Susanne Schulz-Falster - Schulz-Falster Rare Books
Susanne Schulz-Falster - Schulz-Falster Rare Books Susanne Schulz-Falster - Schulz-Falster Rare Books
32 [COLLOREDO 33 [FOSCARINI 34 [DOLFIN rather unusually sombre binding, which, however, is rendered most festive by the elaborate gilt stamping. Morazzoni p. 294; Pettoello 113; not in Pinto. – MANIAGO.] Componimenti Poetici per lo sposalizio solenne del Signor Marchese Ridolfo Conte Colloredo Ciamberlano delle Maestà Imperiali con la Signora Contessa Claudia di Maniago. Venezia, Antonio Bassanese, 1765. 4to (277 x 199mm), engraved frontispiece and engraved title, pp. [vi], 213, [1], frontispiece within elegant frame work by J. Leonardis; four engraved vignettes, poems separated by elegant printer’s devices; some light discolouring; recently bound in eighteenth century floral pattern brokatpaper. The poems collected are divided into three groups, first sonnets, then songs, odes and longer compositions, and finally a work by Domenico Ongaro. Each section starts with a finely engraved vignette, the verses are separated by elegant printer’s devices. Pettoello 124; Morazzoni 296; Pinto 1343; Saks 173. – BARBARO.] Poesie per le gloriose nozze dell’eccellenze loro il Nobil Uomo Niccolò Foscarini e la Nobil Donna Andriana Barbaro. [colophon:] Venezia, appresso Luigi Pavini, 1766. 4to (357 x 250mm), pp. 56, [1] full-page engraving with imprint; engraved frontispiece within finely engraved frame, engraved title and nine engraved vignettes in the text; original pattern printed boards, with the arms of the Foscarini family embossed within frame, rebacked and recornered; lower board faint. The last leaf, carrying the imprint, is a particularly fine engraving, an allegorical scene designed by Novelli and engraved by Alessandri. Innocente Alessandri (1741–1803) was a pupil of Bartolozzi and an accomplished engraver, who is best known for his allegorical engravings and a series of prints for Descrizione degli Animali produced in collaboration with Pietro Scataglia. Lapiccirella 86; Morazzoni 298; Pettoello 138. – GRADENIGO.] Componimenti poetici nelle gloriose nozze dell’Eccellenze loro il Signor Andrea Dolfin e la Signora Giustiniana Gradenigo. Venezia, nella Stamperia Pinelli, 1767. 4to (370 x 260mm), pp. [iv] engraved frontispiece and title printed in red and black with large engraved vignette, 52, with two engraved vignettes in the text; very faint marginal damp-stain to outer corner of last two leaves; original glazed pink boards, with woodblock of the arms of the Dolfin family surrounded by decorative border; a fine copy. Morazzoni p. 298; Pettoello 160.
35 [FERDINAND 36 [MOROSINI 37 [EMO KARL of AUSTRIA – MARIA BEATRTICE D’ESTE.] Il Certame azione liricodrammatica per le nozze di Sua Altezza Reale il serenissimo Arciduca Ferdinando Carlo d’Austria Principe Reale d’Ungheria, e Boemia Governatore, e Capitano Generale della Lombardia Austriaca colla Serenissima Principessa Maria Beatrice d’Este presentata dalla Reale Accademia di Mantova in occasione del faustissimo arrivo d’esso Augusto Principe in questa città. Mantova, per l’erede di Alberto Pazzoni, 1771. 4to, (277 x 205mm), pp. engraved frontispiece by Wagner after Bazzani, [viii], 40 with three engraved vignettes to text and engraved title vignette of the Austrian Royal arms; later pattern paper boards. An opera libretto produced on the occasion of the wedding between Ferdinand Karl of Austria and Maria Beatrice d’Este in 1771, and arranged by the Royal Academy of Mantua. The music is by Don Luigi Gatti. Various literary texts are used, and a full list of participants and musicians is given. Pinto 1508. – GRIMANI.] [ACCADEMIA DEI CONCORDI]. Gli eroi Morosini per le faustissime nozze del N.U. Francesco Morosini colla N.D. Loredana Grimani. Rovigo, per Gianjacopo Miazzi stampatore dell’Accademia, 1772. 4to (384 x 265mm), engraved frontispiece by Andrea Rossi after Pietro Novello, pp. 123, with 46 engraved head-and tailpiece vignette; original green paper boards, stamped in gilt with the arms of the Morosini family arms. A fine copy from the Rava collection and with bookplate of the Morosini del Pestrino. Elegantly produced wedding poetry with elaborately engraved allegorical vignettes at the beginning and end of each of the twenty-two poems. Pinto 1536. – CAPODILISTA.] Elogio della Nobil Famiglia de Conti Capodilista e rime per le nozze del N. H. E. Leonardo Emo con la Nob. Sig.a Co. Beatrice Capodilista. Venezia, presso Pietro Savioni, 1783. 4to (259 x 192mm), pp. 116 with engraved frontispiece and engraved title, and ten large engraved vignettes by Wagner; contemporary gilt paper boards; spine strengthened, some of the gilt oxidised. The large engraved vignettes by Wagner follow a unified design concept. They depict allegories of Poesia erocia, Poesia pastorale and Poesia lirica respectively. Pinto 1709 (8vo, pp. 36 incomplete, apparently only the Elogio); Pettoello 201.
