GATTACA by Andrew M. Niccol - The Script Source
GATTACA by Andrew M. Niccol - The Script Source
GATTACA by Andrew M. Niccol - The Script Source
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111.<br />
INT/EXT. IRENE'S CAR OUTSIDE CONDOMINIUM COMPLEX. NIGHT.<br />
IRENE, sitting in her car outside Jerome's condominium, hangs<br />
up her portable phone. In her agitation, her finger<br />
involuntarily goes to her pulse. She catches herself and<br />
removes the finger from her wrist as if it has burned her.<br />
She exits the car.<br />
INT. JEROME'S CONDOMINIUM/EUGENE'S CONDOMINIUM. NIGHT.<br />
IRENE quietly knocks on Jerome's door but there is no<br />
response. Trying the handle, the door opens. Her curiosity<br />
takes her inside. All is quiet. IRENE calls out.<br />
Hello.<br />
IRENE<br />
No reply. Irene hesitantly ventures further, drawn to the<br />
spiral staircase. She tentatively makes her way down the<br />
stairs and into Eugene's dimly lit condominium. With wonder<br />
and reverence, she examines the instruments and samples laid<br />
out on Eugene's work benches. She opens the refrigerator in<br />
the bathroom and inspects the samples and sachets. Finally<br />
she regards the empty incinerator.<br />
Irene turns.<br />
EUGENE (OC)<br />
Quite something, isn't it?<br />
Eugene has entered through the mirrored door, not at all<br />
displeased <strong>by</strong> her unexpected visit.<br />
EUGENE<br />
(referring to the<br />
incinerator)<br />
That's where we get rid of the<br />
traces of him although we never<br />
truly succeeded.<br />
IRENE<br />
I've been looking for him. Do you<br />
know where he is?<br />
EUGENE<br />
(unconcerned)<br />
He's probably leaving some more of<br />
me around the place before he goes.<br />
Eugene idly inspects one of the blood sachets.
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