THE DASBODHA BY: SADGURU SHREE SAMARTH RAMDAS ...
THE DASBODHA BY: SADGURU SHREE SAMARTH RAMDAS ... THE DASBODHA BY: SADGURU SHREE SAMARTH RAMDAS ...
appease the audience one always has to be on the look out for innovations in his religious discourse. The religious discourse should be done in such a way that it literally attracts the attention of the whole world for which one needs to have an inherent interest in religious discourse. The Gods like this type of worship. In the present times this is probably the only way to attract and improve the downtrodden. While doing it one should imagine that the God himself is talking from within one’s self. With utmost love one should sing the praise of the Gods’ indescribable powers. This is not easy but it can be achieved by practice and unflinching faith in the God. The religious discourse should be made interesting for the audience to remain engrossed in it. Religious discourse should be done in many ways which suits one’s style. An orator can do it best but a singer is no less effective if not more as his singing may captivate the audience. Same is true for an actor, dancer etc. The thing to be remembered is that the audience should be made so deeply involved in the stories about the God that they would sing, act and dance and even be moved to tears of joy. In the midst of all this the religious discourser should tell about the real knowledge, Vairagya, morals, ethics, justice, religion, Sadhana and finally the Parbrahma. The subject of the religious discourse should be according to the situation and the type of audience. Sometimes one has to talk about the bodily form of the God and at others one should tell about the Parbrahma. While presenting the subject hypothesis must be stressed. This requires Vedic knowledge which one must possess. The difference between Maya and Parbrahma should be stressed. During all this one should never ever forget the preaching of the Guru. One who is always careful and wise knows how to maintain Vairagya and the knowledge about the self. In the discourse nothing which will, create doubt, unhappiness, do injustice or lead to immorality and which will break the Sadhana should be talked. It is an art by itself that despite knowing the bodiless form of the God one should be able to describe the bodily form of the God so eloquently that the audience feels that the discourser is giving vent to their feelings. The religious discourser should be a man who has gained the knowledge through Guru and has the insurmountable experience of the Parbrahma. An experienced orator can maintain the fine balance in his oration regarding the Vedic preaching, the real and ultimate knowledge which will lead everyone in the audience to the correct spiritual path without hurting anyone’s faith. Shree Samarth now tells what can be achieved by religious discourse. He says that it has the power to; dissipate even the greatest of sins, get unified with the God, turn not only the speech but the thoughts also into the purest form, turn anyone into a man with high moral and ethical values and virtues, make the character of a man spotless, make one able to concentrate that much harder, all said and done it is not possible to describe completely what a religious discourse can accrue. The only words to describe it would be that the religious discourse is the resting place for the Parbrahma, the Gods and his choicest places of worship. END OF THE SECOND SAMAS
THE THIRD SAMAS – NAMSMARANBHAKTI (WORSHIP BY CHANTING GOD’S NAME) Shree Samarth says that one should continuously chant the name of the God. It should be done ideally all the time when one is awake but if that is not possible then it should at least be done in the morning, afternoon and in the evening. He advises that whatever the state of mind or the situation one should never leave chanting the God’s name. It doesn’t have to be taken at any particular time. No time is a bad time for it. It should be done when you are happy or unhappy, without problems or in the thick of them, while you are walking, talking, doing your own business or job, while eating, while enjoying all types of pleasures. You should do it irrespective of the fact of whether you are rich or poor. One shouldn’t allow the changes in the circumstances to affect your chanting of the God’s name. One thing that people resorting to this type worship forget to do is to continue with it when they become rich from being poor or when they turn poor from richness. This should never happen. Chanting of the God’s name removes all obstacles from your path and it takes you to a higher pedestal. All types of troubles vanish. The only clause for this is that one should not forget to chant the name of the God not only all the time all the while but even while you are dying. The great Sage Valmiki who wrote the great epic Ramayana even before Lord Ram was born chanted his name in the reverse order (which in Sanskrit means, “You die”), but the order automatically got corrected because of the continuous chanting and because there are only two letters in the word Ram in Sanskrit. The greatest sinner of the yore King Ajamel took the name of the God at the time of his death and that too because he wanted to call his son whose name was one of the thousand names of Lord Vishnu, and he was washed away off all the sins! There are so many examples of the worshippers getting Moksha due to just chanting of the God’s name, the religious books are replete with them. Even heavy stones and other materials have been able to remain afloat on the water as those using them were chanting the God’s name. The God is highly pleased with this simple method of worship of chanting his name all the time all the while. If you do it throughout your life you don’t require any other Sadhana, such is the great importance of this type of worship. The importance of the chanting of God’s name can’t be fully explained; suffice it to say that even Lord Mahesh could digest the worst poison because of it. Nobody is prevented from this type of worship by the religion. Even the illiterate and fools have benefited from it. This takes you from the innumerable troubles of leading a family life and helps you to forget about the happiness or otherwise that you get from time to time. At the end of it, it takes you to Moksha. Shree Samarth says that I have told this out of my own experience. END OF THE THIRD SAMAS THE FOURTH SAMAS – PADSEVANBHAKTI (WORSHIP BY SBUMITTING AT THE FEET OF THE GURU) For getting to the God submitting to the Guru at his feet by both the body and the mind is the fourth type of worship. This is done for breaking the cycle of birth and death.
