New York 2012 Susanne Schulz-Falster - Schulz-Falster Rare Books

New York 2012 Susanne Schulz-Falster - Schulz-Falster Rare Books New York 2012 Susanne Schulz-Falster - Schulz-Falster Rare Books

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19. CHARLEMAGNE, J.-A. Instructions sur l’usage des moulins à bras, inventés et perfectionnés par les Citoyens Durand. Paris, Blanchon, 1793. $950 8vo, pp. 16, 71, [1] with one folding table and one folding plate; uncut, stitched in contemporary wrappers. Rare first edition of Charlemagne’s (1753–1838) description of the assembly, use, and care of a handoperated portable mill designed by father and son Durand, which later found use in San Domingo. Martin & Walter 6846 lacking 16 pp. ‘Rapport’. 20. CLAUDE – GUATTANI, G. A. Paesaggi in tavola guidicati di Claudio Gelée con il testo di Giuseppe Antonio Guattani. Rome, de Romanis, 1826. $3,500 Folio (470 x 325mm), ll. 13 (title, introduction, 10 text leaves describing plates, and imprint leaf ), and 10 aquatint plates, printed in sepia by L. Caracciolo; a fine wide-margined copy in contemporary blue wrappers. First edition of this rare and sumptuously produced catalogue of Claude’s enchanted landscapes based on themes from Tasso’s ‘Gerusalemme liberata.’ OCLC locates two copies in the US, National Gallery of Art and Trinity College at Hartford. 21. COMMODE, B. pseud. – BLOCQUEL, S. Manuel consolateur des cocus, code pacifique des ménages. Cornopolis: [Lille, Simon Blocquel], [ca. 1830]. $1,050 16mo, folding coloured frontispiece, pp. [iii]–107, [1]; printed entirely on yellow paper; contemporary roan-backed boards, gilt. First edition, uncommon, of this playful manual of adultery. The work has been attributed to the printer and publisher Simon Blocquel (1780–1863), but is not included in Roger D.J. Collins’ bibliography. Bibliographie Jaune, p. 69; Gay-Lemonnyer, III, 25. 22. CRESCI, G. F. Il Perfetto Scrittore. Doue si veggono i veri caratteri, & le natural forme di tutte quelle sorti di lettere. [colophon: Rome, the Author, engraved by M. Francesco Aureri da Crema, 1570.] $11,500 Two parts in one volume, oblong 4to, ll. [x]; 45; 36; contemporary pasteboards, mss title to spine, spine with paper tear; bookplate of the Prince of Lichtenstein. First edition, privately printed, of ‘one of the most superb, perhaps the finest, of the Italian writing manuals’ (A.S. Osley), Cresci’s second manual of calligraphy. Part II contains two alphabets of Roman capitals printed first on black then on grey background and a magnificent fantasy alphabet within an elaborate Renaissance engraved border. Becker, 24; Berlin Katalog 5167; Bonacini 426; Hagelin, Ekström Collection, pp. 20–21 (imperfect copy). 23. DEL BORRO, A. Dimostrazioni, e prove sopra l’Attività, ed uso vantaggioso del Gran Coltro. Milan, Malatesta, 1718. $4,800 4to, pp. [iv] engraved frontispiece and half title, [xii], 80, [ii], 56, [1] errata, [1] blank; with seven large folding and finely engraved plates by Gaetano Bianchi; contemporary full limp vellum, slightly chipped. First edition of this unusual work of agricultural engineering, a description of the coulter, a blade or sharp-edged disc attached to the plough, so that it cuts through the soil vertically in advance of the ploughshare – in effect the ancestor of the modern digger. Of particular interest are the magnificent engraved plates, combining artistic flair with technical detail. Moretti, Bibliotheca agraria, p. 84; Predari, p. 306; Riccardi I, 170, note; Vinciana 1647. 24. DIODATI, L. Dello Stato presente della Moneta nel Regno di Napoli e della Necessità di un Alzamento. Naples, Migliaccio, 1790. $2,200 8vo, pp. xvi, 158; contemporary half sheep over marbled boards; spine gilt. First edition, uncommon, of this innovative study of monetary history. Diodati develops a theory of ideal

