Susanne Schulz-Falster - Schulz-Falster Rare Books

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16 [MEMMO, 17 BUTTURINI, 18 [ALBRIZZI.] 19 [ALBRIZZI, Andrea.] Orazione a Sua Eccellenza il Signor Andrea Memmo: in occasione del suo ingresso solenne. Venezia, Antonio Zatta, 1787. 4to (320 x 224mm), pp. 39; engraved allegorical frontispiece by G. Zuliani after Michel Schiavone; engraved title vignette with the arms of the Memmo family, one large engraved view of the figure of Venice surrounded by sea horses by Danniotto, and a view of Venice as the initial letter; original marbled wrappers, from the Rava collection. Morazzoni 273; Pettoello 444. Mattia. L’Unione del Senno e della Fortuna cantata per la gloriosa esaltazione a Doge di Venezia del serenissimo Lodovico Manin fatta eseguire dalla nobile Società de’ Filarmonici li 19 maggio 1789. [colophon:] (Venezia), Palese, 1789. 4to (261 x 197 mm), engraved title within decorative Rococo border, pp. 15; contemporary orange coloured boards. The music was by Ferdinando Bretoni, maestro della Cappella di San Marco, the libretto by the writer and Latinist Mattia Butturini (1752–1817). Morazzoni 272; Pettoello 448. BARBADICO, Nicolao. Andreae Gritti principis venetiarum vita. Vita Nicolao Barbadico Auctore Alexandro Albrittio procuratoris divi marci dignitatem ineunte primum edita. Venezia, Typis Caroli Palesii, 1792. 4to, engraved frontispiece, pp. [viii] including initial blank, 15, [1] blank, lv, [2] blank; with six engraved medallions in the text and on the title page; lower corner with light faint damp-stain to first signature; original pink paper boards, overprinted or stencilled in white with the arms of the Albrizzi family, surrounded by floral border; verso with Venice initials, again within border; a very fine copy. The frontispiece shows a portrait medallion of the profile of the Doge Andrea Gritti with verso of Venezia surrounded by its attributes. This is the first edition of the life of the Doge Andrea Gritti (1454–1538) by Niccolò Barbarigo (1535–1579), whose biography, written by J. Morelli, is included as the preface. The illustrations all show portrait medals of Gritti. The sober production is an expression of classical taste in Venetian art. This is one six publications celebrating the appointment of Alessandro Albrizzi to the office of Procuratore of San Marco. Morazzoni p. 264 (wrong collation); Lapiccirella 38; Cicogna 2316; Pettoello 458. Alessandro.] Componimenti poetici di varii autori in lode di Venezia raccolti nell’Ingresso di Sua Eccellenza il Signor Alessandro Albrizzi alla dignità di Procuratore di San Marco. Venezia, Carlo Palese, 1792.
20 [MICHIEL, 21 BETTINELLI, 4to (301 x 216mm), pp. [viii], 120, [2] blank; engraved frontispiece by T. Viero after F. Bartolozzi, engraved vignette to title with the arms of the Albrizzi family; original green glazed paper boards overprinted in white with the arms of the Albrizzi family surrounded by elaborate floral Rococo border; lower board with Eviva initials, manuscript spine label; from the Rava collection, with printed ex-libris; a very fine copy. The work, which was compiled by Jacobo Morelli contains poetic contributions by B. Cappello, D. Venier, G. Alaleona, S. Bettinelli, an idyllo Il Proteo by Ant. Conti, a verse epistle addressed to Marco Foscarini by F. Algarotti and the Trasformazione di Adria by T. G. Farsetti. This is one six publications celebrating the appointment of Alessandro Albrizzi to the office of Procuratore of San Marco. Morazzoni p. 264; Lapiccirella 37; Pettoello 460; Soranzo 2627, Sotheby’s 32; Saks 112. Domenico.] Poesie pel solenne ingresso di Sua Eccellenza il Sig. Domenico Michiel alla dignità di Procuratore di San Marco. Venezia, Fenzo, 1792. 4to (345 x 250mm), pp. 39 including fine allegorical frontispiece within floral border, and engraved title vignette of the arms of the Michiel family; original pale blue-green flexible boards, with arms of the city of Venice and Michiel family block-printed in red, within decorative border; a very fine, wide-margined copy. Austere typography which clashes somewhat with the Rococo frontispiece surrounded by a leafy border. The work is proof of the remaining popularity of rocaille elements long after the middle of the eighteenth century. Morazzoni p. 273; Pettoello 467. Saverio. Il Parnaso veneziano poemetto dell’abate Saverio Bettinello riprodotto e illustrato nel solenne Ingresso di S.E. Cavaliere Messer Antonio Cappello alla dignità di Procuratore di San Marco. Venezia, Carlo Palese, 1796. 4to (304 x 214mm), engraved frontispiece by Piazzetta, pp. [viii], 87, ink scribbles to last page and final endpapers; title page vignette with Cappello arms; original glazed pink paper boards overprinted in dark violet with the Cappello arms within floral border, verso with Venice initials; from the Rava collection with bookplate to front pastedown. Bettinelli’s poetic festival book celebrating the triumphal entrance of Antonio Cappello as Procuratore of Venice. The engraved frontispiece, though unsigned, has attracted extensive attention both by Lanckoronska and Morazzoni. Bettinelli (1718–1808) made extensive contributions to Italian literature, aesthetics and history. The first of three publications commemorating Cappello’s elevation to the position of Procuratore (see below). Morazzoni p. 266; Cicogna 2432; Lapiccirella 41; Lanckoronska 33; Pettoello 482; Saks 116.
Page 1: Susanne Schulz-Falster A COLLECTION
Page 5 and 6: THIS COLLECTION presents forty part
Page 7 and 8: REFERENCES: Cicogna, E. A. Saggio d
Page 9 and 10: 3 [VENIER, Sebastiano.] Raccolta di
Page 11 and 12: One of the most lavish of commemora
Page 13 and 14: 9 MAZZOLÀ, 10 [GIOVANELLI, Caterin
Page 15 and 16: 14 EVANGELI, 15 [GABRIEL, ebrate th
Page 17: instruments, whereas the scenes at
Page 21: 25 MOROSINI, 26 GENNARI, 27 [PISANI
Page 24: 30 [LAMBERTINI 31 [BARBARO 4to (281
Page 27 and 28: 35 [FERDINAND 36 [MOROSINI 37 [EMO
Page 29 and 30: 41 [MICHIEL - PISANI.] CARO, Anniba

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