- Page 5 and 6: SHREE SAMARTH SECT Shree Samarth re
- Page 7 and 8: deals with the day to day affairs a
- Page 9 and 10: satisfying of all that can be imagi
- Page 11 and 12: WHY HAS SHREE SAMARTH GIVEN UTMOST
- Page 13 and 14: moral, ethical and spiritual values
- Page 15 and 16: 2) He should have undergone probabl
- Page 17 and 18: the path shown by the Guru and goes
- Page 19 and 20: to help when the need arises. He ma
- Page 21 and 22: Samadhi is a great boon for the soc
- Page 23 and 24: According to the medieval tradition
- Page 25 and 26: THE THIRD SAMAS - SHARADASTAVAN (IN
- Page 27 and 28: Guru is something beyond the abstra
- Page 29 and 30: The rich always savor everything th
- Page 31 and 32: those who have the complete knowled
- Page 33 and 34: It is but quite evident that all th
- Page 35 and 36: of whom he attained the wealth, is
- Page 37 and 38: THE FOURTH SAMAS - BHAKTI NIRUPAN (
- Page 39 and 40: They always trouble those who are h
- Page 41 and 42: following spiritualism. They leave
- Page 43 and 44: industrious, use his powers of orat
- Page 45 and 46: THE THIRD DASHAK - SWAGUN PAREEKSHA
- Page 47 and 48: isk to both the mother and the fetu
- Page 49 and 50: His uncontrollable youthful desires
- Page 51 and 52: amongst all the members equally. Fo
- Page 53 and 54: death. Death is one of the very few
- Page 55: THE FOURTH DASHAK - NAVAVIDHA BHAKT
- Page 59 and 60: indescribable. Even the Vedas and M
- Page 61 and 62: offered becomes utmost kind to you.
- Page 63 and 64: diluted by our love for him or othe
- Page 65 and 66: asic elements of life, find them ou
- Page 67 and 68: and all the feelings associated wit
- Page 69 and 70: e afterthoughts but one is left sin
- Page 71 and 72: The knowledge about the Parbrahma w
- Page 73 and 74: Vairagya, the correct karmas, and S
- Page 75 and 76: eak! On top of that it has already
- Page 77 and 78: know that if they cling on to this
- Page 79 and 80: thought over and be read between th
- Page 81 and 82: concerned with anything else except
- Page 83 and 84: knowledge of the Atman, incorporate
- Page 85 and 86: The incompleteness of the Baddha is
- Page 87 and 88: says that now he will describe the
- Page 89 and 90: his favorite example to explain thi
- Page 91 and 92: Shree Samarth says that those who a
- Page 93 and 94: lessings of the Guru the experience
- Page 95 and 96: that you finally realize that there
- Page 97 and 98: something about it. This is wholly
- Page 99 and 100: If it is said that the Maya is true
- Page 101 and 102: While we try to search for the Atma
- Page 103 and 104: the real eternal bliss when you dee
- Page 105 and 106: the Atman and the Parbrahma. One wh
appease the audience one always has to be on the look out for innovations in his religious<br />
discourse. The religious discourse should be done in such a way that it literally attracts the attention<br />
of the whole world for which one needs to have an inherent interest in religious discourse.<br />
The Gods like this type of worship. In the present times this is<br />
probably the only way to attract and improve the downtrodden. While doing it one should imagine<br />
that the God himself is talking from within one’s self. With utmost love one should sing the praise<br />
of the Gods’ indescribable powers. This is not easy but it can be achieved by practice and<br />
unflinching faith in the God. The religious discourse should be made interesting for the audience to<br />
remain engrossed in it.<br />
Religious discourse should be done in many ways which suits one’s<br />
style. An orator can do it best but a singer is no less effective if not more as his singing may<br />
captivate the audience. Same is true for an actor, dancer etc. The thing to be remembered is that the<br />
audience should be made so deeply involved in the stories about the God that they would sing, act<br />
and dance and even be moved to tears of joy. In the midst of all this the religious discourser should<br />
tell about the real knowledge, Vairagya, morals, ethics, justice, religion, Sadhana and finally the<br />
Parbrahma.<br />
The subject of the religious discourse should be according to the<br />
situation and the type of audience. Sometimes one has to talk about the bodily form of the God and<br />
at others one should tell about the Parbrahma. While presenting the subject hypothesis must be<br />
stressed. This requires Vedic knowledge which one must possess. The difference between Maya<br />
and Parbrahma should be stressed. During all this one should never ever forget the preaching of the<br />
Guru.<br />
One who is always careful and wise knows how to maintain Vairagya<br />
and the knowledge about the self. In the discourse nothing which will, create doubt, unhappiness,<br />
do injustice or lead to immorality and which will break the Sadhana should be talked. It is an art by<br />
itself that despite knowing the bodiless form of the God one should be able to describe the bodily<br />
form of the God so eloquently that the audience feels that the discourser is giving vent to their<br />
feelings. The religious discourser should be a man who has gained the knowledge through Guru<br />
and has the insurmountable experience of the Parbrahma. An experienced orator can maintain the<br />
fine balance in his oration regarding the Vedic preaching, the real and ultimate knowledge which<br />
will lead everyone in the audience to the correct spiritual path without hurting anyone’s faith.<br />
Shree Samarth now tells what can be achieved by religious discourse.<br />
He says that it has the power to; dissipate even the greatest of sins, get unified with the God, turn<br />
not only the speech but the thoughts also into the purest form, turn anyone into a man with high<br />
moral and ethical values and virtues, make the character of a man spotless, make one able to<br />
concentrate that much harder, all said and done it is not possible to describe completely what a<br />
religious discourse can accrue. The only words to describe it would be that the religious discourse<br />
is the resting place for the Parbrahma, the Gods and his choicest places of worship.<br />
END OF <strong>THE</strong> SECOND SAMAS