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Malaysian Houses of Parliament

A architectural research and analysis report done by Ng Wei Ying, Chuah Say Yin, Lim Wai Ming, Christine Yeap and Wang Pui Yee from School of Architecture, Building and Design, Taylor's University,

A architectural research and analysis report done by Ng Wei Ying, Chuah Say Yin, Lim Wai Ming, Christine Yeap and Wang Pui Yee from School of Architecture, Building and Design, Taylor's University,

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Acknowledgements<br />

We are indebted to the following party for their advice, assitance, or support:<br />

Ms. Norita Johar in securing a visiting appointment with the visitors managing department <strong>of</strong> the <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> and to Ms Shahrianne in<br />

guiding us on producing this web book research.<br />

We are also grateful to the <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> management team in allowing us to visit and tour around the main block <strong>of</strong> Parlimen Malaysia.<br />

Thanks to the staff, Mr. Black( who’s real name wished to remain undisclosed) that was assigned to explain, guide and lead us through during our visit to the<br />

Parliment.<br />

Special thanks to Ar. Zuraina Leily bt Awalluddin, Ketua Penolong Pengarah Kana <strong>of</strong> Cawangan Arkitek, JKR for scheduling an appointment for us with Mr. Saiful<br />

to discuss and get to know more information regard the Parliment building.<br />

Last but not least, a huge thank you to Mr. Saiful Fazli bin Ramli, Penolong Pengarah Kanan <strong>of</strong> Cawangan Arkitek, JKR for his patience in explaining, providing<br />

information and helped us in understanding the composition <strong>of</strong> the building so that our analysis and research on the building went smoothly.<br />

2


Content<br />

Introduction 4-5<br />

Architecture Style 6-12<br />

• Local Adaptation <strong>of</strong> International Style Modern Building 6<br />

• Design Approach Influenced by Modern and International Style 6<br />

• Local Influence 11<br />

Building Construction And Materials 13-17<br />

• Comparing Similarities And Differences 16<br />

Architectural Elements/ Components 18-24<br />

• External Facade 18<br />

• Interior : - Staircase 19<br />

- Columns 21<br />

- Ceiling 21<br />

- Decorative Elements 22<br />

- Others : Statue and plague 24<br />

Conclusion 25<br />

References 26<br />

3


Introduction<br />

Left: Frontal view <strong>of</strong> the <strong>Malaysian</strong><br />

<strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong>. The uniqueness<br />

<strong>of</strong> the Tower Block facade<br />

stood out against the blue skyline.<br />

Right: Miniature building model<br />

showing an overall view <strong>of</strong> the<br />

<strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong>.<br />

4


The <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong><br />

is an iconic building <strong>of</strong> Malaysia<br />

where it represents the identity <strong>of</strong><br />

democracy <strong>of</strong> our nation. The <strong>Malaysian</strong><br />

<strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> is a building<br />

complex where the <strong>Malaysian</strong> <strong>Parliament</strong><br />

assembles. The structure stands up high to<br />

its magnificence on the top <strong>of</strong> West Folly<br />

Hill, at the Lake Gardens in Kuala Lumpur<br />

City Center, right next to the Malay sian<br />

National Monument. The site was chosen<br />

in December 1959, an area near the<br />

Flower Garden Kuala Lumpur. The <strong>Parliament</strong><br />

building complex is the brainchild <strong>of</strong><br />

from first the Prime Minister, Tunku Abdul<br />

Rahman Putra Al-Haj and soon this building<br />

became a symbol <strong>of</strong> democracy for our<br />

country.<br />

The laying <strong>of</strong> foundation stone was then<br />

later done by our third Agong Tuanku Syed<br />

Putra Al-Haj Ibni Al-Marhum Syed Hassan<br />

Jamalullail on November 21, 1963. The<br />

architect who designed this building was<br />

William Ivor Shipley. He graduated from the<br />

Architectural Association School <strong>of</strong> Architecture<br />

in London and then did national<br />

service as a British Army garrison engineer<br />

from 1950 to 1952 in Singapore. Returning<br />

to Britain, he applied in 1953 to the Crown<br />

Agents to work in Singapore. However, he<br />

was informed that his posting would instead<br />

be as Settlement Architect when his<br />

ship arrived in Penang. He worked on the<br />

island until his transfer to Kuala Lumpur (KL)<br />

in 1956. He is then assigned as an architect<br />

in <strong>Malaysian</strong> Public Work Department, JKR.<br />

(“<strong>Parliament</strong> house, malaysia,” )Shipley’s contributions<br />

to the development <strong>of</strong> Malaysia’s<br />

built environment are crucial. He understood<br />

modernist architecture and transformed it<br />

for the region.<br />

The <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> currently<br />

houses 3 main buildings. The main block<br />

has three storeys with the size <strong>of</strong> 380 x290<br />

feet. The tower block consists <strong>of</strong> 17 storeys,<br />

with the height <strong>of</strong> 76.2 metres and 450 metres<br />

square feet in size for each storey. The<br />

Main blaock and Twer block are connected bt<br />

two 50 metres long bridges (“Introduction <strong>of</strong><br />

parliament,” ). The last building is the Multipurpose<br />

Hall.<br />

Finely manicured landscaped within the parliament<br />

compound.<br />

It is currently housing the temporary Hall <strong>of</strong><br />

Senate and Representatives as the original<br />

Hall <strong>of</strong> Representatives is currently undergoing<br />

renovation and restoration works and<br />

the renovation works <strong>of</strong> House <strong>of</strong> Senate<br />

is scheduled to begin soon. The compound<br />

<strong>of</strong> the <strong>Parliament</strong> is surrounded with finely<br />

