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«Heading» - International League of Antiquarian Booksellers

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His first works date from the early 1850's, his first<br />

signed print, "picture by student Yasohachi", from 1852.<br />

His new artist's name "Kunichika" dates from 1854. His<br />

status within the studio grew and by the time <strong>of</strong><br />

Kunisada's death in 1865, Kunichika had been<br />

commissioned to produce several portraits <strong>of</strong> his<br />

teacher, and after Kunisada's death, was commissioned<br />

to design two memorial portraits. His increasing<br />

importance can be found in the Saikenki, a type <strong>of</strong><br />

popular guide containing ratings <strong>of</strong> ukiyo-e artists. In<br />

publications dating from 1865, 1867 and 1885,<br />

Kunichika's name appears among the top ten; in eighth,<br />

fifth and fourth place, respectively.<br />

Kunichika was little concerned for material wealth or<br />

personal appearance and was <strong>of</strong>ten in debt. He<br />

thoroughly enjoyed partying and drinking and fancied<br />

the theatre. His interest in Kabuki and his portrayal <strong>of</strong><br />

its actors gave him entree to their world and he spent<br />

hours backstage documenting the poses and facial<br />

expressions <strong>of</strong> the actors in their various roles.<br />

Contemporary reports observed that his use <strong>of</strong> color in<br />

his actor prints was the most skilful aspect <strong>of</strong> his art, in<br />

keeping with the Utagawa tradition. A master <strong>of</strong><br />

theatrical prints, Kunichika documented the history <strong>of</strong><br />

the Mejia-era Kabuki. His oban bust portraits are well<br />

known, but his Kabuki triptychs are among the most<br />

dramatic ever produced. He remained active up to the<br />

end <strong>of</strong> his life with documented works dating to only<br />

months before his death.<br />

142. [Kabuki Actors]<br />

Woodblock print (nishiki-e)<br />

Kunichika Toyohara (1835-1900)<br />

c. 1870<br />

Ôban tate-e triptych [Each sheet 14 x 9 1/2 inches]<br />

Signature: Toyohara Kunichika hitsu<br />

Seal: Toshidama<br />

[27391]<br />

£360<br />

Topography<br />

Oxford<br />

Kunichika died on July 19th, 1900 at the age <strong>of</strong> 65, due<br />

to poor health and heavy drinking. His grave can still be<br />

found at the Buddhist Shingon-sect temple <strong>of</strong> Honryuji<br />

in Imado, Asakusa. His death marked the end <strong>of</strong> an era<br />

<strong>of</strong> full-color woodblock actor prints and the end <strong>of</strong> the<br />

Ukiyo-e print tradition.<br />

Condition: Two small worm holes to top <strong>of</strong> centre and<br />

right panel. [27388]<br />

£325<br />

141. [Kabuki Actors]<br />

Woodblock print (nishiki-e)<br />

Kunichika Toyohara (1835-1900)<br />

c. 1870<br />

Ôban tate-e triptych [Each sheet 14 x 9 1/2 inches]<br />

mounted<br />

Signature: Toyohara Kunichika hitsu<br />

Seal: Toshidama<br />

[27390]<br />

£375<br />

143. The Spires <strong>of</strong> Oxford<br />

Etching and drypoint<br />

K. Vernon<br />

c. 1920<br />

Image 124 x 200, Plate 152 x 200 mm, Sheet 201 x 238<br />

mm<br />

mounted<br />

A scarce view <strong>of</strong> Oxford from New College Tower.<br />

[27713]<br />

£150

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