- Page 1: Susanne Schulz-Falster A COLLECTION
- Page 5 and 6: THIS COLLECTION presents forty part
- Page 7 and 8: REFERENCES: Cicogna, E. A. Saggio d
- Page 9 and 10: 3 [VENIER, Sebastiano.] Raccolta di
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- Page 19 and 20: 20 [MICHIEL, 21 BETTINELLI, 4to (30
- Page 21: 25 MOROSINI, 26 GENNARI, 27 [PISANI
- Page 24: 30 [LAMBERTINI 31 [BARBARO 4to (281
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32<br />
[COLLOREDO<br />
33<br />
[FOSCARINI<br />
34<br />
[DOLFIN<br />
rather unusually sombre binding, which, however, is rendered<br />
most festive by the elaborate gilt stamping.<br />
Morazzoni p. 294; Pettoello 113; not in Pinto.<br />
– MANIAGO.] Componimenti<br />
Poetici per lo sposalizio solenne del Signor Marchese<br />
Ridolfo Conte Colloredo Ciamberlano delle Maestà<br />
Imperiali con la Signora Contessa Claudia di Maniago.<br />
Venezia, Antonio Bassanese, 1765.<br />
4to (277 x 199mm), engraved frontispiece and engraved title,<br />
pp. [vi], 213, [1], frontispiece within elegant frame work by<br />
J. Leonardis; four engraved vignettes, poems separated by<br />
elegant printer’s devices; some light discolouring; recently<br />
bound in eighteenth century floral pattern brokatpaper.<br />
The poems collected are divided into three groups, first sonnets,<br />
then songs, odes and longer compositions, and finally a<br />
work by Domenico Ongaro. Each section starts with a finely<br />
engraved vignette, the verses are separated by elegant printer’s<br />
devices.<br />
Pettoello 124; Morazzoni 296; Pinto 1343; Saks 173.<br />
– BARBARO.] Poesie per le gloriose<br />
nozze dell’eccellenze loro il Nobil Uomo Niccolò<br />
Foscarini e la Nobil Donna Andriana Barbaro. [colophon:]<br />
Venezia, appresso Luigi Pavini, 1766.<br />
4to (357 x 250mm), pp. 56, [1] full-page engraving with<br />
imprint; engraved frontispiece within finely engraved frame,<br />
engraved title and nine engraved vignettes in the text;<br />
original pattern printed boards, with the arms of the<br />
Foscarini family embossed within frame, rebacked and<br />
recornered; lower board faint.<br />
The last leaf, carrying the imprint, is a particularly fine engraving,<br />
an allegorical scene designed by Novelli and engraved by<br />
Alessandri. Innocente Alessandri (1741–1803) was a pupil of<br />
Bartolozzi and an accomplished engraver, who is best known<br />
for his allegorical engravings and a series of prints for Descrizione<br />
degli Animali produced in collaboration with Pietro<br />
Scataglia.<br />
Lapiccirella 86; Morazzoni 298; Pettoello 138.<br />
– GRADENIGO.] Componimenti poetici<br />
nelle gloriose nozze dell’Eccellenze loro il Signor Andrea<br />
Dolfin e la Signora Giustiniana Gradenigo. Venezia, nella<br />
Stamperia Pinelli, 1767.<br />
4to (370 x 260mm), pp. [iv] engraved frontispiece and title<br />
printed in red and black with large engraved vignette, 52,<br />
with two engraved vignettes in the text; very faint marginal<br />
damp-stain to outer corner of last two leaves; original glazed<br />
pink boards, with woodblock of the arms of the Dolfin<br />
family surrounded by decorative border; a fine copy.<br />
Morazzoni p. 298; Pettoello 160.
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