money, ‘moneta immaginaria’ which is not subject to re- and de-valuations, but sustains its value. It appears to be a form of exchange-rate mechanism, with fixed exchange rates. Cossa 47 (170); Einaudi 1571; Goldsmiths’-Kress 14462.33; OCLC lists copies at the Chicago, Berlin and Paris. 25. DIRECTORY – NORWICH. The Norwich directory; or, Gentlemen and tradesmen s [!] assistant. Norwich, W. Chase and Co., March 22, 1783. $6,750 8vo, [ii], vi, [5]–52, [2], 59–73, [7], with an engraved folding map; fore- and lower edge uncut, nineteenth century half calf over marbled boards. First edition of one of the earliest city directories, and the first Norwich directory – a book of considerable interest in social history, and of notable rarity. Norton, 563; ESTC t43183 (BL, Oxford, Norwich, and Yale). 26. DITHMAR, J. C. Einleitung in die Oeconomische Policei- und Cameral- Wissenschaften. Frankfurt, Kleyd, 1748. $2,400 8vo, pp. xvi, 304, including bibliography; contemporary half vellum over sprinkled paper boards, spine label. Third edition, first published in 1731, of this central introduction to economics at 18 th century German universities, aiming to teach ‘how wealth may be acquired, how acquired wealth may be retained or employed with moderation to the honour of God’ (ISS, V, p. 174). Goldsmiths’-Kress 8358.2. 27. DOUCE, F. ed. The Dance of Death; painted by H. Holbein and engraved by W. Hollar. [n.p., n.p.], [London?, James Edwards, ?1794]. $1,600 Two parts in one volume, 8vo, frontispiece, pp. [ii], 81, with 30 engraved plates; 1 folding engraved plate, frontispiece, ll. 23; some light foxing; contemporary tree calf, sides with double gilt fillet. First edition with the commentary of the antiquarian Francis Douce (1757–1834) of Wenceslaus Hollar’s etchings based on Holbein’s original fifteenth century designs of the Dance of Death. ESTC t201228; Douce Legacy, Bodleian Library, 1984, 110. 28. DUCHATEAU, G.F.J. Tarif des Droits de l’Octroi municipal et de Bienfaisance de la Ville de Bruges. Bruges, van Praet, [c. 1806]. $990 Tall narrow 4to (272 x 116mm), pp. [2], 43, [3] with final blanks, in French and Flemish; original wrappers. Unrecorded printing of tariffs for the city of Bruges after the introduction of metric weights and measures under the French, with higher-rate tax applicable to ‘luxury’ items such as alcohol. Not in Kress and Goldsmiths’; no copy found in OCLC. 29. DURANDI, J. Amore Disarmato Poemetto. Naples, Pomatelli, 1768. $1,250 8vo, folding engraved frontispiece, pp. 166; uncut in the original buff limp boards. First edition of an extensive narrative poem on falling out of love, with finely engraved frontispiece entitled ‘amor disarmato’ where a determined lady breaks Cupid’s bow and arrows. Ersch, p. 354; OCLC lists copies at Harvard and Göttingen; see Ferri & Castreca-Brunetti, Biblioteca feminile Italiana, p. 295. 30. DUVAL, N. Nouvelles Ecritures de Finance & italienne batarde. Paris, Henault, 1674. $7000 Oblong small folio (196 × 310 mm), ff. [2], pp. 4, [1-]15, [1], 8 (letterpress text), ff. 20 (engraved text); some dampstaining; limp vellum wrappers re-used from mss on vellum Fine unrecorded calligraphy and writing manual by Nicolas Duval, an influential figure in the development of French calligraphy. See Becker, 1997, 88 and 89 (editions of c. 1670 and after 1686), his issue not in OCLC.

