GATTACA by Andrew M. Niccol - The Script Source
GATTACA by Andrew M. Niccol - The Script Source
GATTACA by Andrew M. Niccol - The Script Source
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5.<br />
INT. <strong>GATTACA</strong> AEROSPACE CORPORATION. DAY.<br />
JEROME strides purposefully up to the entranceway with<br />
hundreds of other <strong>GATTACA</strong> EMPLOYEES. He carries himself with<br />
a certain arrogance, a cool detachment. All employees wear<br />
similarly unconventionally-cut suits, short coiffed hair and<br />
robust tans. <strong>The</strong> Gattaca employees are a seemingly equal<br />
split of men and women and a diverse range of ethnicities.<br />
<strong>The</strong>y filter through a row of channels supervised <strong>by</strong> SECURITY<br />
GUARDS. Each channel contains a computerized security<br />
device, featuring a slim groove in which the employee places<br />
a finger under the watchful eye of a Security Guard.<br />
Jerome gives a polite nod to a Guard as he places his index<br />
finger in the groove. His fingertip is jabbed with the<br />
finest of needles and a minute blood sample taken.<br />
<strong>The</strong> blood specimen confirms Jerome's identity - an ID<br />
photograph appearing on a computer screen.<br />
Out of the corner of his eye, Jerome spies a young woman<br />
entering through the adjacent channel. She is also sneaking<br />
a glance in his direction - IRENE. Catching each other<br />
looking, they both quickly avert their eyes.<br />
As Jerome enters the computer facility of Gattaca Aerospace<br />
Corporation he furtively glances at the pin-prick puncture in<br />
his fingertip sachet.<br />
SOMEWHERE IN DEEP SPACE<br />
A <strong>GATTACA</strong> spacecraft skirts an asteroid. Taking advantage of<br />
the rock's gravitational pull, the craft slingshots deeper<br />
into the black void. <strong>The</strong>n abruptly the craft and the<br />
asteroid freeze in mid-space, suddenly reverse direction and<br />
proceed forward again - the spacecraft taking a slightly<br />
adjusted course.<br />
We pull back to reveal that the journey is merely a highly<br />
realistic graphic representation on a <strong>GATTACA</strong> computer screen<br />
operated <strong>by</strong> JEROME.<br />
Appearing simultaneously alongside the computer animation is<br />
a seemingly never-ending column of computer instructions for<br />
this celestial navigation - the incomprehensible language of<br />
the computer programmer.<br />
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