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«Heading» - International League of Antiquarian Booksellers

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Ex.Col.: Edgar Seligman<br />

Ex.Col.: Sydney Vacher<br />

Condition: Trimmed inside <strong>of</strong> plate, Three collectors’<br />

marks on verso (Edgar Seligman: composed <strong>of</strong> The<br />

sword <strong>of</strong> the Master-fencer, the maulstick <strong>of</strong> the painter<br />

and monogram. Sydney Vacher: composed <strong>of</strong><br />

interlocking monogram. One unidentified: interlocking<br />

monogram within a hexagon)<br />

[27605]<br />

£80<br />

British Royalty<br />

41. Right Honourable and most noble Henry<br />

Wriothsly Earle <strong>of</strong> Southampton, Baron <strong>of</strong> Litchfield,<br />

Knights <strong>of</strong> the most nob: Ord: <strong>of</strong> ye Garter.<br />

Copper engraving<br />

Simon de Passe<br />

1617<br />

Image 180 x 112 mm, Sheet 183 x 113 mm<br />

unmounted<br />

42. His Majesty George the Third King <strong>of</strong> the United<br />

Kingdom <strong>of</strong> Great Britain and Ireland, &c. &c. &c. on<br />

his favourite charger Adonis.<br />

Mezzotint<br />

James Ward after Sir William Beechey<br />

London Published Feb. y 1st 1804 by J. Ward & Co.<br />

No. 6, Newman Street<br />

Image & Plate 643 x 552 mm, Sheet 752 x 588 mm,<br />

Inscription Plate 50 x 552 mm<br />

The engraved inscription on a seperate plate.<br />

Henry Wriothesley, 3rd Earl <strong>of</strong> Southampton (1573-<br />

1624). A favourite <strong>of</strong> Elizabeth I, Southampton had<br />

become earl two days before his eighth birthday. A<br />

lover <strong>of</strong> literature, he is the only known patron <strong>of</strong><br />

Shakespeare, and in 1593 Shakespeare dedicated the<br />

witty and erotic poem Venus and Adonis to him.<br />

Southampton's tempestuous relationship with the Queen<br />

culminated in his involvement in the Essex rebellion in<br />

1601 with his close friend the Earl <strong>of</strong> Essex. He was<br />

condemned to death when the rebellion failed, but his<br />

punishment was commuted to life imprisonment and he<br />

was released by James I. Southampton was known at<br />

court for his flamboyant appearance, particularly his<br />

auburn hair which he wore long.<br />

Simon De Passe (c.1595-1647) was the son <strong>of</strong><br />

prominent Dutch engraver and publisher Crispijn Van<br />

De Passe the Elder. His father was the founder <strong>of</strong> a<br />

distinguished publishing house in Cologne that<br />

produced portraits <strong>of</strong> European nobility and religious<br />

and other prints. The family were forced to leave<br />

Cologne because <strong>of</strong> their Anabaptist faith. They moved<br />

to Utrecht, and in 1616 Simon settled in London where<br />

he established for himself a successful portrait<br />

engraving practice. He contributed portraits to Henry<br />

Holland's Baziliologia (1618) and made a number <strong>of</strong><br />

portraits <strong>of</strong> the royal family, noblemen and scholars. In<br />

1624, he moved to Copenhagen as royal engraver to the<br />

king <strong>of</strong> Denmark, a post he held for the rest <strong>of</strong> his life.<br />

Hollstein 117, O'Donoghue 4, Franken 884, Hind<br />

II.269.54<br />

King George III (1738-1820), Reigned 1760-1820 was<br />

the eldest son <strong>of</strong> Frederick, Prince <strong>of</strong> Wales, and the<br />

first Hanoverian King to be born and bred in England.<br />

His reign from 1760 was one <strong>of</strong> the longest and most<br />

eventful in modern times. From 1788 he suffered from<br />

recurrent attacks <strong>of</strong> ill health, perceived by<br />

contemporaries as madness, which were probably<br />

symptoms <strong>of</strong> porphyria. His illness led him to withdraw<br />

from public life and the establishment <strong>of</strong> the Regency in<br />

1811. However, it was only in his weakened state that

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