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«Heading» - International League of Antiquarian Booksellers

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Printed for Robt. Sayer Printseller in Fleet Street.<br />

c.1770<br />

Image 133 x 112 mm, Plate 150 x 112 mm, Sheet 214 x<br />

137 mm<br />

unmounted<br />

Portrait <strong>of</strong> Lady Christiana Collier, seated half-length<br />

and with her head in pr<strong>of</strong>ile to the left, looking at a dead<br />

bird on a table; whilst wearing a loose robe with a sash<br />

and a flower at her breast. Inscribed beneath image with<br />

three lines from Catullus in Latin.<br />

second wife, Alice Longfield with whom he appears in<br />

a painting by Z<strong>of</strong>fany. His son by his first marriage,<br />

James, also appears in the painting. Between 1774 and<br />

1784 the business traded as Sayer & Bennett; the<br />

partnership ending when Bennett suffered a mental<br />

collapse. Thereafter, until Sayer's death in 1794, the<br />

company was named Sayer & Co. or Robert Sayer &<br />

Co., probably a reference to his assistants Robert Laurie<br />

and James Whittle who would have taken over<br />

management when Sayer's health started to fail in 1792.<br />

From 1794 until Laurie's retirement in 1812 the<br />

business traded as Laurie & Whittle, Sayer having left<br />

the pair a 21-year lease on the shop and on the Bolt<br />

Court premises, as well as an option to acquire stock<br />

and equipment at £5,000, payable over three years.<br />

Sayer's son, James, never seems to have been involved<br />

in the business.<br />

Chaloner Smith 32a, Goodwin 28, Hamilton p.91<br />

Ex. Col.: Hon. Christopher Lennox-Boyd<br />

Condition: Light creasing to sheet, surface dirt to<br />

margins.<br />

[27762]<br />

£75<br />

James Watson (c.1740-1790) was born in Dublin,<br />

Ireland. As a young man he moved to London, where he<br />

studied mezzotint engraving. He became one <strong>of</strong> the<br />

leading mezzotint engravers <strong>of</strong> the day, producing fiftysix<br />

plates after the paintings <strong>of</strong> Joshua Reynolds. The<br />

majority <strong>of</strong> Watson's work was produced for Sayer,<br />

Boydell and other printsellers but he published some<br />

plates himself. Watson exhibited at the Society <strong>of</strong><br />

Artists from 1762 to 1775, during which time he was<br />

regarded as a master in his field.<br />

Robert Sayer (1725 - 1794) was a major publisher and<br />

seller <strong>of</strong> prints and maps. He first advertised prints for<br />

sale from the Golden Buck, Fleet Street, in December<br />

1748. The premises had been that <strong>of</strong> Philip Overton<br />

(d.1745) whose widow Mary had married Sayer's<br />

brother James in January 1747; this probably marks the<br />

date at which Robert took over the Overton business at<br />

the same address. James Sayer paid Land Tax on the<br />

shop until 1751, presumably to help his brother to<br />

establish his business. In 1753 Sayer became a<br />

liveryman <strong>of</strong> the Stationers' Company. On 16 July 1754<br />

he married Dorothy Carlos (d.1774); who, according to<br />

the Daily Advertiser, 19 July 1754, was "an agreeable<br />

young lady with a handsome fortune". In 1760 he<br />

moved from the Golden Buck to a premises in Fleet<br />

Street. At various times he took over the stock <strong>of</strong><br />

Herman Moll, John Senex, John Rocque and Thomas<br />

Jefferys; and probably also took over the stock <strong>of</strong> Henry<br />

Overton II in the 1760s. By the mid-1760s he was<br />

becoming increasingly successful; setting up a<br />

manufactory for prints, maps and charts in Bolt Court<br />

near Fleet Street. On 8 February 1780, he married his<br />

63. The Pet Rabbit.<br />

Mezzotint and etching<br />

Samuel Cousins after Marie Françoise Catherine<br />

(Fanny) Corbaux<br />

Published by Francis Graham Moon Friday 1 May 1835<br />

Image 355 x 284 mm, Plate 472 x 358 mm, Sheet 564 x<br />

449 mm<br />

Unmounted

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