manicured landscape with a deer farm<br />

within. The bronze statue <strong>of</strong> <strong>Malaysian</strong>’s<br />

first Prime Minister, Tunku Abdul Rahman is<br />

erected directly in front <strong>of</strong> the <strong>Parliament</strong><br />

compound. The <strong>Parliament</strong> building is gazetted<br />

as National Heritage Building under<br />

the National Heritage Act 2005. The construction<br />

method <strong>of</strong> the parliament building<br />

was considered state <strong>of</strong> the art technology<br />

during the 1960s and it is truly a extraordinary<br />

building that is able to represent the<br />

identity <strong>of</strong> our nation till this day.<br />

The statue <strong>of</strong> Tunku Abdul Rahman standing<br />

tall at the entrance <strong>of</strong> the <strong>Parliament</strong>.<br />

5


Architecture Style<br />

By: Ng Wei Ying<br />

A Local Adaptation <strong>of</strong><br />

International Style Modern<br />

Building<br />

Design Approach Influenced by Modern and<br />

International Style<br />

The <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> was<br />

expressed in Modernist and International<br />

Architecture style with infusion<br />

<strong>of</strong> local vernacular architecture style.<br />

It is a truly unique and magnificent building<br />

as there are no other building like the House<br />

<strong>of</strong> <strong>Parliament</strong> in Malaysia. It was constructed<br />

with simple post and beam system with raft<br />

foundation supporting below. Perhaps one <strong>of</strong><br />

the most prominent characteristics <strong>of</strong> Modernism<br />

and International style is the extensive use<br />

<strong>of</strong> reinforced concrete with steel supporting<br />

structures. International style came during the<br />

Modern Movement. During the rise <strong>of</strong> Nazism,<br />

Modernism came under increasing pressure in<br />

Germany. Thus, many <strong>of</strong> the German modernist<br />

architects emigrated to the United States where<br />

American corporate and domestic architecture<br />

began. In 1932, the Museum <strong>of</strong> Modern Art<br />

New York featured an exhibition introducing<br />

this new language <strong>of</strong> architecture. The term<br />

“International Style” was then coined and it was<br />

an architectural language that was universally<br />

adopted, regardless <strong>of</strong> the country’s climatic<br />

changes.<br />

6<br />

There were plenty <strong>of</strong> Modernist influences that<br />

could be seen in International style. One <strong>of</strong> the<br />

most notable and influential architect who was<br />

responsible for the Modern Movement was Le<br />

Corbusier, who introduced the concept <strong>of</strong> Five<br />

points <strong>of</strong> Architecture into Modern building design.<br />

The five points include a building with free<br />

facade, pilotis( reinforced concrete columns)<br />

bearing and elevating the boxy building <strong>of</strong>f the<br />

ground, a flat ro<strong>of</strong> with turf or ro<strong>of</strong> top garden,<br />

open plan and also horizontal strips <strong>of</strong> ribbon<br />

windows.<br />

These modernist influences could be seen in the<br />

<strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> as it consisted<br />

<strong>of</strong> 3 blocks.main block. Namely the 3 storey rectangular<br />

Main building which houses two national<br />

assembly halls, 17 storey tower block and also<br />

a Multipurpose Hall. The main building took on<br />

a Rectilinear form, which consisted <strong>of</strong> longitudinal<br />

plan and elevations.The facade <strong>of</strong> the main<br />

building and tower block emphasized on regularity<br />

with pineapple skin-like Terrazzo panels<br />

cladding. It is also stripped free <strong>of</strong> extraneous<br />

ornamentation on the facade <strong>of</strong> the tower block.<br />

Beneath the terrazzo panels, curtain wall made <strong>of</strong><br />

laminated glass panels are lined along the tower<br />

and main block.<br />

Reinforced column is clearly seen from the exterior<br />

<strong>of</strong> the <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> Building.


