Introduction - SEAsite - Northern Illinois University
Introduction - SEAsite - Northern Illinois University
Introduction - SEAsite - Northern Illinois University
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Friday, May 20, 2005<br />
Film Ftival<br />
<strong>Northern</strong> <strong>Illinois</strong> <strong>University</strong><br />
Visual Arts Building<br />
DeKalb, IL USA<br />
6:45 – 10:00 pm<br />
Hosted By: S. Steve Arounsack<br />
President, Pacifi c ARC Media LLC<br />
(www.pacifi carc.com)<br />
Welcome to the film festival portion of the First International Conference on Lao Studies. Films<br />
will be shown concurrently in three rooms. Below is the schedule of films and their show times.<br />
Please meet at the Visual Arts Building room 100 first for a brief introduction.<br />
Note: The First International Conference on Lao Studies committee and Pacific ARC Media LLC<br />
does not necessarily endorse or promote the views expressed by these films. We have made<br />
every attempt to provide a canvas for a broad range of perspectives, ranging from independent<br />
fi lmmakers to larger production groups. The audience is invited to form their own opinion. The<br />
fi lm festival portion of the conference is organized by the Lao Studies committee members.<br />
PROGRAM A<br />
Visual Arts Building, Room 100<br />
Feature Presentations. Two classic films that<br />
depict life in the homeland.<br />
6:45 pm <strong>Introduction</strong> by Steve Arounsack<br />
and Dara Viravong Kanlaya (script writer of<br />
Bua Daeng)<br />
7:00 pm<br />
Bua Daeng (Red Lotus)<br />
Run time: 85 min.<br />
Language: Lao with English subtitles<br />
Producer: Somouk Suthiphon<br />
Lao PDR, 1988<br />
Based on scripts written by Dara Kalaya,<br />
the story follows a young woman, Bua<br />
Daeng, who lives in rural Laos before and<br />
during the communist uprising. The story<br />
is set in the 1960s and follows important<br />
events in her life: finding a husband, surviving<br />
the chaos of warfare, and enduring<br />
everyday life. Throughout it all, Bua Daeng<br />
is portrayed as having all the characteristics<br />
of an ideal Lao<br />
woman: smart,<br />
beautiful, virtuous,<br />
skillful in<br />
handicrafts, and<br />
above all the<br />
love of Communist<br />
ideologies,<br />
thus the name<br />
Bua Daeng or<br />
Red Lotus—the<br />
color of communism.<br />
PROGRAM B<br />
Visual Arts Building, Room 102<br />
The Journey. These films focus on the circumstances<br />
of the exodus from the motherland.<br />
References are made to the war and<br />
its aftermath.<br />
7:00 pm<br />
Bombies<br />
Run time: 57 min. Language: English<br />
Director: Jack Silberman<br />
Producer: Lumiere Productions, USA, 2000<br />
Between 1964 and 1973 the United States<br />
conducted a secret air war, dropping over<br />
2 million tons of bombs and making tiny<br />
Laos the most heavily bombed country in<br />
history. Millions of these ‘cluster bombs’<br />
did not explode when dropped, leaving<br />
the country massively contaminated with<br />
‘bombies’ as dangerous now as when they<br />
fell a quarter century ago. Bombies examines<br />
the problem of unexploded cluster<br />
bombs through the personal experiences<br />
of a group of Laotians and foreigners and<br />
argues for their elimination as a weapon<br />
of war.<br />
8:05 pm<br />
The Leaf, Not Yet Falling<br />
Run time: 13 min.<br />
Language: Lao with English subtitles<br />
Producer: Vannasone Keodara, USA, 2002<br />
Memories are very precarious: good<br />
memories can fade with time,<br />
while haunted ones remain.<br />
The Leaf, Not Yet Falling is a<br />
documentary film of a little girl’s<br />
sweet childhood memories of<br />
her homeland, Laos, her bitter<br />
experiences during the Communist<br />
Regime and the involvement<br />
of the American CIA<br />
during the secret air war era. It<br />
recaptures over two decades of<br />
experiences living in exile.<br />
PROGRAM C<br />
Visual Arts Building Room, 103<br />
Modern identity. Acculturation and finding<br />
one’s identity are explored. Relationships<br />
and the struggles of “fitting in” are central<br />
themes.<br />
7:00 pm<br />
Kelly Loves Tony<br />
Run time: 57 min.<br />
Language: English/Mien<br />
Producer: Spencer Nakasako, USA, 1998<br />
Seventeen year-old Kelly Saeteurn has a<br />
dream—she calls it her “American dream.”<br />
As a fresh high school graduate on her way<br />
to college, she envisions a rosy future for<br />
herself. Kelly is the first in her family of Iu-<br />
Mien refugees from Laos to have accomplished<br />
as much as she already has, but<br />
her dreams exist in sharp contrast to her<br />
reality. She is also pregnant. Her boyfriend<br />
Tony is a junior high drop out and ex-con.<br />
The brutal honesty of this film’s footage and<br />
dialogue offers viewers a rare glimpse into<br />
the lives of two young people struggling to<br />
make their relationship work in the face of<br />
overwhelming obstacles like parenthood,<br />
gender issues and cultural and educational<br />
differences.<br />
8:00 pm<br />
Blue Collar and Buddha<br />
Run time: 57 min.<br />
Language: English/Lao, USA, 1987<br />
This is a dramatic documentary depicting<br />
the plight of America’s most recent<br />
refugees, who must struggle against the<br />
hostility developed in the post-Vietnam era.<br />
Their attempts to preserve their culture and<br />
religious heritage are met with several terrorist<br />
attacks against their Buddhist temple.<br />
By documenting the opinions of townspeople<br />
and American officials, the film depicts<br />
America’s attitudes towards refugees and<br />
immigrants.