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GATTACA by Andrew M. Niccol - The Script Source

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31.<br />

EXT. STREET OUTSIDE A BAR. DAY.<br />

EUGENE, glassy-eyed, strides out of a bar, past camera and<br />

into the street. We hear a squeal of brakes and a sickening<br />

thud.<br />

INT. HOUSING PROJECT - APARTMENT. DAY.<br />

EUGENE awakens with a scream, bathed in sweat, arms bound to<br />

a bed - the only real piece of furniture in the room.<br />

VINCENT, sitting on a crate beside him, soaking a towel in a<br />

bowl of water, is taken <strong>by</strong> surprise. Eugene continues to<br />

scream and thrash, fighting against his bindings. Vincent<br />

stuffs the towel into Eugene's mouth and holds onto his arms.<br />

JEROME (VO)<br />

I confess, at first I wondered if<br />

I had rescued a man who was<br />

already dead.<br />

INT. HOUSING PROJECT - APARTMENT - BATHROOM. NIGHT.<br />

VINCENT holds EUGENE's head over the toilet bowl as he vomits<br />

violently. Eugene's paralysis and Vincent's broken legs make<br />

the operation doubly difficult.<br />

Finally Eugene has nothing left in his stomach to vomit. He<br />

drops to the floor in exhaustion. Vincent, also exhausted<br />

from the effort of holding Eugene over the bowl, joins him on<br />

the broken linoleum. Both men stare up at the ceiling that<br />

carries a map of the constellation.<br />

Vincent smiles.<br />

VINCENT<br />

You okay, Jerome?<br />

EUGENE<br />

(ironically referring<br />

to their mutual<br />

immobility)<br />

Yeah. You want to go dancing<br />

tonight?<br />

INT. HOUSING PROJECT - APARTMENT. NIGHT.<br />

EUGENE turns his nose up at the plate of boiled meat and<br />

potatoes that VINCENT puts in front of him. Vincent catches<br />

the look.<br />

VINCENT<br />

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