Top Left and Right: Section and<br />

Elevation Drawings <strong>of</strong> the <strong>Parliament</strong><br />

building exhibiting its<br />

longitudinal shape composition.<br />

Bottom: A rough sketch diagram<br />

<strong>of</strong> First Floor plan featuring<br />

the long corridor/foyer and<br />

walkways.<br />

7


The spatial organization <strong>of</strong> the main block featured an open plan concept,<br />

with long corridors and walkway circulated around the National Assembly<br />

Halls.The building also consists <strong>of</strong> open interior spaces and voids, influenced<br />

by the modern movement language which were then converted into<br />

courtyards to bring in sunlight and ventilation purposes.<br />

The major construction materials used were steel, reinforced concrete,<br />

terrazzo and granite. These were the common building materials used in<br />

modern buildings. There was a turf on top <strong>of</strong> the main block which used<br />

to function as a ro<strong>of</strong> top garden back in the 60s-90s. The idea <strong>of</strong> having<br />

flat ro<strong>of</strong> terrace with ro<strong>of</strong> top garden was influenced by Le Corbusier’s Five<br />

Points <strong>of</strong> Architecture concept.<br />

Top & Bottom: Long corridors acts as<br />

foyer that circulates around the National<br />

Assembly Halls<br />

8


Another Western influence that could be observed on<br />

the <strong>Parliament</strong> building is the installation <strong>of</strong> suspended<br />

ceilings in the connecting bridge between the tower<br />

block and main building. The installation <strong>of</strong> suspended<br />

ceilings are part <strong>of</strong> the restoration and renovation<br />

process <strong>of</strong> the <strong>Parliament</strong> building and the idea was<br />

drawn from the British <strong>Parliament</strong> building, The Palace<br />

<strong>of</strong> Westminster.<br />

Top: Interior courtyards found within the<br />

main block<br />

Bottom: Suspended ceilings being installed<br />

in the bridges that connect to the tower<br />

block from the main block.<br />

9


The facade design <strong>of</strong> the tower block was inspired from<br />

pineapple skin with beehive-like openings that acts as<br />

the exterior ornamental shell <strong>of</strong> the <strong>Parliament</strong> building.<br />

These panels gives <strong>of</strong>f a skeletal feel on the building<br />

and functions as brise soleil that acts as sun shading<br />

device to block out the sun glares <strong>of</strong> <strong>Malaysian</strong>’s tropical<br />

climate. This structure was first popularized by Le<br />

Corbusier. The frosted glass panels are protected from<br />

the sun and overheating.<br />

Left: A close up view <strong>of</strong> the Terrazzo panels<br />

encasing the facade <strong>of</strong> the building<br />

10<br />

Middle: Close up view <strong>of</strong> <strong>of</strong> the panels<br />

from the interior <strong>of</strong> the building.<br />

Right: The Terrazzo paneling provided a<br />

sense <strong>of</strong> scale, texture and rhythm to the<br />

facade.


Local Influence<br />

The <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> was built on<br />

top <strong>of</strong> West Folly Hill, Lake Gardens in Kuala Lumpur<br />

City Center. The site was selected for its strategic<br />

location in terms <strong>of</strong> Fengshui. The hill is the<br />

highest point in Kuala Lumpur, sitting in the middle<br />

<strong>of</strong> Kuala Lumpur City Center, overlooking the Bangunan<br />

Sultan Abdul Samad building.<br />

Each and every piece the pineapple skin-like<br />

terrazzo panels were shaped into a 3 dimensional<br />

effect without flat surfaces that mimicked the<br />

outlook <strong>of</strong> a pineapple. These paneling provided<br />

a sense <strong>of</strong> scale, texture, rhythm and form to the<br />

facade. (V. F. Chen (Ed.)) The idea <strong>of</strong> implementing<br />

pineapple skin-like facade could be that Malaysia<br />

was once the largest export on pineapples back in<br />

the 1960s-70s. It could be inspired by the agriculture<br />

period <strong>of</strong> Malaysia before Independence. The<br />

extensive use <strong>of</strong> Terrazzo material on flooring and<br />

cladding were also one <strong>of</strong> the local trend back in<br />

the 1960s-80s as Terrazzo seemed to be a popular<br />

building material choice back then. It speaks <strong>of</strong><br />

the architectural language <strong>of</strong> that period. Moreover,<br />

the greyish white terrazzo panels successfully<br />

speaks <strong>of</strong> minimalism style which was the spirit <strong>of</strong><br />

Modern Architecture.<br />

The form <strong>of</strong> the <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong><br />

building was influenced by the Eclectic and Vernacular<br />

style <strong>of</strong> local architecture. The eleven fin-like<br />

concrete structures crowing atop <strong>of</strong> the 3 storey<br />

main building forming a sort <strong>of</strong> concertina ro<strong>of</strong> are<br />

known as the pinnacles. These pinnacles are part<br />

<strong>of</strong> the vital feature <strong>of</strong> <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong><br />

building as they are the significant structures<br />

that stood out and <strong>of</strong>ten people are able to identify<br />

the building with these fin-like structures.<br />

Top Right & Bottom: The eleven pinnacles played a<br />

significant part on the <strong>Parliament</strong> building.<br />

11


The pinnacles drew inspiration from the gabled ro<strong>of</strong> <strong>of</strong> Vernacular<br />

style architecture, “Rumah Melaka”. It was built to adapt to the local<br />

climatic condition with the concept <strong>of</strong> hot air rises in the pitched gabled<br />

ro<strong>of</strong> design. Triangular side openings are found on the pinnacles<br />

to maximize the penetration and reflection <strong>of</strong> sunlight into the main<br />

building to light the House <strong>of</strong> Representative Hall. It was designed for<br />

maximizing the acoustic effect within the hall and for ventilation purposes.<br />