money, ‘moneta immaginaria’ which is not subject<br />

to re- and de-valuations, but sustains its value. It<br />

appears to be a form of exchange-rate mechanism,<br />

with fixed exchange rates.<br />

Cossa 47 (170); Einaudi 1571; Goldsmiths’-Kress 14462.33;<br />

OCLC lists copies at the Chicago, Berlin and Paris.<br />

25. DIRECTORY – NORWICH. The<br />

Norwich directory; or, Gentlemen and<br />

tradesmen s [!] assistant. Norwich, W. Chase<br />

and Co., March 22, 1783. $6,750<br />

8vo, [ii], vi, [5]–52, [2], 59–73, [7], with an<br />

engraved folding map; fore- and lower edge<br />

uncut, nineteenth century half calf over marbled<br />

boards.<br />

First edition of one of the earliest city directories, and<br />

the first Norwich directory – a book of considerable<br />

interest in social history, and of notable rarity.<br />

Norton, 563; ESTC t43183 (BL, Oxford, Norwich, and<br />

Yale).<br />

26. DITHMAR, J. C. Einleitung in die<br />

Oeconomische Policei- und Cameral-<br />

Wissenschaften. Frankfurt, Kleyd, 1748.<br />

$2,400<br />

8vo, pp. xvi, 304, including bibliography;<br />

contemporary half vellum over sprinkled paper<br />

boards, spine label.<br />

Third edition, first published in 1731, of this central<br />

introduction to economics at 18 th century German<br />

universities, aiming to teach ‘how wealth may be<br />

acquired, how acquired wealth may be retained or<br />

employed with moderation to the honour of God’<br />

(ISS, V, p. 174).<br />

Goldsmiths’-Kress 8358.2.<br />

27. DOUCE, F. ed. The Dance of Death;<br />

painted by H. Holbein and engraved by W.<br />

Hollar. [n.p., n.p.], [London?, James Edwards,<br />

?1794]. $1,600<br />

Two parts in one volume, 8vo, frontispiece,<br />

pp. [ii], 81, with 30 engraved plates; 1 folding<br />

engraved plate, frontispiece, ll. 23; some light<br />

foxing; contemporary tree calf, sides with double<br />

gilt fillet.<br />

First edition with the commentary of the antiquarian<br />

Francis Douce (1757–1834) of Wenceslaus Hollar’s<br />

etchings based on Holbein’s original fifteenth century<br />

designs of the Dance of Death.<br />

ESTC t<strong>2012</strong>28; Douce Legacy, Bodleian Library, 1984, 110.<br />

28. DUCHATEAU, G.F.J. Tarif des Droits<br />

de l’Octroi municipal et de Bienfaisance de<br />

la Ville de Bruges. Bruges, van Praet,<br />

[c. 1806]. $990<br />

Tall narrow 4to (272 x 116mm), pp. [2], 43, [3]<br />

with final blanks, in French and Flemish; original<br />

wrappers.<br />

Unrecorded printing of tariffs for the city of Bruges<br />

after the introduction of metric weights and measures<br />

under the French, with higher-rate tax applicable to<br />

‘luxury’ items such as alcohol.<br />

Not in Kress and Goldsmiths’; no copy found in OCLC.<br />

29. DURANDI, J. Amore Disarmato<br />

Poemetto. Naples, Pomatelli, 1768. $1,250<br />

8vo, folding engraved frontispiece, pp. 166; uncut<br />

in the original buff limp boards.<br />

First edition of an extensive narrative poem on<br />

falling out of love, with finely engraved frontispiece<br />

entitled ‘amor disarmato’ where a determined lady<br />

breaks Cupid’s bow and arrows.<br />

Ersch, p. 354; OCLC lists copies at Harvard and Göttingen;<br />

see Ferri & Castreca-Brunetti, Biblioteca feminile Italiana, p.<br />

295.<br />

30. DUVAL, N. Nouvelles Ecritures de<br />

Finance & italienne batarde. Paris, Henault,<br />

1674. $7000<br />

Oblong small folio (196 × 310 mm), ff. [2], pp.<br />

4, [1-]15, [1], 8 (letterpress text), ff. 20 (engraved<br />

text); some dampstaining; limp vellum wrappers<br />

re-used from mss on vellum<br />

Fine unrecorded calligraphy and writing manual<br />

by Nicolas Duval, an influential figure in the<br />

development of French calligraphy.<br />

See Becker, 1997, 88 and 89 (editions of c. 1670 and after<br />

1686), his issue not in OCLC.

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