GATTACA by Andrew M. Niccol - The Script Source

24.
Maria takes Antonio aside. Anton and Vincent exchange a look.
INT. HOME. NIGHT.
ANTON
Why didn't you say anything?
VINCENT
Why didn't you?
(staring back at his
father knowingly)
It's okay. It's the way they want
it.
JEROME (VO)
It confirmed everything in the
minds of my parents - that they
had taken the right course with my
younger brother and the wrong
course with me. It would have
been so much easier for everyone
if I had slipped away that day.
I decided to grant them that wish.
ANTON stands at the mantelpiece in the dimly-lit living room.
He gazes at a framed family portrait - Vincent's face has
been torn out of it. He suddenly spies VINCENT exiting the
front gate, carrying a suitcase. Anton goes to shout
Vincent's name but the words don't get out.
EXT. GATTACA. DAWN.
A pick-up truck, packed with a CLEANING CREW, pulls into the
rear of the building. They are no longer strictly the
migrant workers we have come to expect but rather a mixture
of ethnicities - all members of a genetic underclass that
does not discriminate by race.
As VINCENT exits the truck and turns towards the camera, we
discover that he has now matured into the man we have come to
know as JEROME. The only visible differences are the glasses
he wears and his hair, still naturally dark.
JEROME (VO)
Like many others in my situation,
I moved around a lot in the next
few years, getting work where I
could. I must have cleaned half
the toilets in the state.