A taste <strong>of</strong> local vernacular design is infused into the parliament<br />

building with the construction <strong>of</strong> pinnacles on the podium <strong>of</strong> main<br />

building which successfully broke free from the regularity <strong>of</strong> Modernist<br />

concept.<br />

Traditional Malay ornamental wood carvings <strong>of</strong> floral motifs decorated the interior<br />

<strong>of</strong> the main building. These ornamental wood cravings succeeded in creating an<br />

interior atmosphere that speaks <strong>of</strong> traditional Malay house interior and created a<br />

stong sense <strong>of</strong> identity for our nation.<br />

Left: An Example <strong>of</strong> typical Malay vernacular<br />

style house with gabled ro<strong>of</strong><br />

Image Source: http://upload.wikimedia.org/wikipedia/commons/a/a8/<br />

TMII_Riau_Pavilion_Malay_House_01.<br />

Right: Wood carvings <strong>of</strong> floral motifs<br />

decorated the exterior wall <strong>of</strong> the Hall<br />

<strong>of</strong> Senate<br />

12


Building Construction & Materials<br />

By: Chuah Say Yin<br />

Lim Wai Ming<br />

The <strong>Parliament</strong> building <strong>of</strong> Malaysia was built using more than a million<br />

bricks, 2,200 tonnes <strong>of</strong> steel, 54,000 tonnes <strong>of</strong> concrete, 200,000 bags<br />

<strong>of</strong> cement and 300 tonnes <strong>of</strong> glass.(“<strong>Parliament</strong> building”)Material<br />

used for construction <strong>of</strong> the structure is mainly reinforced concrete<br />

whereas the finishes used are mostly terrazzo. Terrazzo is widely used as the<br />

finishes <strong>of</strong> the building such as the modular panels <strong>of</strong> the façade because it<br />

was a very important materials used during the 60s and 70s. In Malaysia, we<br />

did not produce it locally and thus it was imported from the neighbouring such<br />

as India. Whereas for reinforced concrete, it is used to construct to structural<br />

frame <strong>of</strong> the building and pinnacle located at the main block as it was a very<br />

popular building materials used during modernistic architecture.<br />

The building is a reinforced concrete frame building, constructed with skeletal<br />

construction method. It provides a cage or skeleton for supports, a lightweight<br />

construction method which was vastly adopted during the period <strong>of</strong> International<br />

Style (Phillip, n.d). This enables load bearing walls to be eliminated.<br />

However, due to the needs <strong>of</strong> protection against the weather, privacy etc.,<br />

walls have been erected as merely a subordinate element. Therefore, free flow<br />

plan is made possible. Furthermore, cantilevered slab are also allowed to be<br />

built as the structural columns and elements are constructed at the inner part<br />

<strong>of</strong> the structure as shown above. This was influenced by one <strong>of</strong> the Five Points<br />

<strong>of</strong> Architecture by Le Corbusier.<br />

Left: A 1962 photo <strong>of</strong> the <strong>Parliament</strong> Building undergoing construction phase.<br />

13


Top: Cross section drawing showing how the<br />

Terrazzo panel is fixed on the facade.<br />

Besides, this has also enable free standing and<br />

non-structural façade to be done. The modular<br />

panels <strong>of</strong> terrazzo were installed afterwards with<br />

the whole façade a distance away from the main<br />

structural support. The standard size <strong>of</strong> the modular<br />

panels facilitate the installation process. The<br />

panels are fixed into the cantilevered slab using<br />

bolts and nuts with reinforcement steel casted<br />

inside as shown in Diagram. The panels are<br />

non-structural and purely for aesthetic purposes<br />

besides providing sun shading to the building. It is<br />

influenced from the Le Corbusier’s brise soleil, a<br />

French word that means “sun breaker”. It is designed<br />

particularly for warm and tropical climate to<br />

serve as a sun shading device rather than heavily<br />

glazed facade (Mohammad, n.d.)<br />

However, laminated glass were installed during<br />

the renovation between the terrazzo panels so as<br />

to cope with the increasing temperature <strong>of</strong> the<br />

country. Then, the gutter are constructed after the<br />

panels for aesthetic purposes and at the same time<br />

direct the rainwater coming through the modular<br />

panels.<br />

Bottom: Gutter to direct rainwter.<br />

14


The pinnacle ro<strong>of</strong> is made <strong>of</strong> cast in situ concrete. It is applied<br />

with a layer <strong>of</strong> waterpro<strong>of</strong> membrane so that it would not degrade<br />

easily. It is part <strong>of</strong> the structural elements <strong>of</strong> the main block that<br />

serves as the ro<strong>of</strong> under the House <strong>of</strong> Representative. One <strong>of</strong> its<br />

