

What do the<br />

craftsmen and<br />

what do the rest of<br />

the citizens think<br />

about the Old<br />

Bazaar in Skopje<br />

- The penetration<br />

of trade - devastating<br />

<strong>for</strong> the craftsmanship,<br />

whereas<br />

the revitalization<br />

measures appear<br />

to be too slow<br />

Daut Dauti<br />

The Old Bazaar of<br />

Skopje - in the past,<br />

present and future - is<br />

a story that can barely<br />

be <strong>for</strong>etold. It is so<br />

complex, so rich in<br />

layers, so much part of<br />

the past, that it seems<br />

that its present and its<br />

future still depend on<br />

its past, or, in other<br />

words, depend on<br />

whether it will go back<br />

to its roots.<br />

THE DISAPPEAR-<br />

ANCE OF CRAFTS<br />

"When I speak about the Old<br />

Bazaar, my heart hurts", says the<br />

popular filigree silversmith,<br />

Dzeladin Hasani, best known as<br />

a comedian (uncle Dzelo) and a<br />

newly fledged actor (from the<br />

series "Our neighborhood").<br />

- It hurts me, since I do not<br />

want to see it the way it is - he<br />

added in a rather upset manner,<br />

when we paid him a visit in his<br />

workshop, which was no bigger in<br />

size than few square meters. On<br />

the other hand, his neighbor, situated<br />

just a few shops away from<br />

him, in the "Belgradska" street<br />

(the main street often referred to<br />

as "the covered bazaar"), the hat<br />

maker Pero Trajkovski, even started<br />

crying while talking on this<br />

sensible topic.<br />

"Yeah, the bazaar is not what<br />

it used and what it is supposed to<br />

be", every shop owner in this<br />

bazaar would say...<br />

The destruction of the image<br />

of the Bazaar started with the<br />

spontaneous re-orientation of<br />

activities. When the Old Bazaar<br />

of Skopje is mentioned, the first<br />

thought that comes to ones mind<br />

is its crafts. This is exactly where<br />

its downhill starts. Many crafts<br />

have become fewer represented.<br />

Out of a variety of crafts that<br />

were represented be<strong>for</strong>e through<br />

tens and hundreds of shops, only<br />

a handful have remained today.<br />

There are fewer tailors, sleeper<br />

makers, shoe makers and blacksmiths.<br />

- The trading entered in<br />

the Bazaar - said the hat maker<br />

Trajkovski. In the past,<br />

almost everybody used to be<br />

craftsman, whereas at present<br />

everybody likes to become a<br />

trader. In the past, there were<br />

about fifteen hat makers, and<br />

now there are only two to three<br />

of us who have remained. There<br />

are no longer guildsmen.<br />

Everybody appears to be attracted<br />

by opportunities of getting<br />

rich quickly, that trading offers -<br />

he says, and also adds that over<br />

half a century he has been working<br />

in his own craft, and that he<br />

is happy that, unlike other older<br />

craftsmen, he has somebody<br />

whom he can leave this skill in<br />

inheritance. These are his two<br />

sons. Just like everybody else in<br />

the Bazaar, he believes that the<br />

crisis is taking the tall. "There<br />

are no customers with ample<br />

cash. People think a lot more<br />

about a loaf of bread than of a<br />

hat, but, still, I do not complain.<br />

I managed to build four houses<br />

with these two hands of mine.<br />

What else could I have done with<br />

honest work? He and the other<br />

craftsmen emphasized another<br />

aspect - there is no bulk buying<br />

anymore. Due to the changes that<br />

were caused in the region, there<br />

are no longer traders coming<br />

from Kosovo and Novi Pazar,<br />

who used to be regular customers.<br />

One of the classic crafts of<br />

the bazaar is blacksmithing,<br />

which is still upholding thanks to<br />

the enthusiasts such as Ajdar<br />

Zekir, twenty year old young lad,<br />

who, along with his brother<br />

Nehat, as he puts it, is continuing<br />

his family tradition. Their father,<br />

Ibrahim Zekir, fifty year old,<br />

managed to pass on the love <strong>for</strong><br />

this craft to both sons.<br />

- Our grandparents used to be<br />

blacksmiths - cartwrights, but<br />

since today there are fewer carts,<br />

our crafts must go through certain<br />

modifications. At present,<br />

due to the fact that we are no<br />

longer repairing carts, because<br />

the new technology has done<br />

what it has done, we are now<br />

making new products - says<br />

Ajdar Zekir, who owns one of<br />

the remaining six blacksmith<br />

workshops (long time ago there<br />

were fifteen of them).<br />

"We remained with this craft<br />

because we wanted to retain the<br />

family tradition, and because it<br />

never leaves one hungry", added<br />

A. Zekir.<br />

In all that our interlocutor<br />

said, the dominant topic was the<br />

time factor. Argetim Nagavci is<br />

the owner of one of the remain-<br />

What is happening to us?, May 2002

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