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«Heading» - International League of Antiquarian Booksellers

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King William III and Queen Mary, though there are no<br />

known portraits by him <strong>of</strong> either as sovereign.<br />

According to the Lennox-Boyd catalogue the young<br />

man has been identified as the geographer Edward<br />

Wells (1667 - 1730).<br />

Chaloner Smith 22 i/ii, Russell 22, Goodwin - James<br />

Watson 106, O Donoghue 1 i/ii, Lennox-Boyd ii/iii<br />

Ex. Col.: Hon. Christopher Lennox-Boyd<br />

Condition: A very strong impression. Some light foxing<br />

and toning to sheet, margins have been pressed flat but<br />

were once folded. Some creases to image an minor tears<br />

to margins. Some worm holes to the lower margin not<br />

affecting image or plate.<br />

[27620]<br />

£390<br />

Angler (1750), The Works and Rest <strong>of</strong> the Creation<br />

(1752) and The Excellency <strong>of</strong> the Knowledge <strong>of</strong> Jesus<br />

Christ (1772).<br />

Johann Sebastian Müller (1715-1792) was a German<br />

printmaker and publisher. Müller trained in Nuremberg<br />

and emigrated to England in 1744. By 1748 he was<br />

working in London at The Golden Head, on the corner<br />

<strong>of</strong> James Street Long Acre. Best-known for his portraits<br />

and engravings <strong>of</strong> historical and topographical subjects,<br />

he remained in England for the rest <strong>of</strong> his career.<br />

O’Donoghue 1<br />

Ex. Col.: Hon. Christopher Lennox-Boyd<br />

Condition: Trimmed within teh plate, hand written text<br />

on verso:<br />

“He was a methodist vicar <strong>of</strong> Olney, Buks. He wrote a<br />

book <strong>of</strong> bad poems. Publish’d Waltons book <strong>of</strong> Angling<br />

& his life./R: <strong>of</strong> Geo:II with / Whitfield & c / Jn<br />

Granger’s writing. / Died 1787. aged 84.”<br />

[27764]<br />

£35<br />

71. Mr. Moses Browne<br />

Copper engraving<br />

Johann Sebastian Müller after P. Brookes<br />

1752<br />

Image 135 x 75 mm, Sheet 147 x 81 mm<br />

unmounted<br />

Frontis to his Sunday Thoughts<br />

Moses Browne (1704-1787) was a pen-cutter from<br />

Clerkenwell, London, who became a poet and<br />

eventually rose amongst the ranks <strong>of</strong> the Church <strong>of</strong><br />

England. Browne made many contributions to the<br />

Gentleman’s Magazine, and met many distinguished<br />

literary figures <strong>of</strong> the time, including Samuel Johnson.<br />

Browne married Ann Wibourne in 1738, and went on to<br />

have nine children. Some records indicate he may have<br />

had up to thirteen. He was appointed vicar <strong>of</strong> Olney,<br />

Buckinghamshire in 1753. In 1764, he took the post <strong>of</strong><br />

chaplain at Morden College, Blackheath, London;<br />

claiming that his wage at Olney was not enough to<br />

support his large family. However, he remained vicar <strong>of</strong><br />

Olney at the same time as vicar <strong>of</strong> Sutton, Lincolnshire<br />

until his death in 1787. Browne’s notable works<br />

include: Piscatory Eclogues (1729), The Compleat<br />

72. Guiliemus Alabaster Anno Aetatis Svae LXVI<br />

Studii Arcanae Theologiae 33. [William Alabaster]<br />

Copper engraving<br />

John Payne after Cornelius Johnson<br />

1633<br />

Image 165 x 115 mm, Sheet 173 x 123 mm<br />

unmounted<br />

William Alabaster (1567–1640) was an English poet,<br />

playwright, and religious writer.<br />

John Payne (1607-1647) was the finest native-born<br />

engraver working during the reign <strong>of</strong> Charles I. He was<br />

probably the pupil <strong>of</strong> Dutch engraver Simon De Passe.<br />

Over fifty <strong>of</strong> his plates are known about; although they<br />

vary widely in quality, the best are outstanding<br />

examples <strong>of</strong> the art <strong>of</strong> engraving.

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