function is to direct the sunlight for natural lighting. Besides, the<br />

interior part <strong>of</strong> the pinnacle is applied with acoustic membrane to<br />

ensure the good acoustic effect within the room.<br />

The frame and panel for suspended ceiling located at the bridge connecting the<br />

main block <strong>of</strong> the House <strong>of</strong> <strong>Parliament</strong> to the tower block consists <strong>of</strong> grid <strong>of</strong> framework<br />

made <strong>of</strong> timber, suspended from the ceiling with its frame exposed. It is newly<br />

installed during renovation to replace the old plastered ceiling. This is because suspended<br />

ceiling <strong>of</strong>fers the ease <strong>of</strong> maintenance activities while at the same conceal<br />

services and structural elements such as electrical cables, piping and beams. Unlike<br />

plastered ceiling, it has to be cut in order for the maintenance services to be carried<br />

out. Besides, with the frame, it allows expansion <strong>of</strong> the panel and avoid cracking.<br />

Moreover, suspended ceiling are easier to be installed as it can adapt to any size and<br />

shape <strong>of</strong> the room. Comparing to ceiling used in Sainte Marie de La Tourette, it uses<br />

concrete ceiling rather than suspended ceiling. Materials like concrete expand a lot.<br />

Hence, maintenance issue are very prevalent today with the cracking concrete and<br />

defective insulation.<br />

Most <strong>of</strong> the partition wall in<br />

the <strong>Parliament</strong> house is made<br />

<strong>of</strong> plywood with plastered<br />

finishes. It is non-structural<br />

and serve to divide interior<br />

space. Other than that, the<br />

partition walls is also equipped<br />

with soundpro<strong>of</strong>ing function<br />

to avoid the sound traveling to<br />

another space.<br />

Bottom left: Suspended ceiling seen in the<br />

connecting bridges<br />

Bottom right: Plaster ceiling<br />

15


Comparing Similarities and Differences<br />

•Between House <strong>of</strong> <strong>Parliament</strong> <strong>of</strong> Malaysia and Van Nelle Factory.<br />

Left: <strong>Malaysian</strong> <strong>Houses</strong> <strong>of</strong><br />

<strong>Parliament</strong><br />

Above: Van Nelle Factory.<br />

House <strong>of</strong> <strong>Parliament</strong> <strong>of</strong> Malaysia and Van Nelle Factory<br />

are both International Styles architecture. Therefore,<br />

both <strong>of</strong> the buildings were constructed using reinforced<br />

concrete as the skeleton support <strong>of</strong> the structure. Both <strong>of</strong><br />

these give the effect <strong>of</strong> a grille <strong>of</strong> verticals and horizontals<br />

from a distance away. Furthermore, both <strong>of</strong> the buildings<br />

achieve the effect <strong>of</strong> mere planes surface bounding the<br />

volume with its skeleton construction. Thus, the prime<br />

architectural symbol here is no longer the dense brick,<br />

but the open box.<br />

Besides, both <strong>of</strong> these buildings is designed<br />

to have free facade. Nonetheless,<br />

due to the difference <strong>of</strong> weather between<br />

Malaysia and Netherlands, the materials<br />

used to enclose the free facade is different.<br />

For instance, ribbon window using<br />

glass with thin steel frames were used in<br />

the Van Nelle Factory as the weather is<br />

not as hot as Malaysia and therefore the<br />

glazing would not be overheating. Besides,<br />

Light and air could penetrate deep into the<br />

building throught the façade. (Architecture<br />

in Rotterdam, n.d). Whereas for Malaysia,<br />

the country is experiencing tropical climate<br />

with hot weather, the façade <strong>of</strong> the House<br />

<strong>of</strong> <strong>Parliament</strong> is designed in fixed terrazzo<br />

panels so that the sunlight will not penetrate<br />

directly into the building besides<br />

functioning to whole the laminated glass in<br />

place. (Lai,C.K.,pg90) This save the energy<br />

and decrease the room temperature <strong>of</strong> the<br />

building.<br />

16


•Between House <strong>of</strong> <strong>Parliament</strong> <strong>of</strong> Malaysia and Sainte Marie de la Tourette.<br />

Comparing the ceiling <strong>of</strong> both House <strong>of</strong> <strong>Parliament</strong> and Sainte<br />

Marie de la Tourette, they are using plastered ceiling for some<br />

part <strong>of</strong> the building(Ruth Oldham, 2010). But some part <strong>of</strong> the<br />

material on the ceiling used are different, the House <strong>of</strong> <strong>Parliament</strong><br />

has chosen to use suspended ceiling and Sainte Marie<br />

de la Tourette remain the concrete ceiling without adding any<br />

finishing on it to reduce the cost.<br />

The frame and panel suspended ceiling <strong>of</strong> the <strong>Parliament</strong> building<br />

located at the bridge connecting the main block consists <strong>of</strong> a<br />

grid <strong>of</strong> a framework made <strong>of</strong> timber, suspended from the ceiling<br />

with its frame exposed. It is newly installed during renovation<br />

to replace the old plastered ceiling. This is because suspended<br />

ceiling <strong>of</strong>fers the ease <strong>of</strong> maintenance activities while at the<br />

same conceal services and structural elements such as electrical<br />

cables, piping and beams. Unlike plastered ceiling, it has to be<br />

cut in order for the maintenance services to be carried out. Besides,<br />

with the frame, it allows expansion <strong>of</strong> the panel and avoid<br />

cracking. Moreover, suspended ceiling is easier to be installed<br />

as it can adapt to any size and shape <strong>of</strong> the room.<br />

Comparing to ceiling used in Sainte Marie de La Tourette, which<br />

uses concrete ceiling rather than suspended ceiling, materials<br />

like concrete expand a lot. Hence, maintenance issue is very<br />

prevalent today with the cracking concrete and defective insulation.(ArchDaily<br />

,2010)<br />

Top: Plaster ceiling<br />

<strong>of</strong> Sainte Marie de la<br />

Tourette<br />

Bottom: Plaster ceiling<br />

<strong>of</strong> <strong>Malaysian</strong> <strong>Houses</strong><br />

<strong>of</strong> <strong>Parliament</strong><br />

17


Components<br />

External Facade<br />

Pineapple skin <strong>of</strong> the<br />

parliament building<br />

As you can see the 17<br />

storey <strong>of</strong>fice building has<br />

a unique façade which<br />

looks like a pineapple<br />

skin. They actually applied the<br />

Brise Soleil by Le Corbusier, a sun<br />

shading strategy since in Malaysia<br />

there are only two kinds <strong>of</strong> weather,<br />

it is either sunny days or rainy days.<br />

Therefore the sun shading element<br />

is a need to apply on a building.<br />

The void in the pineapple skin will<br />

act as a window and quarter <strong>of</strong> the<br />

void is covered with frosted glass to<br />

control the amount <strong>of</strong> sunlight into<br />

the building. Besides sun shading<br />

the pineapple skin also shows aesthetic value. The reason why pineapple skin<br />

design were applied on the façade is because <strong>of</strong> the local influences at that<br />

time. Furthermore during that time, Johor being one <strong>of</strong> the states in Malaysia<br />

is the greatest exporter for pineapple.<br />

The sigficant pinnacles at the main block<br />

The pinnacle ro<strong>of</strong> is one <strong>of</strong> the significant<br />

architectural element <strong>of</strong><br />

the <strong>Parliament</strong> building. This kind<br />

<strong>of</strong> shape is similar to the<br />

Pasar Bayang Kuala Terengganu<br />

which is one <strong>of</strong> the reason it<br />

become significant as it shows the<br />

culture <strong>of</strong> Malaysia. Besides that,<br />

it also make the building stands<br />

out compare to others buildings<br />

with the 11 huge triangular concrete<br />

pinnacle that formwhat has<br />

been described as “a concertina<br />

ro<strong>of</strong> reminiscent <strong>of</strong> the skin <strong>of</strong> a<br />

pineapple”. (david,2009)<br />

Other than aesthetic and cultural<br />

value, it is also very practical. It<br />

can cause echoes with it’s concrete<br />

surface to allow the members<br />

<strong>of</strong> House <strong>of</strong> Representatives<br />

to talk to each other even it’s<br />

a long distance. Since the microphone<br />

technology is not that advance during<br />

the old times, this element was really<br />

important.<br />

Furthermore, there are windows at the<br />

pinnacle which allow the sunlight penetrate<br />

into the hall.<br />

Bottom: Interior view <strong>of</strong> the piannacles<br />

from the Hall <strong>of</strong> Representatives<br />

18


Interior<br />

Staircase<br />

By: Christine Yeap Z. X<br />

Wang Pui Yee<br />

Many types <strong>of</strong> stairs are found in the house <strong>of</strong> parliament.<br />

Most <strong>of</strong> the stairs found there has timber<br />

balustrade that comes in one piece which is one<br />

<strong>of</strong> it’s significance for the stairs there. Besides, the<br />

stairs found at the loading bay area are mostly spiral<br />

staircase and most <strong>of</strong> them are made out <strong>of</strong> concrete<br />

and steel. One <strong>of</strong> the most important stairs is<br />

found around the foundation stone place. It is the<br />

pathway that is use by the Yang di-Pertuan Agong.<br />

The spiral staircase found in the house <strong>of</strong> parlimen<br />

actually break the regularity <strong>of</strong> modernism because<br />

modernism <strong>of</strong>ten has visual emphasism on horizontal<br />

and vertical lines. Furthermore these staircase<br />

are supported by timber spine which then creates<br />

floating effect. The timber spine are showed relates<br />

back to one <strong>of</strong> the modernism concept which is the<br />

visual expression <strong>of</strong> structure, not needing to hide<br />

any structural elements.<br />

Clockwise from top to bottom:<br />

Spiral Staircase At Loading<br />

Bay To Save Space.<br />

Half Landing Staircase With<br />

Timber Spine<br />

Arched Staircase<br />

Arched Staircase With Timber<br />

Spine<br />

19


There’s two stairs leading to the main hall in<br />

this building. One is used by outsiders and one<br />

is used only by the Agong himself. “The Royal<br />

Stairs” or “Once A Year Stairs” is exclusively used<br />

by the Yang di-Pertuan Agong and his consorts<br />

when they come to the house <strong>of</strong> representatives<br />

to <strong>of</strong>ficially open the new session <strong>of</strong> <strong>Parliament</strong>.<br />

Since this occasion only occurs once a year, the<br />

stairs are closed at all other times. Therefore<br />

from the picture you can see the stairs<br />

covered with plastics so that the carpet would<br />

not be dirtied and the entrance <strong>of</strong> the stairs is<br />

barricaded. Comparing both stairs, the stairs<br />

used by the Agong is covered by gold colour<br />

carpet and the timber balustrade <strong>of</strong> the stairs<br />

also have Malay motif carvings in gold colour<br />

making it look more grand. The other staircase<br />

used by outsiders does not have gold painted<br />

carvings nor gold colour carpet to reflect the gap<br />

between us and the Agong.<br />

Left & Right: Straight Stairs With Landing Access To Lobby.<br />

20


Column<br />

Ceiling<br />

Since the <strong>Parliament</strong> building was mean to be<br />

conserved, suspended ceiling had been introduced<br />

to replace plaster ceiling. Suspended<br />

ceiling is easier to maintain compared to plaster<br />

ceiling because when any problems such as water<br />

leaking happen, by just pushing out the panel,<br />

maintenance can be done whereas for plaster<br />

ceiling , the whole ceiling need to be removed in<br />

order to carry out the maintenance.<br />

All columns found in <strong>Parliament</strong> Buildinfg are three dimentional.<br />

As you can see from the picture above, all the<br />

columns found in the parliament building does<br />

not have any flat surface. So no matter from<br />

which angle you view the column it would have a<br />

three dimensional feel. Besides, the columns have<br />

high aesthetic value since in any way you view it ,<br />

its three dimensional.<br />

Columns are larger than they need to be to<br />

create stability, as this is the house <strong>of</strong> parlimen<br />

it has to give others an impression <strong>of</strong> elegance,<br />

power and anchored as they walk into the building.<br />

This is a place where powerful people come<br />

and make huge decisions and these decision<br />

actually anchors the whole country making sure<br />

21


Decorative Elements<br />

The decorative element on the wall, handrail,<br />

partitions, floor and doors are being done by<br />

wood carving, metal carving, glass carving and<br />

glass etching but the designs are all based on<br />

traditional Malay carving motifs. The basic<br />

design <strong>of</strong> traditional Malay carving is the awan<br />

larat (‘extending clouds’), floral and stalks <strong>of</strong><br />

leaves. There are 4 things to be taken notes, the<br />

design element must be evenly distributed in<br />

the<br />

composition, the empty or uncarved area<br />

should be the same as carved areas, never<br />

portray animals or humans and secondary design<br />

elements should be repeated around the<br />

central motif. This traditional Malay carving<br />

was added later on in order to show the culture<br />

<strong>of</strong> Malaysia but it was actually contradict<br />

with the architectural style <strong>of</strong> the <strong>Parliament</strong><br />

building which is modern.<br />

Wood carving on the wall<br />

Metal carving for the column<br />

Glass carving <strong>of</strong> floral motif<br />

pattern<br />

Pewter carving for door<br />

Floral motif on carpet.<br />

22


Decorative Elements<br />

The Yang di-Pertuan Agong’s (‘The Head <strong>of</strong> State <strong>of</strong> Malaysia’) waiting room<br />

The decoration <strong>of</strong> area that used by The YDPA is different<br />

compare to other areas in order to show the different<br />

Wall decoration <strong>of</strong> the YD-<br />

PA’s waiting room<br />

Wall decoration <strong>of</strong> the<br />

The handrail for<br />

the staircase<br />

which only used<br />

by the YDPA and<br />

his consorts.<br />

There are gold<br />

paint on the motif<br />

which other handrail<br />

does not have.<br />

The handrail from<br />

one <strong>of</strong> the staircase<br />

which only<br />

made <strong>of</strong> wood<br />

with carvings<br />

and metal.<br />

Carving wall decoration <strong>of</strong> the YDPA’s wait-<br />

The handle <strong>of</strong> the door<br />

where the YDPA will use<br />

when he want to enter<br />

the <strong>Parliament</strong> building.<br />

23


Statues<br />

There are two significant statues in this parliament<br />

building. One is the lion statue which is a<br />

gift from the Queen <strong>of</strong> United Kingdom and the<br />

other one is The Tunku Abdul Rahman’s statue.<br />

The Tunku Abdul Rahman’s statue was erected<br />

near the parliament square whereas the lion<br />

statue is situated near to the foundation stone<br />

<strong>of</strong> the parliament building. Tunku Abdul Rahman<br />

Putra Al-Haj is the first Prime Minister <strong>of</strong><br />

Malaysia and he is the one who suggested the<br />

construction <strong>of</strong> the <strong>Houses</strong> <strong>of</strong> <strong>Parliament</strong> in<br />

December 1959.<br />

Lion statue<br />

Statue <strong>of</strong> Tunku Abdul Rahman<br />

24


Conclusion<br />

The Malaysia House Of Parlimen has some <strong>of</strong> the most prominent characteristics<strong>of</strong> Modernism and International Style with the extensive use <strong>of</strong> reinforced<br />

concrete and steel structure. The international style had definitely infused with the local influences ending up having pineapple skin-like shell for<br />

the facade treatment and the pinnacles drew inspiration from the gabled ro<strong>of</strong> <strong>of</strong> the Vernacular style architecture, “ Ruman Melaka”.<br />

The most special finishes used for the building is the terrazo. As you can see the whole pineapple skin facade is covered with terrazo finishes. The building<br />

is a reinforced concrete frame building, constructed with skeletal construction method. It provides a cage or skeleton for supports, a lightweight construction<br />

method. The building also adapted the element from most famous master <strong>of</strong> modernism, Le Corbusier , the brise soleil. It is a sun shading device,<br />

which is a better option than heavily glazed facade. It is very applicable to the building based on Malaysia’s climate.<br />

One <strong>of</strong> the most important components found in the House <strong>of</strong> <strong>Parliament</strong> is the stairs. In the building there is a stair built especially for the Agong himself<br />

only and only he can get access to it, and the stairs found in the building mostly have timber balustrade that come in one piece and spiral staircase are<br />

supported by timber spines. The column found in the building are huge and there is no flat surface on it. The huge columns to create stability as to give<br />

others the impression <strong>of</strong> power and elegance when it comes to the House <strong>of</strong> <strong>Parliament</strong>.<br />

We find this building very unique as the construction method used and elements applied towards the building perfectly showed the modernist style and<br />

based on the technology back then the construction was quite hard but still they had managed to successfully built it and it could still be maintained till<br />

now. It is truly a national building to be proud <strong>of</strong>.<br />

Left: A group<br />

photo with<br />

our Paliment<br />

visit guide Mr.<br />

Black.<br />

Right: With<br />

Mr. Saiful at<br />

the JKR <strong>of</strong>fice<br />

along with<br />

members from<br />

another group<br />

25


Reference<br />

The architecture <strong>of</strong> statehood. In V. F. Chen (Ed.), (Vol. 5, p. 109). Kuala Lumpur: Archipelago Press.<br />

Introduction <strong>of</strong> parliament building. (n.d.). Retrieved from http://www.parlimen.gov.my/bangunan-parlimen-malaysia.html?uweb=p&lang=en<br />

Mohammad, A. K. (n.d.). Le corbusier’s solar shading strategy for tropical environment: a sustainable approach. Retrieved from http://www.ap.tu.ac.th/<br />

jars/download/jars/v10-1/02 Muhammad.pdf<br />

Phillip, J. The international style. (pp. 69-81). New York, London: WW.Norton and Company. Retrieved from http://www2.gwu.edu/~art/Temporary_<br />

SL/177/pdfs/johnson_1.pdf<br />

Ruth Oldham. “La Tourette.” . N.p., 13 Oct. 2010. Web. 20 June 2014. Retrieved from http://thinshoes.blogspot.com/2010/10/la-tourette.html<br />

“Architecture in Rotterdam, Van Nelle Designfactory.” . Rotterdam Marketing / VVV , n.d. Web. . Retrieved from http://www.architectuurinrotterdam.<br />

nl/building.php?buildingid=15&lang=en&PHPSESSID=228f4fae13d7250ef550110c6208b879<br />

Lai,C.K. (2007). Building Merdeka: Independence Architecture in Kuala Lumpur, 1957-1966. Kuala Lumpur, Malaysia: Petronas. Struktur Parlimen<br />

Malaysia. (n.d.). .Retrieved from http://www.parlimen.gov.my/pengenalan.html?uweb=p&&view=236<br />

Malaysia Handicraft Wood Carving. (n.d.). . Retrieved , from http://go2travelmalaysia.com/tour_malaysia/wd_crvg.htm<br />

The philosophy in the creation <strong>of</strong> traditional Malay carving motifs in Peninsula Malaysia. , 88-95. Retrieved , from http://www.ukm.my/geografia/images/upload/9.geografia-okt%202012-aishah-english-am.pdf<br />

THE STRENGTH AND RESILIENCE OF THE MALAYSIAN PARLIAMENT BUILDING – CELEBRATING 50 YEARS . (n.d.). . Retrieved , from<br />

http://www.parlimen.gov.my/images/webuser/artikel/ro/kamala/Article%20for%20Intranet%20-%20The%20Strength%20and%20Resilence%20<strong>of</strong>%20<br />

the%20<strong>Malaysian</strong>%20<strong>Parliament</strong>%20-%20Celebrating%2050%20years%20-%202<br />

26

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